View allAll Photos Tagged Perceptions
Perception is a first-person narrative horror adventure featuring a young, blind woman who depends on her razor-sharp hearing to solve an ancient mystery and survive the forces that pursue her.
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Rough to see here, but one could actually do much better making out the outlines of Mt. Hood and Mt. Saint Helens through Kat's red-tinted sunglasses. One more reason to get some red/yellow filters for the camera!
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L’adjudant Metz du poste de commandement interarmées de théâtre (PC IAT) distribue l’argent CFA aux militaires du camp français de Bamako, au Mali, pour l'opération Serval - Crédits : CCH A. Dumoutier/SIRPA Terre
Photographic techniques capture electromagnetic wavelengths beyond human vision, revealing features invisible to the naked eye. These signals are processed into interpretable forms using methods like color mapping.
Pink lacks a specific electromagnetic wavelength, while grey poses a limitation due to its representation of only intensity—a blend of light and dark without spectral specificity. Imaging techniques reliant on spectral variation produce identical results for greyscale images unless non-visible data is present. Deviations from this uniformity may indicate errors, misinterpretations, or unknown phenomena.
Contention persists over analytical debates, including dismissible claims like Van Allen belt dangers and contested evidence of lunar mirrors. The precision of laser reflections targeting a moving 3x3-foot marker on the Moon highlights technical skill but often fails to resolve skepticism. For instance, a 0.1° shift moves a laser spot 670 km across the Moon's surface.
Forensic analysis (2022, 2023) of Apollo 11–17 photographs assessed authenticity claims. Images of humans in space, Earth, and the Moon's distant views were validated, but Moon landing visuals showed variations, suggesting diverse techniques may have replicated certain elements.
PEMi (Photoelectromagnetic Image) software enhances forensic analysis by differentiating natural and artificial light sources, revealing hidden features. Each PEMi-ID links to original sources, ensuring traceability and comparison.
Further exploration is available:
Lehti, A. (2024). The Silence of Inquiry: Forensic Reflections Reveal a Crisis of Perception. figshare. doi.org/10.6084/m9.figshare.28078982
Credits
2022-2025 © Andrew Lehti
1961–2023 © NASA, ESA
Software: PEMi (GitHub: andylehti/PEMi.git)
Explore PEM-I: pemimage.streamlit.app
CC BY-SA 4.0 License: creativecommons.org/licenses/by-sa/4.0/
Research:
Lehti, Andrew (2024). Cognitive Psychology and the Education System. figshare. Collection. doi.org/10.6084/m9.figshare.c.7532079
CC BY-SA 4.0
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit creativecommons.org/licenses/by-sa/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.
It's an interesting thought about how this scene may be perceived, and what influnces our thoughts. Is it more menacing because it is night, or perhaps because of the slight tilt. Is the nearest character more threatening because he is just out of focus and blurred. Is tension built because we can see that our "victim" who is running to the safety of a lit area then has to run on into a darker area again.
Ok it is just a couple of unrelated pupils jogging back to their houses of residence but I do quite like this location with it's pools of light and shade
I am but One sensor cell…. Perhaps standing at the bay…breathing in and processing the air and light in all its nuanced flavors, scents and colors. It is beyond words but I still want to send it out. That I am grateful for this moment…and the wonder of every tiny bit of it I can sense."
These black and white pictures were taken at the beach near Montpellier, South of France.
The handle project is meant to make the spectator rethink the idea of possession, of the fact to have.
INTAN telah menganjurkan Seminar bertajuk 'Managing Perception' yang disampaikan oleh YB Khairy Jamaluddin, Menteri Belia dan Sukan pada 7 November 2013 bertempat di Auditorium, INTAN Bukit Kiara.
Inverted reflected image The apparent cloud are the receding waves and the horizon is an oncoming wave
Locke, California, is a small and historically rich town located in the Sacramento-San Joaquin Delta, about 20 miles south of Sacramento. It’s one of the few remaining towns in the United States that retains its roots in Chinese-American history. Established in 1915, Locke was originally founded by Chinese immigrants, many of whom were laborers working in the region’s agriculture and farming industries.
ASIS Europe 2023 – From Risk to Resilience
Today’s enterprise is connected, complex and global. Securing innovation and competitive advantage requires simultaneously protecting people, information, products, and property. Rapid, interconnected change, and shifting perceptions of risk and value are key challenges for security practi-tioners. ASIS Europe programme is designed to provide unique insights to help you, your teams and your organisation. We will examine evolving security challenges from the perspective of leaders tasked with protecting their organi-sation’s reputation and most precious assets in a manner that drives business, organisational and cultural goals. | Foto © Charles Batenburg
The truth around "Parsely in the Morning" demonstrates the power of perception in photography and the danger of comparing yourself with bloggers and public figures. We're people, too - we just heavily edit!
voilà , je sais toujours pas trop quoi penser de la retouche de cette photo... enfin je poste quand même, on verra bien !
Original mesh dress with split-front bodice, tapered peplum skirt, zippered back closure.
7 sizes: Standard sizes XXS-L, plus special sizes M+ and Bx. Demos available in-world and on the marketplace.
Digital print (Epson 7600), 39 x 61 cm image on 76 x 56 hand-coated (inkAID) rag paper, edition 25.
Triptych composed of:
(central part) enlarged scan of copper etching plate left to "marinate" with household "reagents" such as vinegar, salt, ammonia
(right part) scan of copper etching plate without corrosion
(left part) layers of photos of fields of plumed grass
For more detail on this work, please see
www.pfranzini.com/2007/prints/percep.php where each of the three parts can be clicked on separately to see an enlarged detail.
Boston Winter CityScape: Just Before Sundown
Winter 2007
Back Bay area
Boston, MA, USA
View of the Back Bay area skyline from across the Charles River, Memorial Drive near the Massachusetts Institute of Technology (MIT) in Cambridge.
Reality and Perception
There is a belief that photographs don't lie, i.e., they are a representation of reality. This perception is of the reasons why people accept images captured in photographs as real and true, and thus used quite often as evidence in court and as "truth" of our world in publications.
But, is this really true, or accurate?
Compare the image shown here for example with an almost exactly the same image Before Darkness Reigns -- taken about a minute before the image show here. In fact, without this added information, it would appear as if this image shown was taken before the other image, Before Darkness Reigns, rather than the other way around. In reality, this was exposed just slightly longer to reveal a more clear foreground (notice the most green on the dock not evident in the other image). It would appear too, as if the Charles River was quite tranquil. In fact, there was a slight breeze, more evident in the undulation of the Charles River in the image, Before Darkness Reigns. In fact, the waves would have been much higher had the shutter speed been faster, suggesting a stronger breeze and explaining the more significant windchill effect when the images were taken. [I was freezing cold, I was starting to have "cold burns" and pin pricks as my fingers were slowly getting numb.]
Here, there was no deliberate attempt to alter or falsify the image that is presented (see note below). But, in fact, even this statement is relative.
With digital photography and post-processing tools now available, it is so easy to alter what we present, even before we capture the image and to some, after we capture the image. In most of the shots shown in this series, for example, I used the "Vivid" rather than the "Normal" option because I thought after reviewing my initial images in previous shots, it was a more "realistic" representation of the actual colors of the images -- with the current setting of my camera. [I am literally taking my first baby steps into the world of digital photography, there are so many buttons in the Nikon D200 I have yet to learn, to capture the "perfect" picture.]
In movies, like Forrest Gump, for example, by juxtaposing images, it is now possible to make people of the past become part of the present. But, we know that movies are make believe, so that we still can distinguish sometimes what is real and what is not. However, it is now accepted in newsroom to use backdrop scenery in studios to give a semblance that the people are in natural setting. Here, it is still easy to discern that the setting is unreal.
With these advances in audio-visual tools and computer technology however, it is now possible electronically "to cut and paste" portions of images and audio -- to literally do anything you want.
Obviously, the genie is out of the bottle. We could not turn back the time, just a decade or so ago, when it would have been easy to detect a forgery or alteration shown in images and audio-visuals.
The impact on us however is more far-reaching, psychologically and sociologically. We tend to be more cynical with what we see and what we hear. How many of us believe the people we "talk to" in the internet? We become guarded and refuse to share the person that we are.
In the song, the "Sound of Silence", there is a phrase there: "People talking without speaking..." -- that is what we have become.
Cornelio
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N.B.
The image was uncropped. Except for "unsharp image" and the automated resizing and "screen image optimization" to reduce the diskspace usage, no further image manipulation was done.
Series emulating the photographic style of Francesca Woodman to show how women are often perceived in society.