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Smithsonian Institution NATIONAL PORTRAIT GALLERY at 8th and F Street, NW, Washington DC on Sunday afternoon, 9 February 2014 by Elvert Barnes Photography

 

THE STRUGGLE FOR JUSTICE Permanent Exhibition

Paul Peck Gallery

 

Visit NPG / THE STRUGGLE FOR JUSTICE website at www.npg.si.edu/exhibit/struggle/index.html

 

Elvert Barnes FEBRUARY 2014 BLACK HISTORY MONTH Project

January 28, Fahamu Pecou lectured in Gorgas Library, the first in the Paul R. Jones Lecture series. Photo by Elliot A. Knight.

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Leonard Baskin (artist)

Robert Francis (poet)

 

The Pumpkin Man (1986)

Woodcut, letterpress

Gift of William P. Bishop in memory of Lillian Green Bishop

2009.34

 

When I was little, I had an elderly relative who had this kind of intensity of feeling in his face. I was a little afraid of him, but he turned out to be a very kind person. He had earned his face. He raised and canned his own vegetables, and had a great sense of humor. He lived to be 102, and was driving until the last year of his life. He’d go visit the 80-year-olds at the nursing homes.

 

–Sherry Best

Porcelain vessel by Bennett Bean and Marion accordion book by Shu-Ju Wang.

Judith Lennox (Sabatini)

Topeka KS

 

Figure I (20th c.)

Gelatin silver photograph

Gift of John L. and Helen L. Petterson

2007.24.2

 

I am immediately drawn to the painterly quality of this photograph. Typically, one does not associate photography with the absolute minimal, which I find intriguing. Looking at Figure I, I am instantly reminded of self-taught Austrian painter Arnulf Rainer. His work incorporates painting and drawing. His mark-making though is much more intense, where the exposed marks in Sabatini’s Figure I are fluid and soft.

 

Figure I is a successful work because it teeters on the edge of painting and photography. I wonder if this photograph isn’t about the female figure at all. Instead, we are looking at the gesture of line and abstraction of the figure. Are we looking at a photograph, a painting, or are we looking at both?

 

–Trish Nixon

 

Carol Summers

Vesuvio

Lithograph

TSCPL Permanent Collection, 1963.619

 

INTERIOR DETAIL

 

11/150: William H. Bratton discharge, 1883 Bratton was a northeast soldier, the great-great grandfather of Phillip Menninger. Inside the case are campaign and reunion buttons. Gift of the Menninger Foundation 2003.27.35

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Leonard Baskin (artist)

Robert Francis (poet)

 

The Pumpkin Man (1986)

Woodcut, letterpress

Gift of William P. Bishop in memory of Lillian Green Bishop

2009.34

 

When I was little, I had an elderly relative who had this kind of intensity of feeling in his face. I was a little afraid of him, but he turned out to be a very kind person. He had earned his face. He raised and canned his own vegetables, and had a great sense of humor. He lived to be 102, and was driving until the last year of his life. He’d go visit the 80-year-olds at the nursing homes.

 

–Sherry Best

Εθνική Πινακοθήκη - Μόνιμη Συλλογή

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Jean Bass

Topeka KS

 

Concert in Red and Blue (2007)

Fabric, silk and Peruvian linen

2008.5

 

I’m pleased to add one of Jean’s works to the collection. She has such a delicate touch with fabric, sewing, texture, and color.

 

–Sherry Best

Phil Epp

Newton KS

 

Adobe at Night (20th c.)

Woodcut

Gift of Bernard O. Stone and Becky Richmond

2005.37.2

 

I picked this because I like successful short-cuts. The gradual blue-to-yellow transition in this background gradient takes perfect advantage of the natural distribution of pigment “smeared” from one color into the next. Hand-coloring or printing multiple runs to add color was possible, but would have been more time-consuming and labor-intensive.

 

Epp manages to get the blue sky to end just where the earth yellow needs to begin to distinctly separate air and land. The dwelling seems shrouded in light. The mood here is one of isolation and solitude, which is really why I’m drawn to it. I imagine being there and having a great sense of focus and clarity.

 

–Heather Kearns

Jon Kuhn | Winston-Salem, NC

"Monolith" (1985)

Glass, chemically treated, ground, and polished

1985.24

Jessica White

Asheville, NC

 

The Bad Sparrow: or My Pathetic Fallacy

(2008)

Paper, printing

Edition of 100

Heroes and Criminals Press, Asheville NC

2009.41

Gift of the artist

Cloth prepared for tie-dye

Ghana

Photo by Laura Dalrymple

Otto & Vivika Heino

Vase (1988-89)

Porcelain

TSCPL Permanent Collection; 1989.19

L to R clockwise from top: From A Drawing II by Nicolas Homosky, Loligo 13 by Larry Peters, Ming by Ken Price

  

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77/150: Dr. Karl Menninger’s Medal of Freedom, awarded by President Jimmy Carter, January 16, 1981. Citation: “Karl Menninger has taught us much about ourselves and our behavior. An acute observer and social critic, he has put into action what he has put onto paper. As an author and doctor, his works range from popular, written accounts of psychiatry to studies done in his own hospital, from creating homes for parentless children to reforming the penal system. With the wisdom of his years, he truly does represent the ideas of another generation – one of the future, rather than of the past.”

LEFT TO RIGHT:

 

John R. Burchetta | Lawrence, KS

"Audio Glass Series, KY-102" (1983)

Glass

Topeka Crafts Competition 7

Friends of the Library Purchase Award

1983.9

 

Vernon Brejcha | Lawrence, KS

Untitled (1979)

Glass

Topeka Crafts Competition 3

Friends of the Library Purchase Award

1979.9

 

Vernon Brejcha | Lawrence, KS

Stoppered bottle (1976-77)

Glass

Topeka Crafts Competition 1

Friends of the Library Purchase Award

1977.3

Smithsonian Institution NATIONAL PORTRAIT GALLERY at 8th and F Street, NW, Washington DC on Sunday afternoon, 9 February 2014 by Elvert Barnes Photography

 

THE STRUGGLE FOR JUSTICE Permanent Exhibition

Paul Peck Gallery

 

Visit NPG / THE STRUGGLE FOR JUSTICE website at www.npg.si.edu/exhibit/struggle/index.html

 

Elvert Barnes FEBRUARY 2014 BLACK HISTORY MONTH Project

Eddie Dominguez

"Sangre de Cristo"

Copper and clay

TSCPL Permanent Collection; 98.39

Zane Hochberg

Untitled, 1966

Oil, canvas

TSCPL Permanent Collection, 1988.028

 

86/150: Wiley William Watson, “Old Bill Dollar If I don’t go to Washington, I will be in Topeka Friday – so many things one can buy then”, 1901, ink on paper (1883-1963), Gift of Kaw Valley Antiques

56/150: Topeka High School Yearbook, 1917. Aaron Douglas illustrated the cover. After leaving Topeka for New York City, he was an influential member of the Harlem Renaissance, and has been called “the father of African-American art.” The Topeka Room has many Shawnee County yearbooks.

Man's wedding shirt. Mali. Songhi, Bogon or Bamana. On loan from Laura Dalrymple and Jim Harris. Speckled pattern made from stamping.

Since words bat and good luck are pronounced the same in Chinese, the bat is a symbol of longevity and good luck. Five bats represent the Five Blessings: longevity, ease, riches, honors and joy.

 

A deer is the symbol of long life and is the only animal able to find the sacred fungus of immortality. It may also symbolize wealth, as deer and official salary are homophones (pronounced the same) in Chinese. To give a gift of a deer to an official taking a placement exam is to wish them luck with their potential raise.

 

5. Deer serving dish

ca. 20th century

Pewter, green glass, red enamel

97.40.71

Shu-Ju Wang

More Than Plenty, 2002

TSCPL Permanent Collection, 2008.49

 

Hammer Museum New Gallery and Lobby Openings

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Heather Weston

England

 

Shedding Light (2005)

Paper, Braille text, printing, felt

Edition of 150

The Bookery, London, England

2009.27

 

Heather’s book challenges us to look at books and reading in a different way. The reader has to figure out the coded message to decipher the text. The artist has given us a way to read the book, but it’s still not easy.

 

–Brea Black

 

Hammer Museum New Gallery and Lobby Openings

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83/150: Dr. Cotter Hirschberg, How to Talk about… book, How the Body Works. Cotter Hirschberg was a child psychiatrist at the Menninger Clinic, and wrote a series of these books about talking with children. They included anger, fear, going to doctors, and body functions.

Richard Stauffer | Emporia, KS

Untitled (2003)

Glass

Gift of Sarah Woellhof

2006.17.2

22/150: Henry Worrall, Exodusters in Topeka: engravings of the Barracks, Harper’s Weekly, July 5, 1879

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