Zenza Bronica ETRs : 75mm Bronica Zenzanon EII f/2.8 : Ilford HP5 Plus : Ilford Perceptol

Rolleiflex 3.5f, Fomapan 200 developed in Perceptol. Banks of the Brue Estuary, Highbridge, Old working wooden boats run aground

Pentre Ifan is a Neolithic burial chamber (approx 5k years old). It has a 5m (16' 6")‘capstone’ appearing to be precariously balanced on three ‘uprights’.

On a gloomy day it carries a really heavy atmosphere pointing back to an uncertain past raising darkquestions best left unuttered.

As can be seen in the picture it was a cloudy afternoon with mist on the surrounding hills. I wanted to convey the atmosphere of the place (there are plenty of nice sunny tourist pictures) so adopted a Film Noir style.

cadw.gov.wales/visit/places-to-visit/pentre-ifan-chambere...

Film36_Foma100_2

Box camera converted to pinhole camera, exp 5 minutes on T-max100 in perceptol 1-3 19 minutes. An early pinhole shot of my mine . Cropped from a 6x9 image. A cold day in Wharfedale

CONTAX T3

Sonnar T* 35mm F2.8 (Y2)

DELTA 100 PRO (135)

PERCEPTOL ( 1:1 ) 20[C] 17[m]

MaSuKo 1352

EPSON GT-X970 2400dpi scan

Cambo Wide : Sinar 6x12 rollfilm back : 65mm Schneider Kreuznach Super Angulon f/5.6 : Ilford HP5 Plus : Ilford Perceptol

Fed 3,Jupiter 8 2/50,Rollei RPX 100 at 80 ,Ilford Perceptol Stock

Grade II* listed structure built in the mid-18th century.

This was another development experiment. I tried Perceptol but found it a bit flat with very little detail in the shadows. So, I thought I'd spicve it up. Im surprised by how well the negs have come out. I will definitely use this combination again.

Film 40

HP5+ @320

PS 2.0 (100ml Perceptol + 100ml Water) & (1ml RO9 = 100ml Water) @ 20Deg C

18 mins agitage 10” every 90”

Adofix Plus Ra[id II 1 + 7 8' with frequent agitation

Wash 10'

Final Rinse with wetting agent 1'

Dilution of RO9 was adjusted to give the same development time as Perceptol at 1+1 (18mins)

Scanned using Plustek 8200i SilverFast SE 9 @ 3600ppi

LrC, SilverEfex8, framed in FilmPack7

Fed 3,Jupiter 8 2/50,Rollei RPX 100 at 80 ,Ilford Perceptol Stock

Who-ha who-ha who-ha who-ha

In Xanadu did Kublai Khan

A pleasure dome erect

Moving on keep moving on-yeah.

Praktica TL1000

Mir-1V (37mm, f/2.8)

Ilford Delta 100 (developed in Perceptol 1+1)

(First Draft)

I thought I came here to rest

Spring tide with a New Moon

I could here the laughter and signing

In the cosy Lawrenney Arms

Another Golden hour

Another Blue hour

I loved them once

So many passed, I've lost count

The night comes

and I long for the day

The day comes

and I long for the night

So many passed, I've lost count

Another New Moon

Waxing to Full

I loved them once

So many passed, I've lost count

Spring with its flowers

Summer with its heat

The golden leaves of Autumn

And the cold winter storms

So many passed, I've lost count

A new season comes

and I long for the next

I thought I came here to rest

But, there's no rest here

I've rested for too long.

(PhilJazz 2024)

Film20

OM2n Zuiko 35-70 f/3.5-4.5

Ilford Delta 400 Professional @Box

Perceptol 1+1 @20 Deg C 15' 30”

Adofix 1+7 @20 Deg C 8'

Hyons Wood, Walker Titan SF with Rodenstock 150mm, Ilford Ortho Plus in Perceptol. Silver Gelatin Print, Ilford MG RC Satin Paper

Camera: Pentax Spotmatic F

Film: Fuji Acros

Dev.: Ilford Perceptol

Merci beaucoup pour votre visite, les gentils commentaires et les favoris. / Many thanks for your visit, kind comments and favs.

Rollei 35 T ,Rollei RPX 100 at 80,Ilford Perceptol Stock

Repost of older negative, this time as a darkroom print

Olympus OM-4

KodakTri-X @ 320

Perceptol (stock)

Paper: Bergger Prestige CB Style semi-gloss

Developer: Moersch Warm Tone

BESSA-L

chiyoko super rokkor 2.8/45

Rollei Retro 80s

perceptol

Somewhere in Takayama

Bessa-L

chiyoko super rokkor 2.8/45

rollei retro 80s

perceptol

IN ENGLISH BELOW THE LINE

Foto presa amb una Rolleiflex 3.5F fabricada entre 1969 i 1971; Carl Zeiss Planar f3.5 / 75mm; Ilford Delta 100 revelat amb Perceptol 1+1.

L'estiu de 2022 he tornat a Anglaterra, després de no visitar-la des del 2014. Han passat moltes coses entremig, notablement tot el coronavirus i el Brexit! Amés, ara hi he tornat amb diverses càmeres, des de una Nikon Z6 mirrorless digital a diverses de pel·licula. Ja anireu veient...

ca.wikipedia.org/wiki/Cambra_Radcliffe

====================

Picture taken with a Rolleiflex 3.5F, made c.1969-1971; Carl Zeiss Planar f3.5 / 75mm lens; Ilford Delta 100 developed in Perceptol 1+1.

.

This 2022 summer at last I was able to visit England again. Since 2014, my last visit, looks far away, as quite relevant news have happened meanwhile, most notably the Brexit and the coronavirus pandemic.

Well, now I'm back and with several cameras, from a Nikon Z6 digital mirrorless... to several film camera. You will see.

en.wikipedia.org/wiki/Radcliffe_Camera

The fog thickened and thinned in waves, and all the while the fog horns moaned in the background... as they had done all night.

Film 16

Loaded 13-09-24

Developed 18-10-24

OM1n

Mix 50mm f1.8 plus yellow filter (for some) & 35-70 f3.5-4.5 plus yellow filter (for some)

Kentmere 400 @Box

Method 3.1

Perceptol 1 + 3 (75ml + 225ml water) @ 20 Deg C

Adofix 1 + 7 (40ml + 275ml) @ 20Deg C

3 min pre-soak

Development 30 Sec slow inversions plus 3 bumps on the counter

3 inversions every minute plus bumps x 3

Drain and stop bath

Fix for 8 mins with periodic inversions (~ every 1 min)

Wash 4 x 500ml

Final rinse with wetting agent

Scanned: PlusTek 8200i SE @ 3600 PPI

Wright Woods, Lake County Forest Preserves. Taken with a Rolleiflex K4A (75mm f3.5 Xenar) with yellow filter; HP5+ in Perceptol (1:2).

Firenze 2022, Lungarno degli Archibusieri

Olympus OM1, zuiko 35mm f2, Agfaphoto APX400, Perceptol 1+1, negative film scan

Stari Slankamen, Serbia

nikon f100, e series 50mm 1.8

ilford delta 100@100, ilford perceptol 1+3 22 min

scan epson v600

Leicaflex (standard)

50mm Summicron-R

HP5 @320

Perceptol 1+1

Print

Fomatone MG Classic

Moersch Warm Tone SE2

Adox Selenium toner 1+19 (2 min.)

Leicaflex (standard)

50mm Summicrom-R

HP5 @320

Perceptol 1+1

Print: Ilford MGFB glossy

Toned in selenium

Film36_Foma100_5

Fomapan 100 @box

Canon EOS 55e

EF 24-70mm f4 L

Perceptol 1+1 (100ml + 100ml) & RO9 2+62 (1ml+123ml) @ 20Deg C *

10min 30 Sec agitate every min

Stop 1 min

Adofix Rapid II 1+7 8mins @ 20 Deg C

Wash 10 mins

Final rinse with wetting agent

Scanned PlusTec 8200i SE SilverFast 9

* Dilution for RO9 was calculated to match times for Perceptol @ 1+3

Moor Road, Pentax Km, 50mm, Tmax 400 in Perceptol

"... unser flüssig Brot gib' uns heute, und führe mich in Versuchung. Amen."

Eine Krise, die zwar nicht Erich Wuttke selbst, aber seinen Glauben ins Wanken bringt.

More stuff

Canon AE-1P , Foma200 @160, Perceptol 1+2,

Zweitentwicklung in LR

(Image taken recently with a B&W Analog roll film camera).

(Press "L" or Click on the image for a Larger View).

(Analog Camera: Nikon N8008 + Nikon AF 70-210mm f/4-5.6).

(Analog Film: Kodak TMax 100 black & white Negative film).

(Technical Data: Develop on Perceptol @75°. Copy negative with a DSLR, then edit on Nik Collection Silver Effex Pro 2).

(Location: Lake Jesup Conservation Area East Tract Trailhead, Oviedo, Florida).

This image from my Album: Analog Photography..

Mamiya 7 ii

N 43mm f4.5L (R60)

FP4 PLUS (120)

PERCEPTOL ( 1:1 ) 20[C] 17[m]

MaSuKo1202

EPSON GT-X970 3200dpi scan

Leica MP mit Elmarit-M 1:2,8 / 28 mm ASPH und Dunkelrotfilter auf Ilford SFX200 (@ ISO 125/22° in Perceptol [stock]). Scan: reflecta MF5000. Make-up: Adobe Photoshop Elements.

Ilford HP5 Plus at ISO 320, dev in Perceptol 1:1 18 min/

There's something special about the moring light. Though the physics may be replicated (at times) in the evening, it's not quite the same as the morning. Probably more to do with circadian rhythms and psychology than anything else.

Film41_Foma100_15

summicron collapsible 2/50

rollei retro80s

perceptol 1:3

Nikon F6

SIGMA Art 50mm F1.4 DG HSM

f11 1/13[s]

DELTA 100 PRO (135)

PERCEPTOL 20[C] 15[m]

MaSuKo1353

EPSON GT-X970 6400dpi scan

My first use of a slow film on medium format. I've used PAN F on 35mm before, but never found it that good, too contrasty and more grain than expected. However, this time I tried rating at ISO 25 and processed in more dilute Perceptol. This result is much better, smoother tonality and virtually no grain. It looks as though it could out-resolve my 24MP digital camera.

Also used the pixl-latr 120 rebate mask for the first time.

Mamiya C330, Mamiya Sekor 180mm f4.5 Super @f5.6, Ilford Pan F Plus 50 @ISO25, 15 minutes in Perceptol 1+3 @20°C.

Leica M5

50mm Summilux

Ilford FP4 @100

Perceptol, Stock (@125]

Minolta Autocord, Aico No. 2 closeup lens, Kentmere 100. Perceptol 1+2, 17.5 mins @20°C.

smc PENTAX -A 4/70~210

retro 80s

perceptol

Camera: Agfa Ventura Deluxe 66, Solinar 85mm

Film: Kodak TMY, T-Max 400

Dev.: Ilford Perceptol

Merci beaucoup pour votre visite, les gentils commentaires et les favoris. / Many thanks for your visit, kind comments and favs.

Pentax KM, 50mm, Tmax 400 in Perceptol

Hasselblad 500c/m

80mm f/2.8 C T*

Bergger Pancro 400 @320

Perceptol 1+1

Printed on Fomatone var. 132

Ilford Multigrade

Camera: Zeiss Ikon Ikoflex Ic (1956)

Lens: Carl Zeiss Tessar 3.5/75mm

Film: Ilford FP4

Developer: Ilford Perceptol 1:1

Motorcycle: BMW R80/7 (1981)

Bild von einer Motorradreise nach Wien und weiter an den Plattensee im Juni 1992 mit meiner BMW R80/7, einem früheren Polizeimotorrad, das ich auf einer Versteigerung der Polizei gekauft habe. Ein zuverlässiges Arbeitspferd, aber hinter der Vollverkleidung wurde es im Sommer sehr heiß.

Picture of a motorcycle trip from Munich to Vienna and on to the Lake Balaton in June 1992. The BMW R80/7 was a former police bike i got at a police auction. A reliant workhorse, but behind the full fairing it got very hot in summer. Bild von einer Motorradreise nach Wien und weiter an den Plattensee im Juni 1992 mit meiner BMW R80/7, einem früheren Polizeimotorrad, das ich auf einer Versteigerung der Polizei gekauft habe. Ein zuverlässiges Arbeitspferd, aber hinter der Vollverkleidung wurde es im Sommer sehr heiß.

Picture of a motorcycle trip from Munich to Vienna and on to the Lake Balaton in June 1992. The BMW R80/7 was a former police bike i got at a police auction. A reliant workhorse, but behind the full fairing it got very hot in summer.

Olympus XA2

Fp4

Perceptol 1+1

Mäntsälä, Finland.

This is a photo of the Narew river in Poland developed three years after it was shot.

Mamiya 7ii

Ilford Delta 400 Pro

1/60s - f11

Perceptol (1+1) 17min @ 20C

Camera: Mamiya C330

Lens: Mamiya Sekor 2.8/80mm

Film: Ilford FP4

Developer: Perceptol 1:1

Ich kann mich nicht mehr erinnern, wie ich die schwere Mamiya C330 damals auf meinem Motorrad befestigt habe ...

I can't rembember how i fastened the hefty Mamiya C330 to my motorcycle back in those days ...

This was the view from my cabin window. Without a camera I'm not sure I would have wanted to get up!

Film 16

Loaded 13-09-24

Developed 18-10-24

OM1n

Mix 50mm f1.8 plus yellow filter (for some) & 35-70 f3.5-4.5 plus yellow filter (for some)

Kentmere 400 @Box

Method 3.1

Perceptol 1 + 3 (75ml + 225ml water) @ 20 Deg C

Adofix 1 + 7 (40ml + 275ml) @ 20Deg C

3 min pre-soak

Development 30 Sec slow inversions plus 3 bumps on the counter

3 inversions every minute plus bumps x 3

Drain and stop bath

Fix for 8 mins with periodic inversions (~ every 1 min)

Wash 4 x 500ml

Final rinse with wetting agent

Scanned: PlusTek 8200i SE @ 3600 PPI