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22/150: Henry Worrall, Exodusters in Topeka: engravings of the Barracks, Harper’s Weekly, July 5, 1879
Avis Chitwood | Topeka, KS
Untitled pitcher (1913)
Hand-painted porcelain
Gift of Janice Gartrell for Avis Chitwood, 2009.014.18
Nature
Karen Estelle Koblitz
Bucket of Fish, 1981
Earthenware
Topeka Craft Exhibition 6 Purchase Award, 1982.7
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Jo Ellen Trilling
New York NY
Cinderella (2006)
Soft sculpture and handmade book
Gift of the Swogger Foundation
2006.28
The artist made this doll by hand, and rewrote the story of Cinderella using these animals as characters. The cat is Cinderella and the mouse is the fairy godmother. The characteristics of the animals remain in the characters—the mouse casts a spell on Cinderella to make her knit so Cinderella can’t eat her.
–Sherry Best
Smithsonian Institution NATIONAL PORTRAIT GALLERY at 8th and F Street, NW, Washington DC on Sunday afternoon, 9 February 2014 by Elvert Barnes Photography
THE STRUGGLE FOR JUSTICE Permanent Exhibition
Paul Peck Gallery
Visit NPG / THE STRUGGLE FOR JUSTICE website at www.npg.si.edu/exhibit/struggle/index.html
Elvert Barnes FEBRUARY 2014 BLACK HISTORY MONTH Project
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11/150: William H. Bratton discharge, 1883 Bratton was a northeast soldier, the great-great grandfather of Phillip Menninger. Inside the case are campaign and reunion buttons. Gift of the Menninger Foundation 2003.27.35
Moccasins, North America
Grass and cord, 20th c.
Gift of Annie B. Sweet
Topeka & Shawnee County Public Library Permanent Collection, S-7
Part of the permanent exhibition "Six centuries of Swedish glass" at the Museum of Småland.
This little schnapps decanter caught my eye because of the shape and also the title, which reads "Fyllesvin" (which translates as "drunken swine").
Smithsonian Institution NATIONAL PORTRAIT GALLERY at 8th and F Street, NW, Washington DC on Sunday afternoon, 9 February 2014 by Elvert Barnes Photography
THE STRUGGLE FOR JUSTICE Permanent Exhibition
Paul Peck Gallery
Visit NPG / THE STRUGGLE FOR JUSTICE website at www.npg.si.edu/exhibit/struggle/index.html
Elvert Barnes FEBRUARY 2014 BLACK HISTORY MONTH Project
DETAIL
25/150: The Boys’ Chronicle, 1903, Published by Boys’ Industrial School (BIS) which later became the Youth Center at Topeka (YCAT), which is still in operation today in north Topeka as a juvenile detention facility. The BIS taught boys trades, including printing.
Phelps Cunningham | Kansas
"Helleborus niger / Christmas rose" (c. 1930)
Woodblock engraving
Gift of Charles Marshall
1981.003.001
Cassava bead maker (top left). Ghana. Bead makers use molds with posts to make beads. This mold is for small red beads. On loan from Laura Dalrymple and Jim Harris.
Avis Chitwood | Topeka, KS
"Anemonies, Violets, Adder's Tongue, and Dutchman's Breeches"
No date
Screenprint
Gift of Janice Gartrell in memory of Avis Chitwood
2009.04.003
Lauren Faulkenberry
The Heart Wants What it Wants, 2010
Bookcloth, Paper, Letterpress
TSCPL Permanent Collection, 2011.019
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Granary door. Mali, Dogon. 19th-20th century. Wood. Gift of Dr. Cotter and Jeanne Hirschberg.
Necklace. 19th century. Gift of Dr. Cotter and Jeanne Hirschberg. Necklace. Amulet and glass. 20th century. Made for export. On loan from Tim and Jett Elmer.
Curator's Statement text panel
We have a large and diverse permanent art collection at the Library. This year we made the decision to turn the Hirschberg Gallery (the small entry space of the Sabatini Gallery) into a permanent collection space. That means more library art on display year-round. Our goal is to curate exhibits that will compliment our main exhibits, but they will be separate entities. You now get two shows instead of one!
Painter unknown (JP Limoges, maker)
France
Saucer and cup (c 1890-1932)
Porcelain
Gift of Esther and Bill Miller
2004.11
This Victorian rose-decorated cup and saucer would be a permanent fixture on the breakfast table at my mother’s place.
–Margaret McGillivary, Gallery Volunteer
Elizabeth “Grandma” Layton
Wellsville KS
Orchid I (20th century)
Color pencil
Gift of James Van Sickle
2005.34.9
Grandma Layton started drawing in her seventies. I’m impressed by the fluidity of her lines and how expressive they are. The drawing celebrates love, with the gesture of her and Glen holding hands, but also it’s a celebration of aging: these faces have earned their lines. Layton finds beauty in the wrinkles of their skin.
–Sherry Best