View allAll Photos Tagged Perception
In this exceptional amalgamation of photography, ai, and painting, Duncan Rawlinson's work claims the spotlight. Strikingly rich hues pirouette across the intricate representation of an eye, composing a vibrant symphony that rivets the observer. Each precise brush stroke, imbued with influences from both photorealism and hyperrealism, crafts an enthralling fusion of styles. The piece stands as a testament to the power of creative vision, striking a perfect balance between art and the human gaze, enticing viewers into a realm that resonates with personal depth and universal appeal. Ultimately, this creation by Rawlinson isn't merely an image of an eye—it serves as a portal into the artist's soul.
"If the doors of perception were cleansed every thing would appear
to man as it is: infinite...."
—William Blake
"The Marriage of Heaven and Hell"
Original mesh dress with split-front bodice, tapered peplum skirt, zippered back closure.
7 sizes: Standard sizes XXS-L, plus special sizes M+ and Bx. Demos available in-world and on the marketplace.
Our eyes do not decide what we see. What we see is determined by our minds, by our worldviews, cultural and religious backgrounds. It is influenced by our experiences in life.
Depth of perception is a way to think about how deep you can see into a social space, which is intimately connected with how comfortable you are in that space and how familiar it is.
Outside view. For example, think about seeing a restaurant from the outside. Perhaps diners are visible and maybe a menu. An online equivalent would be the things you can see on a site from a search engine, or without having an account.
Collective view. On first entry to a restaurant the organization may seem chaotic. You don’t know the system. On the web, you might have an account but you are still unfamiliar with the potential connections and activities it offers.
Selective view. Your familiarity with the space increases over time. You introduce filters to view the things that matter to you. You gravitate toward certain people or topics. You learn what things you like on the menu, what that restaurant is good at.
Light contributor. You become a return user. You start to invest – comments, rating. You start to get to know the people in the restaurant. Faces become familiar over time.
Heavy contributor. Everybody knows your name. You are a regular. You are creating content. You start bringing new people to the restaurant.
iPhone 4 with stick-on magnetic macro lens
Apps:
Cross Process
Manga Me
Iris Photo Suite
Mill Colour
Infinicam (Frame)
The appeal of any candidate is based on a "gut reaction, unarticulated, non-analytical, a product of the particular chemistry between the voter and the image of the candidate", argued Richard Nixon's speechwriter Raymond Price.
"[It's] not what's there that counts, it's what's projected." And that projection, he continued, "depends more on the medium and its use than it does on the candidate himself".