View allAll Photos Tagged Perception

I felt inspired by the rain. I like how you can see the lake through the wind chime... upside down.

At the Alnwick Gardens. This particular fountain is a raised horseshoe. You can walk down into the middle and be surrounded by this thin sheet of flowing water. We spent so much time in the gardens that we didn't have as much time in the castle as we expected. That was fine with us.

 

Taken by Cory Funk.

Who defines what is beautiful?

 

Magazines constantly trick females into believing that perfection is a possibility. Celebrities role model a life style whereby they instinctively hide their individualisms and become clones of society. The public therefore feels compelled to achieve this definition of ‘beautiful.’ Surely, this means we size up beauty in the same way we would pick a cake at afternoon tea? We automatically judge on aesthetically pleasing form.

 

As young girls fail in their conquest to replicate a plastic Barbie look, they unfortunately become more aware of their flaws. They forget that beauty is the opposite of perfection - it’s about confidence, charisma and confidence. Inner beauty never needs make up. Females need to be reminded that imperfections are what make each individual human and unique. Flaws are perfection.

 

My daughter's first kayak ride.

 

That makes 4 out of 5 family members (excluding the 2 dogs) that have fallen in love with kayaking.

 

(Psst - That's her daddy close behind)

part of a series that explores the idea of adapting to the image in order to perceive it.

 

George Washington Masonic National Memorial Mural

The Sutro Highlands.

I hosted a small workshop last month on the western edge of San Francisco - along the cypress trees and paths that lead visitors above and among the Sutro Baths. The baths were built by the eponymous mayor of San Franciso, who owned the nearby Cliff House (visible in the last photograph of this post). The baths eventually closed and the buildings burnt during demolition, their ruins now part of the Golden Gate Recreation Area managed by the U.S. Park Service.

The three of us spent about two to three hours walking from the hills, through groves of Cypress, down to the ruins, taking photographs and chatting. Some part of us was shocked that such a monumental structure would be allowed to simply rot here on what seems like valuable property. Perhaps another entrepreneur would have put something here had not the area been taken over by the NPS. In the end, the tranquility of the area overwhelmed us all and we stopped wondering why and focused on using these ruins to frame some beautiful photographs. Contrasting anthropic and natural textures within the frame is a simple and effective recipe for a good photograph and Sutro provides no shortage of opportunities.

This simple frame makes it look as though this image were taken at the end of the world, the last frayed finger of civilization turning to sand before the drumbeat of the waves. It's a quick study in how to compose to alter perception. Turn the camera a few degrees and you see the light pollution from and the buildings of a massive urban center, but, framed correctly, the illusion of isolation and desolation is complete, the end of the sidewalk crumbling in the foreground and the vast, empty and cold, blue sea beyond.

 

A few minutes earlier and the light was equally beautiful, but much more dramatic. There is a simplicity to making photographs after blue hour has set in, a simplicity I love. It lacks the thrill and pace of trying to immortalize a stunning but fragile sunset, but has all the serenity one can handle. The trick is to wait for the "right" part of blue hour, to wait when the Earth's shadow is deep enough to let through only the foreward scattered, shorter wavelengths of deep blue and violet. Here is an image from the same staircase before the sun had set.

 

We all learned (and I continue to learn) how quickly sea spray accumulates on the front element. I wished I had brought some glass cleaner and a few wipes with me, as my T-shirt was beginning to prove inadequate towards the end of the night. The wind was whipping chill and water and salt from the tips of the waves onto the glass of my 14mm faster than I could clean it off. Making these images became an exercise in compose, clean, cover and wait. I would get things set, clean the lens quickly, cover it with the lens cap and wait until the waves looked to be just right before quickly removing the cap and exposing before big drops of sea spray had ruined the frame. Here you can see the iconic bows of the Monterey Cypress along the highlands above the baths. The edges of the cliffs are bramble, radiant with small, yellow flowers and the sky in the background is shrouded in fog whipped like cream from California-current-cooled winds.

 

A few steps down the path and you get a wonderful view of the Marin headlands on the horizon and the setting sun. The two figures on the right, enjoying a peaceful moment together at the western edge of America, make this photograph for me.

 

An image of the Seal Rocks in the very last moments of twilight, a 3+ minute exposure. One of the things we spoke about during the workshop was how to remove everything you can that distracts from the frame. When you can't remove anything at all, you're done.

 

Finally, a view from the north of the Sutro Bath ruins - you can see Cliff House above. There is a fisherman down there on the edge of the baths and another photographer walking around somewhere in the frame.

Live at Club Kamikaze

Objectum sexuality

"Only in quiet waters things are reflected without distortion. Only a peaceful mind has an adequate perception of the world."

Hans Margolius

 

Almargem River (Algarve, Portugal)

 

If the doors of perception were cleansed everything would appear to man as it is, infinite. .... William Blake

The Perception of Beauty (24"x24" nails, enamel, acrylic on wood) 2001

 

See it larger: View On Black

 

From left to right: The original, an effected mix of the left and right, a desaturated version,

jardin des plantes - paris

 

Camera Canon EOS 5D Mark II

Canon Lens FD 50 mm 1:1.8

Exposure 1/2500 sec

Aperture f/1.8

Focal Length 50 mm

ISO Speed 200

Dynamic Perception Stage One with eMotimo

Part of my presentation on MemoryMarkers.

this piece is titled Perceptions Notebook and contains notes. scroll over image to browse.

  

Weaving Lace Brain

lace fragment www.flickr.com/photos/avadarlene/2181874667/

 

Neurons www.flickr.com/photos/lorelei-ranveig/2294885420/in/photo...

 

collection Jbunny

A scattering of leaves from my Mango tree... in the late afternoon sun. I took this one in my front yard!

Nikon D40 w/ 50mm MF Lens. Unknown, CA.

Youth in Landscapes session Disconnection to interconnection: The role of youth in shifting perceptions and presenting solutions to rural-urban migration

 

www.landscapes.org/glf-marrakesh/youth-in-landscapes-init...

 

Global Landscapes Forum, Marrakech, Morocco.

 

Photo by Pilar Valbuena/CIFOR

 

More information on the Global Landscapes Forum, please visit landscapes.org

 

cifor.org

 

blog.cifor.org

 

If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org

L593 works the Fox Lake spur pickiing up a string of storage boxes destined for Cambria

© 2011 Jessica Peterson

Charcoal, pastel

22 x 30"

 

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The process of acquiring

"2004"

Artist & Best Friends Animal Sanctuary founder, Cyrus Mejia's show Pits & Perception opened in Los Angeles @ Artology 101 in Glendale. There were several live pit bulls in attendance at the festivities.

 

From cyrusmejia.com/art/pits-and-perception

 

"Art can present us with a different view, a new perspective, another way of thinking about things. In this series of paintings of Pit Bulls I’m challenging the current-day perception of these dogs. Not by changing their image, but by depicting them close-up, larger than life, and inviting the viewer to question how they see and perceive Pit Bulls."

   

This photo is part of The Watcher Project cyrusmejia.com/blog/the-watcher-project

 

Artology101

3108 Glendale Boulevard, Los Angeles, CA 90039-1806(323) 644-0101‎

maps.google.com/maps/place?client=firefox-a&rls=org.m...

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