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Gustav Jägermayer (1834 - 1901), Der Kristallwasser-Gletscher - The Crystal Water Glacier, 1863 (Albuminpapier - Albumen print), Albertina
In 1863, the photographer and art publisher Gustav Jägermayer set out for a self-funded expedition to doccument the Grossglockner are. He had employed a painter for selecting the points from which the photograhs should be taken, five mountain guides, and twelve carriers for transporting his extensive equipment. The negatives had to be sensitized on site, exposed while wet, and developed. Contact prints were made after the expedition's return to Vienna, the size of the prints depending on the size of the glass plate negatives. Jägermayer offered the series under the title "Austrian Alps" for sale. Though hin photographs are fascinating because of their outstanding quality, attention to detail, and subtly graded tonal values, his project turned out a commercial failure and his company soon had to declare itself insolvent.
The Albertina
The architectural history of the Palais
(Pictures you can see by clicking on the link at the end of page!)
Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869
"It is my will that the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".
This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.
Image: The Old Albertina after 1920
It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.
The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.
In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.
Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.
1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.
Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990
The era of stately representation with handing down their cultural values found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:
After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".
Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905
This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.
The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.
Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.
Image: The palace after the demolition of the entrance facade, 1948-52
Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.
Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei
This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.
Image: The restored suburb facade of the Palais Albertina suburb
The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.
Image: The new entrance area of the Albertina
64 meter long shed roof. Hans Hollein.
The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".
Christian Benedictine
Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.
Could art be the missing link? Oxford, Ohio, native John Bavaro would probably say yes. His current exhibition in the Elzay Gallery of Art at Ohio Northern University uses both traditional and digital painting to examine the similarities between humans and non-human primates.
“The GENUS Series: Human and Non-Human Primate Portraits Genus” is on view from February 27 through March 30, 2012. The exhibit is “an emerging series of primate portraits, both human and non/human, painted from observations and photographs I’ve taken at various zoos or from posing models,” said Bavaro.
It’s often said that apes or monkeys look “so human,” and when one sees a mother orangutan, protecting and coddling her clinging newborn, or a father gorilla gently roughhousing with an adolescent son, it’s hard not to apply anthropomorphisms to the situation. “Those perceptions come from our own human frame of reference,” explained Bavaor, “but it’s obvious that the animals are exhibiting behaviors that are very close to what we exhibit, or having “feelings” that are seemingly similar to ours.”
This exhibition is a large panel installation consisting of 100 oil paintings of human and ape portraits. The portraits depict friends, relatives, apes and monkeys placed together on the same wall.
Prof. Bavaro is an associate professor of art at Edinboro University of Pennsylvania where he teaches painting, drawing, design and is the gallery director of the Bruce Gallery of Art. He received his BA in literature from Miami University and his MFA (painting) from the University of Cincinnati.
Inspired by both science and technology, Bavaro sets out to chronicle the natural world using both human and animal subjects. His GENUS series draws upon classical references such as Velazquez, Rembrandt, Gainsborough, Rubens and Caravaggio to bring the ape-nature out of the humans and the human nature out of the apes.
Most recently, Bavaro has taken to “fingerpainting” on the Apple iPhone and iPad by painting in a variety of art apps on the small screen and then outputting the pieces to his printer. His work has appeared in New American Paintings, Dialogue-Voicing the Arts, The Artist’s Magazine, Time Out (Dubai) and two recent national iPhone art catalogues. He is one of the founding members of iAMDA (The International Association of Mobile Digital Artists) and is currently writing a book about iPhone and iPad art for Quintet Publications of the U.K.
"We teach girls to shrink themselves, to make themselves smaller."
Series emulating the photographic style of Francesca Woodman to show how women are often perceived in society.
Original mesh dress with split-front bodice, tapered peplum skirt, zippered back closure.
7 sizes: Standard sizes XXS-L, plus special sizes M+ and Bx. Demos available in-world and on the marketplace.
Perception Sport - our current choice for kayaks. Light (only 35 lbs) and two of them fit on top of my Mini.
Hi Family,
I don't usually send stuff like this on, but I thought this was really important. Full of vital truths.
Dad
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> Texas A&M Commencement Address
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> Neal Boortz is a Texan, a lawyer, a Texas Aggie (Texas A&M) graduate, and now a nationally syndicated talk show host from Atlanta . His commencement address to the graduates of a recent Texas A&M class is far different from what either the students or the faculty expected. Whether you agree or disagree, his views are certainly thought provoking.
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> "I am honored by the invitation to address you on this august occasion. It's about time. Be warned, however, that I am not here to impress you; you'll have enough smoke blown up your bloomers today. And you can bet your tassels I'm not here to impress the faculty and administration. You may not like much of what I have to say, and that's fine. You will remember it though. Especially after about 10 years out there in the real world. This, it goes without saying, does not apply to those of you who will seek your careers and your fortunes as government employees.
> This gowned gaggle behind me is your faculty. You've heard the old saying that those who can - do. Those who can't - teach. That sounds deliciously insensitive. But there is often raw truth in insensitivity, just as you often find feel-good falsehoods and lies in compassion. Say good-bye to your faculty because now you are getting ready to go out there and do. These folks behind me are going to stay right here and teach.
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> By the way, just because you are leaving this place with a diploma doesn't mean the learning is over. When an FAA flight examiner handed me my private pilot's license many years ago, he said, Here, this is your ticket to learn. The same can be said for your diploma. Believe me, the learning has just begun.
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> Now, I realize that most of you consider yourselves Liberals. In fact, you are probably very proud of your liberal views. You care so much. You feel so much. You want to help so much. After all, you're a compassionate and caring person, aren't you now? Well, isn't that just so extraordinarily special. Now, at this age, is as good a time as any to be a liberal; as good a time as any to know absolutely everything. You have plenty of time, starting tomorrow, for the truth to set in.
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> Over the next few years, as you begin to feel the cold breath of reality down your neck, things are going to start changing pretty fast... Including your own assessment of just how much you really know.
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> So here are the first assignments for your initial class in reality: Pay attention to the news, read newspapers, and listen to the words and phrases that proud Liberals use to promote their causes. Then, compare the words of the left to the words and phrases you hear from those evil, heartless, greedy conservatives. From the Left you will hear "I feel." >From the Right you will hear "I think." From the Liberals you will hear references to groups -- The Blacks, the Poor, the Rich, the Disadvantaged, the Less Fortunate. From the Right you will hear references to individuals. On the Left you hear talk of group rights; on the Right, individual rights.
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> That about sums it up, really: Liberals feel. Liberals care. They are pack animals whose identity is tied up in group dynamics. Conservatives think -- and, setting aside the theocracy crowd, their identity is centered on the individual.
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> Liberals feel that their favored groups have enforceable rights to the property and services of productive individuals. Conservatives, I among them I might add, think that individuals have the right to protect their lives and their property from the plunder of the masses.
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> In college you developed a group mentality, but if you look closely at your diplomas you will see that they have your individual names on them. Not the name of your school mascot, or of your fraternity or sorority, but your name. Your group identity is going away. Your recognition and appreciation of your individual identity starts now.
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> If, by the time you reach the age of 30, you do not consider yourself to be a conservative, rush right back here as quickly as you can and apply for a faculty position. These people will welcome you with open arms. They will welcome you, that is, so long as you haven't developed an individual identity. Once again you will have to be willing to sign on to the group mentality you embraced during the past four years.
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> Something is going to happen soon that is going to really open your eyes. You're going to actually get a full time job!
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> You're also going to get a lifelong work partner. This partner isn't going to help you do your job. This partner is just going to sit back and wait for payday. This partner doesn't want to share in your effort, but in your earnings.
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> Your new lifelong partner is actually an agent; an agent representing a strange and diverse group of people; an agent for every teenager with an illegitimate child; an agent for a research scientist who wanted to make some cash answering the age-old question of why monkeys grind their teeth. An agent for some poor demented hippie who considers herself to be a meaningful and talented artist, but who just can't manage to sell any of her artwork on the open market.
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> Your new partner is an agent for every person with limited, if any, job skills, but who wanted a job at City Hall. An agent for tin-horn dictators in fancy military uniforms grasping for American foreign aid. An agent for multi-million dollar companies who want someone else to pay for their overseas advertising. An agent for everybody who wants to use the unimaginable power of this agent's for their personal enrichment and benefit.
> That agent is our wonderful, caring, compassionate, oppressive government. Believe me, you will be awed by the unimaginable power this agent has. Power that you do not have. A power that no individual has, or will have. This agent has the legal power to use force, deadly force to accomplish its goals.
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> You have no choice here. Your new friend is just going to walk up to you, introduce itself rather gruffly, hand you a few forms to fill out, and move right on in. Say hello to your own personal one ton gorilla. It will sleep anywhere it wants to.
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> Now, let me tell you, this agent is not cheap. As you become successful it will seize about 40% of everything you earn. And no, I'm sorry, there just isn't any way you can fire this agent of plunder, and you can't decrease its share of your income. That power rests with him, not you.
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> So, here I am saying negative things to you about government. Well, be clear on this: It is not wrong to distrust government. It is not wrong to fear government. In certain cases it is not even wrong to despise government for government is inherently evil. Yes, a necessary evil, but dangerous nonetheless, somewhat like a drug. Just as a drug that in the proper dosage can save your life, an overdose of government can be fatal.
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> Now let's address a few things that have been crammed into your minds at this university. There are some ideas you need to expunge as soon as possible. These ideas may work well in academic environment, but they fail miserably out there in the real world.
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> First is that favorite buzz word of the media and academia: Diversity! You have been taught that the real value of any group of people - be it a social group, an employee group, a management group, whatever - is based on diversity. This is a favored liberal ideal because diversity is based not on an individuals abilities or character, but on a person's identity and status as a member of a group. Yes, it's that liberal group identity thing again.
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> Within the great diversity movement group identification - be it racial, gender based, or some other minority status - means more than the individuals integrity, character or other qualifications.
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> Brace yourself. You are about to move from this academic atmosphere where diversity rules, to a workplace and a culture where individual achievement and excellence actually count. No matter what your professors have taught you over the last four years, you are about to learn that diversity is absolutely no replacement for excellence, ability, and individual hard work. From this day on every single time you hear the word "diversity" you can rest assured that there is someone close by who is determined to rob you of every vestige of individuality you possess.
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> We also need to address this thing you seem to have about "rights." We have witnessed an obscene explosion of so-called "rights" in the last few decades, usually emanating from college campuses.
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> You know the mantra: You have the right to a job. The right to a place to live. The right to a living wage. The right to health care. The right to an education. You probably even have your own pet right - the right to a Beemer for instance, or the right to have someone else provide for that child you plan on downloading in a year or so.
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> Forget it. Forget those rights! I'll tell you what your rights are. You have a right to live free, and to the results of 60% -75% of your labor. I'll also tell you have no right to any portion of the life or labor of another.
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> You may, for instance, think that you have a right to health care. After all, President Obama said so, didn't he? But you cannot receive health-care unless some doctor or health practitioner surrenders some of his time - his life - to you. He may be willing to do this for compensation, but that's his choice. You have no "right" to his time or property. You have no right to his or any other person's life or to any portion thereof.
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> You may also think you have some "right" to a job; a job with a living wage, whatever that is. Do you mean to tell me that you have a right to force your services on another person, and then the right to demand that this person compensate you with their money? Sorry, forget it. I am sure you would scream if some urban outdoorsmen (that would be "homeless person" for those of you who don't want to give these less fortunate people a romantic and adventurous title) came to you and demanded his job and your money.
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> The people who have been telling you about all the rights you have are simply exercising one of theirs - the right to be imbeciles. Their being imbeciles didn't cost anyone else either property or time. It's their right, and they exercise it brilliantly.
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> By the way, did you catch my use of the phrase "less fortunate" a bit ago when I was talking about the urban outdoorsmen? That phrase is a favorite of the Left. Think about it, and you'll understand why.
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> To imply that one person is homeless, destitute, dirty, drunk, spaced out on drugs, unemployable, and generally miserable because he is "less fortunate" is to imply that a successful person - one with a job, a home and a future - is in that position because he or she was "fortunate." The dictionary says that fortunate means "having derived good from an unexpected place." There is nothing unexpected about deriving good from hard work. There is also nothing unexpected about deriving misery from choosing drugs, alcohol, and the street.
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> If the Liberal Left can create the common perception that success and failure are simple matters of "fortune" or "luck," then it is easy to promote and justify their various income redistribution schemes. After all, we are just evening out the odds a little bit. This "success equals luck" idea the liberals like to push is seen everywhere. Former Democratic presidential candidate Richard Gephardt refers to high-achievers as "people who have won life's lottery." He wants you to believe they are making the big bucks because they are lucky. It's not luck, my friends. It's choice. One of the greatest lessons I ever learned was in a book by Og Mandino, entitled, "The Greatest Secret in the World." The lesson? Very simple: "Use wisely your power of choice."
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> That bum sitting on a heating grate, smelling like a wharf rat? He's there by choice. He is there because of the sum total of the choices he has made in his life. This truism is absolutely the hardest thing for some people to accept, especially those who consider themselves to be victims of something or other - victims of discrimination, bad luck, the system, capitalism, whatever. After all, nobody really wants to accept the blame for his or her position in life. Not when it is so much easier to point and say, "Look! He did this to me!" than it is to look into a mirror and say, "You S. O. B.! You did this to me!"
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> The key to accepting responsibility for your life is to accept the fact that your choices, every one of them, are leading you inexorably to either success or failure, however you define those terms.
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> Some of the choices are obvious: Whether or not to stay in school. Whether or not to get pregnant. Whether or not to hit the bottle. Whether or not to keep this job you hate until you get another better-paying job. Whether or not to save some of your money, or saddle yourself with huge payments for that new car.
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> Some of the choices are seemingly insignificant: Whom to go to the movies with. Whose car to ride home in. Whether to watch the tube tonight, or read a book on investing. But, and you can be sure of this, each choice counts. Each choice is a building block - some large, some small. But each one is a part of the structure of your life. If you make the right choices, or if you make more right choices than wrong ones, something absolutely terrible may happen to you. Something unthinkable. You, my friend, could become one of the hated, the evil, the ugly, the feared, the filthy, the successful, the rich.
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> The rich basically serve two purposes in this country. First, they provide the investments, the investment capital, and the brains for the formation of new businesses. Businesses that hire people. Businesses that send millions of paychecks home each week to the un-rich.
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> Second, the rich are a wonderful object of ridicule, distrust, and hatred. Few things are more valuable to a politician than the envy most Americans feel for the evil rich.
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> Envy is a powerful emotion. Even more powerful than the emotional minefield that surrounded Bill Clinton when he reviewed his last batch of White House interns. Politicians use envy to get votes and power. And they keep that power by promising the envious that the envied will be punished: "The rich will pay their fair share of taxes if I have anything to do with it." The truth is that the top 10% of income earners in this country pays almost 50% of all income taxes collected. I shudder to think what these job producers would be paying if our tax system were any more "fair."
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> You have heard, no doubt, that the rich get richer and the poor get poorer. Interestingly enough, our government's own numbers show that many of the poor actually get richer, and that quite a few of the rich actually get poorer. But for the rich who do actually get richer, and the poor who remain poor .. there's an explanation -- a reason. The rich, you see, keep doing the things that make them rich; while the poor keep doing the things that make them poor.
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> Speaking of the poor, during your adult life you are going to hear an endless string of politicians bemoaning the plight of the poor. So, you need to know that under our government's definition of "poor" you can have a $5 million net worth, a $300,000 home and a new $90,000 Mercedes, all completely paid for. You can also have a maid, cook, and valet, and a million in your checking account, and you can still be officially defined by our government as "living in poverty." Now there's something you haven't seen on the evening news.
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> How does the government pull this one off? Very simple, really. To determine whether or not some poor soul is "living in poverty," the government measures one thing -- just one thing. Income.
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> It doesn't matter one bit how much you have, how much you own, how many cars you drive or how big they are, whether or not your pool is heated, whether you winter in Aspen and spend the summers in the Bahamas, or how much is in your savings account. It only matters how much income you claim in that particular year. This means that if you take a one-year leave of absence from your high-paying job and decide to live off the money in your savings and checking accounts while you write the next great American novel, the government says you are living in poverty."
>
> This isn't exactly what you had in mind when you heard these gloomy statistics, is it? Do you need more convincing? Try this. The government's own statistics show that people who are said to be "living in poverty" spend more than $1.50 for each dollar of income they claim. Something is a bit fishy here. Just remember all this the next time Charles Gibson tells you about some hideous new poverty statistics.
>
> Why has the government concocted this phony poverty scam? Because the government needs an excuse to grow and to expand its social welfare programs, which translates into an expansion of its power. If the government can convince you, in all your compassion, that the number of "poor" is increasing, it will have all the excuse it needs to sway an electorate suffering from the advanced stages of Obsessive-Compulsive Compassion Disorder.
>
> I'm about to be stoned by the faculty here. They've already changed their minds about that honorary degree I was going to get. That's OK, though. I still have my PhD. in Insensitivity from the Neal Boortz Institute for Insensitivity Training. I learned that, in short, sensitivity sucks. It's a trap. Thin k about it - the truth knows no sensitivity. Life can be insensitive. Wallow too much in sensitivity and you'll be unable to deal with life, or the truth, so get over it.
>
> Now, before the dean has me shackled and hauled off, I have a few random thoughts.
>
> * You need to register to vote, unless you are on welfare. If you are living off the efforts of others, please do us the favor of sitting down and shutting up until you are on your own again.
>
> * When you do vote, your votes for the House and the Senate are more important than your vote for President. The House controls the purse strings, so concentrate your awareness there.
>
> * Liars cannot be trusted, even when the liar is the President of the country. If someone can't deal honestly with you, send them packing.
>
> * Don't bow to the temptation to use the government as an instrument of plunder. If it is wrong for you to take money from someone else who earned it -- to take their money by force for your own needs -- then it is certainly just as wrong for you to demand that the government step forward and do this dirty work for you.
>
> * Don't look in other people's pockets. You have no business there. What they earn is theirs. What you earn is yours. Keep it that way. Nobody owes you anything, except to respect your privacy and your rights, and leave you the hell alone.
>
> * Speaking of earning, the revered 40-hour workweek is for losers. Forty hours should be considered the minimum, not the maximum. You don't see highly successful people clocking out of the office every afternoon at five. The losers are the ones caught up in that afternoon rush hour. The winners drive home in the dark.
>
> * Free speech is meant to protect unpopular speech. Popular speech, by definition, needs no protection.
>
> * Finally (and aren't you glad to hear that word), as Og Mandino wrote,
>
> 1. Proclaim your rarity. Each of you is a rare and unique human being.
> 2. Use wisely your power of choice.
> 3. Go the extra mile, drive home in the dark.
>
>
> Oh, and put off buying a television set as long as you can. Now, if you have any idea at all what's good for you, you will get out of here and never come back.
> Class dismissed"
>