View allAll Photos Tagged Perception

For more inspirational wallpapers, pictures, motivational posters, motivationalposters, cartoons, political humor, funny depictions of the president of the United States of America, pundit comments and quips, Barack Obama (Barack Hussein Obama) cartoons, demotivational posters, see the full gallery of motivational posters online for your enjoyment at www.motivationalpostersonline.blogspot.com . perception jfk john f. kennedy

nails, enamel, acrylic on wood. 24"x24"

There are infinite realities. Truth is not a fact, but a perception.

Perception is all that there is to life...we all r diff coz we all perceive things differently!!! Best viewed LARGE!!!

Original mesh dress with split-front bodice, tapered peplum skirt, zippered back closure.

7 sizes: Standard sizes XXS-L, plus special sizes M+ and Bx. Demos available in-world and on the marketplace.

Artist & Best Friends Animal Sanctuary founder, Cyrus Mejia's show Pits & Perception opened in Los Angeles @ Artology 101 in Glendale. There were several live pit bulls in attendance at the festivities.

 

From cyrusmejia.com/art/pits-and-perception

 

"Art can present us with a different view, a new perspective, another way of thinking about things. In this series of paintings of Pit Bulls I’m challenging the current-day perception of these dogs. Not by changing their image, but by depicting them close-up, larger than life, and inviting the viewer to question how they see and perceive Pit Bulls."

 

Artology101

3108 Glendale Boulevard, Los Angeles, CA 90039-1806(323) 644-0101‎

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The way of perception is the root of all things. For, one person can have so many faces. Which do you wish to perceive? May it be the saddened child that lives in the back of your mind? Or that inner demon you chose to leave behind? Could it be the higher self you've always sought to see? Or will it be the alter ego you never wished to be?

 

Model : Ashley Garner

Hair/Makeup : Mairelys Alfonso

Photography : Aries Lopez

Assistants : Pedro Leon Rivera Jeffrey Namaste A

 

As Published on Dark Beauty Magazine ISSUE #32 FLAWLESS BEAUTY

Elite Knowledge Captures 2014 ™

 

#TBT

I created this project with the help of an amazing group of individuals. It was a grateful experience from beginning to end. Through beauty and fashion, I wanted to let the viewer know that its ok to interpret even the most sensitive part of us all. The happiness and pain we all relate to. Those are also the answers to our problems. The art of Understanding and LOVE is a giant factor in self awareness and evolution. It's helped me become a happier person by the hour and now I'm beyond excited to share these images with you all. Interpret them as you wish, this is for you FLICKR. I've gone a long way since I started photography. FLICKR YOU HAVE INSPIRED ME for years, so now is the time to show you all the essence and purpose behind my work :)

The truth around "Parsely in the Morning" demonstrates the power of perception in photography and the danger of comparing yourself with bloggers and public figures. We're people, too - we just heavily edit!

Perception is a first-person narrative horror adventure featuring a young, blind woman who depends on her razor-sharp hearing to solve an ancient mystery and survive the forces that pursue her.

 

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Playing with a lamp in my room

Bahamas 2013

"I can feel you in the rising tide"

All of Us (Perceptions Series)

Darlene Charneco

24"x24" nails, enamel, acrylic on wood.

Creuse, France 2023

Artist trading card with dry embossed background, imge of woman in hat, and fleur de lis shape cut from vellum. Perception is Regal.

“All that we see or seem is but a dream within a dream.”

― Edgar Allan Poe

I took a long trip

and now I'm back again

to the point where I began.

And everything I left behind

followed me, preceded me.

 

Souvenirs are patient, they only know

the lassitude they provide.

It is when we visit a place that sometimes colours our perception of it. I say that because of all the churches and fine buildings we visited on our holiday in July, that this one left the biggest impression on Julie and myself.

 

It was a wonderfully hot day, too hot some might say, in Edinburgh, and we had just about had it and were thinking of going home, when we saw the church ahead of us, so decided to go in.

 

Light was streaming in through all the windows on the southside, and those windows seemed to leave no room for walls. It was a church of light.

 

And what wonderful light, colouled with the most incredible ceiling and the warm welcome we received upon entering, and the clear pride that there is in this fine building.

 

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The Church of St John the Evangelist, or St John's, lies on the south side of Edinburgh's Princes Street, at its very western end where it meets Lothian Road. At the bustling heart of Edinburgh, the church overlooks one of the busiest junctions in the city, making the contrast when you step inside still more remarkable.

 

St John's is in the diocese of Edinburgh of the Scottish Episcopal Church. The Scottish Episcopal Church had its origins in 1582 when the national Church of Scotland rejected government by bishops (episcopal government) in favour of government by elders (presbyterian government).

 

This was no minor matter in the 1600s when James VI/I and Charles I tried to enforce rule by bishops on the Church of Scotland (thus bringing it into line with the Church of England), resulting directly in the two "Bishops' Wars" between England and Scotland, effectively the opening act of the 20-year Wars of the Three Kingdoms that included the English Civil War and the Cromwellian occupation of Scotland that followed.

 

Following the Restoration of the Monarchy in 1660, Charles II tried again to impose bishops on Scotland. After James VII/II. was deposed (largely because of his Catholicism) by William and Mary in 1689, the Church of Scotland was allowed to become fully presbyterian, and the displaced bishops refused to recognise the new regime, supporting instead the "legitimate" (albeit Catholic) King James VII/II, giving the church a common cause with the Jacobites who sought to retake the throne on a number of occasions until 1745. Over time, the Scottish Episcopal Church freed itself of its Jacobite overtones and became a separate church, part of the world-wide Anglican Communion.

 

The building of St John's started in 1816 on the site of what had previously been a council-owned market garden. It cost £18,000, and the finished church was consecrated on Maundy Thursday, 19 March 1818. St John's was designed by the eminent architect, William Burn, in the perpendicular Gothic style. During construction the size of the church was increased from seven bays to eight. In January 1818 a storm blew down the open lantern that originally sat atop the tower of the still uncompleted church, which was not replaced.

 

Since 1818, the church has changed significantly on a number of occasions. In 1882 the original flat wall at the east end was removed, being replaced by a magnificent chancel built out into what had previously been part of the burial ground. A church hall was added to the south east of the church in 1916, and a beautiful chapel was built onto the south side of the chancel in 1935.

 

But in many ways, the most important changes were made between 1857 and 1861 when many of the original, plain glass, windows in the aisles were replaced with the magnificent collection of stained glass on show today. These were the work of the Edinburgh studio of Ballantyne and Allan. In 1882 Ballantyne's son added two further stained glass windows in the aisles; and Ballantyne's grandson added two more in 1930, and the stained glass window in the chapel in 1935.

 

The only stained glass not locally sourced were the windows inserted when the chancel was built in 1882, which came from two different London studios. What you see in St John's today is one of the finest collections of stained glass in Scotland, made all the more vivid by the removal and restoration of all the windows over the ten years up to 1995, during which time the exterior stonework of the church was also cleaned.

 

The interior of St John's could be a world away from the busy streets that lie just beyond its walls. The most striking feature is the plaster ceiling vault, which was inspired by King Henry VII's chapel in Westminster Abbey, London. This is wonderfully complex and ornate. As is the chancel, which is perhaps the second feature that draws your attention on entering the church. The combination of the dark wood fittings, the dark stone used in the arch, the windows, and the ornate ceiling give an effect from the nave like looking through a door into another world.

 

The chapel to the south of the chancel is beautiful and intimate, and its window is especially striking as you feel closer to it than you do to those in the aisles or chancel.

 

Stepped down from the south side of the church is St John's terrace. This is home to the Cornerstone Cafe; the Cornerstone Bookshop, an Ecumenical not-for-profit bookshop; the Edinburgh Peace & Justice Centre; and the OneWorld Shop, a fair trade shop established in 1983. Access is via the external steps near the south west corner of the church, on Lothian Road.

 

www.undiscoveredscotland.co.uk/edinburgh/stjohns/

L’adjudant Metz du poste de commandement interarmées de théâtre (PC IAT) distribue l’argent CFA aux militaires du camp français de Bamako, au Mali, pour l'opération Serval - Crédits : CCH A. Dumoutier/SIRPA Terre

It's an interesting thought about how this scene may be perceived, and what influnces our thoughts. Is it more menacing because it is night, or perhaps because of the slight tilt. Is the nearest character more threatening because he is just out of focus and blurred. Is tension built because we can see that our "victim" who is running to the safety of a lit area then has to run on into a darker area again.

 

Ok it is just a couple of unrelated pupils jogging back to their houses of residence but I do quite like this location with it's pools of light and shade

Leather Overbust Corset and Neck Corset. 7 sizes: Standard sizes XXS-L, plus special sizes M+ and Bx.

maps.secondlife.com/secondlife/Mint%20Tulip/24/203/22

Embossed background, vellum corners and a punched shape shamrock that is heat embossed with clear embossing powder. The perception is "lucky".

I did this with my Macro lens, converted everything to black and white other than the iris, and softened a few areas. This is the first picture I've done in my new Photoshop CS4.

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