Saliha Sultan Fountain, a typical square fountain of 18th century Ottoman architecture, was built on the order of Valide Saliha Sultan, mother of Sultan Mahmud I, by the architect Mehmet Ağa. In the style of the Tulip Period of architecture, the foundation is adorned with marble floral motifs. This decorative layer was partially demounted in 1910 by Kemal Altan to be renovated, but it couldn’t be replaced for some years because of the First World War. The second restoration was perfomed by Ali Saim Ülgen between 1952 and 1953. With the construction of a new road in front of the fountain, its position within the square was lost. Having not been in use for many years, the fountain was restored in the 1990s by Pious Foundations and is now functioning once again.

 

SALT Research, Söylemezoğlu Archive

  

Saliha Sultan Çeşmesi, 18. yüzyılda kamusal mekânı tanımlamak ve zenginleştirmek üzere inşa edilmiş meydan çeşmelerindendir. Tümüyle mermer kaplı olan çeşme, tipik bir Lale Devri yapısı özelliği olan bitki motifleriyle dikkati çeker. 1732-1733’te, I. Mahmud’un annesi Valide Saliha Sultan tarafından, mimarbaşı Kayserili Mehmet Ağa’ya yaptırıldı. 1910’da Kemal Altan tarafından restore edilmek üzere kısmen söküldü ama araya Birinci Dünya Savaşı’nın girmesiyle restorasyon uzunca bir süre tamamlanamadı. İkinci restorasyon çalışması, 1952-1953’te Ali Saim Ülgen tarafından yapıldı. Daha sonra önünden geçirilen yolla meydan çeşmesi olma özelliğini yitirdi. Uzun yıllar atıl vaziyette durduktan sonra, 1990’larda Vakıflar Genel Müdürlüğü tarafından onarılarak yeniden çeşme olarak işlev görmeye başladı.

 

SALT Araştırma, Söylemezoğlu Arşivi

 

Repository: SALT Research

 

Rights Info: This material can be used under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license.

Limestone trial piece of a private person, head of a princess on the reverse.

18th dynasty, from Tell el-Amarna.

UC013

 

Petrie Museum

Unusually, 46016 was used as ecs pilot on 14th December 1981, seen having coupled up to the ecs of a WCML portion to take this down to Craigentinny carriage sidings

Montacute House is a late Elizabethan mansion with garden in Montacute, South Somerset.

 

An example of English architecture during a period that was moving from the medieval Gothic to the Renaissance Classical, and one of few prodigy houses to survive almost unchanged from the Elizabethan era,[3] the house has been designated by English Heritage as a Grade I listed building,[1] and Scheduled Ancient Monument.[2] It was visited by 125,442 people in 2013.[4] Designed by an unknown architect, possibly the mason William Arnold, the three-storey mansion, constructed of the local Ham Hill stone, was built in about 1598 by Sir Edward Phelips, Master of the Rolls and the prosecutor during the trial of the Gunpowder Plotters.[5]

 

Sir Edward Phelips' descendants occupied the house until the early 20th century. For a brief period the house was let to tenants, one of whom was Lord Curzon, who lived at the house with his mistress, the novelist Elinor Glyn. In 1931, it was acquired by the National Trust.

 

The house is maintained by the National Trust. Its Long Gallery, the longest in England, serves as a South-West outpost of the National Portrait Gallery displaying a skilful and well-studied range of old oils and watercolours.

 

Montacute and its gardens have been a filming location for several films and a setting for television costume dramas and literary adaptations. Wikipedia

The Goodwood Revival takes place every September and is a classic car-based event that transports visitors back to 1940s-1960s period. Adding to the period feel, the shuttle bus 902 service from Chichester to the event features a number of vintage buses as well as modern examples.

 

I visited the shuttle terminals on a glorious Friday (13/09/2019) and enjoyed the atmosphere throughout the day. Buses in use on the various shuttle services / private hires included:

 

HAP985 1953 Brighton Hove & District Bristol KSW;

LRV992 1956 Devon General Leyland PD2 (new to Portsmouth);

2722CD 1961 Southdown Leyland Leopard;

406DCD 1964 Southdown Leyland PD3 'Queen Mary';

409DCD 1964 Southdown Leyland PD3 'Queen Mary';

BUF260C 1965 Southdown Leyland PD3 'Queen Mary';

BUF272C 1965 Southdown Leyland PD3 'Queen Mary';

DEK3D 1966 Wigan Leyland PD2;

JAH553D 1966 Eastern Counties Bristol FLF;

JJD565D 1966 Stratford Blue AEC Routemaster;

JRJ281E 1967 Salford Leyland PD2;

KPM91E 1967 Bristol FLF;

OKO816G 1968 Maidstone & District Leyland Leopard;

BFX666T 1979 Wilts & Dorset Bristol VRT;

J501GCD 1991 Stagecoach Dennis Dart;

KX06LYU 2006 Stagecoach Alexander Dennis Trident;

404DCD 2006 Stagecoach Alexander Dennis Enviro400 'The Pink Lady II';

GX11AKK 2011 Stagecoach Alexander Dennis Enviro400;

LX12DFV 2012 Stagecoach Alexander Dennis Enviro400;

LX12DHA/C/D/F 2012 Stagecoach Alexander Dennis Enviro400.

Milton, DE

 

The Futuro house was a product of post-war Finland, reflecting the period's faith in technology, the conquering of space, unprecedented economic growth, and an increase in leisure time. It was designed by Suuronen as a ski cabin that would be "quick to heat and easy to construct in rough terrain". The end result was a universally transportable home that had the ability to be mass replicated and situated in almost any environment.

  

Futuro House at University of Canberra, Australia

The material chosen for the project — fibreglass-reinforced polyester plastic — was familiar to Suuronen and was previously used in the design of a large plastic dome for the roof of a grain silo in Seinäjoki. To facilitate transport, the house consisted of 16 elements that were bolted together to form the floor and the roof. The project could be constructed on site, or dismantled and reassembled on site in two days, or even airlifted in one piece by helicopter to the site. The only necessity on site for its placement were four concrete piers, so the project could occupy nearly any topography. Due to the integrated polyurethane insulation and electric heating system, the house could be heated to a comfortable temperature in only thirty minutes, from -29 to 15 °C (-20 to 60 °F).[1]

 

An excerpt from a February 1970 copy of Architecture d’aujourd’hui describes “Futuro” as:

 

the first model in a series of holiday homes to be licensed in 50 countries, already mass-produced in the United States, Australia and Belgium. The segments of the elliptic envelope are assembled on the site using a metal footing. Through its shape and materials used, the house can be erected in very cold mountains or even by the sea. The area is 50 sq m, the volume 140 cubic m, divided by adaptable partitions.

 

By the mid-1970s, the house was taken off the market. From the beginning, it had been met with public hostility. The first Futuro that was erected near Lake Puulavesi in Finland elicited public protest because it looked too unnatural for the rustic environment. In the United States, Futuro houses were banned from many municipalities by zoning regulations. Banks were reluctant to finance them. Some were vandalized. Some customers who committed to buy them backed out and forfeited their non-refundable $1,000 deposits.[2] Some have been destroyed. In 1999, the city of Tampa ordered a Futuro demolished.[3] Shortly after the turn of the century, a Futuro house was purchased on Broadkill Beach, Delaware, and destroyed to make way for a double-wide modular home. Some have been vandalized in drive-by shootings.[2] The oil crisis of 1973 tripled gasoline prices and made the manufacture of plastic more expensive.[4] Fewer than 100 were made and it is estimated that today around 60 of the original Futuro homes survive,[5] owned mostly by private individuals. The prototype (serial number 000) is in the collection of Museum Boijmans Van Beuningen in Rotterdam, The Netherlands. The Futuro no. 001, the only other Futuro currently in a public collection, is in the possession of the WeeGee Exhibition Centre in Espoo, Finland.[6]

 

A UK artist, Craig Barnes, purchased and restored a Futuro house in 2013 – 14.[7] He had discovered the wreck whilst on holiday in South Africa and had it shipped back to the UK before commencing restoration. The Futuro house — the only one in the UK — was on display to the public as part of an exhibition on the rooftop of an East London Gallery (until December 2014); the house was featured on the fourth series of the Channel 4 programme George Clarke's Amazing Spaces (Ep. 2[8]).

en.wikipedia.org/wiki/Futuro

With Citroen U.K. selling off their range of Norev miniatures at prices so unbelievably cheap i.e..cheaper than a basic HW and MBX it would have been rude not to grab several of these truly delicious Citroen 2CV models.

Norev have never failed to impress me in the surprisingly short period of time I've actually being buying their products in bulk with a truly stunning line up of classic and bang up to date vehicles, predictably mainly of French origin. Semi premium quality for pocket money prices is what they are all about with this old style 2CV brimming with delightful features and superb levels of detailing.

Bought back in April. Mint and boxed.

Settled during the period of the early Iberian castro culture, the territory of Viseu was populated by a series of cultures, that include the Romans, Suebs, Visigoths and Moors. During the Roman occupation of Iberia, Viriathus, rebel leader of the Lusitanians, is assumed to have lived for a time in territory. During the Middle Ages, the city often served as seat for Visigothic nobles (such as King Roderic), and is considered one of the probable birthplaces of Afonso Henriques, first King of Portugal.

During the 1383–85 Crisis, the city was besieged by the forces of Juan I of Castile, leading to King John I of Portugal starting construction on a series of defensive fortifications which would continue being built until the reign of King Afonso V of Portugal.

The city became part of a fiefdom, when Prince Henry the Navigator, son of King John I of Portugal, was made Duke of Viseu, in 1415.

In 1475, Vasco Fernandes, famed artist of the Portuguese Renaissance, was born in the city,

In 1513, King Manuel I of Portugal renewed the charter of Viseu and a series of works were taken on throughout the city, with the opening of the first square of the city, the Rossio.

In the 19th century, a new Municipal Palace was built in the Rossio, significantly altering the flow of the city, moving it away from the medieval centre to newer parts of the city.

Viseu is a regional economic hub with a strong wine industry and is the seat of international conglomerate Visabeira. Similarly, the city is a cultural centre, home to the nationally acclaimed Grão Vasco Museum, seat of the Roman Catholic Diocese of Viseu, and the hub of national universities, including the Catholic University of Portugal.

 

The Secret Garden of Changdeokgung.

 

Also known as Changdeokgung Palace or Changdeok Palace — is set within a large park in Jongno-gu, Seoul, South Korea. It is one of the "Five Grand Palaces" built by the kings of the Joseon Dynasty (1392–1897).

 

Changdeokgung was the most favored palace of many Joseon princes and retained many elements dating from the Three Kingdoms of Korea period that were not incorporated in the more contemporary Gyeongbokgung. One such element is the fact that the buildings of Changdeokgung blend with the natural topography of the site instead of imposing themselves upon it. It, like the other Five Grand Palaces in Seoul, was heavily damaged during the Japanese occupation of Korea (1910-1945). Currently, only about 30% of the pre-Japanese structures survive.[

In miniature at any rate covering the period 1982 - 2008

 

Left to right representing most recent to oldest are :

 

C812ULO - Merc 1617 - progress build shots on Flickr and operated 2004 - 2008 (still technically current as its now Stagecoach Fife 97020 and occasionally used to recover Rennies vehicles).

 

TEW673S - ERF 'B' series based on Motorway Models 2-axle tractor cab, lengthened and scratchbuild body. This has now, about 12 years after it was first built, had the 'R' logos put on the doors and the 'Recovery' lettering added to the headboard. Operated 1995 - 2004.

 

Unregistered Bedford (was 39 HF 84) - an ex Army motor (built 1979) that seemed a good idea at the time, but was never given a 'civvie' mark. Plastic Airfix kit with the the soft-cover over the rear body cut off. Handpainted - note how the Humbrol white has yellowed over the years compared to the spray finish on the other white vehicles built around the same time. Operated 1991 - 1995.

 

OGG951M - unsure of the maker of the original kit, it was a Leyland Boxer with a flatbed body. This was simply shortened and a white metal crane kit sttached to the rear. Still needs a Leyaldn roundel decal instead of the silver blob on the grille. Operated 1982 - 1994.

 

Sometime in the future I shall add another, NPK94R, which was an ex London Country Ford 'D' series lorry operated from 1983 - about 1985. It looked to have been shortened behind the rear axle and a crane mounted, whereas it had been a standard flatbed with LCBS.

Period publicity for the classic Jag saloon, retrospectively referred to as the Mk.1.

en.wikipedia.org/wiki/Jaguar_Mark_1

The Geffrye, Museum of the Home

 

I am a Shia Muslim in mourning for the Martyrdom of Imam Hussain Grandson of The Holy Prophet , who was ruthlessly murdered by the Terrorists of Yazid the Caliph Of Umayad Dynasty..We wear black clothes , in my case I only wear black clothes or tiger prints ,,,I stopped wearing vibrant colors since I became a Malang a semi Sufi Monk in my case.

We are very strict about our mourning and austere in our emotions that is now centered around Ghame Hussain and the Unforgettable Tragedy of Imam Hussain at Karbala.

 

Neither do I attend any Sufi Urus in the month of Moharam...or any Hindu feast...the Chhhath Puja I have documented passionately as a tribute to the Bihari Mumbaikars of our city , but this year I kept away from their celebrations ,,,

 

This picture was shot last year ,Chhath Puja 2012 that took place the next day after the sad demise of Shree Balalasaheb Thackeray..

  

About Chhath Puja

from Wikipedia

 

Chhath (Hindi: छठ, also called Dala Chhath) is an ancient Hindu festival and only Vedic Festival dedicated to the Hindu Sun God, Surya, also known as Surya Shashti.[1] The Chhath Puja is performed in order to thank Surya for sustaining life on earth and to request the granting of certain wishes.[2] The Sun, considered the god of energy and of the life-force, is worshiped during the Chhath festival to promote well-being, prosperity and progress. In Hinduism, Sun worship is believed to help cure a variety of diseases, including leprosy, and helps ensure the longevity and prosperity of family members, friends, and elders.

The rituals of the festival are rigorous and are observed over a period of four days. They include holy bathing, fasting and abstaining from drinking water (Vratta), standing in water for long periods of time, and offering prashad (prayer offerings) and aragh to the setting and rising sun.

Although it is observed most elaborately in Bihar, Jharkhand, Eastern UP and the Terai regions of Nepal in modern times, and is more prevalent in areas where migrants from those areas have a presence, it is celebrated in all regions and major urban centers in India. The festival is celebrated in the regions including but not exclusive to the northeast region of India, Madhya Pradesh, Uttar Pradesh, Chhattisgarh, Chandigarh, Gujarat,[3] Delhi,[4] Mumbai[5] and Mauritius.[6]

 

Chhath puja is performed on kartika Shukala Shashti, which is the sixth day of the month of Kartika in the Hindu Calendar. This falls typically in the month of October or November in the Gregorian Calendar.

It is also celebrated in the summer (March–April), on Chaitra Shashti, some days after Holi; this event is called Chaiti Chhath.[7] The former is more popular because winter is the usual festive season in North India, and Chhath, being an arduous observance, requiring the worshipers to fast without water for around 36 hours continuously, is easier to undertake in the Indian winters.

 

[edit]Etymology

The word chhath denotes the number 6 in Hindi[8] and the festival is celebrated on the sixth day of the Hindu lunar month of KARTIKA. The word is a Prakrit derivation from the Sanskrit ṣaṣṭhi, meaning sixth.

[edit]History

 

It is believed that the Maga Purohits (modern days known as Shakya Dwipi Brahmins) were invited by local kings for their expertise in Sun worshiping. They started the tradition of Chhat Puja. Today Chhat Puja is celebrated specially in those places where Shakya Dwipi Brahmins are found.

It is believed that the ritual of Chhath puja may even predate the ancient Vedas texts, as the Rigveda contains hymns worshiping the Sun god and describes similar rituals. The rituals also find reference in the Sanskrit epic poem Mahābhārata in which Draupadi is depicted as observing similar rites.

In the poem, Draupadi and the Pandavas, rulers of Hastinapur (modern Delhi), performed the Chhath ritual on the advice of noble sage Dhaumya. Through her worship of the Sun God, Draupadi was not only able to solve her immediate problems, but also helped the Pandavas later regain their lost kingdom.

It is also believed that Chhath was started by Karna, the son of Surya (Surya Putra Karna). Surya Putra Karna ruled over the Anga Desh (present day Bhagalpur district of Bihar) during the Mahabharat Age. He was a great warrior and fought against the Pandavas in the Kurukshetra War.

Its yogic/scientific history dates back to the Vedic times. The rishis of yore used this method to remain without any external intake of food as they were able to obtain energy directly from the sun's rays. This was done through the Chhath method.[9] The chhat puja is very popular in Darbhanga, Samastipur, Muzaffarpur, Madhuvani and Dehri-On-Sone (Rohtas),Patna, Dev & Gaya.Nowadays it is celebrated in approximately all parts of India. Chhath Pooja is also celebrated in Mangalore, Karnataka. People from Bihar & UP celebrate Chhath Pooja on Panambur Beach.

[edit]Chhathi Maiya

 

It is also said that the Goddess that is worshipped during the famous Chhath Puja is known as Chhathi Maiya. Chhathi Maiya is known as Usha in the Vedas. She is believed to be the consort of Surya, the sun god. Some scholars are of the view that she is only the beloved of Surya and some suggest that She is Surya’s wife.

Usha is the term used to refer to dawn – The first light of day. But in the Rig Veda she has more symbolic meaning. Symbolically Usha is the dawn of divine consciousness in the individual aspirant.

During the Chhath Puja, Chhathi Maiya is invoked to bless us with this divine consciousness which will help us to overcome all the troubles in the world – this bless will help us to Moksha or liberation.

[edit]Rituals and traditions

 

Chhath is a festival of bathing and worshipping,that follows a period of abstinence and segregation of the worshiper from the main household for four days. During this period, the worshiper observes purity, and sleeps on the floor on a single blanket.

This is the only holy festival which has no involvement of any pandit (priest). The devotees offer their prayers to the setting sun, and then the rising sun in celebrating its glory as the cycle of birth starts with death. It is seen as the most glorious form of Sun worship.

Bihar has a number of Sun temples, flanked by a surajkund or sacred pool of the Sun, forming a popular venue for the celebration of this festival. Ara, Muzaffarpur,Patna,Bhagalpur,Chapra,Munger, Haveli Kharagpur ( Banahara, Prasando),,Samastipur,Dumka,Sahibganj, Dev, Gaya, Ranchi,Hazaribagh,Rampurhat are known popular for chhath puja.

The main worshipers, called Parvaitin (from Sanskrit parv, meaning 'occasion' or 'festival'), are usually women. However, a large number of men also observe this festival. The parvaitin pray for the well-being of their family, and for the prosperity of their offsprings. Once a family starts performing Chhatt Puja, it is their duty to perform it every year and to pass it on to the following generations. The festival is skipped only if there happens to be a death in the family that year.

The prasad offerings include sweets, Kheer, Thekua and fruit offered in small bamboo soop winnows. The food is strictly vegetarian and it is cooked without salt, onions or garlic. Emphasis is put on maintaining the purity of the food.[10]

Day 1: Nahay khay (literally, bathe and eat)

On the first day of Chhath Puja, the devotees take a dip, preferably in the holy river Ganges, and carry home the holy water of the river Ganges to prepare the offerings. The house and surroundings are scrupulously cleaned. The parvaitins allow themselves only one meal on this day.It is also known as " kaddu-bhat" in some region.Generally Parvaitin eat kaddu, channa dal, and arwa chawal (non-boiled rice). Traditionally the food is cooked on an earthen stove & mango wood is used as fuel. Only, preferably, new bronze or earthen utensils are used to prepare the food. If old utensils are used, non veg should never have been cooked in it. But nowadays steel utensils are also used in preparation of the food.

Day 2: Kharna or Lohanda (the day before Chhath)

On Panchami, the day before Chhath, the parvaitins observe a fast for the whole day, which ends in the evening a little after sunset. Just after the worship of earth, the offerings of Rasiao-kheer (rice delicacy), puris (deep-fried puffs of wheat flour) and bananas, are taken to break the fast. No sugar is used, only jaggery is used to sweeten the kheer . This is then distributed among family and friends. From this day on wards, for the next 36 hours, the parvaitin goes on a fast without water.

[21]People also make idol of Sama and Chakeba festival on Kharna Day, and play Sama Chakeba till Kartik Purnima.

The prasad is prepared by the parvaitin herself in the bronze or earthen ware utensil only. While eating the prasad by parvaitin if any unwanted thing like small stone etc. comes into the mouth immediately they have to stop eating without making any complain. The rice should therefore be clean. There should be no sound

Day 3: Chhath

Sanjhiya Arghya(ghat) (evening offerings): The day is spent preparing the prasad (offerings) at home. Those who help, also take a bath and fast till all the prasad is made. The wheat is washed and dried and even birds are not supposed to touch it. The mill is washed before grinding. On the eve of this day, the entire household accompanies the parvaitins to a riverbank, pond or a common large water body with the Thekuas fruits, etc to make the offerings (Aragh)of milk to the setting sun. It is during this phase of Chhath Puja that the devotees offer prayers to the just setting sun, while the parvaitin chants the [{Gayatri Mantra}]. Traditionally during the aragh the parvaitin should be dressed like a bride and wear a plain saree with border colored with turmeric. But nowadays printed colored sarees are also in use.

The occasion is almost a carnival. Besides the parvaitin, there are friends and family, and numerous participants and onlookers, all willing to help and receive the blessings of the worshipper. Ritual rendition of regional folk songs, carried on through oral transmission from mothers and mothers-in-law to daughters and daughters-in-law, are sung on this occasion.

The folk songs sung on the evening of Chhath reflect the culture, social structure, mythology and history of Bihar and Uttar Pradesh. Nowadays, modern Chhath songs, largely Bollywood film remixes, have caught on, but the old tradition still goes strong with a great degree of sanctity. The three main linguistic regions of Bihar (the Maithili, the Magadhi, and the Bhojpuri), and all the various dialects associated with these, have different folk songs; but have an underlying unity in their dedicated to Chhath. The minor nuances of the Chhath rituals, such as in the Kharna ritual, vary from region to region and across families, but still there is a fundamental similarity.

Kosi: On the night of day three, a colorful event of Kosi is held. Here, lighted earthen lamps are kept under a canopy of five sugarcane sticks. The five sticks signify the human body made of Panchatattva (the five great elements - earth, water, fire, air and ether). This is a symbolic ritual in Chhath Puja, performed especially in those families where marriage or childbirth has taken place recently. The lighted lamps signify the solar energy sustaining the human being. People perform this ritual at home, during late evening on day three after making the offering to the just setting sun. After that, it is done at the banks of the river on day four before making the offerings to the rising sun.

Day 4: Paarun (the day after Chhath)

Bihaniya Aragh(ghat) (next morning offerings): On the final day of Chhath Puja, the devotees, along with family and friends, go to the riverbank before sunrise, in order to make the offerings (Aragh) to the rising sun. The festival ends with the breaking of the fast by the parvaitin and friends visiting the houses of the devotees to receive the prashad. The chhath has so much importance that even millionaire beg for prasad at the Chhath ghat. This symbolizes that all persons are beggar in front of the almighty. Witnessing Chhath being celebrated at the crack of the dawn on a river bank is a beautiful, elating spiritual experience connecting the modern Indian to his ancient cultural roots. After aragh, Ganga maiya is worshipped.

[edit]Yogic viewpoint

 

There is also a yogic process of Chhath that may have been associated with the religious observance of Chhath puja. All the traditional rules of Chhath puja have also got some strong scientific reasons behind it & by following that maximum benefits can be gained.

[edit]The Yogic Philosophy of Chhath

According to yogic philosophy, the physical bodies of all the living organisms are highly sophisticated energy conducting channels. The solar bio-electricity starts flowing in the human body when it is exposed to solar radiations of specific wavelengths. Under particular physical and mental conditions, the absorption and conduction of this solar-bio-electricity increases. The processes and the rituals of the Chhath puja aim at preparing the body and the mind of the Vratti (devotee) for the process of cosmic solar energy infusion.[citation needed]

The scientific process similar to Chhath was used by the Rishis of yore for carrying out their austerities without any intake of solid or liquid diet. Using a process similar to the Chhath puja, they were able to absorb the energy needed for sustenance directly from the sun, instead of taking it indirectly through food and water.

The retina is a kind of photoelectric material, which emits subtle energy when exposed to light. Hence, very subtle electric energy starts flowing from the retina. This energy (photo-bio-electricity) is transmitted from the retina to the pineal gland by the optic nerves connecting the retina to the pineal gland, leading to its activation. The pineal gland is in close proximity with the pituitary and hypothalamus glands (together, three glands are called Triveni) due to which, the energy generated in this process starts impacting these glands. Consequently, the pranic activity becomes uniform, giving the Vratti good health and a calm mind.

[edit]Stages of Chhath (Conscious Photoenergization Process)

According to Yoga philosophy, the process of Chhath is divided into six stages of the Conscious Cosmic Solar Energy Infusion Technique (Conscious Photoenergization Process).[11]

Stage 1: Fasting and the discipline of cleanliness leads to detoxification of the body and mind. This stage prepares the body and mind of the Vratti (devotee) to receive the cosmic solar energy.

Stage 2: Standing in a water body with half the body (navel deep) in the water minimizes the leak of energy and helps the prana (psychic energy) to move up the sushumna (psychic channel in the spine).

Stage 3: Cosmic Solar Energy enters the Vratti’s pineal, pituitary and hypothalamus glands (Triveni complex) through the retina and optic nerves.

Stage 4: Activation of Triveni tri-glandular complex (pineal, pituitary and hypothalamus).

Stage 5: A kind of polarization happens in the spine, which results in the Vratti’s (devotee) gross and subtle bodies getting transformed into a cosmic powerhouse. This can also lead to the awakening of the latent psychic energy popularly known as the Kundalini Shakti.

Stage 6: The body of the Vratti (devotee) becomes a channel which conducts, recycles and transmits the energy into the entire universe.

[edit]Benefits of Chhath process

The Chhath process results in detoxification

The Chhath process stresses mental discipline. The discipline of mental purity is a result of this work. By employing a number of rituals, the vrattis focus on maintaining the cleanliness of the offerings and environment. Cleanliness is the most dominant thought that prevails in the minds of all the devotees during Chhath.

This has a great detoxification effect on the body and the mind as mental moods can result in biochemical changes. Now comes the physical detoxification. The fasting paves the way for detoxification at a material level.

Detoxification helps in regularizing the flow of prana and makes the person more energetic. The natural immune system of the body spends much of its energy in fighting the toxins present in the body. By using the detoxification methods such as pranayam, meditation, yoga and Chhath practices, the amount of toxins present in the body can be reduced to a great extent. Thus, with reduction in the amount of toxins, the expenditure of energy also reduces and you feel more energetic. It improves the appearance of the skin. The eyesight can improve and the ageing process of the body slows down.

[edit]Benefits of Chhath Puja

Photo-electro-chemical effect: physical benefits

The Chhath practice improves the immunity of the Vratti’s body.

Antiseptic effect: Safe radiation of sunlight can help cure fungal and bacterial infections of the skin.

Raktavardhak (increase in fighting power of blood): As a consequence of the practice of Chhath, the energy infused in the blood stream improves the performance of white blood cells.

The solar energy has a great influence on the glands, which results in balanced secretion of hormones.

Energy requirements are met by the solar energy directly. This will further detoxify the body.

Photo-electro-psychic effects: mental benefits

A state of creative calmness will prevail in the mind.

To a great extent, all negative responses have their origin in the disturbed flow of prana. With the pranic flow regularized, the duration and frequency of occurrences of anger, jealousy, and other negative emotions will be reduced.

With patient and sincere practice, the psychic powers like intuition, healing, and telepathy awaken. This depends on the concentration with which the practice is undertaken.

[edit]Daily sun meditation (Chhath process)

In the fast lifestyle of the present times, it may not be possible to follow the Chhath process very often. The detoxification can be undertaken through pranayam, yoga, meditation and Conscious Photoenergization Process known as Chhath Dhyan Sadhana (CDS).

Chhath Dhyan Sadhana (CDS): Conscious Photoenergization Process

Assume a comfortable position (standing or sitting) with back and spine straight. With eyes closed, face the Sun. Inhale completely, as slowly as possible. Do not strain in making the breathing slow. Maintain your comfort level. As you breath in, visualize (feelingly experience) the cosmic solar energy entering through your eyes and moving to the pineal gland through optic nerves and charging the pineal–pituitary–hypothalamus complex. Now, as you exhale, visualize the cosmic solar energy flowing down the pineal gland and spreading throughout your body with a revitalizing effect.

Thus, the process starts with inhalation and ends in exhalation. This constitutes one round. It is suggested to start with five rounds (two minutes), and increase it time permitting. On completion of the practice, thank the Sun for bestowing upon you the life giving solar energy. Thereafter, sit quietly for a minute, observing the good things in the environment around.

CDS should be practiced within one-hour window after sunrise or within one-hour window before sunset. Any person of any age can practice CDS. If you wish to practice CDS at any time other than sunrise or sunset, do not practice it in front of Sun. You can however, practice CDS in a room. Even a bed-ridden person can try and consciously draw in the solar energy while lying on the bed. With regular practice, he/she will notice an improvement in physical and mental health. For those who are not comfortable facing the sun, they can practice the technique in any room having proper ventilation. If you have time, you can also practice it twice a day. Do not hurry in increasing the number of rounds, as there are no shortcuts to success in this method. The nervous system of the body takes its own time in adapting and to be able to receive the energy.

Significance of emphasis on sunrise and Sunset periods

Only sunrise and sunset are the periods during which the majority of humans can safely obtain the solar energy directly from the Sun. However, there may be some exceptions. That is why, in Chhath puja, there is a tradition of offering Arghya to the Sun in late evening and in early morning. During these phases (one hour window after sunrise and before sunset), the ultraviolet radiation levels remain in safe limits.

 

Venezia apre i battenti fino al 9 febbraio

c'è che è un periodo proprio del cazzo

almeno a treviso a nevicato un paio di giorni, imbiancando anche la notte di natale eppure proprio non mi va giù: il natale non lo capisco e mi mette un fastidio sotto la pelle insopportabile..

ah, ho pulito casa, sisi!..da cima a fondo, ieri non ho fatto altro ed un altro sabato sera vuoto mi ha sbattutto via come speravo non riuscisse più a fare..

 

notti di lunghe passeggiate solitarie con l'umido che cerca solo un varco per arrivarti alle ossa, ma non è che ti puoi imbottigliare del tutto, ci sono pensieri che comunque arrivano anche se speravo di non doverli più stare a sentire..

 

a me la nebbia piace, mi lascia libero d'esplodere senza che troppa gente si preoccupi inutilmente..vorrei tornare indietro o catapultarmi avanti, qualsiasi situazione andrebbe bene per non restare..passerà.

 

-----------

lungosile mattei [allo specchio]

treviso - dicembre '08

Museum Fünf Kontinente, Munich, Germany.

 

The Sican (also Sicán) culture is the name that archaeologist Izumi Shimada gave to the culture that inhabited what is now the north coast of Peru between about 750 and 1375. According to Shimada, Sican means "temple of the Moon".[1]

 

The Sican culture is also referred to as Lambayeque culture, after the name of the region in Peru. It succeeded the Moche culture.

 

There is still controversy among archeologists and anthropologists over whether the two are separate cultures.

 

The Sican culture is divided into three major periods based on cultural changes as evidenced in archeological artifacts.[2]

 

Archaeologist Izumi Shimada, founder of the Sican Archaeological Project, named the prehistoric culture which he discovered in northwestern Peru. They succeeded the Moche and preceded the Inca Empire, the historical civilization that encountered the Spanish explorers and conquistadors.

 

The Sican inhabited a coastal territory near the La Leche and Lambayeque Rivers. The archaeological sites span the Lambayeque region, including the Motupe, La Leche, Lambayeque, and Zaña valleys, near modern-day Chiclayo.[2] Numerous sites have been identified in the Batán Grande area of the La Leche Valley.

 

The climate of the area during Sican occupation was similar to the current climate, despite changes in landscape accumulated in the last 600 years. The drought-and-flood cycles seen in the region for the past 1500 years did not spare the Sican culture. (Goldstein and Shimada 2007, p. 49)

 

The Early Sican period began around 750 and lasted until 900. The lack of artifacts has limited the development of knowledge about this early period.

 

The Sican were probably descendants of the Moche culture, which fell around 800. Their works shows shared motifs in the artifacts recovered.[3]

 

Similar groups include Cajamarca, Wari and Pachacamac. From remains found in the archaeological locations, researchers have determined that this culture maintained commercial exchange with people from present-day Ecuador (shells and snails), Colombia to the north (emeralds and amber), Chile to the south (blue stone), and the eastern basin of the Marañón River (seeds of gold).

 

The Lambayeque culture may have been a separate trading people as well.

 

Around 800, the Sican created the city of Poma, located at Batán Grande, in La Leche Valley. Few other Early Sican sites have been discovered.

 

The Early Sican culture is known for the highly polished, black-finish ceramics found in the La Leche Valley. This black-finish ceramic style began in the Moche culture prior to the Early Sican, and shows the sharing of cultures in the region.

 

Much of the ceramics were examples of a single spout, loop-handle bottle, featuring an anthropomorphic-avian (bird) face at the spout base. The face consisted of bulging eyes, a hooked beak or triangular projection instead of a nose, stylized ears, and no mouth.

 

It appeared to be a predecessor to the related faces of the Sican Deity and the Sican Lord of the Middle Sican culture. (Shimada 2000, p. 51)

 

Aside from the shared ceramic styles, much of the Early Sican defines a distinguishable culture. While the ceramic styles and iconography show some continuity with previous cultures, the combination of all the influences is Sican.

 

The changing ceramic styles, iconography, and funerary practices reflect a change in religious ideology and cosmology that expressed the Sican culture. Most importantly, the late Early Sican period saw the accumulation of these changes in art style and iconography, coupled with other changes in organization, by which the Sican constructed monumental adobe structures, developed large-scale copper alloy smelting and metalworking, and developed the elaborate funerary tradition that would come to characterize the Middle Sican (Shimada 1985, p. 361).

 

Such changes have been seen by researchers at sites in Batán Grande, including the Huaca del Pueblo site, dated to around 850-900.

 

The Middle Sican period lasted from 900 to 1100 . This is the period of the Sican's “cultural florescence,” and is marked by the emergence of various cultural innovations, some of which were unprecedented in the local area.[3]

 

The decline of the Wari Empire and the Middle Cajamarca polity enabled the resurgence in local political and religious identity and autonomy.[3]

 

The Middle Sican culture is marked by distinctive characteristics in six areas: art and ideology, crafts and technology, funerary customs, long-distance trade, religious cities and monumental temples, and the structure and authority of the state (Shimada 2000, p. 52-61; Shimada 1985, p. 365-369).

 

Together, these characteristics provide evidence that the Sicán culture had a highly productive economy, clear social differentiation, and an influential religious ideology. The religious ideology was the underpinning of the structure of their theocratic state.[3]

 

Sicán art is representational in style and religious in nature. Features such as sculptural representation and the minimization of number of colors (one to three), were common among the art of many earlier cultures that flourished on the north coast of Peru.[3] Sicán art reconfigured the motifs, conventions, and concepts of these antecedent cultures (mainly the Wari and Moche) into an overall new and unique style. The references to the old ideas, images and ways of antecedent cultures in Sicán art would have been useful in providing prestige and legitimacy to the new Sicán religion which was emerging.[3]

 

Sicán iconography is dominated by the Sican Deity[4][5] It decorates all artistic media of the Sicán, including ceramics, metal works, and textiles.[3] The icon is most commonly represented with a mask face and upturned eyes.[2]

 

Sometimes it may be shown with avian features, such as beaks, wings, and talons, which are evident in Early Sicán ceramics.[3]

 

These avian features are related to Naylamp, the key figure in Sicán mythology. The name "Naylamp" was first mentioned by the Spanish chronicler Miguel Cabello Valboa, who referred to the Moche figure "Naymlap" in his 1586 Miscelánea Antártica.

 

Later authors believe the form is Mochica Ñañlap, of which the first part is ñañ "waterfowl"; a connexion has been made between the Moche and Chimú cultures and the empire of Chimor and the Mochica language.

Sican gold cup, 850-1050

 

Naylamp was said to be the founder of the first dynasty of prehistoric kings in La Leche and Lambayeque valleys. In The Legend of Naylamp, first recorded in the 16th century by the Spanish chronicler Miguel Cabello de Balboa, Naylamp is said to have traveled on a balsa raft by sea to the Lambayeque shores. He founded a large city, and the 12 sons of his eldest son each founded a new city in the Lambayeque region.

 

When Naylamp died, he sprouted wings and flew off to another world (Nickle Arts Museum 2006, p. 18 and 65).

 

Middle Sicán art did not change the concept or representation of the icon of the Sicán Deity. Both the preceding Moche and Wari cultures feature a single dominant male figure, and the upturned eyes characteristic of the Sicán Deity are common to the art and iconography of other Pre-Hispanic societies.

 

The iconography accompanying the Sicán Deity was unique and significant (Nickle Arts Museum 2006, p. 66).

 

Iconography of the moon and the ocean may symbolize the Sicán Deity's involvement in the wellbeing of marine life and fishermen. Iconography related to water signifies the importance of irrigation and agriculture to the Sicán.

 

Other iconography, such as of the sun and moon, symbolizes the importance of duality in both human and celestial life.

 

Depictions of the Sicán Deity with tumi knives and trophy heads may indicate his omnipotent control in both human life and the celestial world (Nickle Arts Museum 2006, p. 66; Shimada 2000, p. 52-53). Through the iconography which the Sicán associated with the icon, anthropologists theorize that the Sicán Deity may have been attributed with power to control all of the celestial forces fundamental to life and abundance (Shimada 2000, p. 53).

 

The lack of representation of humans in Middle Sicán art emphasizes the omnipresence of the Sicán Deity in Sicán iconography.

 

The only exceptions are representations of the Sicán Lord, the male elite personage, and his entourage. (Shimada 2000, p. 53)

 

Iconography of the Sicán Lord is almost identical to the Sicán Deity, except that he is shown in natural settings and does not have avian features.[2][5] The Sicán Lord was probably meant to represent an earthly alter-ego of the

 

The population of Batán Grande included many skilled artisans. Craft production during the Middle Sican flourished and became one of the leading characteristics of the period.

 

The highly polished black finish ceramics from the Early Sican bloomed in this later phase, along with metallurgy; however, the ceramic technology used in the Middle Sican developed over 2500 years from local pottery production techniques (Shimada and Wagner 2001, p. 26).

 

Workshops, such as the one found at Huaca Sialupe to the west of Batán Grande, likely had both pottery and metalworking production sites (Goldsmith and Shimada 2007, p. 45).

 

Ceramics allowed for a medium to convey political and religious ideology in the forms of storage vessels, architectural ornaments, cooking vessels, sculptures of the Deity or animals, and other types proliferated during this period.[2][5]

 

The potters likely worked separately from one another, rather than in assembly-line type production. Huaca Sialupe excavations produced clusters of similar kilns using local hardwood for charcoal.

 

Field experiments indicated that the kilns were used either for ceramics or metallurgy (Shimada and Wagner 2001, p. 28).

 

The Paleteada ceramics used the paddle-and-anvil technique to form and decorate pottery, primarily with geometric designs (Cleland and Shimada 1998, p. 112).

 

The monochrome black pottery became widely popular across the region during the Middle Sican as the Sican themselves began to emphasize the black pottery, with the help of the Middle Sican religious prestige.

 

Only the geometric designs continued on the pottery into the Late Sican.[2]

 

Metallurgy is one of the Sican's greatest legacies, lasting nearly 600 years at Batán Grande (Shimada and Merkel 1991, p. 83). Some Middle Sican workshops showed multicraft production and it is likely the crafts competed for resources, such as fuel for kilns.

 

Middle- and high-status burials both contained the black ceramics, while only the social elite had access to the precious metal object; therefore, metalworking probably was given production preference by the elites (Goldsmith and Shimada 2007, p. 47).

 

The greatness of Middle Sican metallurgy was the large scale smelting and diverse use of arsenical copper, which was more ductile and corrosion-resistant than pure copper.[2][5]

 

The great amounts of smelting and/or metalworking sites found in the Lambayeque region point to the convergence of major factors to allow such an occurrence: accessible ore deposits, extensive forests for hardwood to make charcoal, pottery making tradition using efficient kilns, gold working tradition that formed the basis for later metalworking technology, and a demand for goods by the elites (Shimada, Goldstein, Wagner, Bezur 2007, p. 339).

 

The large number of smelting sites also point to the amount of labor required by using their method. In modern standards, their copper-alloy smelting was inefficient, which could have led to the high number of workshops with multiple furnaces (Shimada and Merkel 1991, p. 85).

 

The precious metal objects found in Middle Sican sites reveal the unprecedented scale of their production and use.

 

Metal objects permeated all levels of society. Tumbaga, a thin sheet of low karat gold alloy, was used to wrap ceramic vessels for the lower elites, while the upper elites had high karat gold alloys.

 

Common laborers only had arsenical copper objects. The precious metal objects then clearly demonstrate a hierarchy within the society (Shimada 2000, p. 56).

 

No evidence of metalworking at the large sites has been uncovered, such as the Middle Sican capital Sican or elsewhere in the Batán Grande area, but the precious metal objects were clearly for the elites.

 

From their high status sites, the elites supervised the manufacturing of their precious metal objects for ritual or funerary purposes (Shimada and Merkel 1991, p. 86).

 

Excavations of religious sites have revealed much about the funerary practices of the Sicán people.

 

These funerary practices have helped anthropologists understand the broader organization and structure of Sicán society and religion.

 

Most of the evidence for these funerary practices has been based on excavations carried out at the Huaca Loro site in Poma by Izumi Shimada and the SAP.

 

First of all, the funerary practices at Huaca Loro reflect the social differentiation and hierarchy present Sicán society. This social stratification is revealed in varying burial types and practices, along with accompanying grave goods.

 

The most obvious difference in burial type based on social hierarchy was that commoners were buried in simple, shallow graves on the peripheries of the monumental mounds while the elite of Sicán society were buried in deep shaft tombs beneath monumental mounds, as shown in the East and West tombs at Huaca Loro.[5][6]

 

Secondly, it was found that one's social status was also a determinant of the burial position of the body; seated, extended, or flexed. For example, bodies of the High Elite were always buried in the seated position, while commoners could be buried in a seated, extended, or flexed position (Nickle Arts Museum 2006, p. 87; Shimada et al. 2004).

 

Furthermore, social differentiation is manifested even within the elite tombs at Huaca Loro, through the grouping and placement of bodies.

 

The complex internal organization of both East and West Tombs was designed according to specific social and kinship relationships (Shimada et al. 2004).

 

Recent studies that included the use of MtDNA (systematic mitochondrial DNA) analysis and inherited dental traits analysis revealed that women in the West Tomb were grouped according to their kinship ties to the principal personage and each other (Shimada et al. 2005; Shimada et al. 2004).

 

The grouping of women in the south part of the West Tomb were found to be maternally related to one another, as well as the principal personage; the grouping of women in the north part of the West Tomb were found to not only be unrelated to one another, but also unrelated to the principal personage.

 

Further, ceramics in the south part were found to be of typical Middle Sicán style, while the ceramics in the North part were of a Mochica style (Shimada et al. 2005; Shimada et al. 2004).

'

This evidence suggests that while the women of the South part of the West tomb were grouped and placed according to their kinship ties with the principal personage, the women of the North part of the West tomb had no kinship ties with the principal personage or each other therefore were placed and grouped according to some other distinct relationship to the principal personage.

 

This genetic evidence and along with the differing styles of ceramics suggests that the North-niche women of the West Tomb were perhaps descendants of a different ethnic group, the Moche, who had been integrated into Sicán society under political domination (Shimada et al. 2004).

 

While these relationships have not been proved definitively, it shows the great complexity itself of elite burial practices based on social differentiation.

 

Social stratification and hierarchy is also evidenced through the variation in quantity and quality of grave goods associated with those of different social status.

 

The elite East Tomb at Huaca Loro, contained over a ton of diverse grave goods, over two-thirds of which were objects of arsenical bronze, tumbaga (low-karat gold), silver and copper alloys, and high-karat gold alloys.[7][8]

 

Other grave goods of the elite included semi-precious stone objects, amber, feathers, textiles, imported shells (such as conus and spondylus), shell beads, and double spout bottles. (Nickle Arts Museum 2006, p. 87; Shimada 2000, p. 56; Bruhns 1994, p. 290)

 

On the other hand, commoner burials had a significantly less amount of grave goods of different types, made of less valuable materials.

 

For example, commoner grave goods at Huaca Loro were usually restricted to single-spout bottles, utilitarian plain and/or paddle decorated pottery, and copper-arsenic objects, instead of the precious metal objects of the elite tombs. (Nickle Arts Museum 2006, p. 87, Shimada et al. 2004)

 

The power of the elite of Sicán society is demonstrated not only by the amount, quality, and diversity of exotic and status goods accumulated in the tombs, but also by the amount of time and labor that would have gone into making and acquiring them. (Shimada 2000, p. 56)

 

All together, the construction of the monumental mound at Huaca Loro, the preparation of the East and West Tombs and performance of the associated rituals required careful and complex planning, and considerable material, labor resources and time, and suggests the elite's control and monopoly of power in society.[2]

 

Secondly, the funerary practices of the Sicán suggest the existence of an elite lineage that used the new Sicán religion to demonstrate and maintain their power (Shimada et al. 2004).

 

The Sicán elite used funerary practices as a way to symbolize their relationship to the divine. The sheer size and grandeur of the monumental mounds built above the elite tombs would have been awe-inspiring to Sicán citizens and a symbol the divine nature of the figures buried below. (Shimada et al. 2004)

 

Colorful murals with religious iconography decorated ceremonial precincts in the temples of the mounds, establishing the sanctity of the ritual space, and reaffirming this connection of the buried elite below to the divine. (Nickle Arts Museum 2006, Shimada et al. 2004)

 

Also, the principal personage of the East Tomb at Huaca Loro wears a mask identical to the Sicán Deity, which is another reference to his relationship to the Deity and the divine. (Shimada et al. 2004, p. 389)

 

The construction itself of these monumental mounds served as a reminder of the elite's power and endurance, and combined with the symbolic use of Sicán religious iconography to justify the divine merits of the elite lineage, was an attempt by the Sicán elite to “preserve the status quo of inherited rights.” (Shimada et al. 2004, p. 370)

 

The funerary rites and rituals performed by the living lineage members served to further reinforce their lineage identity and the three-way relationship between the divine, the dead, and the living elite. (Shimada et al. 2004, p. 389)

 

The variety of grave goods suggests the wide range of power of the Middle Sican elite.

 

They not only received the most grave offerings, but also the best quality and exotic offerings.

 

None of the metalworking sites showed evidence of on-site mining of any of the materials.

 

In addition, the spondylus shell, emeralds, feathers, and other minerals were imported to the area. Their materials came from mainly the northern Andes, such as Ecuador (from the Manteno and Milagro cultures), Peru, Colombia, but could have also reached as far south as the Tiwanaku empire in the south-central Andes and east to the Marañón River, a major tributary of the Amazon River.[2][5][9]

 

The Middle Sican trade networks appear to be unprecedented in range and goods involved, which helped to insure the spread of Sican religion and polity outside of the Lambayeque and La Leche valleys (Shimada 2000, p. 58).

 

They also could have controlled the transport methods in addition to the goods being traded. The breeding and herding of llamas on the North Coast since the time of the Moche could have been utilized by the Sican to provide the goods as well as a caravan of llamas to transport the goods considerable distances (Shimada 1985, p. 391).

 

The Sicán culture is characterized by the establishment of religious cities with monumental temples.[2][5]

 

The religious capital city and cultural center of the Middle Sicán is referenced as the Sicán Precinct. (Bruhns 1994, p. 293).

 

This T-shaped area is defined by monumental mounds of Huaca Loro, El Moscón, Las Ventanas, La Merced, and Abejas built between around AD 900 and 1050.[5][10] The pyramidal monumental mounds were used as both burials sites for the elite and places of worship and ritual.[2][10]

 

The construction of the monumental mounds required considerable material, labor resources and time, indicating the Sicán elite's control and monopoly over the society's resources and manpower.

 

They are a dramatic symbol of the power, wealth and permanence of the Middle Sicán elite and their theocratic state that dominated much of the north coast.[2]

 

Two types of mounds are found in the Lambayeque Valley dating to the Sicán. The first type is the T-shaped mound, which is a relatively low mound with a short, central ramp providing direct access to the top of the mound.

 

The second type is a relatively tall mound with steep sides and a zig-zagging ramp to provide circuitous access to the mound top. This second type also featured an enclosed structure at the top of the mound, likely for private rituals, whereas the first type of mound was likely for public rituals (Shimada 2000, p. 60; Shimada, Shinoda, Farnum, Corruccini, Watanabe 2004, p. 388).

 

The mounds also covered and protected the shafts of tombs of elites underneath.

 

The Sicán used a walled-chamber-and-fill technique (which first appeared on the North Coast during Moche V) for constructing the monumental mound where the walls were created by adobe bricks and mortar in conjunction with chambers of superimposed lattices filled with refuse and other readily available materials.[2][5][11]

 

Marks on the adobe bricks used to make the mounds are indications of the patrons donating materials and/or labor for the construction of the temples (Shimada 2000, p. 60).

 

This construction technique required “large-scale, unified construction with centrally pooled materials and labor force” (Shimada 2000 p. 60). It allowed for rapid erection of monumental buildings while minimizing labor and material investment and promoted the centralization of political and religious power in order to plan and complete these monumental mounds.[2][12]

Agriculture and canals

 

While the Sican ceramics and metallurgy are vastly studied, agriculture during the Middle to Late Sican may have been linked to their increasing craft production.

 

Shimada suggests that the canals at Pampa de Chaparri were developed by the Sican as part of an agro-industrial complex marked by an increase in mining and smelting operations, settlement growth, and the expansion of agriculture.[13] Along the canals, 39

Middle Sican sites and 76 Late Sican sites were identified; however, few sites were located in the irrigation fields.

 

This Sican occupation at the irrigation system points to its construction during the Middle Sican. The construction of this irrigation system, as well as the association of hierarchical social units and canal branches, coincides with the rapid and dramatic growth of the Middle Sican. Irrigation for agriculture was a necessity for the Sican elite to produce a surplus of food to feed artisans and laborers, who in turn support the elites.[14]

 

The Late Sican period began around 1100 and ended with the conquest of the Lambayeque region by the Chimú kingdom of Chimor circa 1375.

 

Around 1020, a major drought lasting 30 years occurred at Sican. At the time of the drought, the Sican Deity, so closely tied to the ocean and water in general, was at the center of Sican religion. The catastrophic changes in weather were thus linked to the Sican Deity, mainly to the failure of the Sican Deity to mediate nature for the Sican people.[15]

 

The Sican ceremonies (and temples/mounds on which they were performed) were supposed to ensure that there was an abundance of nature for the people.

 

The elites were the mediators between the common people and the Sican Deity, as the Sican Deity was the mediator between nature and the Sican people.[15]

 

After 30 years of uncertainty in respect to nature, the temples that were the center of Middle Sican religion and elite power were burned and abandoned between 1050 and 1100.

 

Perhaps the ancestor cult and aggrandizing of the elites caused too much resentment. Coupled with the drought that surely weakened agriculture in the area, the tolerance of the common population plummeted, forcing the removal of the political and religious leadership at Sican to save the people.[2]

 

There was little or no repair of the destruction of Sican, and further damage was inflicted by El Nino floods around 1100.

 

The burning and abandonment of the previous capital meant that a new capital needed to be built. Túcume or "el Purgatorio" was constructed as the new Late Sican capital at the juncture of the La Leche and Lambayeque Valleys.

 

Túcume became the new religious and ceremonial center of the Sican. The religious and iconographic legacies of the Middle Sican abruptly disappeared. It is at this juncture, when the Sican Deity and Sican Lord disappear from art, is when the Late Sican begins.

 

Other mythical depictions from the Middle Sican continued in the Late Sican and reflect the revitalization of the religion going back to tradition relationships with nature. Icons include felines, fish, and birds that were secondary to the Sican Deity during the previous era, but were also linked to previous cultures in the area.

 

Sican material culture, such as ceramics and metallurgy, unrelated to religion or politics did not suffer a severe change during the Middle Sican to Late Sican transition.[2][5][15][16]

 

Agriculture and irrigation were also not affected by the transition of political and religious power, as evidenced by the lack of effects on Pampa de Chaparri and numerous large urban hill-side settlements.[14][17]

 

Túcume took on the religious and ceremonial prestige as the site of Sican claimed during the Middle Sican. The mounds and temples from the Middle Sican were continued into the Late Sican since the idea of mounds were not associated with the fall of the Middle Sican, only those mounds in Batán Grande.

 

The same types of ceremonial and religious artifacts made from the same materials were found at Túcume.

 

The site grew enormously during its 250-year Late Sican occupation. By the time of the Chimú conquest of the Lambayeque region in 1375, there were 26 major mounds and enclosures.

 

The site is built on 220 hectares around the La Raya Mountain. Túcume is seen as the reorganization and reunification of the Sican elite and Sican population as a whole until the fall of the Sican to the Chimú.[17]

en.wikipedia.org/wiki/Sican_culture

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

  

In the period immediately after the Second World War the world found itself with hundreds of thousands of surplus aircraft and just as many surplus aviators. Most aircraft would meet the salvage blade and the smelter’s fiery furnace. Most pilots would return to civilian life, the bulk of them never to fly again.

 

With the plethora of military aircraft languishing in desert lots awaiting a certain fate, some of those disenfranchised aviators and aircraft designers would look to new growing markets for salvation. One of these emerging markets was the new-found requirement for fast and capable business transport aircraft for executives looking to link business interests across the vast distances of the nation. With few purpose-built business aircraft available for executives, medium bombers became the drug of choice for high flying big shots—fast, powerful and, with the right interior appointments, a visual statement of their success and power.

 

In early variants like the Executive, On Mark simply removed military equipment and replaced them with fairings and civil avionics, sealed the bomb bay doors, soundproofed the cabin, and added additional cabin windows. Later models had special wing spars designed to give more interior room, pressurization and equipment from bigger surplus aircraft such as DC-6 brakes and flat glass cockpit windows. It was an elegant mashing together of equipment, but it was not a true business aircraft.

 

In the Sixties, Jet Craft Ltd. of Las Vegas, Nevada, went for a different interpretation of the same topic: The company had purchased a number of former Royal Australian Air Force Vampire trainers and RCAF single-seaters, which were to be converted to a new design for a business aircraft called 'Mystery Jet', offering 4-8-seats.

 

Jet Craft worked with stellar British conversion experts Aviation Traders to do the structural design work. Aviation Traders Limited (ATL) was a war-surplus aircraft and spares trader formed in 1947. In 1949, it began maintaining aircraft used by some of Britain’s contemporary independent airlines on the Berlin Airlift. In the early 1950s, it branched out into aircraft conversions and manufacturing.

 

Aviation Traders worked on the drawings and the structural mock-ups. A full-scale mock-up of the Mystery Jet languished at Southend airport for a decade, trying to lure owners and operators into buying it. And this actually happened: about twenty former Vampire airframes were converted into Mystery Jet business aircraft, tailored to the customers' needs and desires.

 

The Mystery Jet was just what it looked like: a former De Havilland Vampire with a new, roomy nose section grafted onto it. The cabin was pressurized, and was available in two different lengths (130 and 160 inches long, with two or three rows of seats and reflected in the aircraft's title) and several window and door options - the most exotic option being the "Landaulet" cabin which featured a panoramic roof/window installation over the rear pair of seats (or, alternatively, a two-seat bench).

 

The original Goblin engine was retained, CG was retained due to the fact that the new cabin was, despite being considerably longer than the Vampire's nose, the biggest version being more than 8 feet longer. The new front section was much lighter, though, e. g. through the loss of the heavy cannons and their armament, as well as some more military avionics. The loss of fuel capacity through the enlarged cabin was compensated through fixed wing tip tanks, so that range was on par with the former military jet, just top speed and ceiling were slightly inferior.

 

Anyway, prices were steep and from the United States more modern and economical offerings ruled the market. Maintaining a former military jet was also a costly business, so, consequently, after a slight buzz (more of a hum, actually) in the early Seventies, the Mystery Jet and Jet Craft of Las Vegas, also fuelled by some dubious business practices by the company's owner, disappeared. Even further developments of the original concept, e .g. with a wide body for up to 14 passengers and two engines, would not save the Mystery Jet from failure.

  

General characteristics:

Crew: 1 pilot plus 5-7 passengers

Length (Mystery Jet 160): 38 ft 5 in (11.73 m)

Wingspan incl. tip tanks: 39 ft 7 1/2 in (12.09 m)

Height: 8 ft 10 in (2.69 m)

Wing area: 262 ft² (24.34 m²)

Empty weight: 7,283 lb (3,304 kg)

Max. take-off weight: 12,390 lb (5,620 kg)

 

Powerplant:

1× de Havilland Goblin 3 centrifugal turbojet, rated at 3,350 lbf (14.90 kN)

 

Performance:

Maximum speed: 516 mph (832 km/h)

Cruising speed: 400 mph (644 km/h)

Range: 1,220 mi (1,960 km)

Service ceiling: 37,700 ft (11,500 m)

 

Armament:

None

  

The kit and its assembly:

The first finished work in 2017 is a different kind of whif, one of the few civilian models in my collection. This conversion looks sick, but ,as weird as it may seem, the Business-Jet-From-Vintage-Vampires idea was real. For more information, and the source from where some of the backgound story was gathered, please check:

 

www.vintagewings.ca/VintageNews/Stories/tabid/116/article...

 

Anyway, my build is just a personal interpretation of the original concept, not a true model of the Mystery Jet. In fact, this was limited through the donor parts for this kitbash.

 

The rear end was the smaller problem: Airfix offers a very good Vampire T.11 trainer with excellent detail and fit - the passenger cabin was the bigger challenge. Finding "something" that would fit in shape and especialsl size was not easy - my first choice was a nose section from a vintage 1:100 Antonow An-24 from VEB Plasticart (still much too wide, though), and the best solution came as an accidental find in a local model kit shop where I found a heavily discounted MPM Focke Wulf Fw 189 B-0 trainer.

 

The reason: the kit was complete, but the bag holding the sprues must have been heated immensely during the packaging process: the main sprues were horrible warped - except for some single parts including the canopies and the sprue with the cabin! Height wind width were perfect, only the boxy shape caused some headaches. But I guess I would not find anything better...

 

That said, the transplantation mess started. I never built any of the two donor kits before, so I carefully tried to find the best place where to cut the Vampire's nose - I ended up with a staggered solution right in front of the wing root air intakes.

The Fw 189's cabin was bit more tricky, because I had to get rid of the original wing roots and wanted to use as much space as possible, up to the rear bulkhead and together with the rear cabin window. The idea was to blend the Fw 189's roof line into the Vampire's engine section, while keeping the original air intake ducts, so that the overall arrangement would look plausible.

 

The result became a pretty long nose section - and at that time the tail booms were not fited yet, so I was not certain concerning overall proportions. The cabin's underside had to be improvised, and blending the boxy front end with a flat underside into the tubby, round Vampire fuselage caused some headaches. I also had to re-create the lower flank section with styrene sheet, because I had originally hoped that I could "push" the new cabin between the wing roots - but that space was occupied by the Goblin's inlet ducts.

 

Inside of the cabin, the original floor, bulkheads and dashboard were used, plus five bucket seats that come with the MPM kit. In order to hide the body work from the inside, side panels from 0.5mm styrene sheet were added in the cabin - with the benefit of additional stability, but also costing some space... Since the machine was built with closed cabin, a pilot was added - actually a bash of a WWII Matchbox pilot and a German officer from an ESCI tank kit. Looks pretty good and "professional". ;-)

 

Once the cabin was in place, lots of PSR followed and the tail booms could be fitted. To my relief, the longer nose did not look too unbalanced (and actually, design sketches for the original Mystery Jet suggest just this layout!) - but I decided to add wing tip tanks which would beef up wingspan and shift the visual mass slightly forward. They come from an 1:100 Tamiya Il-28, or better the "R" recce variant.

 

The only other big change concerned the nose wheel. While the OOB wheel and strut were used, the well is now located in front of the wheel and it would retract forwards, giving the nose a more balanced look - and the cabin arrangement made this change more plausible, too.

 

Another addition were three small porthole windows in the solid parts of the cabin flanks - one of them ending up in the middle of the cabin door on starboard, where a solid part of the canopy roof lent itself for a good place just behind the pilots' seats.

  

Painting and markings:

I cannot help it, but the thing looks like a design from a vintage Tintin or Yoko Tsuno comic! This was not planned or expected - and actually the paint scheme evolved step by step. I had no plan or clue what to apply - the real Mystery Jet mock-up in silver with blue trim looked sharp, but somehow I did not want blue. So I started with the interior (out of a necessity, as the fuselage had to be closed before any further work progress at some point) and settled for plushy, British colors: Cream (walls and roof) and Claret-Red (carpet and seats).

 

I tried to find something for the outside that would complement this choice of colors, and eventually settled on Ivory and White (upper and lower fuselage halves, respectively) with some deep red trim, plus pale grey wing surfaces. I even considered some thin golden trim lines, but I think this would have been too much?

 

The trim was created with decals tripes from generic sheet material, the black anti-glare panel was painted, though. As a color contrast I painted some of the upper canopy panels in translucent, light blue, and this looks very good.

 

The wings received a lightb treatment with thinned black ink, in order to emphasize the engravings. No post-shading was done, though, for a rather clean look.

 

Most markings were puzzled together; the registration G-AZRE actually belonged to a Vickers Vanguard (from the 1:144 Airfix kit), the large letters above and under the wings were created with single 45° letters (USAF style). Most stencils come from a Vampire trainer aftermarket sheet from Xtradecal, from the OOB sheet only the "No step" warnings on the wings were used.

 

Finally, the kit was sealed with a semi-matt coat of varnish, except for the anti-glare panel, which recived a matt coat. The three small windows received artificial panes made from Clearfix, after their rims had been painted black.

  

A messy project, and you better do not take a close look. But the overall elegance of this creation surprises me - the real Mystery Jet already looked sleek, and this model, despite a more blunt nose, confirms this impression. The colors work together well, too - and the thing has a dedicated retro feel about it. Tintin might be on board, as well as Elton John, both sharing a cigar on the rear seats... ;)

151223-N-XF387-077 YOKOSUKA, Japan (Dec. 23, 2015) - Sailors attached to the U.S. 7th Fleet flagship USS Blue Ridge (LCC 19) deck department, touch up the paint on the anchor chain, on a floating barge during preservation operations. Blue Ridge is currently moored at Commander, Fleet Activities Yokosuka undergoing a Selected Restricted Availability maintenance period, which will allow the ship to undertake future patrols, ensuring the safety and security of Pacific sea lanes. (U.S. Navy photo by Mass Communication Specialist 3rd Class Liz Dunagan/RELEASED)

The Great Patriotic War (Russian: Вели́кая Оте́чественная война́, romanized: Velikaja Otečestvennaja vojna) is a term used in Russia and some other former republics of the Soviet Union to describe the conflict fought during the period from 22 June 1941 to 9 May 1945 along the many fronts of the Eastern Front of World War II, primarily between the Soviet Union and Nazi Germany. For some legal purposes, this period may be extended to 11 May 1945 to include the end of the Prague offensive.

 

History

The term Patriotic War refers to the Russian resistance to the French invasion of Russia under Napoleon I, which became known as the Patriotic War of 1812. In Russian, the term отечественная война originally referred to a war on one's own territory (otechestvo means "the fatherland"), as opposed to a campaign abroad (заграничная война), and later was reinterpreted as a war for the fatherland, i.e. a defensive war for one's homeland. Sometimes the Patriotic War of 1812 was also referred to as the Great Patriotic War (Великая отечественная война); the phrase first appeared in 1844 and became popular on the eve of the centenary of the Patriotic War of 1812.

 

After 1914, the phrase was applied to World War I. It was the name of a special war-time appendix to the magazine Theater and Life (Театр и жизнь) in Saint Petersburg, and referred to the Eastern Front of World War I, where Russia fought against the German Empire and the Austro-Hungarian Empire. The phrases Second Patriotic War (Вторая отечественная война) and Great World Patriotic War (Великая всемирная отечественная война) were also used during World War I in Russia.

 

The term Great Patriotic War re-appeared in the official newspaper of the CPSU, Pravda, on 23 June 1941, just a day after Germany invaded the Soviet Union. It was found in the title of "The Great Patriotic War of the Soviet People" (Velikaya Otechestvennaya Voyna Sovetskogo Naroda), a long article by Yemelyan Yaroslavsky, a member of Pravda editors' collegium. The phrase was intended to motivate the population to defend the Soviet fatherland and to expel the invader, and a reference to the Patriotic War of 1812 was seen as a great morale booster. During the Soviet period, historians engaged in huge distortions to make history fit with Communist ideology, with Marshal Mikhail Kutuzov and Prince Pyotr Bagration transformed into peasant generals, Alexander I alternatively ignored or vilified, and the war becoming a massive "People's War" fought by the ordinary people of Russia with almost no involvement on the part of the government. The invasion by Germany was called the Great Patriotic War by the Soviet government to evoke comparisons with the victory by Tsar Alexander I over Napoleon's invading army.

 

The term Отечественная война (Patriotic War or Fatherland War) was officially recognized by establishment of the Order of the Patriotic War on 20 May 1942, awarded for heroic deeds.

 

The term is not generally used outside the former Soviet Union, and the closest term is the Eastern Front of World War II (1941–1945). Neither term covers the initial phase of World War II in Eastern Europe, during which the USSR, then still in a non-aggression pact with Germany, invaded eastern Poland (1939), the Baltic states (1940), Bessarabia and Northern Bukovina (1940) and Finland (1939–1940). The term also does not cover the Soviet–Japanese War (1945) nor the Battles of Khalkhin Gol (1939).

 

In Russia and some other post-Soviet countries, the term is given great significance; it is accepted as a representation of the most important part of World War II. Until 2014, Uzbekistan was the only nation in the Commonwealth of Independent States that had not recognized the term, referring to it as World War II on the state holiday - the Day of Remembrance and Honour.

 

On 9 April 2015, the Ukrainian parliament replaced the term Great Patriotic War (1941–1945) (Velyka vitchyzniana viina) in the country's law with the "Second World War (1939–1945)" (Druha svitova viina), as part of a set of decommunization laws. Also in 2015, Ukraine's "Victory Day over Nazism in World War II" was established as a national holiday in accordance with the law of "On Perpetuation of Victory over Nazism in World War II 1939–1945". The new holiday was celebrated on May 9 and replaced the Soviet-Russian Victory Day, which is celebrated on May 9. These laws were adopted by the Ukrainian parliament within the package of laws on decommunization. In 2023 Ukraine abolished the 2015 9 May "Victory Day over Nazism" holiday and replaced it with the new public holiday "Day of Remembrance and Victory over Nazism in World War II 1939 – 1945" which is celebrated on 8 May annually.

 

Voronezh is a city and the administrative centre of Voronezh Oblast in southwestern Russia straddling the Voronezh River, located 12 kilometers (7.5 mi) from where it flows into the Don River. The city sits on the Southeastern Railway, which connects western Russia with the Urals and Siberia, the Caucasus and Ukraine, and the M4 highway (Moscow–Voronezh–Rostov-on-Don–Novorossiysk). In recent years the city has experienced rapid population growth, rising in 2021 to 1,057,681, up from 889,680 recorded in the 2010 Census, making it the 14th-most populous city in the country.

 

History

The first chronicle references to the word "Voronezh" are dated 1177, when the Ryazan prince Yaropolk, having lost the battle, fled "to Voronozh" and there was moving "from town to town". Modern data of archeology and history interpret Voronezh as a geographical region, which included the Voronezh river (tributary of the Don) and a number of settlements. In the lower reaches of the river, a unique Slavic town-planning complex of the 8th – early 11th century was discovered, which covered the territory of the present city of Voronezh and its environs (about 42 km long, about 13 forts and many unfortified villages). By the 12th – 13th centuries, most of the old towns were desolate, but new settlements appeared upstream, closer to Ryazan.

 

For many years, the hypothesis of the Soviet historian Vladimir Zagorovsky dominated: he produced the toponym "Voronezh" from the hypothetical Slavic personal name Voroneg. This man allegedly gave the name of a small town in the Chernigov Principality (now the village of Voronezh in Ukraine). Later, in the 11th or 12th century, the settlers were able to "transfer" this name to the Don region, where they named the second city Voronezh, and the river got its name from the city. However, now many researchers criticize the hypothesis, since in reality neither the name of Voroneg nor the second city was revealed, and usually the names of Russian cities repeated the names of the rivers, but not vice versa.

 

The linguistic comparative analysis of the name "Voronezh" was carried out by the Khovansky Foundation in 2009. There is an indication of the place names of many countries in Eurasia, which may partly be not only similar in sound, but also united by common Indo-European languages: Varanasi, Varna, Verona, Brno, etc.

 

A comprehensive scientific analysis was conducted in 2015–2016 by the historian Pavel Popov. His conclusion: "Voronezh" is a probable Slavic macrotoponym associated with outstanding signs of nature, has a root voron- (from the proto-Slavic vorn) in the meaning of "black, dark" and the suffix -ezh (-azh, -ozh). It was not “transferred” and in the 8th - 9th centuries it marked a vast territory covered with black forests (oak forests) - from the mouth of the Voronezh river to the Voronozhsky annalistic forests in the middle and upper reaches of the river, and in the west to the Don (many forests were cut down). The historian believes that the main "city" of the early town-planning complex could repeat the name of the region – Voronezh. Now the hillfort is located in the administrative part of the modern city, in the Voronezh upland oak forest. This is one of Europe's largest ancient Slavic hillforts, the area of which – more than 9 hectares – 13 times the area of the main settlement in Kyiv before the baptism of Rus.

 

In it is assumed that the word "Voronezh" means bluing - a technique to increase the corrosion resistance of iron products. This explanation fits well with the proximity to the ancient city of Voronezh of a large iron deposit and the city of Stary Oskol.

 

Folk etymology claims the name comes from combining the Russian words for raven (ворон) and hedgehog (еж) into Воронеж. According to this explanation two Slavic tribes named after the animals used this combination to name the river which later in turn provided the name for a settlement. There is not believed to be any scientific support for this explanation.

 

In the 16th century, the Middle Don basin, including the Voronezh river, was gradually conquered by Muscovy from the Nogai Horde (a successor state of the Golden Horde), and the current city of Voronezh was established in 1585 by Feodor I as a fort protecting the Muravsky Trail trade route against the slave raids of the Nogai and Crimean Tatars. The city was named after the river.

 

17th to 19th centuries

In the 17th century, Voronezh gradually evolved into a sizable town. Weronecz is shown on the Worona river in Resania in Joan Blaeu's map of 1645. Peter the Great built a dockyard in Voronezh where the Azov Flotilla was constructed for the Azov campaigns in 1695 and 1696. This fleet, the first ever built in Russia, included the first Russian ship of the line, Goto Predestinatsia. The Orthodox diocese of Voronezh was instituted in 1682 and its first bishop, Mitrofan of Voronezh, was later proclaimed the town's patron saint.

 

Owing to the Voronezh Admiralty Wharf, for a short time, Voronezh became the largest city of South Russia and the economic center of a large and fertile region. In 1711, it was made the seat of the Azov Governorate, which eventually morphed into the Voronezh Governorate.

 

In the 19th century, Voronezh was a center of the Central Black Earth Region. Manufacturing industry (mills, tallow-melting, butter-making, soap, leather, and other works) as well as bread, cattle, suet, and the hair trade developed in the town. A railway connected Voronezh with Moscow in 1868 and Rostov-on-Don in 1871.

 

20th century

World War II

During World War II, Voronezh was the scene of fierce fighting between Soviet and combined Axis troops. The Germans used it as a staging area for their attack on Stalingrad, and made it a key crossing point on the Don River. In June 1941, two BM-13 (Fighting machine #13 Katyusha) artillery installations were built at the Voronezh excavator factory. In July, the construction of Katyushas was rationalized so that their manufacture became easier and the time of volley repetition was shortened from five minutes to fifteen seconds. More than 300 BM-13 units manufactured in Voronezh were used in a counterattack near Moscow in December 1941. In October 22, 1941, the advance of the German troops prompted the establishment of a defense committee in the city. On November 7, 1941, there was a troop parade, devoted to the anniversary of the October Revolution. Only three such parades were organized that year: in Moscow, Kuybyshev, and Voronezh. In late June 1942, the city was attacked by German and Hungarian forces. In response, Soviet forces formed the Voronezh Front. By July 6, the German army occupied the western river-bank suburbs before being subjected to a fierce Soviet counter-attack. By July 24 the frontline had stabilised along the Voronezh River as the German forces continued southeast into the Great Bend of the Don. The attack on Voronezh represented the first phase of the German Army's 1942 campaign in the Soviet Union, codenamed Case Blue.

 

Until January 25, 1943, parts of the Second German Army and the Second Hungarian Army occupied the western part of Voronezh. During Operation Little Saturn, the Ostrogozhsk–Rossosh Offensive, and the Voronezhsko-Kastornenskoy Offensive, the Voronezh Front exacted heavy casualties on Axis forces. On January 25, 1943, Voronezh was liberated after ten days of combat. During the war the city was almost completely ruined, with 92% of all buildings destroyed.

 

Post-war

By 1950, Voronezh had been rebuilt. Most buildings and historical monuments were repaired. It was also the location of a prestigious Suvorov Military School, a boarding school for young boys who were considered to be prospective military officers, many of whom had been orphaned by war.

 

In 1950–1960, new factories were established: a tire factory, a machine-tool factory, a factory of heavy mechanical pressing, and others. In 1968, Serial production of the Tupolev Tu-144 supersonic plane was established at the Voronezh Aviation factory. In October 1977, the first Soviet domestic wide-body plane, Ilyushin Il-86, was built there.

 

In 1989, TASS published details of an alleged UFO landing in the city's park and purported encounters with extraterrestrial beings reported by a number of children. A Russian scientist that was cited in initial TASS reports later told the Associated Press that he was misquoted, cautioning, "Don't believe all you hear from TASS," and "We never gave them part of what they published", and a TASS correspondent admitted the possibility that some "make-believe" had been added to the TASS story, saying, "I think there is a certain portion of truth, but it is not excluded that there is also fantasizing".

 

21st century

From 10 to 17 September 2011, Voronezh celebrated its 425th anniversary. The anniversary of the city was given the status of a federal scale celebration that helped attract large investments from the federal and regional budgets for development.

 

On December 17, 2012, Voronezh became the fifteenth city in Russia with a population of over one million people.

 

Today Voronezh is the economic, industrial, cultural, and scientific center of the Central Black Earth Region. As part of the annual tradition in the Russian city of Voronezh, every winter the main city square is thematically drawn around a classic literature. In 2020, the city was decorated using the motifs from Pyotr Ilyich Tchaikovsky's The Nutcracker. In the year of 2021, the architects drew inspiration from Hans Christian Andersen's fairy tale The Snow Queen as well as the animation classic The Snow Queen from the Soviet Union. The fairy tale replica city will feature the houses of Kai and Gerda, the palace of the snow queen, an ice rink, and illumination.

 

In June 2023, during the Wagner Group rebellion, forces of the Wagner Group claimed to have taken control of military facilities in the city. Later they were confirmed to have taken the city itself.

 

Administrative and municipal status

Voronezh is the administrative center of the oblast.[1] Within the framework of administrative divisions, it is incorporated as Voronezh Urban Okrug—an administrative unit with the status equal to that of the districts.[1] As a municipal division, this administrative unit also has urban okrug status.

 

City divisions

The city is divided into six administrative districts:

 

Zheleznodorozhny (183,17 km²)

Tsentralny (63,96 km²)

Kominternovsky (47,41 km²)

Leninsky (18,53 km²)

Sovetsky (156,6 km²)

Levoberezhny (123,89 km²)

 

Economy

The leading sectors of the urban economy in the 20th century were mechanical engineering, metalworking, the electronics industry and the food industry.

 

In the city are such companies as:

Tupolev Tu-144

Voronezhselmash (agricultural engineering)

Sozvezdie[36] (headquarter, JSC Concern “Sozvezdie”, in 1958 the world's first created mobile telephony and wireless telephone Altai

Verofarm (pharmaceutics, owner Abbott Laboratories),

Voronezh Mechanical Plant[37] (production of missile and aircraft engines, oil and gas equipment)

Mining Machinery Holding - RUDGORMASH[38] (production of drilling, mineral processing and mining equipment)

VNiiPM Research Institute of Semiconductor Engineering (equipment for plasma-chemical processes, technical-chemical equipment for liquid operations, water treatment equipment)

KBKhA Chemical Automatics Design Bureau with notable products:.

Pirelli Voronezh.

On the territory of the city district government Maslovka Voronezh region with the support of the Investment Fund of Russia, is implementing a project to create an industrial park, "Maslowski", to accommodate more than 100 new businesses, including the transformer factory of Siemens. On September 7, 2011 in Voronezh there opened a Global network operation center of Nokia Siemens Networks, which was the fifth in the world and the first in Russia.

 

Construction

In 2014, 926,000 square meters of housing was delivered.

 

Clusters of Voronezh

In clusters of tax incentives and different preferences, the full support of the authorities. A cluster of Oil and Gas Equipment, Radio-electronic cluster, Furniture cluster, IT cluster, Cluster aircraft, Cluster Electromechanics, Transport and logistics cluster, Cluster building materials and technologies.

 

Geography

Urban layout

Information about the original urban layout of Voronezh is contained in the "Patrol Book" of 1615. At that time, the city fortress was logged and located on the banks of the Voronezh River. In plan, it was an irregular quadrangle with a perimeter of about 238 meter. inside it, due to lack of space, there was no housing or siege yards, and even the cathedral church was supposed to be taken out. However, at this small fortress there was a large garrison - 666 households of service people. These courtyards were reliably protected by the second line of fortifications by a standing prison on taras with 25 towers covered with earth; behind the prison was a moat, and beyond the moat there were stakes. Voronezh was a typical military settlement (ostrog). In the city prison there were only settlements of military men: Streletskaya, Kazachya, Belomestnaya atamanskaya, Zatinnaya and Pushkarskaya. The posad population received the territory between the ostrog and the river, where the Monastyrskaya settlements (at the Assumption Monastery) was formed. Subsequently, the Yamnaya Sloboda was added to them, and on the other side of the fort, on the Chizhovka Mountain, the Chizhovskaya Sloboda of archers and Cossacks appeared. As a result, the Voronezh settlements surrounded the fortress in a ring. The location of the parish churches emphasized this ring-like and even distribution of settlements: the Ilyinsky Church of the Streletskaya Sloboda, the Pyatnitskaya Cossack and Pokrovskaya Belomestnaya were brought out to the passage towers of the prison. The Nikolskaya Church of the Streletskaya Sloboda was located near the marketplace (and, accordingly, the front facade of the fortress), and the paired ensemble of the Rozhdestvenskaya and Georgievskaya churches of the Cossack Sloboda marked the main street of the city, going from the Cossack Gate to the fortress tower.

 

Climate

Voronezh experiences a humid continental climate (Köppen: Dfb) with long, cold winters and short, warm summers.

 

Transportation

Air

The city is served by the Voronezh International Airport, which is located north of the city and is home to Polet Airlines. Voronezh is also home to the Pridacha Airport, a part of a major aircraft manufacturing facility VASO (Voronezhskoye Aktsionernoye Samoletostroitelnoye Obshchestvo, Voronezh aircraft production association) where the Tupolev Tu-144 (known in the West as the "Concordski"), was built and the only operational unit is still stored. Voronezh also hosts the Voronezh Malshevo air force base in the southwest of the city, which, according to a Natural Resources Defense Council report, houses nuclear bombers.[citation needed]

 

Rail

Since 1868, there is a railway connection between Voronezh and Moscow. Rail services form a part of the South Eastern Railway of the Russian Railways. Destinations served direct from Voronezh include Moscow, Kyiv, Kursk, Novorossiysk, Sochi, and Tambov. The main train station is called Voronezh-1 railway station and is located in the center of the city.

 

Bus

There are three bus stations in Voronezh that connect the city with destinations including Moscow, Belgorod, Lipetsk, Volgograd, Rostov-on-Don, and Astrakhan.

 

Education and culture

Aviastroiteley Park

The city has seven theaters, twelve museums, a number of movie theaters, a philharmonic hall, and a circus. It is also a major center of higher education in central Russia. The main educational facilities include:

 

Voronezh State University

Voronezh State Technical University

Voronezh State University of Architecture and Construction

Voronezh State Pedagogical University

Voronezh State Agricultural University

Voronezh State University of Engineering Technologies

Voronezh State Medical University named after N. N. Burdenko

Voronezh State Academy of Arts

Voronezh State University of Forestry and Technologies named after G.F. Morozov

Voronezh State Institute of Physical Training

Voronezh Institute of Russia's Home Affairs Ministry

Voronezh Institute of High Technologies

Military Educational and Scientific Center of the Air Force «N.E. Zhukovsky and Y.A. Gagarin Air Force Academy» (Voronezh)

Plekhanov Russian University of Economics (Voronezh branch)

Russian State University of Justice

Admiral Makarov State University of Sea and River Fleet (Voronezh branch)

International Institute of Computer Technologies

Voronezh Institute of Economics and Law

and a number of other affiliate and private-funded institutes and universities. There are 2000 schools within the city.

 

Theaters

Voronezh Chamber Theatre

Koltsov Academic Drama Theater

Voronezh State Opera and Ballet Theatre

Shut Puppet Theater

 

Festivals

Platonov International Arts Festival

 

Sports

ClubSportFoundedCurrent LeagueLeague

RankStadium

Fakel VoronezhFootball1947Russian Premier League1stTsentralnyi Profsoyuz Stadion

Energy VoronezhFootball1989Women's Premier League1stRudgormash Stadium

Buran VoronezhIce Hockey1977Higher Hockey League2ndYubileyny Sports Palace

VC VoronezhVolleyball2006Women's Higher Volleyball League A2ndKristall Sports Complex

 

Religion

Annunciation Orthodox Cathedral in Voronezh

Orthodox Christianity is the predominant religion in Voronezh.[citation needed] There is an Orthodox Jewish community in Voronezh, with a synagogue located on Stankevicha Street.

 

In 1682, the Voronezh diocese was formed to fight the schismatics. Its first head was Bishop Mitrofan (1623-1703) at the age of 58. Under him, the construction began on the new Annunciation Cathedral to replace the old one. In 1832, Mitrofan was canonized by the Russian Orthodox Church.

 

In the 1990s, many Orthodox churches were returned to the diocese. Their restoration was continued. In 2009, instead of the lost one, a new Annunciation Cathedral was built with a monument to St. Mitrofan erected next to it.

 

Cemeteries

There are ten cemeteries in Voronezh:

Levoberezhnoye Cemetery

Lesnoye Cemetery

Jewish Cemetery

Nikolskoye Cemetery

Pravoberezhnoye Cemetery

Budyonnovskoe Cemetery

Yugo-Zapadnoye Cemetery

Podgorenskоye Cemetery

Kominternovskoe Cemetery

Ternovoye Cemetery is а historical site closed to the public.

 

Born in Voronezh

18th century

Yevgeny Bolkhovitinov (1767–1837), Orthodox Metropolitan of Kiev and Galicia

Mikhail Pavlov (1792–1840), Russian academic and professor at Moscow University

19th century

1801–1850

Aleksey Koltsov (1809–1842), Russian poet

Ivan Nikitin (1824–1861), Russian poet

Nikolai Ge (1831–1894), Russian realist painter famous for his works on historical and religious motifs

Vasily Sleptsov (1836–1878), Russian writer and social reformer

Nikolay Kashkin (1839–1920), Russian music critic

1851–1900

Valentin Zhukovski (1858–1918), Russian orientalist

Vasily Goncharov (1861–1915), Russian film director and screenwriter, one of the pioneers of the film industry in the Russian Empire

Anastasiya Verbitskaya (1861–1928), Russian novelist, playwright, screenplay writer, publisher and feminist

Mikhail Olminsky (1863–1933), Russian Communist

Serge Voronoff (1866–1951), French surgeon of Russian extraction

Andrei Shingarev (1869–1918), Russian doctor, publicist and politician

Ivan Bunin (1870–1953), the first Russian writer to win the Nobel Prize for Literature

Alexander Ostuzhev (1874–1953), Russian and Soviet drama actor

Valerian Albanov (1881–1919), Russian navigator and polar explorer

Jan Hambourg (1882–1947), Russian violinist, a member of a famous musical family

Volin (1882–1945), anarchist

Boris Hambourg (1885–1954), Russian cellist who made his career in the USA, Canada, England and Europe

Boris Eikhenbaum (1886–1959), Russian and Soviet literary scholar, and historian of Russian literature

Anatoly Durov (1887–1928), Russian animal trainer

Samuil Marshak (1887–1964), Russian and Soviet writer, translator and children's poet

Eduard Shpolsky (1892–1975), Russian and Soviet physicist and educator

George of Syracuse (1893–1981), Eastern Orthodox archbishop of the Ecumenical Patriarchate

Yevgeny Gabrilovich (1899–1993), Soviet screenwriter

Semyon Krivoshein (1899–1978), Soviet tank commander; Lieutenant General

Andrei Platonov (1899–1951), Soviet Russian writer, playwright and poet

Ivan Pravov (1899–1971), Russian and Soviet film director and screenwriter

William Dameshek (1900–1969), American hematologist

20th century

1901–1930

Ivan Nikolaev (1901–1979), Soviet architect and educator

Galina Shubina (1902–1980), Russian poster and graphics artist

Pavel Cherenkov (1904–1990), Soviet physicist who shared the Nobel Prize in physics in 1958 with Ilya Frank and Igor Tamm for the discovery of Cherenkov radiation, made in 1934

Yakov Kreizer (1905–1969), Soviet field commander, General of the army and Hero of the Soviet Union

Iosif Rudakovsky (1914–1947), Soviet chess master

Pawel Kassatkin (1915–1987), Russian writer

Alexander Shelepin (1918–1994), Soviet state security officer and party statesman

Grigory Baklanov (1923–2009), Russian writer

Gleb Strizhenov (1923–1985), Soviet actor

Vladimir Zagorovsky (1925–1994), Russian chess grandmaster of correspondence chess and the fourth ICCF World Champion between 1962 and 1965

Konstantin Feoktistov (1926–2009), cosmonaut and engineer

Vitaly Vorotnikov (1926–2012), Soviet statesman

Arkady Davidowitz (1930), writer and aphorist

1931–1950

Grigory Sanakoev (1935), Russian International Correspondence Chess Grandmaster, most famous for being the twelfth ICCF World Champion (1984–1991)

Yuri Zhuravlyov (1935), Russian mathematician

Mykola Koltsov (1936–2011), Soviet footballer and Ukrainian football children and youth trainer

Vyacheslav Ovchinnikov (1936), Russian composer

Iya Savvina (1936–2011), Soviet film actress

Tamara Zamotaylova (1939), Soviet gymnast, who won four Olympic medals at the 1960 and 1964 Summer Olympics

Yury Smolyakov (1941), Soviet Olympic fencer

Yevgeny Lapinsky (1942–1999), Soviet Olympic volleyball player

Galina Bukharina (1945), Soviet athlete

Vladimir Patkin (1945), Soviet Olympic volleyball player

Vladimir Proskurin (1945), Soviet Russian football player and coach

Aleksandr Maleyev (1947), Soviet artistic gymnast

Valeri Nenenko (1950), Russian professional football coach and player

1951–1970

Vladimir Rokhlin, Jr. (1952), Russian-American mathematician and professor of computer science and mathematics at the Yale University

Lyubov Burda (1953), Russian artistic gymnast

Mikhail Khryukin (1955), Russian swimmer

Aleksandr Tkachyov (1957), Russian gymnast and two times Olympic Champion

Nikolai Vasilyev (1957), Russian professional football coach and player

Aleksandr Babanov (1958), Russian professional football coach and player

Sergey Koliukh (1960), Russian political figure; 4th Mayor of Voronezh

Yelena Davydova (1961), Soviet gymnast

Aleksandr Borodyuk (1962), Russian football manager and former international player for USSR and Russia

Aleksandr Chayev (1962), Russian swimmer

Elena Fanailova (1962), Russian poet

Alexander Litvinenko (1962–2006), officer of the Russian FSB and political dissident

Yuri Shishkin (1963), Russian professional football coach and player

Yuri Klinskikh (1964–2000), Russian musician, singer, songwriter, arranger, founder rock band Sektor Gaza

Yelena Ruzina (1964), athlete

Igor Bragin (1965), footballer

Gennadi Remezov (1965), Russian professional footballer

Valeri Shmarov (1965), Russian football player and coach

Konstantin Chernyshov (1967), Russian chess grandmaster

Igor Pyvin (1967), Russian professional football coach and player

Vladimir Bobrezhov (1968), Soviet sprint canoer

1971–1980

Oleg Gorobiy (1971), Russian sprint canoer

Anatoli Kanishchev (1971), Russian professional association footballer

Ruslan Mashchenko (1971), Russian hurdler

Aleksandr Ovsyannikov (1974), Russian professional footballer

Dmitri Sautin (1974), Russian diver who has won more medals than any other Olympic diver

Sergey Verlin (1974), Russian sprint canoer

Maxim Narozhnyy (1975–2011), Paralympian athlete

Aleksandr Cherkes (1976), Russian football coach and player

Andrei Durov (1977), Russian professional footballer

Nikolai Kryukov (1978), Russian artistic gymnast

Kirill Gerstein (1979), Jewish American and Russian pianist

Evgeny Ignatov (1979), Russian sprint canoeist

Aleksey Nikolaev (1979), Russian-Uzbekistan footballer

Aleksandr Palchikov (1979), former Russian professional football player

Konstantin Skrylnikov (1979), Russian professional footballer

Aleksandr Varlamov (1979), Russian diver

Angelina Yushkova (1979), Russian gymnast

Maksim Potapov (1980), professional ice hockey player

1981–1990

Alexander Krysanov (1981), Russian professional ice hockey forward

Yulia Nachalova (1981–2019), Soviet and Russian singer, actress and television presenter

Andrei Ryabykh (1982), Russian football player

Maxim Shchyogolev (1982), Russian theatre and film actor

Eduard Vorganov (1982), Russian professional road bicycle racer

Anton Buslov (1983–2014), Russian astrophysicist, blogger, columnist at The New Times magazine and expert on transportation systems

Dmitri Grachyov (1983), Russian footballer

Aleksandr Kokorev (1984), Russian professional football player

Dmitry Kozonchuk (1984), Russian professional road bicycle racer for Team Katusha

Alexander Khatuntsev (1985), Russian professional road bicycle racer

Egor Vyaltsev (1985), Russian professional basketball player

Samvel Aslanyan (1986), Russian handball player

Maksim Chistyakov (1986), Russian football player

Yevgeniy Dorokhin (1986), Russian sprint canoer

Daniil Gridnev (1986), Russian professional footballer

Vladimir Moskalyov (1986), Russian football referee

Elena Danilova (1987), Russian football forward

Sektor Gaza (1987–2000), punk band

Regina Moroz (1987), Russian female volleyball player

Roman Shishkin (1987), Russian footballer

Viktor Stroyev (1987), Russian footballer

Elena Terekhova (1987), Russian international footballer

Natalia Goncharova (1988), Russian diver

Yelena Yudina (1988), Russian skeleton racer

Dmitry Abakumov (1989), Russian professional association football player

Igor Boev (1989), Russian professional racing cyclist

Ivan Dobronravov (1989), Russian actor

Anna Bogomazova (1990), Russian kickboxer, martial artist, professional wrestler and valet

Yuriy Kunakov (1990), Russian diver

Vitaly Melnikov (1990), Russian backstroke swimmer

Kristina Pravdina (1990), Russian female artistic gymnast

Vladislav Ryzhkov (1990), Russian footballer

1991–2000

Danila Poperechny (1994), Russian stand-up comedian, actor, youtuber, podcaster

Darya Stukalova (1994), Russian Paralympic swimmer

Viktoria Komova (1995), Russian Olympic gymnast

Vitali Lystsov (1995), Russian professional footballer

Marina Nekrasova (1995), Russian-born Azerbaijani artistic gymnast

Vladislav Parshikov (1996), Russian football player

Dmitri Skopintsev (1997), Russian footballer

Alexander Eickholtz (1998) American sportsman

Angelina Melnikova (2000), Russian Olympic gymnast

Lived in Voronezh

Aleksey Khovansky (1814–1899), editor

Ivan Kramskoi (1837–1887), Russian painter and art critic

Mitrofan Pyatnitsky (1864–1927), Russian musician

Mikhail Tsvet (1872–1919), Russian botanist

Alexander Kuprin (1880–1960), Russian painter, a member of the Jack of Diamonds group

Yevgeny Zamyatin (1884-1937), Russian writer, went to school in Voronezh

Osip Mandelstam (1891–1938), Russian poet

Nadezhda Mandelstam (1899-1980), Russian writer

Gavriil Troyepolsky (1905–1995), Soviet writer

Nikolay Basov (1922–2001), Soviet physicist and educator

Vasily Peskov (1930–2013), Russian writer, journalist, photographer, traveller and ecologist

Valentina Popova (1972), Russian weightlifter

Igor Samsonov, painter

Tatyana Zrazhevskaya, Russian boxer

25th December 2018, Christmas day brings bright sunshine and a mild though crisp breeze to Aberdeen Scotland.

 

Finding a couple of hours after opening presents I decided to visit the harbour before the Turkey landed on the table and drinks started flowing , this photo is one of a few I captured over a two hour period before heading home with an appetite and a thirst .

 

Edda Ferd, PSV – Hybrid Platform Supply Vessel

 

The Edda Ferd is a platform supply vessel used to support oil rig operations in the North Sea.

 

A new build, the Østensjø Edda Ferd has been designed with a focus on quality, safety and efficiency. This is the first integration of a Corvus Energy ESS and Siemens’ BlueDrive PlusC propulsion system.

 

Name: Edda Ferd

Type: 92.6 m Platform Supply Vessel (PSV)

Duty: North Sea Offshore Drilling Platform Service & Support

Pack: 40 x 6.5kWh

Capacity: 260kWh

Bus Voltage : 888VDC

Partners: Østensjø Rederi, Siemens, Corvus Energy

 

Edda Ferd, PSV is based in Haugesund, Norway operating in the North Sea.

 

General

Operator:Østensjø Rederi AS

Built:2013

Builder:Astilleros Gondan. Spain

Yard no.:444

Call sign:LAZO7

Flag:NIS

Port of Registry:Haugesund

IMO no.:9625504

MMSI No.:259161000

Classification:DnV +1A1, SF, E0, OFFSHORE SERVICE VESSEL+, SUPPLY, DK(+), DYNPOS-AUTR, HL(2.8), LFL*, CLEAN DESIGN, NAUT-OSV(A), COMF-V3-C2, OIL REC, DEICE

Safety regulations:NMA, Trade Worldwide within GMDSS A3, Solas 1974/1978, International Convention on Load Lines, Pollution Prevention - MARPOL 1973/1978, INLS Certificate

 

Dimensions

Length o.a.:92,6 m

Length b.p.:82,2 m

Breadth mld.:20,6 m

Depth mld.:9,0 m

Draft max.:7,2 m

Air draft:32,46m

Tonnage - Deadweight

Deadweight:5122 t

Gross tonnage:4870 GT

Net tonnage:1462 NT

Deck loading capacities

Cargo deck:1038 m2

 

Deck equipment

Anchor chain:2 x 11 shacles.

Anchor Windlass / Mooring Winch:15,5 tons.

Mooring winch:Forward: 2 x 16 tons Aft: 2 x 10 tons

Deck cranes:Port: 1 x MacGregor SWL1,5 t@ 8m / Starboard: 1 x MacGregor SWL 3,0 t @ 10m

Tugger winches:2 x 15 tons.

 

Propulsion

General:Battery Hybrid Power Station and 2 x VSP each 2700 kW. 2 x AC asynchronous water-cooled motors each 2700 kW.

Main engines:2 x MAK 6M25C a` 2000kW - 2 x MAK 9M25C a`3000 kW

Fuel type:MDO /MGO

Auxiliaries / Electrical power

Generators:2 x Simens generator 2222 kW / 2 x Simens generator 3333 kW

Emergency generator:Caterpillar Emergency generator 158 kW

 

Speed / Consumption

Max speed / Consumption:abt. 16,0 knots

Main propellers

Maker:Voith Schneider propellers

Type:2 x 2700 KW

 

Thrusters

Bow thrusters:2 x 1400 kW FP , electric driven low noise tunnel thrusters. Plus 1 x 800 kW RIM tunnel thruster

Bridge / Manoeuvering

Bridge controls:5 control stands. (forward, 2 x aft, starboard, port)

Loading / Discharging:Simens IAS. Remote monitoring of all tanks including loading/discharging operations and start/stop of all pumps.

 

Dynamic positioning system

Type:Kongsberg K-Pos.

Approval / Class:DNV DYNPOS-AUTR. IMO Class 2

Reference systems:DPS 112, DPS 132, CyScan, Mini-Radascan

Sensors:3 x Gyro, 3 x Motion Reference Unit, 2 x Wind sensor

ERN number:99,99,99,99

Liquid tank capacities

Marine Gas Oil:1100 m3 included 2 chemical and 4 special prod. tanks connected to fuel system.

POT water:1000 m3

Drill Water/Ballast:2280 m3

Mud:Mud/Brine system 513 m3. Special product system 370 m3. Total 883 m3.

Brine:Brine/mud system 513 m3. Special product system 702 m3. Total 1215 m3

Base oil:Total 702 m3. When using combined tanks.

Methanol:Total 440 m3. When using combined tanks.

Special products LFL/LFL*:720 m3

Drill Cuttings:720 m3

 

Liquid discharge

Fuel Oil pumps:2 x 150 m3/h- 9 bar

Brine pumps:2 x 100 m3/h – 22.5 bar.

Liquid Mud pumps:2 x 100 m3/h – 24 bar.

Specal products pumps:2 x 100 m3/h – 9 bar.

Drill water pumps:1 x 250 m3/h – 9 bar.

Drill cutting pumps:4 x 40 m3/h – 9 bar.

Fresh water pumps:1 x 250 m3/h – 9 bar.

Methanol pumps:2 x 75 m3/h – 9 bar .

Slop system:1 x 20 m3/h

Tank washing system:1 x 30 m3/h

Discharge piping:5"

Bulk tank capasities

Bulk Cement Tanks:4 tanks. Total capacity: 260 m3

Bulk Discharge:2 x 100 t/hr

Navigation equipment

Radar:1 x Furuno FCR-2827 S /ARPA - 1 x Furuno FAR-2837 S / ARPA

Electronic Chart System:2 x TECDIS

Compass:3 x Simrad Gyro GC 80

Autopilot:Simrad AP-70

Echo Sounder:Furuno FE-700

Navtex:Furuno NX-700A

DGPS:Furuno GP-150

AIS:Furuno FA-150

Voyage data recorder:Furuno VR-3000

LRIT:Sailor 6130 LRIT

Log:Furuno DS-80

 

Communication equipment

General:GMDSS installation in accordance with IMO regulations for vessels operating within Sea Area A3

GMDSS Radio MF/HF Transceivers & DSC:1 x Furuno FS-1575

VHF:2 x GMDSS Furuno FM-8900 / 3 x GMDSS Jotron TR-20 portable / 3 x Sailor 6248

GMDSS EPIRB:1 x Jotron 40 S Mk2 - 1 x Jotron 45 S Mk2

GMDSS SART:2 x Kannad SARTII

UHF:6 x Motorola GM-360 - 6 x Motorola GP-340 ATEX

Sattelite system:1 x Inmarsat / 1 x Iridium

 

Accommodation

Total no. berths:38 x Beds

Total no. of cabins:27 x Cabins

Single cabins:16 x Single cabins

Double cabins:11 x Double cabins

Office:2 x Offices

Hospital:1 x Hospital

Ventilation/A-C for accommodation:High pressure single-pipe fully redundant ventilation system. Full heating/AC throughout the accommodation

Other:Messroom, Dayrooms, Conferenceroom, Gymnasium,Galley,Dry Provitions,Freezing room, Wardrobes.

 

Lifesaving / rescue

Approved lifesaving appliances for:40 persons

Liferafts:6 x 25 persons

Rescue/MOB boat:Alusafe 770 Mk2 - Twin installation.

Fire-fighting/foam:Water/Foam pump/ monitors covering cargo deck area

alles aus dieser Zeit / all from this period : hier/here

 

Einen der Weihnachtatage 2013 konnte ich als Frau verbringen. Ein Bildersatz im Stream ist "echt", die zwei anderen habe ich dann später "nachgestellt".

-----

In 2013 I could spend one of the christmas days en-femme. One set is "real", the two other 2 sets in my stream were made a few days later. Guess which is which.

Female Figure

 

Representations of female figures with highly abstracted forms occur throughout most of the Predynastic Period. On statuettes of this period, the legs are usually not articulated and the faces are beaklike. This rare undamaged example, one of the oldest works in the Brooklyn Museum, was found in a burial excavated by the Museum's first archaeological expedition in Egypt. The symbolism, function, and identity of the figure are not certain. However, similar female figures painted on Predynastic vessels appear to be goddesses, because they are always larger than the male "priests" shown with them.

 

Medium: Terracotta, painted

Reportedly From: Ma'mariya, Egypt

Dates: ca. 3500-3400 B.C.E.

Period: Predynastic Period, Naqada IIa Period

Dimensions: 11 1/2 x 5 1/2 x 2 1/4 in. (29.2 x 14 x 5.7 cm)

Collections: Egyptian, Classical, and Ancient Middle Eastern Art

 

www.brooklynmuseum.org/opencollection/objects/4225/Female...

 

Waterside North in Lincoln, Lincolnshire.

 

A street built on reclaimed land on the north bank of the Witham and was first noted in a late 14th-century. The stretch from Thorngate east to Stamp End may have been called Thornbridgegate in the medieval period.

 

Information Source:

www.heritageconnectlincoln.com/character-area/sincil-stre...

 

Period clothing

From the museum label: Art enthusiasts in Edo-period Japan were mesmerized by Katsushika Hokusai's landscapes, especially his series of views of Mount Fuji, to which this print belongs. To create this image of an overpowering wave, Hokusai adapted to his own ends materials and devices that had recently been introduced from the West, namely, Prussian blue pigment and one-point perspective. Hokusai's great sense of achieving drama can be observed here and has proven influential for many artists, past and present. According to new interpretations of Hokusai's print, the great wave represents the encroachment of foreign powers, more than twenty years before Commodore Matthew Perry's forced opening of Japan to trade with America, in 1853.

blogged today on decor8

A squinch arch, dating back to the late Gandhara period, in Kafiriat Tepe Buddhist monastery in Mes Aynak.

 

Afghanistan, May 2012.

 

In May 2012 I have travelled to Afghanistan on an assignment for the Czech edition of National Geographic Magazine. I have photographed excavation and rescue efforts at the world’s largest archaeological excavations site, located in Mes Aynak (“copper well”) area, Logar Province, Afghanistan.

 

Link and Polish text below.

 

Being an equally inspiring and unique place, experts on site believe that uncovering Mes Aynak ancient city would not only re-write the history of the Silk Route, but also the history of Buddhism.

 

That is however unlikely to happen. At the end of December 2012 the first part of the ancient site will be destroyed. Due to economic interests of China and Afghanistan a massive open copper mine complex just where the ancient city lays will be established. Mes Aynak is also a home to a second-largest unworked cooper deposit in the world.

 

To give you a hint. This earth-covered ancient city, yet to be excavated, sprawls across a territory of approximately 1,5 by 1,5 kilometers. Recent findings suggest that underneath the 2600 years-old town, Mes Aynak was inhabited in an organized manner as early as 5,000 years ago, well into Bronze Age. It is considered literally as a missing link between the civilizations of East and West, a trading hub, a money factory, a place where these two civilizations met and interacted.

According to international archaeologists on site, Mes Aynak becomes one of the five most important findings in the history of archaeology ever. That is, in the same category as Petra or Machu Piccu.

 

Unfortunately we will not learn about it. Underneath Mes Aynak city lays the second-largest known unworked copper deposit in the world. China Metallurgical Group Corporation (MCC), a government-owned giant bought rights to it for a round $3 billion and will excavate copper for the next 30 years, aiming to extract approximately $100 billion in it. A massive open copper mine, visible from outer space, will completely destroy this ancient site.

 

So far, perhaps 15% of the newest archaeological layer was uncovered. The second, or the earliest settlements will never be accessed. The entire city’ history, including its administrative center, Buddhist stupas, monasteries, as well as Bronze Age-era past will be forever lost.

Archaeologists state they require between 20 to 30 years to fully uncover and document this site but cannot oppose decision taken by the government of Afghanistan and MCC. A team consisting of international and Afghan archaeologists conducts the so called “rescue archaeology” - basically to dig out as much as possible in the remaining few months.

 

The reportage (text by Jiri Unger and Nicolas Engel) has been published as exclusive in the September edition of the Czech version of National Geographic magazine and is available here: www.national-geographic.cz/detail/exkluzivne-pro-ng-meden... (in Czech).

I will be posting more photographs over coming days and weeks, so stay tuned.

 

W maju 2012r., na zlecenie czeskiego National Geographic, pojechałem dokumentować największe na świecie wykopaliska archeologiczne mające miejsce w Mes Aynak („miedziana studnia”) w prowincji Logar w Afganistanie.

 

Pracujący na wykopaliskach archeolodzy uważają, że odkrycie starożytnego miasta Mes Aynak pozwoli nie tylko na nowo napisać historię Jedwabnego Szlaku, ale również na nowo napisać historię Buddyzmu.

 

Niestety raczej do tego nie dojdzie. Ze względu na interes ekonomiczny Afganistanu i Chin to zagubione miasto, już w grudniu 2012 r. zostanie usunięte z powierzchni ziemi. Wtedy zacznie tu powstawać ogromna, odkrywkowa kopalnia miedzi. A to ze względu na to, że starożytne miasto leży na drugim, największym na świecie jego składzie.

 

W telegraficznym skrócie: To pogrzebane pod ziemią miasto rozpołożone jest na terytorium wielkości półtorej na półtorej kilometra. Niedawne odkrycia sugerują, że pod gruzami 2,600-letniego miasta znajdują się pozostałości osadnictwa na przestrzeni ostatnich pięciu tysięcy lat, a więc jeszcze w epoce Brązu. Mówi się, że Mes Aynak jest tym brakującym łącznikiem tłumaczącym skalę kontaktów cywilizacji Zachodu i Wschodu. Miasto przypuszczalnie było centrum handlowym, fabryką pieniędzy i miejscem, gdzie dwie cywilizacje stykały się ze sobą.

 

Już teraz międzynarodowi archeolodzy mówią, że Mes Aynak wchodzi do grupy pięciu najważniejszych odkryć archeologicznych wszechczasów. Zajmuje tym samym miejscu obok Petry czy Machu Piccu.

 

Niestety nie będzie nam dane poznać tej historii. Chińska Metalurgiczna Grupa Kapitałowa, należący do państwa gigant za, bagatela, 3 miliardy dolarów, wykupił od afgańskiego rządu prawa do złoża. Będzie ją wydobywać w przeciągu następnych trzydziestu lat. Szacuje się, że w tym czasie wydobędzie równowartość ok. 100 miliardów dolarów tego surowca. Kopalnia odkrywkowa, tak wielka, że widziana z kosmosu, doszczętnie zrujnuje zaginione miasto.

 

Do chwili obecnej archeologom udało się odkopać ok. 15% najnowszego miasta. Drugi, czy trzeci, najwcześniejszy pokład archeologiczny nigdy nie zostaną odkryte. Całość historii tego miejsca, buddyjskie klasztory, pozostałości osadnictwa z epoki Brązu będą bezpowrotnie stracone.

 

Wg. archeologów na miejscu (wśród których, nota bene, jest dwoje Polaków), potrzeba dwudziestu, a może trzydziestu lat, by w pełni odkryć i udokumentować to miejsce. Zespół składający się z ekspertów z Europy, Stanów Zjednoczonych i Afganistanu prowadzi więc tzw. archeologię ratowniczą. Oznacza to mniej więcej próbę wydobycia w pozostałych kilku miesiącach jak największej ilości artefaktów i odkopania jak największego terenu.

 

Reportaż (tekst autorstwa archeologów Jiri Ungera I Nicolasa Engela) został opublikowany we wrześniowym numerze National Geographic. Można go zobaczyć tutaj: www.national-geographic.cz/detail/exkluzivne-pro-ng-meden... (po czesku).

The L. B. Brown House was built in 1892, during the period of Bartows initial development. It is a good example of Frame Vernacular construction typical of that period. This house is decorated with intricate mill work and gingerbread. The house has nine rooms. The Brown house was built by Lawrence Bernard Brown (1856-1941) who was born into slavery, in Wacahoota, outside of Archer. He moved to Deland around 1882 where he built a number of houses. Lawrence moved to Bartow during the 1880s and built a large number of dwellings, one of which was the L. B. Brown House. Lawrence and AnnieBelle (1882-1938) Brown raised seven children here. Was added to the National Register of Historic Places in January 2001

The Infinity Collection Box by Andrew Varah at the Birmingham Museum and Art Gallery, Birmingham, West Midlands.

 

Andrew Varah was renowned for his Infinity Models derived from an Italian concept first conceivewd on the Renaissance period by using special glass so any object placed within the actual model repeats multiples hundreds of times.

 

This particular box is an ingenious piece of fine craftmanship made from a variety of beautiful woods, including burr walnut, Indian rosewood and white maple, surmounted by an illuminated glass box containing mirrors that enable the viewer to see Infinity from all directions.

 

The Museum has a collection of international importance covering fine art, ceramics, metalwork, jewellery, archaeology, ethnography, local history and industrial history.

 

It is run by Birmingham Museums Trust, the largest independent museums trust in the United Kingdom, which also runs eight other museums around the city. Entrance to the Museum and Art Gallery is free, but some major exhibitions in the Gas Hall incur an entrance fee. The main entrance is located in Chamberlain Square below the clock tower known locally as “Big Brum”. The Extension Block has entrances via the Gas Hall (Edmund Street) and Great Charles Street. Waterhall (the old gas department) has its own entrance on Edmund Street.

 

In 1829, the Birmingham Society of Artists created a private exhibition building in New Street, Birmingham and in 1864, the first public exhibition room, was opened when the Society.

 

Jesse Collings, Mayor of Birmingham 1878–79, was responsible for free libraries in Birmingham and was the original proponent of the Birmingham Art Gallery. A £10,000 (£840,000 in 2010) gift by Sir Richard and George Tangye started a new drive for an art gallery and, in 1885, following other donations and £40,000 from the council, the Prince of Wales officially opened the new gallery.

 

The Museum and Art Gallery occupied an extended part of the Council House above the new offices of the municipal Gas Department (which in effect subsidised the venture thus circumventing the Public Libraries Act 1850 which limited the use of public funds on the arts).The building was de-signed by Yeoville Thomason.

 

Even Magnus.

 

There's not too many felines that purr it up nuzzling a Magnus. Oh, Vidalia would, within reason. But this sweet girl simply loves dogs. She's not fond of other cats, except her sister, mind you. But she loves dogs. Instantly.

 

Another long series. I pared it down some, but it's still lengthy. Given Diamond leaves this weekend, I figure you'll excuse my prolificity. All clickable, of course.

 

Keep in mind that Diamond weighs 8.6 pounds, just shy of 4 kilograms, to help put Magnus' size in perspective.

 

[SOOC, f/1.4, ISO 1000, shutter speed 1/250, -1/3 EV]

Rushmore Cave is the closest show cave to Mount Rushmore National Memorial in the United States. It contains a wide variety of natural formations. It is the ninth longest cave in South Dakota. It measures a distance of 3,652.6 feet (1,113.3 m).

 

It was discovered in 1876 when a log flume that supplied water to mining operations in town of Hayward broke and spilled onto the side of the hill. As the water flowed down the hill it started flowing into a small hole in the hillside. The local miners who went up to fix the flume noticed this abnormality and became suspicious of where this water was going. After fixing the flume, the men decided to go inside and explore. After about 30 feet (9.1 m), the men came to a large drop off which went down about 15 feet (4.6 m). They exited the cave, and went out into the woods where they cut down a tree and then used this tree as a ladder to access the cave. The miners then noticed that the majority of the cave was made out of limestone. Knowing that limestone doesn't contain any gold deposits, they abandoned the cave as a mining opportunity, and left it alone. Some of the local townspeople heard news of this discovery, and became very curious as to what they might find inside the cave.

 

The cave was created by a very long process stretching over a 360 million year time period. It started during the Mississippian Period, during which the entire Black Hills area was covered by a large inland sea. In this sea lived many kinds of sea creatures, and crustaceans. As these sea creatures died, their bodies sunk down to the sea floor. The flesh rotted away leaving behind many solid bone fragments which then compressed, and over time hardened into a rock known as limestone.

 

The cave has a cornucopia of rooms including the Entrance Room, Post Office, Image Room, Big Room, Fairyland, Rope Room, Geode Room, The Rouge Room (Party Room), Arrowhead Room, and the Floral Room.

 

The cave also includes boxwork and many dripstone formations including stalactites, stalagmites, columns, helictites and flowstone.

 

South Dakota is a landlocked U.S. state in the North Central region of the United States. It is also part of the Great Plains. South Dakota is named after the Dakota Sioux tribe, which comprises a large portion of the population with nine reservations currently in the state and has historically dominated the territory. South Dakota is the 17th largest by area, but the 5th least populous, and the 5th least densely populated of the 50 United States. Pierre is the state capital, and Sioux Falls, with a population of about 213,900, is South Dakota's most populous city. The state is bisected by the Missouri River, dividing South Dakota into two geographically and socially distinct halves, known to residents as "East River" and "West River". South Dakota is bordered by the states of North Dakota (to the north), Minnesota (to the east), Iowa (to the southeast), Nebraska (to the south), Wyoming (to the west), and Montana (to the northwest).

 

Humans have inhabited the area for several millennia, with the Sioux becoming dominant by the early 19th century. In the late 19th century, European-American settlement intensified after a gold rush in the Black Hills and the construction of railroads from the east. Encroaching miners and settlers triggered a number of Indian wars, ending with the Wounded Knee Massacre in 1890. As the southern part of the former Dakota Territory, South Dakota became a state on November 2, 1889, simultaneously with North Dakota. They are the 39th and 40th states admitted to the union; President Benjamin Harrison shuffled the statehood papers before signing them so that no one could tell which became a state first.

 

Key events in the 20th century included the Dust Bowl and Great Depression, increased federal spending during the 1940s and 1950s for agriculture and defense, and an industrialization of agriculture that has reduced family farming. Eastern South Dakota is home to most of the state's population, and the area's fertile soil is used to grow a variety of crops. West of the Missouri River, ranching is the predominant agricultural activity, and the economy is more dependent on tourism and defense spending. Most of the Native American reservations are in West River. The Black Hills, a group of low pine-covered mountains sacred to the Sioux, is in the southwest part of the state. Mount Rushmore, a major tourist destination, is there. South Dakota has a temperate continental climate, with four distinct seasons and precipitation ranging from moderate in the east to semi-arid in the west. The state's ecology features species typical of a North American grassland biome.

 

While several Democrats have represented South Dakota for multiple terms in both chambers of Congress, the state government is largely controlled by the Republican Party, whose nominees have carried South Dakota in each of the last 14 presidential elections. Historically dominated by an agricultural economy and a rural lifestyle, South Dakota has recently sought to diversify its economy in other areas to both attract and retain residents. South Dakota's history and rural character still strongly influence the state's culture.

 

The history of South Dakota describes the history of the U.S. state of South Dakota over the course of several millennia, from its first inhabitants to the recent issues facing the state.

 

Human beings have lived in what is today South Dakota for at least several thousand years. Early hunters are believed to have first entered North America at least 17,000 years ago via the Bering land bridge, which existed during the last ice age and connected Siberia with Alaska. Early settlers in what would become South Dakota were nomadic hunter-gatherers, using primitive Stone Age technology to hunt large prehistoric mammals in the area such as mammoths, sloths, and camels. The Paleolithic culture of these people disappeared around 5000 BC, after the extinction of most of their prey species.

 

Between AD 500 and 800, much of eastern South Dakota was inhabited by a people known as the 'Mound Builders'. The Mound Builders were hunters who lived in temporary villages and were named for the low earthen burial mounds they constructed, many of which still exist. Their settlement seems to have been concentrated around the watershed of the Big Sioux River and Big Stone Lake, although other sites have been excavated throughout eastern South Dakota. Either assimilation or warfare led to the demise of the Mound Builders by the year 800. Between 1250 and 1400 an agricultural people, likely the ancestors of the modern Mandan of North Dakota, arrived from the east and settled in the central part of the state. In 1325, what has become known as the Crow Creek Massacre occurred near Chamberlain. An archeological excavation of the site has discovered 486 bodies buried in a mass grave within a type of fortification; many of the skeletal remains show evidence of scalping and decapitation.

 

The Arikara, also known as the Ree, began arriving from the south in the 16th century. They spoke a Caddoan language similar to that of the Pawnee, and probably originated in what is now Kansas and Nebraska. Although they would at times travel to hunt or trade, the Arikara were far less nomadic than many of their neighbors, and lived for the most part in permanent villages. These villages usually consisted of a stockade enclosing a number of circular earthen lodges built on bluffs looking over the rivers. Each village had a semi-autonomous political structure, with the Arikara's various subtribes being connected in a loose alliance. In addition to hunting and growing crops such as corn, beans, pumpkin and other squash, the Arikara were also skilled traders, and would often serve as intermediaries between tribes to the north and south It was probably through their trading connections that Spanish horses first reached the region around 1760. The Arikara reached the height of their power in the 17th century, and may have included as many as 32 villages. Due both to disease as well as pressure from other tribes, the number of Arikara villages would decline to only two by the late 18th century, and the Arikara eventually merged entirely with the Mandan to the north.

 

The sister tribe of the Arikaras, the Pawnee, may have also had a small amount of land in the state. Both were Caddoan and were among the only known tribes in the continental U.S. to have committed human sacrifice, via a religious ritual that occurred once a year. It is said that the U.S. government worked hard to halt this practice before their homelands came to be heavily settled, for fear that the general public might react harshly or refuse to move there.

 

The Lakota Oral histories tell of them driving the Algonquian ancestors of the Cheyenne from the Black Hills regions, south of the Platte River, in the 18th century. Before that, the Cheyenne say that they were, in fact, two tribes, which they call the Tsitsistas & Sutaio After their defeat, much of their territory was contained to southeast Wyoming & western Nebraska. While they had been able to hold off the Sioux for quite some time, they were heavily damaged by a smallpox outbreak. They are also responsible for introducing the horse to the Lakota.

 

The Ioway, or Iowa people, also inhabited the region where the modern states of South Dakota, Minnesota & Iowa meet, north of the Missouri River. They also had a sister nation, known as the Otoe who lived south of them. They were Chiwere speaking, a very old variation of Siouan language said to have originated amongst the ancestors of the Ho-Chunk of Wisconsin. They also would have had a fairly similar culture to that of the Dhegihan Sioux tribes of Nebraska & Kansas.

 

By the 17th century, the Sioux, who would later come to dominate much of the state, had settled in what is today central and northern Minnesota. The Sioux spoke a language of the Siouan language family, and were divided into two culture groups – the Dakota & Nakota. By the early 18th century the Sioux would begin to move south and then west into the plains. This migration was due to several factors, including greater food availability to the west, as well as the fact that the rival Ojibwe & other related Algonquians had obtained rifles from the French at a time when the Sioux were still using the bow and arrow. Other tribes were also displaced during some sort of poorly understood conflict that occurred between Siouan & Algonquian peoples in the early 18th century.

 

In moving west into the prairies, the lifestyle of the Sioux would be greatly altered, coming to resemble that of a nomadic northern plains tribe much more so than a largely settled eastern woodlands one. Characteristics of this transformation include a greater dependence on the bison for food, a heavier reliance on the horse for transportation, and the adoption of the tipi for habitation, a dwelling more suited to the frequent movements of a nomadic people than their earlier semi-permanent lodges.

 

Once on the plains, a schism caused the two subgroups of the Sioux to divide into three separate nations—the Lakota, who migrated south, the Asiniboine who migrated back east to Minnesota & the remaining Sioux. It appears to be around this time that the Dakota people became more prominent over the Nakota & the entirety of the people came to call themselves as such.

 

The Lakota, who crossed the Missouri around 1760 and reached the Black Hills by 1776, would come to settle largely in western South Dakota, northwestern Nebraska, and southwestern North Dakota. The Yankton primarily settled in southeastern South Dakota, the Yanktonnais settled in northeastern South Dakota and southeastern North Dakota, and the Santee settled primarily in central and southern Minnesota. Due in large part to the Sioux migrations, a number of tribes would be driven from the area. The tribes in and around the Black Hills, most notably the Cheyenne, would be pushed to the west, the Arikara would move further north along the Missouri, and the Omaha would be driven out of southeastern South Dakota and into northeastern Nebraska.

 

Later, the Lakota & Assiniboine returned to the fold, forming a single confederacy known as the Oceti Sakowin, or Seven council fire. This was divided into four cultural groups—the Lakota, Dakota, Nakota & Nagoda-- & seven distinct tribes, each with their own chief—the Nakota Mdewakan (Note—Older attempts at Lakota language show a mistake in writing the sound 'bl' as 'md', such as summer, Bloketu, misprinted as mdoketu. Therefore, this word should be Blewakan.) & Wahpeton, the Dakota Santee & Sisseton, the Nagoda Yankton & Yanktonai & the Lakota Teton. In this form, they were able to secure from the U.S. government a homeland, commonly referred to as Mni-Sota Makoce, or the Lakotah Republic. However, conflicts increased between Sioux & American citizens in the decades leading up the Civil War & a poorly funded & organized Bureau of Indian Affairs had difficulty keeping peace between groups. This eventually resulted in the United States blaming the Sioux for the atrocities & rendering the treaty which recognized the nation of Lakotah null and void. The U.S., however, later recognized their fault in a Supreme Court case in the 1980s after several decades of failed lawsuits by the Sioux, yet little has been done to smooth the issue over to the best interests of both sides.

 

France was the first European nation to hold any real claim over what would become South Dakota. Its claims covered most of the modern state. However, at most a few French scouting parties may have entered eastern South Dakota. In 1679 Daniel G. Duluth sent explorers west from Lake Mille Lacs, and they may have reached Big Stone Lake and the Coteau des Prairies. Pierre Le Sueur's traders entered the Big Sioux River Valley on multiple occasions. Evidence for these journeys is from a 1701 map by William De L'Isle that shows a trail to below the falls of the Big Sioux River from the Mississippi River.

 

After 1713, France looked west to sustain its fur trade. The first Europeans to enter South Dakota from the north, the Verendrye brothers, began their expedition in 1743. The expedition started at Fort La Reine on Lake Manitoba, and was attempting to locate an all-water route to the Pacific Ocean. They buried a lead plate inscribed near Ft. Pierre; it was rediscovered by schoolchildren in 1913.

 

In 1762, France granted Spain all French territory west of the Mississippi River in the Treaty of Fontainebleau. The agreement, which was signed in secret, was motivated by a French desire to convince Spain to come to terms with Britain and accept defeat in the Seven Years' War. In an attempt to secure Spanish claims in the region against possible encroachment from other European powers, Spain adopted a policy for the upper Missouri which emphasized the development of closer trade relations with local tribes as well as greater exploration of the region, a primary focus of which would be a search for a water route to the Pacific Ocean. Although traders such as Jacques D'Eglise and Juan Munier had been active in the region for several years, these men had been operating independently, and a determined effort to reach the Pacific and solidify Spanish control of the region had never been undertaken. In 1793, a group commonly known as the Missouri Company was formed in St. Louis, with the twin goals of trading and exploring on the upper Missouri. The company sponsored several attempts to reach the Pacific Ocean, none of which made it further than the mouth of the Yellowstone. In 1794, Jean Truteau (also spelled Trudeau) built a cabin near the present-day location of Fort Randall, and in 1795 the Mackay-Evans Expedition traveled up the Missouri as far as present-day North Dakota, where they expelled several British traders who had been active in the area. In 1801, a post known as Fort aux Cedres was constructed by Registre Loisel of St. Louis, on Cedar Island on the Missouri about 35 miles (56 km) southeast of the present location of Pierre. This trading post was the major regional post until its destruction by fire in 1810.[30] In 1800, Spain gave Louisiana back to France in the Treaty of San Ildefonso.

 

In 1803, the United States purchased the Louisiana Territory from Napoleon for $11,000,000. The territory included most of the western half of the Mississippi watershed and covered nearly all of present-day South Dakota, except for a small portion in the northeast corner of the state. The region was still largely unexplored and unsettled, and President Thomas Jefferson organized a group commonly referred to as the Lewis and Clark Expedition to explore the newly acquired region over a period of more than two years. The expedition, also known as the Corps of Discovery, was tasked with following the route of the Missouri to its source, continuing on to the Pacific Ocean, establishing diplomatic relations with the various tribes in the area, and taking cartographic, geologic, and botanical surveys of the area. The expedition left St. Louis on May 14, 1804, with 45 men and 15 tons of supplies in three boats (one keelboat and two pirogues). The party progressed slowly against the Missouri's current, reaching what is today South Dakota on August 22. Near present-day Vermillion, the party hiked to the Spirit Mound after hearing local legends of the place being inhabited by "little spirits" (or "devils"). Shortly after this, a peaceful meeting took place with the Yankton Sioux, while an encounter with the Lakota Sioux further north was not as uneventful. The Lakota mistook the party as traders, at one point stealing a horse. Weapons were brandished on both sides after it appeared as though the Lakota were going to further delay or even halt the expedition, but they eventually stood down and allowed the party to continue up the river and out of their territory. In north central South Dakota, the expedition acted as mediators between the warring Arikara and Mandan. After leaving the state on October 14, the party wintered with the Mandan in North Dakota before successfully reaching the Pacific Ocean and returning by the same route, safely reaching St. Louis in 1806. On the return trip, the expedition spent only 15 days in South Dakota, traveling more swiftly with the Missouri's current.

 

Pittsburgh lawyer Henry Marie Brackenridge was South Dakota's first recorded tourist. In 1811 he was hosted by fur trader Manuel Lisa.

 

In 1817, an American fur trading post was set up at present-day Fort Pierre, beginning continuous American settlement of the area. During the 1830s, fur trading was the dominant economic activity for the few white people who lived in the area. More than one hundred fur-trading posts were in present-day South Dakota in the first half of the 19th century, and Fort Pierre was the center of activity.[citation needed] General William Henry Ashley, Andrew Henry, and Jedediah Smith of the Rocky Mountain Fur Company, and Manuel Lisa and Joshua Pilcher of the St. Louis Fur Company, trapped in that region. Pierre Chouteau Jr. brought the steamship Yellowstone to Fort Tecumseh on the Missouri River in 1831. In 1832 the fort was replaced by Fort Pierre Chouteau Jr.: today's town of Fort Pierre. Pierre bought the Western Department of John Jacob Astor's American Fur Company and renamed it Pratte, Chouteau and Company, and then Pierre Chouteau and Company. It operated in present-day South Dakota from 1834 to 1858. Most trappers and traders left the area after European demand for furs dwindled around 1840.

 

Main articles: Kansas–Nebraska Act, Nebraska Territory, Organic act § List of organic acts, and Dakota Territory

In 1855, the U.S. Army bought Fort Pierre but abandoned it the following year in favor of Fort Randall to the south. Settlement by Americans and Europeans was by this time increasing rapidly, and in 1858 the Yankton Sioux signed the 1858 "Treaty of Washington", ceding most of present-day eastern South Dakota to the United States.

 

Land speculators founded two of eastern South Dakota's largest present-day cities: Sioux Falls in 1856 and Yankton in 1859. The Big Sioux River falls was the spot of an 1856 settlement established by a Dubuque, Iowa, company; that town was quickly removed by native residents. But in the following year, May 1857, the town was resettled and named Sioux Falls. That June, St. Paul, Minnesota's Dakota Land Company came to an adjacent 320 acres (130 ha), calling it Sioux Falls City. In June 1857, Flandreau and Medary, South Dakota, were established by the Dakota Land Company. Along with Yankton in 1859, Bon Homme, Elk Point, and Vermillion were among the new communities along the Missouri River or border with Minnesota. Settlers therein numbered about 5,000 in 1860. In 1861, Dakota Territory was established by the United States government (this initially included North Dakota, South Dakota, and parts of Montana and Wyoming). Settlers from Scandinavia, Germany, Ireland, Czechoslovakia[citation needed] and Russia,[citation needed] as well as elsewhere in Europe and from the eastern U.S. states increased from a trickle to a flood, especially after the completion of an eastern railway link to the territorial capital of Yankton in 1872, and the discovery of gold in the Black Hills in 1874 during a military expedition led by George A. Custer.

 

The Dakota Territory had significant regional tensions between the northern part and the southern part from the beginning, the southern part always being more populated – in the 1880 United States census, the population of the southern part (98,268) was more than two and a half times of the northern part (36,909), and southern Dakotans saw the northern part as bit of disreputable, "controlled by the wild folks, cattle ranchers, fur traders” and too frequently the site of conflict with the indigenous population. Also, the new railroads built connected the northern and southern parts to different hubs – northern part was closer tied to Minneapolis–Saint Paul area; and southern part to Sioux City and from there to Omaha. The last straw was territorial governor Nehemiah G. Ordway moving the territorial capital from Yankton to Bismarck in modern-day North Dakota. As the Southern part had the necessary population for statehood (60,000), they held a separate convention in September 1883 and drafted a constitution. Various bills to divide the Dakota Territory in half ended up stalling, until in 1887, when the Territorial Legislature submitted the question of division to a popular vote at the November general elections, where it was approved by 37,784 votes over 32,913. A bill for statehood for North Dakota and South Dakota (as well as Montana and Washington) titled the Enabling Act of 1889 was passed on February 22, 1889, during the Administration of Grover Cleveland, dividing Dakota along the seventh standard parallel. It was left to his successor, Benjamin Harrison, to sign proclamations formally admitting North and South Dakota to the Union on November 2, 1889. Harrison directed his Secretary of State James G. Blaine to shuffle the papers and obscure from him which he was signing first and the actual order went unrecorded.

 

With statehood South Dakota was now in a position to make decisions on the major issues it confronted: prohibition, women's suffrage, the location of the state capital, the opening of the Sioux lands for settlement, and the cyclical issues of drought (severe in 1889) and low wheat prices (1893–1896). In early 1889 a prohibition bill passed the new state legislature, only to be vetoed by Governor Louis Church. Fierce opposition came from the wet German community, with financing from beer and liquor interests. The Yankee women organized to demand suffrage, as well as prohibition. Neither party supported their cause, and the wet element counter-organized to block women's suffrage. Popular interest reached a peak in the debates over locating the state capital. Prestige, real estate values and government jobs were at stake, as well as the question of access in such a large geographical region with limited railroads. Huron was the temporary site, centrally located Pierre was the best organized contender, and three other towns were in the running. Real estate speculators had money to toss around. Pierre, population 3200, made the most generous case to the voters—its promoters truly believed it would be the next Denver and be the railway hub of the Dakotas. The North Western railroad came through but not the others it expected. In 1938 Pierre counted 4000 people and three small hotels.

 

The national government continued to handle Indian affairs. The Army's 1874 Custer expedition took place despite the fact that the western half of present-day South Dakota had been granted to the Sioux by the Treaty of Fort Laramie as part of the Great Sioux Reservation. The Sioux declined to grant mining rights or land in the Black Hills, and the Great Sioux War of 1876 broke out after the U.S. failed to stop white miners and settlers from entering the region. The Sioux were eventually defeated and settled on reservations within South Dakota and North Dakota.

 

In 1889 Harrison sent general George Crook with a commission to persuade the Sioux to sell half their reservation land to the government. It was believed that the state would not be viable unless more land was made available to settlers. Crook used a number of dubious methods to secure agreement and obtain the land.

 

On December 29, 1890, the Wounded Knee Massacre occurred on the Pine Ridge Indian Reservation. It was the last major armed conflict between the United States and the Sioux Nation, the massacre resulted in the deaths of 300 Sioux, many of them women and children. In addition 25 U.S. soldiers were also killed in the episode.

 

Railroads played a central role in South Dakota transportation from the late 19th century until the 1930s, when they were surpassed by highways. The Milwaukee Road and the Chicago & North Western were the state's largest railroads, and the Milwaukee's east–west transcontinental line traversed the northern tier of the state. About 4,420 miles (7,110 km) of railroad track were built in South Dakota during the late nineteenth and early twentieth centuries, though only 1,839 miles (2,960 km) were active in 2007.

 

The railroads sold land to prospective farmers at very low rates, expecting to make a profit by shipping farm products out and home goods in. They also set up small towns that would serve as shipping points and commercial centers, and attract businessmen and more farmers. The Minneapolis and St. Louis Railway (M&StL) in 1905, under the leadership of vice president and general manager L. F. Day, added lines from Watertown to LeBeau and from Conde through Aberdeen to Leola. It developed town sites along the new lines and by 1910, the new lines served 35 small communities.

 

Not all of the new towns survived. The M&StL situated LeBeau along the Missouri River on the eastern edge of the Cheyenne River Indian Reservation. The new town was a hub for the cattle and grain industries. Livestock valued at one million dollars were shipped out in 1908, and the rail company planned a bridge across the Missouri River. Allotment of the Cheyenne River Reservation in 1909 promised further growth. By the early 1920s, however, troubles multiplied, with the murder of a local rancher, a fire that destroyed the business district, and drought that ruined ranchers and farmers alike. LeBeau became a ghost town.

 

Most of the traffic was freight, but the main lines also offered passenger service. After the European immigrants settled, there never were many people moving about inside the state. Profits were slim. Automobiles and busses were much more popular, but there was an increase during World War II when gasoline was scarce. All passenger service was ended in the state by 1969.

 

In the rural areas farmers and ranchers depended on local general stores that had a limited stock and slow turnover; they made enough profit to stay in operation by selling at high prices. Prices were not marked on each item; instead the customer negotiated a price. Men did most of the shopping, since the main criterion was credit rather than quality of goods. Indeed, most customers shopped on credit, paying off the bill when crops or cattle were later sold; the owner's ability to judge credit worthiness was vital to his success.

 

In the cities consumers had much more choice, and bought their dry goods and supplies at locally owned department stores. They had a much wider selection of goods than in the country general stores and price tags that gave the actual selling price. The department stores provided a very limited credit, and set up attractive displays and, after 1900, window displays as well. Their clerks—usually men before the 1940s—were experienced salesmen whose knowledge of the products appealed to the better educated middle-class housewives who did most of the shopping. The keys to success were a large variety of high-quality brand-name merchandise, high turnover, reasonable prices, and frequent special sales. The larger stores sent their buyers to Denver, Minneapolis, and Chicago once or twice a year to evaluate the newest trends in merchandising and stock up on the latest fashions. By the 1920s and 1930s, large mail-order houses such as Sears, Roebuck & Co. and Montgomery Ward provided serious competition, making the department stores rely even more on salesmanship and close integration with the community.

 

Many entrepreneurs built stores, shops, and offices along Main Street. The most handsome ones used pre-formed, sheet iron facades, especially those manufactured by the Mesker Brothers of St. Louis. These neoclassical, stylized facades added sophistication to brick or wood-frame buildings throughout the state.

 

During the 1930s, several economic and climatic conditions combined with disastrous results for South Dakota. A lack of rainfall, extremely high temperatures and over-cultivation of farmland produced what was known as the Dust Bowl in South Dakota and several other plains states. Fertile topsoil was blown away in massive dust storms, and several harvests were completely ruined. The experiences of the Dust Bowl, coupled with local bank foreclosures and the general economic effects of the Great Depression resulted in many South Dakotans leaving the state. The population of South Dakota declined by more than seven percent between 1930 and 1940.

 

Prosperity returned with the U.S. entry into World War II in 1941, when demand for the state's agricultural and industrial products grew as the nation mobilized for war. Over 68,000 South Dakotans served in the armed forces during the war, of which over 2,200 were killed.

 

In 1944, the Pick-Sloan Plan was passed as part of the Flood Control Act of 1944 by the U.S. Congress, resulting in the construction of six large dams on the Missouri River, four of which are at least partially located in South Dakota.[83] Flood control, hydroelectricity and recreational opportunities such as boating and fishing are provided by the dams and their reservoirs.

 

On the night of June 9–10, 1972, heavy rainfall in the eastern Black Hills caused the Canyon Lake Dam on Rapid Creek to fail. The failure of the dam, combined with heavy runoff from the storm, turned the usually small creek into a massive torrent that washed through central Rapid City. The flood resulted in 238 deaths and destroyed 1,335 homes and around 5,000 automobiles.[84] Damage from the flood totaled $160 million (the equivalent of $664 million today).

 

On April 19, 1993, Governor George S. Mickelson was killed in a plane crash in Iowa while returning from a business meeting in Cincinnati. Several other state officials were also killed in the crash. Mickelson, who was in the middle of his second term as governor, was succeeded by Walter Dale Miller.

 

In recent decades, South Dakota has transformed from a state dominated by agriculture to one with a more diversified economy. The tourism industry has grown considerably since the completion of the interstate system in the 1960s, with the Black Hills being especially impacted. The financial service industry began to grow in the state as well, with Citibank moving its credit card operations from New York to Sioux Falls in 1981, a move that has since been followed by several other financial companies. In 2007, the site of the recently closed Homestake gold mine near Lead was chosen as the location of a new underground research facility. Despite a growing state population and recent economic development, many rural areas have been struggling over the past 50 years with locally declining populations and the emigration of educated young adults to larger South Dakota cities, such as Rapid City or Sioux Falls, or to other states. The Cattleman's Blizzard of October 2013 killed tens of thousands of livestock in western South Dakota, and was one of the worst blizzards in the state's history.

Attic grave stele found in Athens, built into the Themistokleian wall. The relief represents a young doryphoros, or spear-bearer, portrayed against a red background.

The young man is depicted in profile, looking to the right, in the guiet, motionless pose typical of the Archaic period. He is naked and muscular, and the spear in the raised left hand marks him as an athlete. His right arm dangles at his side. His shoulder-length hair is gathered in locks, with chin length plaits between his eye and his ear. His hair is tied in place by a narrow band, covered at the front by his hair.

The original height of the grave monument is assumed to have been around 4,5 m.; the surviving piece of the stele is 116 cm high and up to 52 cm wide.

 

Parian marble stele

About 550-540 BC

Height 116 cm; width 52 cm

Found in Athens

Athens, National Archaeological Museum, Inv. N. 7901

 

Imposición de Becas y entrega de Diplomas a los alumnos Licenciados

Vintage Italian postcard. Unione Cinemagrafica Italiana. Medusa Film. Scene from the Italian period piece Saracinesca (Gaston Ravel, 1921), starring Carlo Gualandri, and based on the novel by Frances Marion Crawford. Caption: Plotting against Don Giovanni Saracinesca.

Round Mountain Road, Kern Couny, California 2006

Oldies but goodies from the time period I call "Alaska - the Clueless Years". This is when I was trying to learn photography (I still am!).

 

The model her is Sam M. Sam was one of my go to models. We worked together at the same Federal agency and she had an adventurous spirit. She was also drop dead gorgeous, fun, intelligent, and I definitely wanted to clone her. Sam put up with my shenanigans and cluelessness. What a sweetheart!

 

We took these photos on a beautiful August 2004 evening at Westchester Lagoon in Anchorage, Alaska. That was such a great time in my life.

One of the delights of using flickr is the wide range of inspiration provided by those who post an incredible selection of period London views. (You know who you are , Gentlemen!)

Those views have given me plenty of ideas for this 1/76 scale London tramway on a shelf.

With limited space I have some items that can only be seen by using the camera and looking 'away from the wall'.

In this view looking across from in front of the Odeon cinema, is an LCCT tram shelter similar to the one preserved at LTs Museum Depot.

Further along is the Chemist department of the RACS Co-op store that was added just the other day. Today I have only managed to install the period advertisements including the rather nice one for the Radio Times.

The 'Tardis' police box with attendant air raid siren and the Ferodo bridge also play a part in setting the scene.

I have always despised Picasso's so called "Blue Period." Give me a break.....What could be more artsy fartsy than painting everything blue because you have the blues?

 

According to Wikipedia: "Picasso was influenced by a journey through Spain and by the suicide of his friend Carlos Casagemas, who took his life at the L’Hippodrome Café in Paris, France by shooting himself in the right temple on February 17, 1901. Although Picasso himself later recalled, "I started painting in blue when I learned of Casagemas's death", art historian Hélène Seckel has written: "While we might be right to retain this psychologizing justification, we ought not lose sight of the chronology of events: Picasso was not there when Casagemas committed suicide in Paris ... When Picasso returned to Paris in May, he stayed in the studio of his departed friend, where he worked for several more weeks to prepare his exhibition for Vollard". The works Picasso painted for his show at Ambroise Vollard's gallery that summer were generally characterized by a "dazzling palette and exuberant subject matter".

 

So here's to you Pablo. Other painters see through the BS. There was a sale on Prussian Blue wasn't there?

 

Flickr Group Roulette: Artsy Fartsy Portraits

 

View Large and on White

Period: End of the Clone War / Great Jedi Purge

Year: 19 BBY

This scene represents some clone troopers about to execute Bultar Swan (Plo Koon apprentice) on Cato Neimoidia.

Bultar Swan will survive to the Order 66 but not for long... This Moc has been build for the @cdlstudios contest.

Cloisonné Barrel Drum

 

Meiji period, ca 1873

Wood, metal, cloisonné, hide, silk, padding

 

This oversize barrel drum, with its meticulously decorated cloissonne cylinder and stand, was commissioned by the Japanese government for the Vienna World Exposition of 1873. This decorative drum or a similar one (part of a pair was on display at the 1876 Philadelphia Centennial Exposition).

The rooster resting atop a war drum is a symbol of peace. Furthermore, in ancient China, drums were used to announce a call to arms, so peaceful times are symbolised by an idle drum.

[Met Museum]

 

Taken in the 'China: Through the Looking Glass' exhibition (May-September 2015).

 

This exhibition explores the impact of Chinese aesthetics on Western fashion and how China has fueled the fashionable imagination for centuries. In this collaboration between The Costume Institute and the Department of Asian Art, high fashion is juxtaposed with Chinese costumes, paintings, porcelains, and other art, including films, to reveal enchanting reflections of Chinese imagery.

From the earliest period of European contact with China in the sixteenth century, the West has been enchanted with enigmatic objects and imagery from the East, providing inspiration for fashion designers from Paul Poiret to Yves Saint Laurent, whose fashions are infused at every turn with romance, nostalgia, and make-believe. Through the looking glass of fashion, designers conjoin disparate stylistic references into a pastiche of Chinese aesthetic and cultural traditions.

The exhibition features more than 140 examples of haute couture and avant-garde ready-to-wear alongside Chinese art. Filmic representations of China are incorporated throughout to reveal how our visions of China are framed by narratives that draw upon popular culture, and also to recognize the importance of cinema as a medium through which to understand the richness of Chinese history.

[Exhibition description]

 

In the Metropolitan Museum of Art, 5th Avenue, New York

City Palace, Udaipur, is a palace complex in Udaipur, in the Indian state Rajasthan. It was built over a period of nearly 400 years being contributed by several kings of the dynasty, starting by the Maharana Udai Singh as the capital of the Sisodia Rajput clan in 1559, after he moved from Chittor. It is located on the east bank of the Lake Pichola and has several palaces built within its complex. Udaipur was the historic capital of the former kingdom of Mewar in the Rajputana Agency and its last capital.

 

The City Palace in Udaipur was built in a flamboyant style and is considered the largest of its type in Rajasthan, a fusion of the Rajasthani and Mughal architectural styles, and was built on a hill top that gives a panoramic view of the city and its surrounding, including several historic monuments such as the Lake Palace in Lake Pichola, the Jag Mandir on another island in the lake, the Jagdish Temple close to the palace, the Monsoon Palace on top of an overlooking hillock nearby and the Neemach Mata temple. These structures are linked to the filming of the James Bond movie Octopussy, which features the Lake Palace and the Monsoon Palace. The subsequent publicity has resulted in the epithet of Udaipur as "Venice of the East". In 2009, Udaipur was rated the top city in the World's Best Awards by Travel + Leisure.

 

HISTORY

The city Palace was built concurrently with establishment of the Udaipur city by Maharana Udai Singh, in 1559 and his successor Maharanas over a period of the next 300 years. It is considered the largest royal complex in Rajasthan and is replete with history. Founding of the city and building of the palace complex can not be looked in isolation as the Maharanas lived and administered their kingdom from this palace.

 

Prior to moving their capital from Udaipur to Chittor≤≥, the Mewar kingdom had flourished initially in Nagda (30 kilometres to the north of Udaipur), established in 568 AD by Guhil, the first Mewar Maharana. In the 8th century, the capital was moved to Chittor, a hill top fort from where the Sisodias ruled for 80 years. Maharana Udai Singh II inherited the Mewar kingdom at Chittor in 1537 but by that time there were signs of losing control of the fort in wars with the Mughals. Udai Singh II, therefore, chose the site near Lake Pichola for his new kingdom because the location was well protected on all sides by forests, lakes and the Aravalli hills. He had chosen this site for his new capital, much before the sacking of Chittor by Emperor Akbar, on the advice of a hermit he had met during one of his hunting expeditions.

 

At his capital Udaipur, Maharana Udai Singh soon faced defeat at the hands of Mughal Emperor Akbar. He soon moved to Udaipur to the chosen location to establish his new capital. The earliest royal structure he built here was the Royal courtyard or 'Rai Angan', which was the beginning of the building of the City Palace complex, at the place where the hermit had advised Maharana to build his Capital.

 

After Udai Singh’s death in 1572, his son Maharana Pratap took the reins of power at Udaipur. He was successful in defeating Akbar at the battle of Haldighati in 1576 and thereafter Udaipur was peaceful for quite some years. With this, prosperity of Udaipur ensued, palaces were built on the shore and in the midst of the Pichola lake. Concurrently art, particularly miniature painting, also flourished.

 

But in 1736, the marauding Marathas attacked Udaipur and by the end of the century the Mewar state was in dire straits and in ruins. However, the British came to Mewar’s rescue in the 19th century and soon the State of Mewar got re-established and prospered under British protection, under a treaty signed with the British. However, the British were not allowed to replace them. Once India got independence in 1947, the Mewar Kingdom, along with other princely states of Rajasthan, merged with the Democratic India, in 1949. The Mewar Kings subsequently also lost their special royal privileges and titles. However, the successor Maharanas have enjoyed the trust of their people and also retained their ownership of the palaces in Udaipur. They are now running the palaces by creating a trust, called the Mewar Trust, with the income generated from tourism and the heritage hotels that they have established in some of their palaces. With the fund so generated they are running charitable hospitals, educational institutions and promoting the cause of environmental preservation.

 

LEGEND

Historical legend narrated to the selection of the site for the palace is about a hermit meeting Maharana Udai Singh when he was on a hunting trail in the Udaipur hills. The Maharana met the hermit who was meditating on top of a hill above the Pichola Lake and sought the hermit’s blessings. The hermit advised the Maharana to build his palace at that very spot and that is where the palace complex came to be established at Udaipur.

 

GEOGRAPHY

The city palace located in Udaipur city at 24.576°N 73.68°E, which is set with an average elevation of 598 metres.

 

CLIMATE

The climate of Udaipur reflects the climate at the city palace. It is tropical, with the mercury recording between a maximum of 38.3 °C and a minimum of 28.8 °C during summers. Winter is cold with the maximum temperature rising to 28 °C and the minimum dipping to 11.6 °C. The average annual rainfall is 64 cm.

 

STRUCTURES

The series of palaces packed in the city palace complex, facing east (as customarily appropriate for the Maharana dynasty – the Sun dynasty), behind an exquisite facade of 244 metres length and 30.4 metres height, were built on a ridge on the east of lake Pichola. They were built over a long period, from 1559 onwards, by 76 generations of Sisodia Rajputs or Suryavanshi Rajputs (worshippers of Sun god). Several Maharanas (the title Maharana is distinctly different from Maharajah, as the former connotes a warrior and the latter a ruler or a king) starting with Udai Mirza Singh II, have richly contributed to this edifice, which comprises an agglomeration of structures, including 11 small separate palaces. The unique aspect of this conglomeration is that the architectural design (a rich blend of Rajasthani, Mughal, Medieval, European and Chinese Architecture) is distinctly homogeneous and eye catching. The palace complex has been built entirely in granite and marble. The interiors of the palace complex with its balconies, towers and cupolas exhibit delicate mirror-work, marble-work, murals, wall paintings, silver-work, inlay-work and leftover of colored glass. The complex provides a fine view of the lake and the Udaipur city from its upper terraces.

 

Located with the picturesque backdrop of rugged mountains, beside the Pichola lake on its shore, the city palace complex painted in gleaming white color has been compared to the Greek islands, such as the Mykonos.

 

The famous structures or palaces viewed from the Lake Palace appear like a fort. They are interlinked inside the complex through a number of chowks or quadrangles with zigzag corridors (planned in this fashion to avoid surprise attacks by enemies). Erected in the complex, after entering through the main Tripolia (triple) gate, are the Suraj Gokhda (public address facade), the Mor-chowk (Peacock courtyard), the Dilkhush Mahal (heart’s delight), the Surya Chopar, the Sheesh Mahal (Palace of glass and mirrors), the Moti Mahal (Palace of Pearls), the Krishna Vilas (named after Lord Krishna), Shambu Niwas (royal residence now), the Bhim Vilas, the Amar Vilas (with a raised garden) that faces the Badi Mahal (the big palace), the Fateprakash Palace and the Shiv Niwas Palace (the latest addition to the complex); the last two have been converted into heritage hotels. Details of all these structures are elaborated. The vast collection of structures are termed to form ‘a city within a city’ set with facilities of post office, bank, travel agency, numerous craft shops and also an Indian boutique belonging to the World Wildlife Fund (WWF) for Nature. The entire complex is the property of the Mewar royal family and a number of trusts take care of the running and maintenance of the structures. The earliest royal structure built in the complex was the Royal courtyard or Rai Angan.

 

GATEWAYS

Gateways, colloquially called Pols, are set to the east of Udaipur city that was established by Maharana Udai Singh II, concurrently with the City Palace. A number of impressive gateways provide access to the palace complex.

 

The main entry from the city is through the 'Bara Pol' (Great Gate), which leads to the first courtyard. Bara Pol (built in 1600) leads to the ‘Tripolia Pol', a triple arched gate built in 1725, which provides the northern entry. The road between this gate and the palace is lined with shops and kiosks owned by craftsmen, book-binders, miniature painters, textile dealers and antique shops. Between these two gates, eight marble arches or Toranas are erected. It is said that the Maharanas used to be weighed here with gold and silver, which was then distributed among the local people. Following the Tripolia gate is an arena in front of the Toran Pol and the facade palace, where elephant fights were staged in the past to test their prowess before starting on war campaigns.

 

The main block of the city palace at Udaipur is approached through a modest door from the Ganesha Deodhi terrace. The door is flanked by whitewashed walls vibrantly painted with martial animals in the traditional Rajput style.

 

AMAR VILAS

Amar Vilas is the uppermost court inside the complex, which is a raised garden. It provides entry to the Badi Mahal. It is a pleasure pavilion built in Mughal style. It has cussed arcades enclosing a square marble tub. Amar Vilas' is the highest point of the City palace and has wonderful hanging gardens with fountains, towers and terraces.

 

BADI MAHAL

Badi Mahal (Great Palace) also known as Garden Palace and is the exotic central garden palace that is situated on a 27 metres high natural rock formation bis-a-bis the rest of the palace. The rooms on the ground floor appear to be at the level of the fourth floor in view of the height difference to its surrounding buildings. There is a swimming pool here, which was then used for Holi festival (festival of colors) celebration. In an adjoining hall, miniature paintings of 18th and 19th centuries are displayed. In addition, wall paintings of Jag Mandir (as it appeared in the 18th century), Vishnu of Jagdish temple, the very courtyard and an elephant fight scene are depicted.

 

The elephant fight depicted in a painting on the wall was a representation of the real elephant fights, which used to be organized by the Maharanas. It is mentioned that the elephants used to be fed hashish (opium) before arranging the fights. An interesting observation is that the word ‘assassin’ is a derivative of the word ‘hashish’. The last such fight was reported in 1995.

 

BHIM VILAS

Bhim Vilas has a gallery of a remarkable collection of miniature paintings that depict the real life stories of Radha-Krishna.

 

CHINI CHITRASHALA

Chini Chitrashala (Chinese art place) depicts Chinese and Dutch ornamental tiles.

 

CHOTI CHITRASHALI

Choti Chitrashali or 'Residence of Little Pictures', built in early 19th century, has pictures of peacocks.

 

DILKHUSHA MAHAL

Dilkhusha Mahal or ‘Palace of Joy’ was built in 1620.

 

DURBAR HALL

Durbar Hall was built in 1909 within the Fatepraksh Palace (now a heritage hotel) Official functions such as State banquets and meetings were held here. The gallery of the hall was used by the Royal ladies to observe the Durbar proceedings. This hall has luxuriant interior with some unusually large chandeliers. Weapons of the maharanas and also some of their unique portraits are also depicted here. The foundation stone for this hall was laid by Lord Minto, the Viceroy of India, in 1909, during the rule of Maharana Fateh Singh and was then called Minto Hall.

 

FATEPRAKASH PALCE

Fateprakash Palace, which is now run as a luxury hotel, has a crystal gallery that consists of crystal chairs, dressing tables, sofas, tables, chairs and beds, crockery, table fountains which were never used. There is also a unique jewel studded carpet here. Maharaja Sajjan Singh had ordered these rare items in 1877 from F& C Osler & Co of London but he died before they arrived here. It is said that the packages containing these crystals remained unopened for 110 years.

 

JAGDISH MANDIR

Jagdish Mandir, located 150 metres north of the city palace, was built in 1652 in Indo-Aryan architectural style. It is a large and aesthetically elegant temple where an idol of Lord Jagannath, a form of Lord Vishnu made in black stone is deified in the sanctum. The temple walls and the sikhara or tower are decorated with carvings of Vishnu, scenes from Lord Krishna’s life and figurines of nymphs or apsaras. A brass image of Garuda (half-bird, half-man image, which is Lord Vishnu’s vehicle), is placed in a separate shrine in front of the temple. Flanking the steps up the temple decoration of statues of elephants are seen. The street square, where the temple is located, is also known as Jagdish Chowk from where several roads radiate in different directions.

 

KRISHNA VILAS

Krishna Vilas is another chamber, which has rich collection of miniature paintings that portray royal processions, festivals and games of the Maharanas. However, there is tragic story linked to this wing of the City Palace. In the 19th century, a royal princess was unable to choose from two suitors seeking her hand in marriage, one from the royal family of Jaipur and another from Jodhpur, and hence in a state of dilemma, she poisoned herself to death.

 

LAXMI VILAS CHOWK

Laxmi Vilas Chowk is an art gallery with a distinctive collection of Mewar paintings.

 

MANAK MAHAL

The Manek mahal approached from the Manak Chowk is an enclosure for formal audience for the Udaipur rulers. It has a raised alcove inlaid completely in mirror glass. Sun-face emblems, in gleaming brass, religious insignia of the Sisodia dynasty are a recurring display at several locations in the City Palace; one of these prominent emblems is depicted on the façade of the Manak Chowk, which can also be seen from the outermost court below. The largest of such an emblem is also seen on the wall of the Surya Chopar, a reception centre at the lower level. Surya or Sun emblem of the Mewar dynasty depicts a Bhil, the Sun, Chittor Fort and a Rajput with an inscription in Sanskrit of a quotation from the Bhagavad Gita (Hindu holy scripture), which means “God Helps those who do their duty". It was customary for the Maharanas to offer obeisance to the Sun facing east, every morning before taking breakfast.

 

MOR CHOK

Mor Chok or Peacock square is integral to the inner courts of the palace. The elaborate design of this chamber consists of three peacocks (representing the three seasons of summer, winter and monsoon) modeled in high relief and faced with coloured glass mosaic, built into successive niches in the wall area or jharoka, These were built during Maharana Sajjan Singh’s reign, 200 years after the palace was established. The peacocks have been crafted with 5000 pieces of glass, which shine in green, gold and blue colours. The apartments in front of the Chowk are picturesquely depicted with scenes of Hindu god Lord Krishna’s legends. At the upper level, there is a projecting balcony, which is flanked by inserts of coloured glass. In an adjoining chamber, called the Kanch-ki-Burj, mosaic of mirrors adorn the walls. The Badi Charur Chowk within this chowk is a smaller court for private use. Its screen wall has painted and inlaid compositions depicting European men and Indian women. Proceeding further from the Mor-Chowk, in the Zenana Mahal or women’s quarters exquisitely designed alcoves, balconies, colored windows, tiled walls and floors are seen.

 

MUSEUM

n 1974, a part of the city palace and the 'Zenana Mahal' (Ladies Chamber) were converted into a museum. The museum is open for public. There is an interesting exhibit of a freaky monkey holding a lamp and also portraits of maharajas displaying a spectacular array of mustaches. ‘Lakshmi Chowk' is an elegant white pavilion in the same precinct.

 

RANG BHAWAN

Rang Bhawan is the palace that used to contain royal treasure. There are temples of Lord Krishna, Meera Bai and Shiva, located here.

 

SHEESH MAHAL

Sheess Mahal or Palace of Mirrors and glasses was built in 1716.

 

A shrine of Dhuni Mata is also located in the complex. This location is considered as the oldest part of the Palace, where a sage spent his entire life meditating.

 

THE PALACE IN FILM & TELEVISION

The palace was used as a hotel in the 1985 James Bond film Octopussy, where Bond (played by Roger Moore) stayed as he began his quest to apprehend the villainous Kamal Khan (Louis Jordan).

 

A 1991 documentary film directed for television by Werner Herzog is called Jag Mandir and consists of footage of an elaborate theatrical performance for the Maharana Arvind Singh Mewar at the City Palace staged by André Heller.

 

The palace was used for filming part of Goliyon Ki Raasleela Ram-Leela (English: A Play of Bullets: Ram-Leela) 2013 directed by Sanjay Leela Bhansali.

 

WIKIPEDIA

Citybus Hong Kong Leyland Olympian 331 FK5095 was initially used in the UK for a brief period as J248WWK. Still going strong over 20 years later its seen waiting to leave Central with a City One Shatin bound 88R