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Capturing the sunset at Baker Beach with the Dynamic Perception dolly with the Little Bramper
Check out the timelapse video here: vimeo.com/32731309
The light shines more when it is hidden. Seeing it from the shadows, the beauty of light can be seen more intensely. Standing under it, we do not think about its meaning, but when we are not under it, when we see it from afar, we realize just how much we desire it.
26.52
Self-Love
Question your perception. When you look at yourself in the mirror and cast judgement on yourself, ask yourself, "Is that really what's there or is that what I think I see?" When you're overly critical of yourself, ask yourself, "Is it really that bad or am I looking at it that way?" Self-love is all about looking for the positive and focusing on what's great about you.
Beth has a beautiful perception.
Artist & Best Friends Animal Sanctuary founder, Cyrus Mejia's show Pits & Perception opened in Los Angeles @ Artology 101 in Glendale. There were several live pit bulls in attendance at the festivities.
From cyrusmejia.com/art/pits-and-perception
"Art can present us with a different view, a new perspective, another way of thinking about things. In this series of paintings of Pit Bulls I’m challenging the current-day perception of these dogs. Not by changing their image, but by depicting them close-up, larger than life, and inviting the viewer to question how they see and perceive Pit Bulls."
Artology101
3108 Glendale Boulevard, Los Angeles, CA 90039-1806(323) 644-0101‎
A beautiful flower? Actually a closeup of a glass of iced green tea with a lime. Shot with reverse-mounted Super-Takumar 50mm.
My blog at whatipic
(A continuation to the thoughts in: www.flickr.com/photos/salkhatib/4629533866/)
I have a question:
Why does it seem like such an odd concept that a person can develop a compassionate personality, to be an affectionate or loving person, without the necessity for an object of affection?
Do you have to "love someone" or express affection to be loving or affectionate? Does there necessarily have to be an expression of anger for a person to be angry?
I think anger is a normal emotion to experience and it should be one that we embrace, even express. But at the same time recognize that some displays of anger aren't appropriate, likewise there are displays of passion that aren't appropriate.
And I refuse to accept that having the trait of compassion relies on there being an object to which the compassion is delivered.
The way we behave towards others doesn't (or shouldn't) have to be a reflection of what they mean to us or a response to how we believe their perception is of us. Our behavior should be because we choose to be that way by instinct. At least this is how I strive to be.
When I was working on the original version of this I discovered the world of digital mirroring. I was playing with a photo of windows in an airport and somehow ended up mirroring the photo, and that's where the fun began. I just recently mirrored one of my old drawings and I thought it would be fun to go back to this one (that inspired my latest addiction: digital mirroring) and mirror it again. I'm not sure which one I like better, but this is definitely a nice twist.
Advertising Agency: age. comunicações, São Paulo, Brazil
Creative Director: Carlos Domingos
Art Director: Henrique Mattos
Copywriter: Daguito Rodrigues
Published: June 2009
w e d o n ' t r e a d o n e l e t t e r a t a t i m e.
we don't read one word at a time.
We don't read one word after another, unless, we have learned to read [assess] for content.
Reading for content IS what most of us learn, as it is the CONTENT we have usually been tested on in schools.
Content = knowledge. People can memorize whole books and retain the content. What it means may be unknown to them though.**
When you read a whole statement, a paragraph, a chapter, a book, how much of the content do you remember?
Reading is like listening. It requires attention and to be engaged in the process. When that happens,
what is revealed is the context, the ideas being presented. Words shift meaning as they weave ideas not your own.
The weaving and the distinctions created are context, and the whole is language.
Not letters, not words, not sentences, not communication. All of those are content based.
Animals communicate. Humans have the ability to apply new distinctions to old words.
We have language, and it lives not in content, but by the connection of the content into a context.
Languaging. Ideas that reveal new perspectives, new connections and reveal the thinking of the writer. And it is all relative.
Definition of CONTEXT
1: the parts of a discourse that surround a word or passage and can throw light on its meaning
2: the interrelated conditions in which something exists or occurs : environment, setting.
Origin of CONTEXT
Middle English, weaving together of words,
from Latin contextus connection of words,
coherence, from contexere to weave together, from com- + texere to weave —often related to technical language.
First Known Use: circa 1568
A Kashi frozen pizza that looks nothing like its photo on the package. There were certainly no big chunks of nicely roasted vegetables.
It turns out actually that Project 52 is currently much more enjoyable, or maybe it's just that honeymoon stage of having a new camera/editing system that makes it all seem to just *work* that much better.
Obviously this isn't my 52 shot, or shots as is the case again this week, but not being forced to have a shot everyday is liberating.
Plus I can be a bit more abstract, should I feel like it...
Dogwood bark and the dried pith is used by some first nations as a ceremonial smoke in sweat lodges.
Advertising Agency: age. comunicações, São Paulo, Brazil
Creative Director: Carlos Domingos
Art Director: Henrique Mattos
Copywriter: Daguito Rodrigues
Published: June 2009
PERCEPTION - the name of our exhibition. We had to design each of us a publicity image that will go in postcards, leaflets and posters. So this is something i made in Illustrator.
Details of the exhibition:
PERCEPTION -
A Photography Exhibition, created by The Second Year Photographic Students from The Manchester College. Each student has completed their Self Directed Final Photographic Project, to display in an Open Exhibition that will be held at 52 Princess Street, Manchester. On the 8th June 2010.
Work from over 20 students will be hung at 52 Princess Street. A diverse range of Photographic styles, that embraces Portraiture, Landscapes, Documentary and Fashion.
There will be Free Drinks on entry.
Distant Perception
Walking Pathway in Door County
Baileys Harbor, WI
May 2009
1st Place 2009 Iowa State Fair Black & White Places Class
Picked for Publication in DSM Magazine for February 2010
Series emulating the photographic style of Francesca Woodman to show how women are often perceived in society.