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It's not what you look at that matters, it's what you see.
~ Henry David Thoreau
View of the Sandia Mountains through a glass block window.
One of my abstract oil paintings on wood from my Advanced college painting class. Looking at all of my "old" work makes me want to start painting again!
Death Perception at the U of M Xperimental for the 2011 MN Fringe Festival starring Kelvin Hatle. Photo by Eric G.Y. Petersen.
5/52 + 6/52
mirrored image / hidden from view.
they say, imitation is the greatest form of flattery-- that if I play mirror, you will like me more.
Canon 600d | Canon EF-S 18-135mm f/3.5-5.6 IS
Redéfinir la marque Polaroid
Lors d’un CES, le «Consumer Electronics Show », la corporation Polaroid a voulu contrer les perceptions qui définissent la marque comme étant des caméras photo instantanées.
Un stand d’exposition de 7000 pieds carré est venu clarifier la réalité en montrant l’expansion que la marque subie avec ses caméras numériques et ses produits électroniques destinés aux consommateurs.
Skyline a été en mesure de créer un nouveau look à chaque année en combinant la location avec la structure existante.
« Skyline est beaucoup plus qu’un simple fournisseur, il fait partit de l’équipe. » disait Cheryl Mau, vice-présidente marketing chez Polaroid. « C’est un réel partenaire. »
Mau adore la flexibilité de Skyline – travailler à l’intérieur de différents budgets, répondre à un changement de direction qui demande de la résolution de problèmes – et adore son engagement quant à la qualité.
« Skyline a toujours été en mesure de créer un kiosque exceptionnel qui donne l’impression d’avoir coûté cher alors que ce n’est pas le cas » disait-elle. « Je sais également qu’ils sont à un seul coup de téléphone pour répondre à mes questions ou pour nous aider à résoudre nos problèmes.
Pour en apprendre plus:
www.tradeshowexhibitsmontreal.com/Success-Stories/polaroid/
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Redefining the Polaroid Brand
At CES, the Consumer Electronics Show, Polaroid Corporation squashed perceptions that narrowly define the company as instant cameras and film. A 7,000-square-foot exhibit reinforced reality by showcasing the brand's continued expansion into digital cameras and consumer electronics.
Using a combination of owned and rental exhibit hardware, Skyline reconfigures and designs a fresh look for the exhibit each year.
"Skyline is more than just a vendor; they're actually part of the team," says Cheryl Mau, Polaroid's Vice President of Marketing. "It truly is a partnership."
Mau values Skyline's flexibility - working within a budget, responding to a change in direction, or coming up with options to solve a problem - and its commitment to quality.
"Skyline has always been able to create an exceptional display that you'd think cost a lot more than we ended up paying," she says. "And I know they're just a phone call away with an answer to any question, with help on any problem we may encounter."
To learn more:
Artist & Best Friends Animal Sanctuary founder, Cyrus Mejia's show Pits & Perception opened in Los Angeles @ Artology 101 in Glendale. There were several live pit bulls in attendance at the festivities.
From cyrusmejia.com/art/pits-and-perception
"Art can present us with a different view, a new perspective, another way of thinking about things. In this series of paintings of Pit Bulls I’m challenging the current-day perception of these dogs. Not by changing their image, but by depicting them close-up, larger than life, and inviting the viewer to question how they see and perceive Pit Bulls."
Artology101
3108 Glendale Boulevard, Los Angeles, CA 90039-1806(323) 644-0101‎
This year's concert will include special guest Wil Smith, as well as a parting cameo by Artist in Residence and University Organist Ronald Ebrecht, who retires at the end of the month after 30 years of teaching at Wesleyan.
Photography by Sandy Aldieri of Perceptions Photography
The Ambient Performance of Quiet Spaces is a site-specific exploration of experience at the border of perception and imagination. It was set in Washington DC’s McKinley Theater in the Carnegie Library and performed continually between 8pm-3am. The Carnegie Library, the first public library in Washington, was decommissioned in the late 70’s and it is now a performance and event venue.
In this work, the shared physical, public space of the library is reconfigured so that its new visitors: the audience, robotic cameras and performers are equally engaged in moments of private and public reflection. The form of the work is the active transposition of subject and object and of content and meaning between these three constituencies. This process of transposition is a reference to contemporary digital culture’s ongoing assimilation of earlier cultural forms.
Working with performer Nick Horan, we each took turns on stage, quietly reading and at times engaging with the installation. Two PTZ IP cameras were programed to scan the stage, the audience and each other, similarly pondering their environment. The resulting images were projected onto the screen behind the stage. A soundtrack composed of ambient sounds from existing public libraries, recordings of the preparation of the materials for the installation and ambient sounds from recent installations played quietly throughout the performances.
The Ambient Performance of Quiet Spaces featured an installation of various materials on the stage of the theater that included: card catalog cards, *prepared books (with tape, acetate, LEDs/electronics/code), cables, computers, projectors and IP cameras.
*prepared books included:
> James Joyce’s Ulysses containing excerpts from Emmanuel Levinas’ Totality and Infinity
> John Beecroft’s Kipling: A Selection of His Stories and Poems containing card catalog cards for books related to technology and its impact on the library system
> John B. Noss’ Man’s Religions
> Milan Kundera’s The Unbearable Lightness of Being
video/audio of the project: vimeo.com/147043745
I see the world more through a browser than any other interface, and second to most from any perspective. Because I use a Mac, perhaps my perception is not as the author intended,/a>.
Public Perception..!!! , lomics.co/l/iY90OVWgDE
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©2005 Ana Stefanovic, All Rights Reserved
This image is not available for use on websites, blogs or any other media without the explicit written permission of the photographer. If you would like permission please contact me on info@anastefanovic.com
Crossview (X-View):
Gently converge (cross) your eyes while viewing and focus on the middle image that appears while ignoring the outside. It becomes easier the more you do it.
it was nice watching every one talking pictures by trying to make some forced perception to supporting the pisa tower, kicking the tower and many many funny postures..