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Los pliegos de la licitación marcan tiempos distintos a los de la política.
Las primeras 5.000 lectoras de tarjetas estarán colocadas en no menos de 360 días hábiles. El proceso exige “pruebas piloto”, “un plan de proyecto definitivo” y otros pasos que retrasarán la implementación. Toda la red metropolitana se cubre con 17.000 máquinas.
Foto: Propia (cualquier copia o reproducción requiere del previo permiso y/o consulta al autor).
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Texto: Critica Digital.
El Sistema Único de Boleto Electrónico (SUBE) no podrá seguir los tiempos que le impusieron la política y la necesidad de los usuarios de conseguir monedas para viajar todos los días. Los pliegos de la licitación marcan otra realidad. En una primera entrega, 5.000 lectoras de tarjetas magnéticas estarán colocadas en no menos de 360 días hábiles, es decir, en 16 meses. Y las 10.000 licitadas en este primer proceso público recién marcarán boletos a fines de 2012. El total de máquinas necesario para cubrir las 340 líneas de colectivo y las 259 estaciones de tren de Capital y el primer cordón del conurbano bonaerense asciende a 17 mil.
El pliego de condiciones particulares de la Licitación Pública Nº 4 para la provisión y mantenimiento de lectoras de tarjetas magnéticas para colectivos, subte y trenes fue adjudicado el 14 de julio a la UTE conformada por Siemens, Metronex (Grupo Roggio) e Indra.
Cuatro días después el secretario de Transporte, Juan Pablo Schiavi, intentó calmar la ansiedad de los viajantes de abandonar el pago con moneda: “La tarjeta única para el pago de boletos funcionará en todos los ramales de trenes metropolitanos dentro de un mes o un mes y medio”. El cronograma de entrega le da prioridad a los colectivos y luego a los ferrocarriles.
Al volver a la provisión de máquinas para el transporte automotor, el Anexo IV del pliego de condiciones, Nación Servicios (la unidad de negocios del Banco encargada de administrar el sistema de transporte) marca los pasos a seguir. “El adjudicatario deberá efectuar las pruebas solicitadas en un lapso no mayor a los 10 (diez) días hábiles contados a partir de su notificación”. Las tres compañías proveedoras fueron informadas por la entidad estatal de la adjudicación a mediados de julio, por lo que estiman que completarán “el período de testeo” a fines de mes, según contaron a este diario.
Además, el documento oficial les exige que el 3 de agosto presenten un “plan de proyecto definitivo”, en el que deberán detallar las condiciones técnicas, estrategias de instalación y los servicios que brindarán, una vez que se les notifique la “orden de compra”. Es decir, que la UTE conformada por Siemens, Indra y Metronex pondrá en funcionamiento el “plan piloto” una vez que reciba el primer cheque de manos de Nación Servicios. Ese proceso podría demorar otros 15 días adicionales.
En una tercera instancia, el Gobierno tendrá que “aprobar el plan de proyecto definitivo”, dentro de los siguientes 30 días hábiles, y recién después las proveedoras estarán “habilitadas para la puesta en producción de 2.000 equipos para las líneas de colectivos involucradas” dentro de los siguientes 150 días corridos.
Una vez que se coloquen esas 2.000 lectoras, con sus respectivos “68 equipos móviles de descarga de transacciones” y “100 terminales de inspección”, las compañías tendrán permiso de colocar otras 2.000 lectoras durante los siguientes 180 días hábiles.
El cronograma de entregas de las 10 mil máquinas sigue. El proceso completo podría demorar más de tres años.
En concreto, una semana antes de las elecciones se repartieron 50 mil tarjetas SUBE. Se subieron al sistema Monedero ya instalado en el subte y las líneas de colectivo 101, 50, 5, 8, 61, 62 y el ferrocarril Urquiza.
De las cinco licitaciones, cuatro ya tienen ganador oficial
El Gobierno dio varias definiciones el viernes a la noche sobre las licitaciones pendientes en el SUBE. Según pudo saber Crítica de la Argentina, Nación Servicios calificó de “no elegibles” a Indra y a Unión Transitoria de Empresas (UTE) formada por la filial local de Tallion, la estadounidense HID y la coreana EB Corp. Esos grupos compitieron en el concurso Nº 5 con otra UTE formada por Metronex (grupo Roggio) y Siemens. Por descarte, fuentes del sector comentaron a este diario que la alianza entre la alemana y el grupo que opera el subte “se quedaron con el negocio del clearing”: la puesta en marcha del sistema de back office que administrará la recaudación diaria de cada medio de transporte. La cuarta licitación (concurso para la provisión y posterior instalación de lectoras magnéticas) fue adjudicada a la UTE Siemens, Metronex y la española Indra el 10 de julio.
El resultado de la segunda y tercera licitación pasó inadvertido. Ganaron Telecom y Global Crossing. Cada una se encargará de uno de los centros de cómputos que demandarán un total de 1,08 millón de dólares.
La filial latinoamericana de Giesecke & Devrient (G&D) se quedó con la tercera licitación. El concurso, del que también participaron Transtex y Gemalto, fue para elegir al proveedor de 50 mil dispositivos de carga y descarga de tarjetas. G&D, de capitales alemanes, fue adjudicataria de la primera licitación de provisión de tarjetas. Fabricará cinco millones de plásticos inteligentes a cambio de siete millones de dólares.
Arriba: Viajando en un articulado de la línea 132.
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Kate Ryan - Désenchantée Remix. . . Its an awesome version^^
Kate Ryan- Desénchantée or Mylène Farmer - Désenchantée
Nager dans les eaux troubles
Des lendemains
Attendre ici la fin
Flotter dans l'air trop lourd
Du presque rien
A qui tendre la main
Si je dois tomber de haut
Que ma chute soit lente
Je n'ai trouvé de repos
Que dans l'indifférence
Pourtant, je voudrais retrouver l'innocence
Mais rien n'a de sens, et rien ne va
Tout est chaos
A côté
Tous mes idéaux, des mots
Abimés
Je cherche une âme, qui
Pourra m'aider
Je suis d'une
Génération désenchantée,
Désenchantée...
English^^
To swim in troubled waters
for days,
To wait here for the end.
To float in air, too heavy
from almost nothing.
To whom to reach out a hand?
If I must fall from high,
May my fall be gentle.
I found rest only in indifference.
Still, I would like to find innocence again,
But nothing makes sense and nothing goes right.
All is Chaos,
On all sides,
All my ideals; the words overwhelmed,
I look for a soul who is able to help me.
I am of a disenchanted generation.
Disenchanted ...
Taken at "Dead man´s Chest" pure SL
La Costa di Nebida, con il Pan di Zucchero sullo sfondo, fotografata dalla Laveria Lamarmora
Coast from Nebida to Masua with Pan di Zucchero taken fromLamarmora washery ruins
Dal sentiero panoramico è possibile raggiungere con una lunghissima scalinata i resti della "Laveria Lamarmora", costruita nel 1897 dalla “Società anonima di Nebida” e utilizzata fino alla metà degli anni '30. È un edificio costruito con pietra a vista che si sviluppa su alcuni volumi sovrapposti percorsi da grandi archi ed è completato da due alte ciminiere che la segnalano con evidenza, ai piedi della laveria sul mare sono visibili i forni di calcinazione.
La sua realizzazione a strapiombo sul mare fu necessaria per facilitare il trasporto dei minerali dai luoghi di estrazione alla penisola, ed avere a portata di mano la grande quantità d’acqua necessaria per quel tipo di lavorazione.
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Il mio Album : Tati@
Non usate le foto senza il mio permesso, tutti i diritti sono riservati
© All rights reserved
www.6rbtop.com/downram.php?song_id=53333&type=au&...
ابشرك اني بخير دامني مخاويـك
وببقى على عهدك دامك معايـا
احـلف انا بالله لا مـر طـاريـك
احس انا فرحان ومحد(ن) سوايا
tαкεŋ вч : мε
εdαιt вч : мε
мσdεl вч : 3awash
View from the top of 'Levant Terril' at Mons in Belgium.
A 'terril' is a hill made from mining waste. There are still a lot of them in the old mining regions like Mons, now being appreciated as green areas.
I've used a ND1000 filter in order to have an 'evening effect' even if the sun was high in the sky.
This is NOT a tone-mapped HDR but a digital blending of 3 exposures. The main exposure was of 30 sec.
www.dherreman.com | 500px.com | Google+
Please don't use this image on websites, blogs or other media without my explicit permission. Copyright © 2011 David Herreman. All rights reserved.
©2022 Gary L. Quay
This is one of my favorite places. I had the Twirly Camera out for a spin in late October. It's always interesting to see how that camera will "see" any given scene.
Camera: Nobles 06/150
Film: Fuji Acros II developed in FA-1027
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Listen Come Tomorrow - BARBRA STREISAND CON BARRY GIBB
BARBRA
Are you ready for the day
That we've prayed for
Already holding what is real
You know the soul finds its own evolution
And this is the only love I feel
Can I tell ya
I'm keeping up the strength
I've gotta try
'Cause you ain't getting past this heart of mine
I'm out here waiting for you
With all I've got to give
And I accept this life we live
BOTH
I'll be your lover
And I'll be your friend
I'm gonna follow you
Right to the end
BARBRA
I wasn't made to tell you lies
I only came to make you realize
BOTH
I'll be your hero
And I'll be your plan
You pick me up
And let me down
BARBRA
Don't make me stumble, don't make me wait
'Cause come tomorrow will be to late
BOTH
Come tomorrow
Come tomorrow
BARRY
I got to turn away my face
'Cause you blind me with your light
Can you catch up to me
You know I love you in the black of night
This sacred bridge you walk
This journey has begun
We try, we try to carry on
Are you listening
You get to find the things in life
That get you through
BARBRA
One more day...
BARRY
And deep inside the things you want love never knew
BARBRA
One less chance...
BARRY
Let me make it happen
This world we have foreseen
BARBRA
Hmmm...
BARRY
And I will tell you how I feel
BOTH
Love will be better for wearing your ring
I'm gonna give you everything
BARRY
I wasn't made to tell you lies
I only came to make you realize
BOTH
I'll be your hero
And I'll be your plan
You pick me up
You let me down
BARRY
Don't make me stumble, don't make me wait
BOTH
'Cause come tomorrow will be to late
Come tomorrow...
Come tomorrow...
Come tomorrow...
Oh! Come tomorrow...
Come tomorrow...
Come tomorrow...
Come tomorrow...
Las casas están construídas con gran armonía entre la montaña y como es natural son calles estrechas y enpinadas. El término se extiende por el altiplano de Collsacabra, las sierras de Tavertet y los riscos de Aiats y Falgars. Si bien en la economía tradicional es la agricultura de secano (cereales, legumbres, forrajes, patatas y maíz) y la ganadería eran las principales actividades, en la actualidad, el turismo constituye la mayor fuente de ingresos. El desarrollo del fenómeno turístico ha conllevado la aparición de numerosos establecimientos comerciales y restaurantes que ofrecen al turista de verano o de fin de semana todos los servicios necesarios, como el Hostal Estrella que se encuentra en el centro de Rupit.
Una carretera local comunica el término con la C-153. En el núcleo urbano pueden admirarse edificios de los siglos XVI y XVII, de piedra, con ventanales de tipo gótico o gótico tardío y portales dovelados con antiguas inscripciones, la calle del Fossar es la más típica. El castillo de Rupit se alza sobre un espolón rocoso. La iglesia de Sant Miquel de Rupit, es de estilo barroconeoclásico. Palacio de la notaría de los Soler, con jardín colgante. Capilla de Santa Magdalena, del siglo XVII. La iglesia románica de Sant Joan de Fábregues, a 4 kilómetros de la población. Las masías son de notable interés (la Sala, el Colell, Mas Corriol). Pruit, cuenta con la iglesia románica de Sant Andreu (de los siglos XII - XIII). Iglesia románica de Sant Lloreno; Dosmunts, cerca del gran Mas de les Viles. Masías del Bac de Collsacabra, la Cassassa de Pruit y Comajoan.
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Amapola - Juan Luis Guerra
The Monastery of Sant Benet de Bagés is a former Benedictine monastery, in the Catalan comarca of Bages. The Romanesque monastery was thoroughly restored at the beginning of the twentieth century by the Catalan architect Josep Puig i Cadafalch.
The monastery was founded about 950 by the noble Salla and his consort Ricarda, of the house of the viscounts of Osona . According to the founding legend, Salla traveled to Rome to have his institution authorized, and to have it depend directly on the Holy See, the usual method for preserving the community from interference from the bishop of Vic, in whose diocese it lay. The abbey church was consecrated 3 December 972, witnessed by a gathering of notables: Borrell II, Count of Barcelona, the bishops Frugifer of Vic, Guisad of Urgell and Pere of Barcelona, the viscount Guadald of Osona, and three of the four offspring of the recently deceased founder, his son Isarn and the sisters Quíxol and Ego, at the head of witnesses both laymen and priests, in a grand ceremonial recorded in the surviving act of consecration.
The community was dedicated to the Holy Trinity and to Benedict of Nursia (Sant Benét in Catalan) founder of the order, and Peter and Andrew, all guarantors of its future orthodoxy. The founder secured dispensations that the future abbots would be chosen from among their descendents, making the abbey a form of proprietary church, an agreement that would soon lead to disputes among the various branches of their lineage as to choice of abbots.
From 965, the abbey church held the supposed relics of Saint Valentine, enclosed in a wooden reliquary with plates of silver depicting miraclesa of Saint Valentine, rediscovered in 1863 in the church of Navarcles.At the beginning of the eleventh century the monastery passed under the direction of the Abbey of Saint Peter of Tomeras at Narbonne, from which the community freed itself in 1108. In 1125 Sant Benet de Bagés suffered from an attack by Moors that required a rebuilding, financed by local nobles who required in return the right to be buried in its consecrated ground.
The most splendid age of Sant Benet de Bagés was in the fourteenth century. The Black Death left the community with only two survivors, in a period that witnessed the beginning of its decline. On 9 November 1593, by order of Pope Clement VIII the community passed under the direction of the Abbey of Montserrat, and remained so until it was suppressed in 1820, serving as a place of retirement for Montserrat's community of monks. By the "law of desamortización" of 1835, all religious orders in Spain were required to render upo their possessions.The crumbling ancient structure attracted the interest of intellectuals who organised visits to it in the late nineteenth century. The architect Puig i Cadafalch and the painter Ramon Casas encouraged the mother of Casas to buy the property in 1907; in 1910 it passed into the hands of Casas, who commissioned Puig i Cadafalch to restore it. Since 2000, when it was purchased from Casas' heirs it has belonged to the Caixa de Manresa, a financial institution that has undertaken its maintenance.
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HaPPY WeeKeND aLL oF You
Meet me in the pub at the corner in London
I will be away till tomorrow night
So if you want to meet me, see you in the Southwark Tavern, London
The beer is wonderful and they have perfect fish and chips.
This work is a HDR turned by 5 different exposures, combined with 7 layers.
6 coloured ones and one BW.
Hope you like it, like you excuse my absence tonight.
Cheers all of you
Take a beer on my bill and………….
La backWaters sono costituite da 900 Km di lagune interne e canali che dalla costa penetrano verso l'interno, navigabili a bordo di imbarcazioni un tempo adibite al trasporto di riso e oggi trasformate in case galleggianti (house boats) per i turisti, dotate di ogni comfort.
Collegano via acqua diversi villaggi e città da cui partono le crociere verso le zone turistiche di Kollam e Kottapuram,
La Back waters hanno un ecosistema unico, poichè l'acqua dolce dei fiumi si mescola con l'acqua salata del Mare Arabico.
The Kerala backwaters are a chain of brackish lagoons and lakes lying parallel to the Arabian Sea coast (known as the Malabar Coast) of Kerala state in southern India. The network includes five large lakes linked by canals, both manmade and natural, fed by 38 rivers, and extending virtually half the length of Kerala state. The backwaters were formed by the action of waves and shore currents creating low barrier islands across the mouths of the many rivers flowing down from the Western Ghats range.
(From Wikipedia)
INCRIDIBLE STOP MOTION ! ! !
www.youtube.com/watch?v=Rk6_hdRtJOE
www.youtube.com/watch?v=Mmwv94WKmnI
www.youtube.com/watch?v=sBWPCvdv8Bk
Away from the lights of big cities, on top of a mountain over 3,700 meters: this is how the Milky Way appears in the night sky. The Norwegian photographer Tisso spent a week in high mountain El Teide in the Canary Islands, Spanish territory in the Atlantic Ocean. To make the videos, he spent hours taking one photo per minute from the same point in the sky. As the earth rotates, each photo captures a slightly different position of the stars. When you put all images in sequence, Tisso creates a movie from the sky.
He says that the series of photos to create these videos lasted up to six hours, and the result are films of a few seconds, but of indescribable beauty. During the day, he used to do Tisso sequences of the landscapes of the island. He says he spent the whole time on the mountain, almost without sleep to make the maximum possible sequences. Tisso concludes: "Despite all the work, is a wonderful way to enjoy the outdoor life. "
Alexander Beets on the Saxophone. View On Black
Goa is more acclaimed for its flamboyant music and dance and the spirit of happiness then for anything else.
You have all kinds of music permeating the state of Goa from its local Konkani to the international trends of trance and oft times,lamentably, the Britney Spears variety of popular music performed by some Goan bands. Jazz as is usual does not have a vast popular audience but there are some earnest believers in that genre of music.
Jazz in Goa is in a state of creative ferment with the efforts of the Amando Gonsalves and his merry band of jazz organisers
You can read more on them at the Heritage Jazz www.heritagejazz.com/
Artists from around the world arrive and play in and around the heritage area of Campal in Panjim right next door to the heritage Gonsalves Mansion.
Saskia Laroo was performing in Goa on the night of 7th December 2008, soon after the Bombay terrorist carnage on 26the November. She is magic on the trumpet and as I said earlier, a consummate artist.
The line up on that night was the following -
2. Warren Byrd on keyboard and vocals
3. Andy Valkenburg (bass)...(( I better do his shots fast..)
4. Ms. Dorota Piotrowska (Drum)
5. Mr. Alexander Beets (Saxophonist
Some of the shots of that night, in no strict order are here.
_DSC5032 copy hpl 125
this photograph was taken by my 6 year old daughter, with Canon 5D Mark II and Canon EF 50mm F1.2 IS USM L Lens. Hanheld. can you believe it?
my flickr buddy mahnaz ahmed tagged me. it made me reflect on what things are close to my heart. here are some of what i consider important. it was hard to restrict it to 10 things, as i definitely wanted to share a few more. but here is 10 to start with.
since someone told me i don't need to restrict to 10, i added a couple more.
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i am a human being essentially, whose heart feels like an artist, whose mind thinks like a scientist. often, they go together, hand in hand, which i love very much. it helps me in my work greatly.
my first romance was in university, which turned out to be "one way" only. a very beautiful woman, with gorgeous dimples. i loved her. she did not. bless her lovely heart. but it was through this failure that i met my wife with whom i live since 1997. together we have a six year old girl, who features often on my photostream.
i am a people person. i have come to a state where i don't judge people, and don't let people judge me. this makes me very approachable to almost anyone in this world, which helps me a lot when i shoot people as my photography subjects. but i do stay away from those with inhumane behavior.
i am an absolute nature lover. i don't like to just see nature. i love to be part of it. i hug trees. i lie on the beaches. i climb mountains. i walk the deserts. love animals of every kind, even if some of them scare me. gratefully, i am an travel-aholic who loves to be on planes, trains, automobiles, and anything else that will take me places. known and unknown. i believe that the joy is definitely in the journey.
i am very open and challenge convention in many ways, as i believe that we live by choice, and not by chance. i believe in individual empowerment, and taking of responsibility for our actions. this gets me in trouble often. but i don't care.
i love photography. it is my third space, my creative retreat. i have been fascinated by light since i can remember, and photography is realizing that dream. i love to collect cameras and lenses, and have a good collection of old and new gear. some of my best photos have been with old lenses on modern digital cameras. i am one of those strange photographers who moved backwards - from digital to film media.
i love writing. i write prose and poetry, though poetry is my favorite. i write in english and sanskrit. though sanskrit is more emotive to me, i write mostly in english now. most of my poetry work remains locked in a few lovely notebooks, only to be shared with some of my very intimate friends who i connect with deeply. in connection to writing, i love to collect notebooks from around the world, as well as fountain pens. yes i am a fountain pen connoisseur. montblanc and faber castell are my favorite, though one day i do dream of owning a namiki. i use only montblanc or caran d'ache inks for these pens. when this passion gets translated into my computer, the form changes to fonts. i collect fonts for my computer.
i love reading. on last count, i think i subscribe to about 50 plus magazines on all topics. general interest, photography, business, healing, medicine, nature, travel, high technology, science, wildlife, etc. very few subjects bores me. i have a huge collection of books that either i have acquired myself, or have been gifted by my family and friends. the god father is my all time favorite.
i love cooking, and am very good at it. only queer thing about this is, i don't like anyone else in the kitchen, when i am cooking. today, i have not much time to cook, as i am consumed by work and responsibilities.
i was part of my university theatre group. we used to put up a lot of comedy plays, especially through mime. i joined this to come out of my shyness. yes, believe it or not, i was bloody shy as a child.
i love colors. which shows through much of my life. be it photographs or my wardrobe, i just love the colors of life.
i am a firm believer of the statement "once you go mac, you never go back." yes, i am a macaholic too. have been using them since 1999, and have never switched. in fact, i have helped many switch to macs over the last decade. definitely over a 100 people have switched because of me.
on a more boring note, i am in the last stages of completing my PHD. duh!!! how boring
ps: and yes...i do want world peace. now, do i get the ms. universe title ;-)
Listen Lullaby - Loreena McKennitt
O for a voice like thunder, and a tongue
To drown the throat of war! - When the senses
Are shaken, and the soul is driven to madness,
Who can stand? When the souls of the oppressed
Fight in the troubled air that rages, who can stand?
When the whirlwind of fury comes from the
Throne of God, when the frowns of his countenance
Drive the nations together, who can stand?
When Sin claps his broad wings over the battle,
And sails rejoicing in the flood of Death;
When souls are torn to everlasting fire,
And fiends of Hell rejoice upon the slain,
O who can stand? O who hath caused this?
O who can answer at the throne of God?
The Kings and Nobles of the Land have done it!
Hear it not, Heaven, thy Ministers have done it!
Poem by William Blake (1757-1827)
Music by Loreena McKennitt
Loreena Isabel Irene McKennitt, C.M. (born February 17, 1957) is a Canadian singer, composer, harpist and pianist most famous for writing, recording and performing world music with Celtic music and Middle Eastern themes.
A small town in the province of Lleida which sits at the foot of the Sierra del Tallat mountains, in the valley of Maldanell. Its origins date back to a Cistercian monastery which came to be the most important female monastery of the Catalonian-Aragonese Crown.
The monastery was founded in the 12th century and when the Trento Council decided that female monasteries must not be left abandoned, the inhabitants of the area built a village around it. At present, the monastery of Vallbona de les Monjes houses a significant female community. Its architectural wealth lies in the wide variety of styles on display on its walls and exterior, the best of examples of which are the church door, the cloister and the chapter house. Vallbona de les Monges forms part of the so-called Cistercian triangle, along with the monasteries of Poblet (Conca de Barberà) and Santes Creus (Alt Camp).
In Wordpress In Blogger photo.net/photos/Reinante/ In Onexposure
Listen Can't get enought of your love Barry White
I've heard people say that
Too much of anything is not good for you, baby
Oh no
But I don't know about that
There's many times that we've loved
We've shared love and made love
It doesn't seem to me like it's enough
There's just not enough of it
There's just not enough
Oh oh, babe
[sung]
My darling, I can't get enough of your love babe
Girl, I don't know, I don't know why
Can't get enough of your love babe
Oh, some things I can't get used to
No matter how I try
Just like the more you give, the more I want
And baby, that's no lie
Oh no, babe
Tell me, what can I say?
What am I gonna do?
How should I feel when everything is you?
What kind of love is this that you're givin' me?
Is it in your kiss or just because you're sweet?
Girl, all I know is every time you're here
I feel the change
Somethin' moves
I scream your name
Do whatcha got to do (?)
Darling, I can't get enough of your love babe
Girl, I don't know, I don't know, I don't know why
I can't get enough of your love babe
Oh no, babe
Girl, if I could only make you see
And make you understand
Girl, your love for me is all I need
And more than I can stand
Oh well, babe
How can I explain all the things I feel?
You've given me so much
Girl, you're so unreal
Still I keep loving you
More and more each time
Girl, what am I gonna do
Because you blow my mind
I get the same old feelin' every time you're here
I feel the change
Somethin' moves
I scream your name
Do whatcha got to do (?)
Darling, I can't get enough of your love babe
Oh no, babe
[spoken]
Baby, let me take all of my life to find you
But you can believe it's gonna take
the rest of my life to keep you
[sung]
Oh no, babe
My darling, I can't get enough of your love babe
Yeah, I don't know, I don't know, I don't know why
Can't get enough of your love babe
Oh my darling, I can't get enough of your love babe
Oh babe
I don't know, I don't know, I don't know why
I can't get enough of your love babe
Oh babe
The first news of which has its existence dates back to 978. Around the church of Sant Marti, as documented by the year 1088 began to wake up the first houses in this picturesque town that even today retains all its medieval charm.
Historically, work in the field was the main dedication of its people; particular importance was conreo of grapes, from the eighteenth century shifted more traditional forms of agriculture. This was a particularly arduous task given the characteristics of the mountainous terrain, settled in part by building jars at the foot of vineyards, which were used for the storage of must and grapes. Already into the nineteenth century, the phylloxera conditioned conreo and resulted in a significant decline in population. Another important task, until mid-twentieth century, was the development of charcoal, until such time as the electricity found their disappearance. Since then, its people were devoted to another kind of work in line with the changing times. It set up a textile factory in the early twentieth century, which was in operation until the year 1964. Logically, closing it was important socio-economic consequences on the lives of the people, determining the migration of population towards the industrial cities or to neighboring towns. Since then, the physiognomy of Mura se ha ido transforming into a large number of people with second homes, laying the groundwork for a tradition tourist potential. Precisely for the new work and revenue earned from tourism, was very relevant to the creation of the Natural Park Sant Llorenç del Munt i l'Obac, in 1972. Since then increased the number of tourists and visitors. Nobody is aware that, as in many other municipalities of Catalunya, tourism could ensure the future of the people so that asentare solidly its core population.
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Heard about the Lake Palace,Udaipur? Its probably one of the finest hotels in the world that has featured in many lists that rank the best hotels in the world.
Surrounded by the lake Pichola, you can only go there by a boat and if you even plan a dinner at that place, you've got to make an advanced booking. :) The hotel is currently under the Taj Group of Hotels on a 99year lease from the Maharaja.
I tried capturing its beauty for you to see. I hope you like this.
Regards
2k
---
and yes, CAT, your email made me think of this: Hugs honey - bugs bunny... haha.. :D
My most favorite shot flickr.com/photos/atrium09/sets/72157594360499066/detail/
VIEW MY GETTY COLLECTION HERE
www.gettyimages.com/Search/Search.aspx?assettype=image&am...
VIEW MY WEB SITE AND SHOP HERE
Here is my first published work even though i did it as a freebie its great seeing your work on a web site !
www.thewhitehartvillageinn.com/index.html
Here is the flickr set
This is one from the archives. My computer is running slow, yoh'. NOT GOOD! I have thousands of pictures on this thing. So I've spent most of my morning cleaning it out, burning pics to cd's, etc. *sigh* I really want to get an external drive that works with my iMac. Time Machine would be wonderful but it's SO expensive. Ah well... in the meantime, I'll just back up onto cd's. Right? Hope everyone's having a lovely Tuesday!
I was feeling really down last night, as well as this morning right from when I woke up. Things have been really tough over the past year. I was turning the possibility of sharing this with you over in my mind, over, and over, and over... I was not sure whether I had the confidence, and whether it would make any difference.
I've concluded that it does. If I don't address pain, either artistically or verbally, then nothing will change. It is at least worth a try. I think Brad said it best: Flickr is cheap ass therapy.
My father was diagnosed with Alzheimer's Disease right before his 60th birthday, which was this past December. He is already in stage three of seven -- very unusual for someone so young. In addition to the fact that it's a fatal disease, he will soon become someone entirely different, with not a clue who I am, or who he is, who he was, who he will be. I can see changes as the months go by, some months more than others. He was a political science professor at Columbia for most of his career, then was a dean, chief financial officer and provost there as well. His life has been built on his extraordinary intellect -- one that moved me to academia, helped incite my passion for philosophy and dreams of becoming a professor. Now he is on disability and finds himself lonely and listless most days, while everyone else is working and busy. He is rediscovering himself, and the talented parts of him that were latent all these years, but it doesn't take away from the struggle on a day-to-day basis. He has always been humble, frank, moderate, and inward, but he has shed some of his hurtful tendencies -- he is less analytic, more feeling and embracing of everything around him. All too many had accused him, say ten years ago, of being withholding and emotionally unavailable, to his wife (my stepmother) and me and my sister. He is so different now. It is, I supposed, something of a Catch-22: my father has metamorphosed into one of the most beautiful souls I've ever known, but this is all too fleeting.
But perhaps it is this transience that gives it such sweetness and value.
Sweet and low, sweet and low,
Wind of the western sea,
Low, low, breathe and blow,
Wind of the western sea!
Over the rolling waters go,
Come from the dying moon, and blow,
Blow him again to me;
While my little one, my pretty one, sleeps.
Sleep and rest, sleep and rest,
Father will come to thee soon;
Rest, rest, on mother's breast,
Father will come to thee soon;
Father will come to his babe in the nest,
Silver sails all out of the west
Under the silver moon:
Sleep, my little one, sleep, my pretty one, sleep.
-- Tennyson
Best Viewed BLACK
According to many European old maps, the river is named as Menam or Mae Nam, the Thai word for river (Me or Mae is "Mother", Nam is "Water"). The name Chao Phraya is a Thai feudal title, which can be translated as General or Lord. In the English-language media in Thailand the name is often translated as River of Kings.
The cities along the Chao Phraya are Nakhon Sawan, Uthai Thani, Chainat, Singburi, Ang Thong, Ayutthaya, Pathum Thani, Nonthaburi, Bangkok and Samut Prakan, listed from north to south. These cities are among the most historically significant and densely populated settlements of Thailand precisely because of their access to the waterway.
A big thank you to Mr. Wiki.. :-)
========================
La Chao Praya (thaï แม่น้ำเจ้าพระยา), ou Ménam Chao Phraya, est le plus important fleuve de Thaïlande après le Mékong et la Salween. C'est aussi le seul à couler entièrement dans le pays, dont il constitue encore aujourd'hui l'axe majeur de transport et de commerce. Il se forme au confluent des rivières Ping et Nan et s'écoule vers le sud pendant 372 km, avant de se jeter dans le golfe de Thaïlande. La vallée de la Chao Praya est une grande région productrice de riz.
Le mot Ménam signifie « rivière » en thaï : ce mot est formé de deux éléments : me signifiant « mère » et nam « eau ». Chao Phraya est un terme honorifique thaï, que l'on peut traduire approximativement par « seigneur des eaux ».
Non loin de son embouchure, la Chao Praya traverse Bangkok, où avaient lieu de fameux marchés flottants que l'on ne trouve plus guère qu'en dehors de la ville comme à Damnoen Saduak (80 km de Bangkok).
Merci Mr. Wikipedia.. :-)
Thanks friends for the XPL#353
www.ukbutterflies.co.uk/species.php?species=urticae
Small Tortoiseshell
Aglais urticae
Superfamily: Papilionoidea
Family: Nymphalidae
Subfamily: Nymphalinae
Genus: Aglais
Subgenus:
Species: urticae (Linnaeus, 1758)
Wingspan:-
Male: 45 - 55mm
Female: 52 - 62mm
Introduction
The Small Tortoiseshell is one of our most-familiar butterflies, appearing in gardens throughout the British Isles. Unfortunately, this butterfly has suffered a worrying decline, especially in the south, over the last few years. This butterfly has always fluctuated in numbers, but the cause of the most-recent decline is not yet known, although various theories have been proposed. One is the increasing presence of a particular parasitic fly, Sturmia bella, due to global warming - this species being common on the continent. The fly lays its eggs on leaves of the foodplant, close to where larvae are feeding. The tiny eggs are then eaten whole by the larvae and the grubs that emerge feed on the insides of their host, avoiding the vital organs. A fly grub eventually kills its host and emerges from either the fully-grown larva or pupa before itself pupating. Although the fly attacks related species, such as the Peacock and Red Admiral, it is believed that the lifecycle of the Small Tortoiseshell is better-synchronised with that of the fly and it is therefore more prone to parasitism. This is one of our most widespread butterflies, occurring throughout the British Isles, including Orkney and Shetland.
Aglais urticae
This species was first defined in Linnaeus (1758) as shown here (type locality: Sweden).
Phenology
The adult butterflies can be seen at any time of the year, even on the last days of December or first days of January if the temperature is high enough to wake them from hibernation. However, adults normally emerge from hibernation at the end of March and start of April. There are typically 2 broods each year, except in the north, where there is usually only a single brood. Whether single or double-brooded, the butterfly is a familiar sight in late summer as it takes nectar to build up essential fats in preparation for hibernation.
Habitat
This butterfly can turn up almost anywhere, from city centres to mountain tops. As such, it is one of our most successful butterflies. It is most-often seen, however, where nettles grow in abundance, such as field margins. This butterfly is often encountered while hibernating in an outbuilding, such as a garage, shed or barn, where they may be found in the company of other individuals. Other hibernation sites include hollow trees and wood piles.
Larval Foodplants
The primary larval foodplants are Common Nettle (Urtica dioica) and Small Nettle (Urtica urens).
Nectar Sources
Adults feed primarily on Betony (Stachys officinalis), Bramble (Rubus fruticosus), Carline Thistle (Carlina vulgaris), Dandelion (Taraxacum agg.), Devil's-bit Scabious (Succisa pratensis), Field Scabious (Knautia arvensis), Greater Stitchwort (Stellaria holostea), Hawkweeds (Hieracium/Hypochoeris), Heather (Calluna vulgaris / Erica spp.), Hemp Agrimony (Eupatorium cannabinum), Ivy (Hedera helix), Knapweeds (Centaurea spp.), Marjoram (Origanum vulgare), Primrose (Primula vulgaris), Privet (Ligustrum vulgare), Ragwort (Senecio jacobaea), Thistles (Cirsium spp. and Carduus spp.), Thyme (Thymus polytrichus) and Water Mint (Mentha aquatica).
Imago
The two sexes are almost identical in appearance, with the distinctive yellow and orange uppersides providing a contrast with the drab undersides that provide the butterfly a good deal of camouflage when hibernating.
In the afternoon, males set up territories, usually close to a nettle patch, where they rest of the foodplant or ground with their wings open, waiting for a passing female. When a female enters the territory, a most curious courtship begins. The male approaches the female from behind and starts to "drum" his antennae on the hindwings of the female, making a feint sound that is audible to the human ear. The female may fly a little distance, with the male following, where the process repeats. This can go on for several hours with the couple spending a good amount of time basking together. Eventually, usually in early evening, the female will lead the male into vegetation, often a nettle patch, and crawl between stems with the male following, where they eventually mate. They remain coupled until the following morning.
Aberrations
This species displays considerable variation in both the upperside ground colour and the familiar upperside pattern and markings.
Much work has been carried out in this species to discover how temperature shock in the late larval/ early pupal stage can affect the development of pigments in the imago. These experiments have assisted our understanding of how and when the pigments are 'mapped' in the Vanessid butterflies. The Small Tortoiseshell appears to be particularly sensitive to temperature shock, and this species has been widely bred in the past in the hope of producing extreme environmentally controlled aberrations such as ab. semi-ichnusoides.
Extreme shocks of either heat or cold during the last 24 hours of the larval stage and the first 48 hours of the pupal stage can disrupt the natural process of metamorphosis and inhibit the normal processes in which organic chemicals create the colouration of the wing scales.
The expression of aberration through temperature shock is a graduated process; one level of exposure creates ab. semi-ichnusoides, a little more fuses all three black blotches along the costa of the forewing to create ab. conjuncta, and the most extreme exposure produces an almost entirely melanic form known as ab. osborni. The conditions required to produce the latter forms are thought to be so extreme that they lie right on the very cusp of extremes of temperature that would be fatal to the larva or pupa. Consequently these forms are rare in captivity and extremely unlikely to be met with in the wild.
It is difficult to ascertain how frequently any of these aberration occur in the wild, however it is a rare event that exposes the newly formed pupa or transitional larva to the necessary conditions for metamorphosis to be disrupted in this way, and this is supported by the paucity of historical sightings of the extreme aberrations in the wild. That is not to say that the lesser of the aberrations do not occur however, and an ab. semi-ichnusoides presents a particularly striking sight when nectaring on a garden buddleia amongst typical individuals.
It has been speculated that severe late frosts could possibly cause instances of these aberrant forms, as well as a larva/pupa being exposed to particularly strong sunlight after having the normally sheltered pupation site disturbed in some manner.
Environmental influences are not the sole cause of aberration in this species however, and there are many genetic aberrations which the observer could encounter at any time. Occasionally the orange ground colour is replaced entirely by a pale whitish buff (ab. lutea), as well as various transitional shades leading to this. Similarly, sometimes the orange colour is replaced by a brownish-purple hue and this is known as ab. brunneoviolacea.
There are in excess of 105 named aberrations known to occur in Britain. Click here to see a full list of aberrations for this species.
ab. nigrita (Fickert)
On the forewings the two upper black costal spots are united to form a single black blotch. The twin discal spots are absent. Hindwings entirely black with no marginal lunules.
Ovum
The female is quite choosy about where she lays, which is not surprising since she lays her green eggs in large batches and needs to ensure that the location is just right for the developing larvae. Typical sites are nettle patches containing relatively-new growth, and that receive full sun. Eggs are laid on the underside of a nettle leaf, usually one near the top of the stem and at the edge of the nettle patch. The eggs are not laid in neat rows, but piled on top of one another. Egg batches can contain up to 80 eggs which take some time to lay - typically between 20 and 90 minutes. The egg stage lasts between 1 and 3 weeks, depending on the weather.
Larva
On emerging from their eggs, the larvae build a communal web, usually at the top of the nettle, from which they emerge to bask and feed. As the larvae grow, they move to new plants, building new webs along the way. This leaves a trail of webs, decorated with shed larval skins and droppings, that show the passing of time, and allows the patient observer to trace the larvae all the way back to the plant where the eggs were laid. The first experience that some people have of a Small Tortoiseshell is seeing these webs as they extend over stretches of nettle, with the larvae resting communally and quite visibly on the surface of the web, or feeding from nearby leaves.
Larvae have several techniques to avoid predation. When disturbed, a group of larvae will often jerk their bodies from side to side in unison, which must be a formidable sight to any predator. The larvae will also regurgitate green fluid and will, if necessary, curl up in a ball and drop to the ground. Larvae feed by both day and night and there are 4 moults in total.
Pupa
The larvae disperse as they become fully grown, and eventually wander off to find a suitable pupation site. The pupa is formed head down, attached to a stem or leaf by the cremaster. The colour of the pupa is quite variable, often having a beautiful metallic sheen. This stage lasts between 2 and 4 weeks, depending on temperature.
Sites
Arthur's Seat, Bedfont Lakes Country Park LNR, Bryncelyn Hall, Darley, Devil's Ditch, Dundas Castle, Eakring Meadows Nature Reserve, Glenarm, Horsenden Hill, Hounslow Heath LNR, Howardian Local Nature Reserve, Hutton Roof Crags, Hyde, Kenfig Pool, Kinghorn Loch Path, Lavernock, Mansmead wood, Mayford Pond, Meanwood Park, Moss Field, Mynydd Marian, Old Down, Basingstoke, Rookery, Ryton Woods Meadows, Sutton Bingham Reservoir, Tophill Low, Viking Field/LesleySears, West Williamston Salt Marshes, Winkleigh, Winsdon Hill
Conservation Status
Despite being a widespread and common species in certain areas, the declining fortunes of this butterfly, especially in the south, mean that this butterfly is a species of conservation concern.
¤ On Black ¤
Now that it's Christmas, I will share a special photograph with you.
This is a photo of a bison tromping across the bacterial mat in front of the Grand Prismatic Spring--the largest hot spring in North America, and third largest in the world.
The story goes that I was minding my own business, composing images of the Grand Prismatic, when all the tourists started fussing and massing along the boardwalk above the bacterial mat in front of the hot spring. I didn't pay much attention to them at first, but eventually I had to pull away from the viewfinder to see what the commotion was all about. Wow! A bison was leisurely making his way towards the Grand Prismatic, splash-stomp, splash-stomp, splash-stomp through the pungent water. Me, being totally unprepared for this, swung my tripod around and started tracking him and tripping the shutter.
Shooting through a 2-stop graduated neutral density filter and a polarizer really slowed down my shutter, which explains the subject motion in the leg, tail, and back. Upon closer inspection, it's possible to see the water splashing from his front hoof--very cool!
My favorite areas are the reflection of the bison and the rich hues throughout. I love the layered framing--the cornered sky leading into the hills, which offset the steam rising from the spring; on the bottom the bright oranges are nicely divided by parallel reliefs in the bacterial mat, which have a nice diagonal symmetry with the sky and hill lines. I wish I had time to change to a different lens, or at least remove my filers, but in this unique circumstance, I will take what I can get.
For those wondering where I was, follow this Wikipedia link, and click on the overhead image. In the larger sizes a couple is visible walking along the boardwalk found on the bottom of the image. I was located on the left side of the wider area just above the walkers. The bison was walking from upper-right to lower-left--he never stopped or paid any attention to the legions of onlookers, while he made his way to graze in the Midland Geyser Basin.
Thank you all my dears Flickr friends for your sweet comments! I do appreciate them very, very much
Marraquesh Night Market Loreena McKennitt
They're gathered in circles
the lamps light their faces
The crescent moon rocks in the sky
The poets of drumming
keep heartbeats suspended
The smoke swirls up and then dies
Would you like my mask?
would you like my mirror?
cries the man in the shadowing hood
You can look at yourself
you can look at each other
or you can look at the face, the face of your god
The stories are woven
and fortunes are told
The truth is measured by the weight of your gold
The magic lies scattered
on rugs on the ground
Faith is conjured in the night market's sound
Would you like my mask?
would you like my mirror?
cries the man in the shadowing hood
You can look at yourself
you can look at each other
or you can look at the face, the face of your god
The lessons are written
on parchments of paper
They're carried by horse from the river Nile
says the shadowy voice
In the firelight, the cobra
is casting the flame a winsome smile
Would you like my mask?
would you like my mirror?
cries the man in the shadowing hood
You can look at yourself
you can look at each other
or you can look at the face, the face of your god
Loreena writes in the CD booklet about this song:
March 16, 1993 - Arrived tonight in Marrakesh and am staying on the edge of the market. It is Ramadan and there is heightened activity all around. I am struck by the hooded features of men as they pass through the lights and shadows: they look monk-like. Horses, carriages, cars, bicycles and thousands of people are embroiled in the activities of the night ... a cacophony of sound. I retreat to a rooftop café to watch while sipping mint tea ... many circles of twenty or so people are scattered around the market, each involved in their own drama of music, storytelling monkeys on men's shoulders, or cobras being coaxed to "dance" on rugs; "magic" concoctions of bone, seeds, stones and spices are sold ... women are veiled to a great degree ... I am stuck by the sense of intrigue the environment creates; as much is concealed as is revealed ...
My Books:
My book "Discover GUIMERÀ" (preview)
My book "Discover SANTA PAU" (preview)
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View Dream with Me On Black and Large
I was never thinking that the seascape shooting can be so adventurous like this morning. I went with Michael to Shelly Beach-Manly to take some shots but I must have misunderstood his email. Seriously, when he told me that this was going to be an adventure, he was right!!
We decided that instead of walking for half an hour to our destination we would take the shortcut via a steep road down to the cliff in pitch black darkness (5.30 am). Well Michael had a flash light and I forgot mine at home, bottom line – we finally reached our destination with some additional scars, bruises and scratches on my legs and feet. I had slipped a couple of times and fell despite my Spiderman powers and my new wet shoes!!
We met Oat ( Hangingpixels) and few more photographers; good thing is to see how many people enjoy photography, sunrise and seascape shooting.
About photo:
Single RAW shot at F: 16 E: 1/60 – filter: Cokin P ND 0.4x and Grey to increase contrast, post processing: Lightroom / Tone Mapping / Photomatix / B&W Styler
Mejor verla en grande - Best enlarge
Panoramica de 3 fotografias procesadas con PTGui y Photoshop.
La iglesia parroquial de Santa María es una construcción del siglo XV (finalizada en el XVII), actualmente considerada como Bien de Interés Cultural. Fue declarada Monumento histórico-artístico perteneciente al Tesoro Artístico Nacional mediante decreto de 3 de junio de 1931.
Edificación gótica con una imponente portada policromada y claustro gótico, el primero de Guipúzcoa. Imponente interior con sus tres naves y bóvedas de crucería rodeado de capillas que se abren entre los contrafuertes de la nave.
La torre se alza sobre el pórtico al cual se abre en tres direcciones.
En el interior destaca el Retablo Mayor de Nuestra Señora de la Asunción, de Bernabé Cordero de 1662 y armado por Pedro de Alloitiz en 1668.
The stone pine (Pinus pinea), also called Italian stone pine, umbrella pine and parasol pine, is a tree from the pine family (Pinaceae). The tree is native to the Mediterranean region, occurring in Southern Europe, North Africa, and the Levant.
Click here to show my stream not justified
My flickr photostream looks much better on Fluidr or with Portfolio
Thanks for your visit and comments, I appreciate that very much!
Please don't use this image on websites, blogs or other media without my explicit permission. © all rights reserved.
Regards, Bram (BraCom)
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Manuscrito del cura Párroco de Yaiza, Don Andrés Lorenzo Curbelo, que relata los acontecimientos desde el comienzo de la erupción hasta que la población de la zona emigró entre 1731 y 1732, ante los continuados procesos volcánicos que se sucedieron.
El 1º de Septiembre (de 1730) entre las nueve y diez de la noche la tierra se abrió de pronto cerca de Timanfaya a dos leguas de Yaiza. En la primera noche una enorme montaña se elevó del seno de la tierra y del ápice se escapaban llamas que continuaron ardiendo durante diez y nueve días. Pocos días después un nuevo abismo se formó y un torrente de lava se precipitó sobre Timanfaya, sobre Rodeo y sobre una parte de Mancha Blanca. La lava se extendió sobre los lugares hacia el Norte, al principio con tanta rapidez como el agua, pero bien pronto su velocidad se aminoró y no corría más que como la miel. Pero el 7 de septiembre una roca considerable se levantó del seno de la tierra con un ruido parecido al del trueno, y por su presión forzó la lava, que desde el principio se dirigía hacia el Norte a cambiar de camino y dirigirse hacia el NW y WNW. La masa de lava llegó y destruyó en un instante los lugares de Maretas y de Santa Catalina, situados en el Valle. El 11 de Septiembre la erupción se renovó con más fuerza, y la lava comenzó a correr. De Santa Catalina se precipitó sobre Mazo, incendió y cubrió toda esta aldea y siguió su camino hasta el mar, corriendo seis días seguidos con un ruido espantoso y formando verdaderas cataratas. Una gran cantidad de peces muertos sobrenadaban en la superficie del mar, viniendo a morir a la orilla. Bien pronto todo se calmó, y la erupción pareció haber cesado completamente.
El 18 de Octubre tres nuevas aberturas se formaron inmediatamente encima de Santa Catalina, que arden todavía y de sus orificios se escapan masas de humo espeso que se extienden por toda la isla, acompañado de una gran cantidad de escorias, arenas, cenizas que se reparten todo alrededor, viéndose caer de todos los puntos gotas de agua en forma de lluvia. Los truenos y las explosiones que acompañaron a estos fenómenos, la obscuridad producida por la masa de cenizas y el humo que recubre la isla forzaron más de una vez a los habitantes de Yaiza a tomar la huida, volviendo bien pronto, porque estas detonaciones no aparecieron acompañadas de otro fenómeno de devastación" .
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Explore Jun 27 - 2009 - #390