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Jacques Fouquières (1580/90 - 1659)

Landscape, 1627

oil on canvas

 

(Stefanos Skouloudis Bequest, inv. no. Π.196)

Permanent Collection of the National Gallery, Athens, Greece.

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Jacques Fouquières (1580/90 Αμβέρσα - 1659)

Τοπίο, 1627

Λάδι σε μουσαμά, 93 x 118 cm

 

(Κληροδότημα Στέφανου Σκουλούδη, Αρ. έργου: Π.196)

Max Pechstein 'Am Seeufer' (Bank of a Lake), 1910, Kunsthalle (Museum of Art), Hamburg, Germany

Collective Memories

 

“A better kind of medicine for a better kind of world….” – Dr. C. F. Menninger

 

At the turn of the century, psychiatric hospitals were asylums, places for long-term care. The Topeka State Hospital, regarded as state-of-the-art in its day, was built in 1872 to provide “rest cure”. 70% of state hospital patients would remain hospitalized for life. Many patients had no further contact with their families. Problems ranging from patient neglect, abuse, forced sterilizations of patients, and the murder of a therapist by a patient plagued the Topeka State Hospital through its history. It lost its accreditation in 1988, and closed in 1997. The main building was demolished in 2010.

 

The Menninger Diagnostic Clinic opened in 1919, much to the chagrin of concerned citizens who feared a “maniac ward.” Because of the stigma of mental illness, the doctors had to bring patients in under erroneous diagnoses.

 

In 1925, Dr. C.F. Menninger, with sons Karl and Will, opened a 13-bed Sanitarium and Psychopathic Hospital in Topeka. They believed that mental illness could not only be treated, but cured. By 1935, Fortune magazine praised the Menninger Clinic as the “best private hospital west of the Alleghenies”. The Menningers worked collaboratively with other physicians to develop cooperative diagnosis and treatments for patients. Moods, emotions, and anxieties were treated as scientifically as temperatures and infections.

 

The doctors of the Menninger Clinic developed milieu therapy. All aspects of the patients’ experiences were to be therapeutic. Everyone from housekeepers to psychiatrists was involved in patient care. The Menningers hired artists to lead drawing, painting and sculpture classes. Patients worked in gardens, in the shops, and other activities that would increase their skills and confidence.

 

Dr. Will served in the U.S. Surgeon General’s Office, and helped develop mental health care for the military’s 2.5 million World War II veterans in need of mental health treatment. One hundred doctors joined the clinic to work with the Veterans Administration. Dr. Karl and Dr. Will wrote books, lectured, toured, and advocated for mental health. Dr. Will’s Diagnostic and Statistical Manual of Mental Disorders is still used in psychiatric training and practice. Topeka became the largest psychiatric training center in America.

 

"...Our conception of psychiatric hospitals here is not confinement; we think they are places in which to be treated, places in which to learn to understand one's self, to learn how to live." – Dr. Karl Menninger

In the 1940s – 1950s, the Menningers worked to reform state hospitals, including the Topeka State Hospital. After 5 years, the Menningers’ reform led to 80% of patients returning home after one year.

 

Dr. Will was on the cover of Time magazine in 1948, and Dr. Karl was awarded the Presidential Medal of Freedom in 1981, the only psychiatrists to be so honored. The Menninger Clinic in Topeka closed in 2003. The Menninger Clinic and Foundation is now affiliated with Baylor University and the Methodist Hospital System in Houston, Texas, and is a world leader in psychiatric treatment, research, and education.

 

Info from: www.menningerclinic.com/about/Menninger-history.htm

Attributed to Panayiotis Douxaras (1662-1729)

Scene inspired by the Battles of Alexander the Great

 

oil on canvas

(Private collection. On permanent loan to the Nationla Gallery)

 

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Αποδίδεται στον Παναγιώτη Δοξαρά (1662-1729)

Σκηνή εμπνευσμένη από τις μάχες του Μ. Αλεξάνδρου

 

λάδι σε μουσαμά

(Ιδιωτική συλλογή. Δάνειο διαρκείας στην Εθνική Πινακοθήκη)

Art Deco had an impact on all forms of design, from decorative arts to architecture, and from fashion to graphic arts. The origins of Art Deco are diverse. Art Nouveau, Cubism, Fauvism and

Futurism all impacted this new style. The influence of American jazz and dancers like Josephine Baker created interest in African ‘primitive’ arts.

 

Interest in ancient cultures also played a large role in Art Deco imagery. In 1922, famed Egyptologist Howard Carter delighted the world with his discovery of Tutankhamen’s tomb. Egyptian motifs and shimmering metallic colors were seen everywhere. The

patterns and geometric forms found in early American cultures played a large role in the Art Deco imagery as well.

 

Some of the characteristics of Art Deco are: understated and

restrained elegance; sharply angular and geometric lines;

futuristic concepts; suggestion of speed and movement; bold vivid and contrasting colors.

 

Common Themes: Leaves, branches, and feathers; Nudes; Trapezoids; Stylized animals; Chevrons and zigzags; Sunbursts; Geometric forms; Aztec, African and Egyptian cultural symbols

 

CLOCKWISE FROM TOP:

 

Maria and Julian Martinez

Bowl, c. 1930

Ceramic

Gift of Dr. and Mrs. Cotter Hirschberg

1986.041.001

 

Artist Unknown

Dan Tribe, West Africa

Mask

Wood, steel

Gift of Dr. And Mrs. Cotter Hirschberg 1978.012.018, 1978.012.030

 

Artist Unknown

Hathor in the form of a Cow

Hathor is the Egyptian sky goddess of love, beauty, motherhood and music.

 

Artist Unknown

Bastet in the form of a Cat

Bastet (Bast) grants protection against contagious diseases and evil spirits.

 

Artist Unknown

Glass dish, c. 1901

Glass, metal

Gift of Edward and Mary Wilder

1901.001.136

      

Chair sanded by Topeka State Hospital patients

On loan from an anonymous collector

 

This chair is typical of the ward furniture in the early days of Topeka State Hospital. In the 40s and 50s the furniture was updated. Many of the old chairs were used in therapeutic activities; it was thought that a focused repetitive activity would help patients to improve. Patients were told to sand these chairs for refinishing. Often the patients would sand in only one small area repeatedly until they were instructed to move to a different spot.

 

Collective Memories

 

“A better kind of medicine for a better kind of world….” – Dr. C. F. Menninger

 

At the turn of the century, psychiatric hospitals were asylums, places for long-term care. The Topeka State Hospital, regarded as state-of-the-art in its day, was built in 1872 to provide “rest cure”. 70% of state hospital patients would remain hospitalized for life. Many patients had no further contact with their families. Problems ranging from patient neglect, abuse, forced sterilizations of patients, and the murder of a therapist by a patient plagued the Topeka State Hospital through its history. It lost its accreditation in 1988, and closed in 1997. The main building was demolished in 2010.

 

The Menninger Diagnostic Clinic opened in 1919, much to the chagrin of concerned citizens who feared a “maniac ward.” Because of the stigma of mental illness, the doctors had to bring patients in under erroneous diagnoses.

 

In 1925, Dr. C.F. Menninger, with sons Karl and Will, opened a 13-bed Sanitarium and Psychopathic Hospital in Topeka. They believed that mental illness could not only be treated, but cured. By 1935, Fortune magazine praised the Menninger Clinic as the “best private hospital west of the Alleghenies”. The Menningers worked collaboratively with other physicians to develop cooperative diagnosis and treatments for patients. Moods, emotions, and anxieties were treated as scientifically as temperatures and infections.

 

The doctors of the Menninger Clinic developed milieu therapy. All aspects of the patients’ experiences were to be therapeutic. Everyone from housekeepers to psychiatrists was involved in patient care. The Menningers hired artists to lead drawing, painting and sculpture classes. Patients worked in gardens, in the shops, and other activities that would increase their skills and confidence.

 

Dr. Will served in the U.S. Surgeon General’s Office, and helped develop mental health care for the military’s 2.5 million World War II veterans in need of mental health treatment. One hundred doctors joined the clinic to work with the Veterans Administration. Dr. Karl and Dr. Will wrote books, lectured, toured, and advocated for mental health. Dr. Will’s Diagnostic and Statistical Manual of Mental Disorders is still used in psychiatric training and practice. Topeka became the largest psychiatric training center in America.

 

"...Our conception of psychiatric hospitals here is not confinement; we think they are places in which to be treated, places in which to learn to understand one's self, to learn how to live." – Dr. Karl Menninger

In the 1940s – 1950s, the Menningers worked to reform state hospitals, including the Topeka State Hospital. After 5 years, the Menningers’ reform led to 80% of patients returning home after one year.

 

Dr. Will was on the cover of Time magazine in 1948, and Dr. Karl was awarded the Presidential Medal of Freedom in 1981, the only psychiatrists to be so honored. The Menninger Clinic in Topeka closed in 2003. The Menninger Clinic and Foundation is now affiliated with Baylor University and the Methodist Hospital System in Houston, Texas, and is a world leader in psychiatric treatment, research, and education.

 

Info from: www.menningerclinic.com/about/Menninger-history.htm

Christian Schad 'Bildnis Egon Erwin Kisch' (Portrait of Egon Erwin), 1928, Kunsthalle (Museum of Art), Hamburg, Germany

National Gallery Athens, Greece.

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Εθνική Πινακοθήκη, Αθήνα.

Savvidis Symeon (1859 - 1927)

Colour Study, 1910

Oil on canvas, 60,9 x 50,9 cm

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Συμεών Σαββίδης (1859 - 1927)

Σπουδή για το χρώμα, 1910

Λάδι σε μουσαμά, 60,9 x 50,9 cm

 

Συλλογή Ιδρύματος Ε. Κουτλίδη

Tuscan Painter

Love Triumphant, c. 1620-1630

 

oil on canvas

(Stefanos Skouloudis Bequest)

Permanent Collection of the National Gallery, Athens, Greece.

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Ζωγράφος της Τοσκάνης

Έρωτας θριαμβευτής, π. 1620-1630

 

λάδι σε μουσαμά

(Κληροδότημα Στέφανου Σκουλούδη)

Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.

Wols 'Komposition' (Composition), 1947, Kunsthalle (Museum of Art), Hamburg, Germany

Yannis Tsarouchis (1910-1989)

Neon Cafe at Night, 1965-1966

oil on canvas

(inv. no. 3698)

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Γιάννης Τσαρούχης (1910-1989)

Καφενείο το "Νέον" (νύχτα), 1965-1966

λάδι σε μουσαμά

(αρ. έργου 3498)

Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.

National Gallery, Athens, Greece.

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Από τη μόνιμη συλλογή της Εθνικής Πινακοθήκης. Αθήνα.

Georgios Iakovidis (1853-1932)

Children's Concert, 1900

 

oil on canvas

 

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Γεώργιος Ιακωβίδης (1853-1932)

Παιδική Συναυλία, 1900

 

λάδι σε μουσαμά

Georgios Jakovides (1853 - 1932)

Children's Concert, 1900

oil on canvas

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Γεώργιος Ιακωβίδης

Παιδική Συναυλία, 1900

 

Λάδι σε μουσαμά, 176 εκ. x 250 εκ.

Niki Kanagini (1933)

Newspaper, 1975

 

pencil on paper

 

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Νίκη Καναγκίνη (1933)

Εφημερίδα, 1975

 

μολύβι σε χαρτί

Commingling Contemporary: Selections from the Permanent Collection, April 12 -June 22, 2012, April 12 Opening reception, 6 pm, 103 Garland Hall, Selections from the Permanent Collection will be featured in this annual exhibit. The Sarah Moody Gallery of Art Permanent Collection was initiated in the late 1960s with an emphasis on modern and contemporary art, particularly in photography and works on paper. In recent years collecting has expanded to include painting and sculpture. Internationally known artists represented in the collection include Sally Mann, Elizabeth Murray, Chuck Close, Lee Krasner, Carrie Mae Weems, Wassily Kandinsky, Luis Jimenez, Samuel Mockbee,Robert Kushner, Jim Dine, Judy Pfaff , William Christenberry (UA MA 1966) and Walker Evans.

George Segal 'Girl Putting on Mascara' (Mädchen sich Wimperntusche aufegend), 1968, Galerie der Gegenwart (Museum of Contemporary Art), Kunsthalle, Hamburg, Germany, Permanent Collection, Art, Kunst, Modern, Contemporary, Deutschland, Hanneorla

Max Ernst 'Ein schöner Morgen' (A Beautiful Morning) 1965, Kunsthalle (Museum of Art), Hamburg, Germany

Kallivokas Dionysios (1806 - 1877)

Portrait of Man and Wife, 1858

Oil on canvas, 48 x 58 cm

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Διονύσιος Καλλιβωκάς (1806 - 1877)

Προσωπογραφία ανδρόγυνου, 1858

Λάδι σε μουσαμά, 48 x 58 cm

 

Συλλογή Ιδρύματος Ε. Κουτλίδη, Αρ. έργου: Κ.769

Torres is an internationally known artist. Some time ago the Museum featured a large solo show of his work. This piece has some unavoidable glare at the top right. I did all that I could to minimize it. I am happy to write that THE MASK is in the Permanent Collection of the Marietta Cobb Museum of Art.

Detail from:

Tuscan Painter

Love Triumphant, c. 1620-1630

 

oil on canvas

(Stefanos Skouloudis Bequest)

Permanent Collection of the National Gallery, Athens, Greece.

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Λεπτομέρια από:

Ζωγράφος της Τοσκάνης

Έρωτας θριαμβευτής, π. 1620-1630

 

λάδι σε μουσαμά

(Κληροδότημα Στέφανου Σκουλούδη)

Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.

Social Issues

 

Elizabeth (Grandma) Layton

Censorship, 1989

Lithograph

TSCPL permanent collection, 1990.6

 

Elizabeth Layton, a native of Wellsville, Kansas began drawing in 1977 at the age of

sixty-eight when she took a drawing class at a local university. She suffered from bouts of depression for much of her life, which caused her to identify with those tormented by the pressures of modern society. Her work dispels the myths and misconceptions of old age. Regarding this piece, Censorship, Layon wrote:

 

This old woman is bound and gagged and can no longer draw. Her

principles have been X-ed out. I guarantee you she feels like a zilch.

In the background, from top left, counter-clockwise; Interstate-70

billboard art by Tillie Woodward of a Nazi soldier hanging two Russian

resistance fighters, which was censored and plastered over June 5, 1985;

the Goddess of Liberty falling broken in China's Tiananmen Square;

a pile of the old woman's drawings torn up and censored; quotation,

"The first exception (to the First Amendment) will not be the last"

—Ira Glasser; sheaf of CLASSIFIED papers beginning and ending with LIED.

-Elizabeth Layton

  

Edvard Munch 'Mädchen am Meer' (Girls on the Shore), 1904, Kunsthalle (Museum of Art), Hamburg, Germany

Smithsonian Institution NATIONAL PORTRAIT GALLERY at 8th and F Street, NW, Washington DC on Sunday afternoon, 9 February 2014 by Elvert Barnes Photography

 

Portrait of Frederick Douglass

 

Douglass (1818-1895) by an unidentified artist. Courtesy National Portrait Gallery, Smithsonian Institution, Washington, D.C. Although this portrait is attributed to an unidentified artist, Dolly Stetson’s letter of April 15, 1845 suggests that Elisha Hammond, a member of the Northampton Association, painted Douglass’ portrait during Douglass’es visit to the Association in 1845.

 

Visit NPG / PERMANENT COLLECTION website at www.npg.si.edu/collection/permanent.html

 

Elvert Barnes FEBRUARY 2014 BLACK HISTORY MONTH Project

"Venus" (detail)

bronze sculpture, ca 1925

by Boris Lovet-Lorski

DeYoung Museum

San Francisco, California

Wilhelm Lehmbruck 'Mutter mit Kind' (Mother and Child), 1918, Kunsthalle (Museum of Art), Hamburg, Germany

Otto Mueller 'Mädchen im Grünen' (Girls in Nature), 1922, Kunsthalle (Museum of Art), Hamburg, Germany

Art Therapy at Winters Veterans Hospital and the Menninger Clinic

 

Mary Huntoon (Mayme Parsons Hoyt) (1896 – 1970)

Born Mayme Parsons and christened Mary Huntoon Atkinson, Huntoon was a graduate of Topeka High School and Washburn College. She studied in New York at the Art Students League for six years with Joseph Pennell, George Bridgman and Robert Henri. She spent five years in Paris, where she chose Mary Huntoon as her professional name.

 

She joined the Menninger Foundation in 1934, remaining there through 1948. Huntoon was a pioneer in art therapy, calling those she worked with “students,” not “patients.” Her students’ work won prizes in the Topeka Free Fair. Eighty percent of her patients were discharged after one year. In 1946 she was named Director of the Art Department, Physical Medicine and Rehabilitation at the Winter Veterans Hospital.

 

Portrait of John Stone (first Business Manager for the Menninger Foundation; c 1938

Gift of the Margaret L. Stone estate via Tim, Judson, Nancy and Judy Stone, 1984.13

  

Ruth Faison Shaw was an art therapist at the Menninger Foundation. She sent a young patient to wash his hands with iodine, but found him instead using it to paint on the walls. She realized the connection the hands have to emotions. Shaw would have her patients make fingerpaintings, then use the paintings to talk about their emotions and thoughts while they were making them. Observing that some patients ate the paints, she developed non-toxic water-based paints.

 

Untitled (c 1930s)

Finger-paint on paper

Gift of the Menninger Foundation

2003.27.39

  

Avis Chitwood

Menninger Sanitarium

Etching

Gift of the Menninger Foundation

2003.27.40

 

Unknown, School of Genoa (17th century)

Joseph embracing his Father

 

oil on canvas

(Donation of the University of Athens)

Permanent Collection of the National Gallery, Athens, Greece.

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Αγνωστος, Σχολής της Γένοβας (17ος αιώνας)

Ο εναγκαλιασμός του Ιωσής με τον πατέρα του

 

λάδι σε μουσαμά

(Δωρεά Πανεπιστημίου Αθηνών)

Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.

George Segal 'Girl Putting on Mascara' (Mädchen sich Wimperntusche aufegend), 1968, Galerie der Gegenwart (Museum of Contemporary Art), Kunsthalle, Hamburg, Germany, Permanent Collection, Art, Kunst, Modern, Contemporary, Deutschland, Hanneorla

Detail from:

Theodoros Vryzakis (1819-1878)

Greece in Gratitude, 1858

 

oil on canvas

(Maria Th. Ipsilanti Bequest)

 

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Λεπτομέρια από:

Θεόδωρος Βρυζάκης (1819-1878)

Η Ελλάς ευγνωμονούσα, 1858

 

λάδι σε μουσαμά

(Κληροδότημα Μαρίας Θ. Υψηλάντη)

Theodoros Vryzakis (1819-1878)

The Bishop of Old Patras Germanos Blesses the Flag of the Greek War of Independence, 1865

 

oil on canvas

(Donation of the University of Athens)

 

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Θεόδωρος Βρυζάκης (1819-1878)

Ο Παλαιών Πατρών Γερμανός ευλογεί τη σημαία της επανάστασης, 1865

 

λάδι σε μουσαμά

(Δωρεά του Πανεπιστημίου Αθηνών)

Pablo Picasso 'Mann mit Gitarre' (L'homme a la guitarre) (Man with Guitar), 1918, Kunsthalle (Museum of Art), Hamburg, Germany

Unknown Painter from the Low Countries (16th century)

Old age (?)

 

oil on wood

(Donation of the University of Athens)

Permanent Collection of the National Gallery, Athens, Greece.

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Αγνωστος Ζωγράφος των Κάτω Χωρών (16ος αιώνας)

Το γήρας (;)

 

λάδι σε ξύλο

(Δωρεά του Πανεπιστημίου Αθηνών)

Μόνιμη συλλογή της Εθνικής Πινακοθήκης, Αθήνα.

School No. 6, 1993

Please do look below for larger versions.

  

Ilya Kabakov created School No.6 in 1993 as a gift to the Chinati Foundation. The work occupies an entire building that is subdivided into rooms reminiscent of an abandoned schoolhouse from the former Soviet Union. The spaces are filled with faded posters, flags, and emblems; everything is broken, boarded-up, and neglected. Bookcases and desks with Russian notebooks and memorabilia scattered throughout the disordered classrooms tell an elliptical story about another place and time. The walls are painted an institutional green, which is peeling. In the center of the building is a courtyard overgrown with grass and weeds. In faded red, glass-enclosed vitrines, Kabakov's poetic writing recounts the stories and recollections of the students' past experience in the school.

 

www.ilya-emilia-kabakov.com/

Detail from:

Theodoros Vryzakis (1819-1878)

Greece in Gratitude, 1858

 

oil on canvas

(Maria Th. Ipsilanti Bequest)

 

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Λεπτομέρια από:

Θεόδωρος Βρυζάκης (1819-1878)

Η Ελλάς ευγνωμονούσα, 1858

 

λάδι σε μουσαμά

(Κληροδότημα Μαρίας Θ. Υψηλάντη)

CC's is a stenciled print in 9 colors on handmade paper, and LJ's is an edition of 80: ink, glitter on paper.

Commingling Contemporary: Selections from the Permanent Collection, April 12 - June 22, 2012, April 12 Opening reception, 6 pm, 103 Garland Hall, Selections from the Permanent Collection will be featured in this annual exhibit. The Sarah Moody Gallery of Art Permanent Collection was initiated in the late 1960s with an emphasis on modern and contemporary art, particularly in photography and works on paper. In recent years collecting has expanded to include painting and sculpture. Internationally known artists represented in the collection include Sally Mann, Elizabeth Murray, Chuck Close, Lee Krasner, Carrie Mae Weems, Wassily Kandinsky, Luis Jimenez, Samuel Mockbee,Robert Kushner, Jim Dine, Judy Pfaff , William Christenberry (UA MA 1966) and Walker Evans.

Fytalis Georgios (*1830 Isternia, Tinos - *1880 Athens)

Shepherd with Baby Goat, [1856]

 

(Marble, 110 x 48 x 42 cm Inv. no: Π.1418)

 

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Γεώργιος Φυτάλης (1830 - 1880)

Βοσκός με κατσικάκι, [1856]

 

Μάρμαρο, 110 x 48 x 42 cm

(Κληροδότημα Νικολάου Ιωάννου Ηλιόπουλου, Αρ. έργου: Π.1418)

 

Lytras Nikos (1883 - 1927)

Portrait of the Little K.M., 1914

Oil on canvas, 130 x 60 cm

 

(Inv. no: Π.10168)

 

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Λύτρας Νίκος (1883 - 1927)

Πορτραίτο του μικρού Κ.Μ., π. 1915

λάδι σε μουσαμά

 

(αρ. έργου Π.10168)

Karl Schmidt-Rottluff 'Atelierpause' (Rest in the Studio) 1911, Kunsthalle (Museum of Art), Hamburg, Germany

Polychronis Lembesis (1848-1913)

The Boy with the Rabbits, 1879

 

oil on canvas

(Donation of Michael Salvagos)

 

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Πολυχρόνης Λεμπέσης (1848-1913)

Το παιδί με τα κουνέλια, 1879

 

λάδι σε μουσαμά

(Δωρεά Μιχαήλ Σαλβάγου)

Detail from:

Theodoros Vryzakis (1819-1878)

Greece in Gratitude, 1858

 

oil on canvas

(Maria Th. Ipsilanti Bequest)

 

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Λεπτομέρια από:

Θεόδωρος Βρυζάκης (1819-1878)

Η Ελλάς ευγνωμονούσα, 1858

 

λάδι σε μουσαμά

(Κληροδότημα Μαρίας Θ. Υψηλάντη)

Nikolaos Gyzis (1842-1901)

Peek-a-Boo, 1882

 

oil on canvas

(Anonymous donation in memory of Dimitrios Tzirakopoulos

 

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Νικόλαος Γύζης (1842-1901)

Κούκου, 1882

 

λάδι σε μουσαμά

(Δωρεά ανωνύμου στη μνήμη Δημητρίου Τζιρακόπουλου)

Virtuoso rendering of a portrait painter by a portrait painter. Carolus-Duran was the artist formerly known as Charles Auguste Émile Durand (1837-1917).

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