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The Plough Upper Boddington,Northants. 1973...ish This was the snug, public, and lounge bar. M&B bitter affectionately known as Sludge.............Typical Sunday morning order "5 pints of Sludge please George"......."Righto...that'l be 60p"........That's right 12p a pint.
There were no pc's or mobile phones, the internet was twenty years away, only three tv channels, a four bed house £12k, we won the world cup seven years earlier, and I'm still only 21.
História:Minha Filha comprei no dia 12 de Fevereiro 2005 peguei a
"BELINHA" ela ja tinha 2 meses de vida me mudei para uma
casa no Rio Grande do Sul-São Gabriel Tinha uma visinha
muito simpática só que ela tinha um defeito ela odiava
cachorros por isso ela tinha muit raiva da belinha pois ela
não gostava de cachorros certo dia a Belinha fugio de casa
e passou para o quintal dela e fez coco e xixi na porta da
casa dela e ela ficou furioza com este ato da minha cachorro
parou de ir na minha casa parou de falar comigo e com a
minha mãe certo dia ela falou para minha viznha da frente
que colocaria veneno na porta da casa dela só para minha
cachorrinha morrer e no mesmo dia ela colocou veneno
e no outro dia a Belinha foi no portão o portão estava
aberto e ela saio para fora foi la e lambeu o veneno de rato
que ela colocou no portão.E assim não deu 4 hrs o veneno começou a fazer efeito era uma 6hrs da tarde a Blinha começou a passar mal muito mal levei ela em um Pet que ficava aberto de noite
ai o Veterinario falo que ela só poderia viver se fosse um
milagre porque o veneno esta corroendo tudo por dentro e vai
machucar todos os orgãos dela eai dia 2 Abril de 2005 eu acordei e ligaram para mi avisando que a belinha tinha morrido ela não suportou a dor.E morreu ....Fim....
Paranavai - Pr</b
VALE LA PENA VERLA EN GRANDE Y CON FONDO NEGRO
Son unos monumentales y espectaculares carros triunfales, que son clásicos e históricos en la Fiesta del Corpus en Valencia. Estos realizan el mismo recorrido que unas horas después hace la Procesión.
Estos carros son arrastrados por una reata de caballerías vistosamente engalanadas con vistoso aparejos, cabezales, espejos y originales pasamanerías, muy típicas de la usanza valenciana. Estos arrastres antiguamente los hacia el Gremio de Molineros, para demostrar la potencia de sus caballerías presumiendo entre ellos de la potencia de los mismos.
Estos carros monumentales son típicos y exclusivos de Valencia, saliendo solamente en la festividad del Corpus.
Las primeras noticias documentadas por diferentes investigadores, entre ellos Carboneres, indican que las calles de Valencia vieron desfilar las rocas por primera vez fue en el año 1373 con motivo de la entrada en la ciudad de Marta de Armagnac, esposa del infante don Juan, primer duque de Gerona; otros dan la fecha de 1392, en que vinieron los reyes Juan el Cazador y su esposa. También se indica que en el año 1402, durante la entrada del rey Martín el Humano. A estas en un principio también se les llamó del “entremés” por ir provistas de una escalinata para poder representar los misterios encima de ellas.
Hay la mayoría de investigadores que fijan la fecha en el año 1413, cuando la ciudad quiso agasajar al nuevo rey Fernando de Antequera, en su primera entrada en Valencia. Para obsequiarle, los jurados ordenaron la construcción de tres carros triunfales simbolizando, el uno, La divisa del Rey, el otro, Les Set Cadires, y el tercero, Les Set Edats.
El origen de la denominación de rocas, se la da el pueblo, debido a la forma de peñascos que tenían en un principio, ya que eran más altas de lo que son en la actualidad, pues en el año 1912 tuvieron que rebajarse para evitar que estas tocasen con la catenaria del tranvía. Todas ellas a lo largo de la historia han sufrido restauraciones, pero una de las más importantes se llevaron a cabo en los años 1958 y 1959 a consecuencia de la riada que sufrió Valencia en el año 1957.
Otras versiones indican que procede de cambiar la palabra CA-RRO por RRO-CA.
La antevíspera a la festividad del Corpus, se van sacando "a mano" las Rocas desde su "Casa", sita en la calle del mismo nombre, y se van colocando en las Alameditas de las Torres de Serranos y posteriormente al atardecer tiene lugar el “Traslado de los Roques", desde las Alameditas de Serranos, y a lo largo de la calle Serranos, Plaza de Manises y calle de Caballeros, se van llevando las Rocas hasta la Plaza de la Virgen donde quedarán expuestas.
En la actualidad el grupo esta formado por 11 magnificas Rocas y su antigüedad indica que cuatro de ellas pertenecen al siglo XVI, dos al XVII, dos mas al XIX, otras dos al XX y finalmente una al XXI.
En primer lugar son llevadas las Rocas Diablera y Santo Cáliz por los miembros de la Asociación Amics del Corpus, a mano.
El resto de las Rocas son tiradas por caballos. Abre cada recorrido la Guardia Municipal montada a la que siguen las Rocas o Roca, flanqueadas por “Els Amics del Corpus", en cada una de las Rocas el grupo de "Dolçainers i Tabalets" que se van repartiendo en ellas para ir así amenizando con música típica valenciana, el recorrido, al finalizar es este mismo grupo quien cierra el recorrido.
A medida que van llegando las Rocas a la Plaza de la Virgen, van siendo colocadas, manualmente, ante la fachada de la Basílica.
ASOCIACIÓ DE AMICS DEL CORPUS DE VALÉNCIA
____________________________________________________
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All Rights Reserved © Don't use without permission
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La obra de Arthania (en oleos sobre lienzo) supera las 13000 unidades(medida radiestésica), por lo que entra de lleno en el campo emocional, sus efectos curativos puede que sean debidos precisamente a esto, es decir, como armonizadores del sistema nervioso central, a través de él, afecta positivamente a los distintos sistemas orgánicos. La pintura de Arthania, en virtud de su emisión de forma, puede ser un factor armonizador de primera magnitud. Os invito a disfrutar de esta sorprendente muestra desde una actitud positiva, serena, abierta, desde el fluir, desde la receptividad, desde el silencio. Este es el camino más seguro para percibir los impulsos curativosy transformadores que se ocultan tras los sutiles velos de la obra de Arthania.
Testado por el Geo Biologo, Javier Petralanda (blog en paginas amigas)
Explicación sobre la obra pictórica de ARTHANIA
La energía que rodea al ser humano está por todas partes, por ello es adecuado rodearse de obras bellas y armoniosas,
ya que, todo objeto, despide ondas: positivas, neutras o negativas.
Esta obra pictórica,comienza con seguros trazos circulares, ondulaciones que consiguen fascinantes formas y colores. Fractales de una policromía exquisita.
Más los dibujos, también de formas onduladas, "del sonido", inspirados en experiencias internas, vividas en otros espacios-tiempo.
En suproximidad, eleva la frecuencia vibratoria personal y del entorno. Mirando a corta distancia, ayuda adesarrollar la concentración en lo intangible.
Los tonos intensos vivos vitalizan, los suaves relajan, a veces según la obra persona o situación actúan a la vez.
Ensu proximidad limpian el campo de energía personal y del entorno, por ser transmutador de energías nocivas.
Produce efectos benéficos: en las personas animales y plantas, ya que, emanan energías positivas.
Aconsejable en decoración. Dan un toque de alegría y la vez de elegancia. Crean una atmósfera agradable... Optimizan el espacio.
Este arte expresa, estados internos, sentimientos de mi Alma, y ¡Ser! basados en experiencias elevadas, en otros mundos ínter-dimensionales...
Emiten ondas de formas positivas...
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Twiter: @ARTHANIA2012
Facebook: Arthania www.arthania.es (perfil publico)
Tumblr: arthania.tumblr.com/
Flickr: www.flickr.com/people/arthania/
WORDPRESS (arthania2012)
REDGURU
Arthania Escritora y Pintora De Ondas del Sonido
The American Chestnut is a large, deciduous tree of the beech family native to eastern North America. Before the species was devastated by the chestnut blight, a fungal disease, it was one of the most important forest trees throughout its range. There are now very few mature specimens of the tree within its historical range, although many small sprouts of the former live trees remain.
Summer 2009 | Olympus OM1 & Zuiko 50 1:1.4 | 1200dpi scan from the negative - CanoScan 8800F
Annual Ticketing Business Forum at Lancashire CCC, Emirates Old Trafford, Manchester. Picture by Paul Heyes, Tuesday April 09, 2019.
www.facebook.com/home.php?#!/pages/list-of-vietnamese-fak...
facebook đó ĐÉO phải TAO lập đâu nhé ĐĨ ENNY đừng hận TAO, tội nghiệp TAO =))))))))))))))
TAO thấy LỒN MÁ tụi MÀY rảnh hơn, HÔI CẶC ba tụi MÀY trước hỏi BA MÁ tụi MÀY ngày xưa có PHOTOSHOP BIẾN DẠNG hay FAKE ẢNH để làm quen, cưới hỏi, SINH ĐẺ ra cái GIỐNG CHÓ chỉ biết PHOTOSHOP BIẾN DẠNG TOÀN PHẦN và FAKE ẢNH HÓT GỜ để được cái mặt CHÓ bọn bây =))))))))))))))))
CON ĐĨ nào bảo FAKE KỆ MẸ nó thì đúng là thứ CHÓ NGU, ĐỊT MẸ, bị nó FAKE lừa lỏng sau lưng ĐÉO thấy nhột còn VẠCH LỒN đứng trước gió che cho nó BỚT BỊ ĐỤ DẬP CHIM =)))))))))))))))) Còn phải lập FLICK ảo cái CON ĐĨ CHÓ gì.
Để TAO tiết lộ thông tin thầm kín này, ĐÉO có BẠN BÈ THÂN nào của ĐĨ ENNY còn xem nó danh HÓT GỜ, chỉ còn 1 vài con ĐĨ NỊNH suốt ngày la liếm FLICK nó khen CHỊ ƠI CHỊ XINH ĐẸP CẶC QUÁ CHỊ ENNY ĐĨ CHÓ ƠI =)))))))))))))))
Tụi LA LIẾM LÔNG LÁ bọn MÀY thừa hơi thừa sức nhận ra nó FAKE CHÓ, nó là con ĐĨ PHOTOSHOP BIẾN DẠNG nhưng tụi MÀY vì cái sự NỔI TIẾNG của nó nhờ vào chính ẢNH FAKE mà tụi bây vẫn còn ngoan cố bám càng theo nó. Nhưng con ĐĨ ENNY à, sau này MÀY có ý định làm HÓT GỜ thì ngay từ bây giờ hãy DẸP TẮT ngay ý tưởng ĐIÊN RỒ, NGU LỒN đó đi vì tiếng XẤU của MÀY dù có nhẩy cả CHỤC con SÔNG, con BIỂN cũng ĐÉO sạch được. Đã FAKE CHÓ, lại còn biến dạng gương mặt của MÀY ra nông nổi như vậy.
TAO còn cả chục tấm hình của MÀY và lũ CHÓ LIẾM LÔNG LỒN của MÀY nhưng TAO còn đợi khi nào MÀY leo lên làm được HÓT GỜ như con ĐĨ KELLY NGUYỄN thì TAO sẽ cho MÀY BẠI HOẠI THANH DANH nhé ĐĨ ạ =)))))))))))))))))))))
ẢNH BONUS dám bảo của MÀY lắm hả CON =))))))))))))
مملكة تطوير المواقع و المنتديات
فساتين صبايا , ازياء بنات , عبايات 2012 , فساتين عرايس , فساتين سهره , فساتين مراهقات
تسريحات صبايا , تسريحات بنات , تسريحات شعر قصير , تسريحات شعر طويل
مكياج صبايا , مكياج 2012 , مكياج خليجي ميك اب لبناني , صور مكياج , مكياج سهرات
اكسسوارات صبايا , اكسسوارات بنات , شنط 2012 كنادر بنات , ساعات بنات , عطور , مجوهرات
مملكة عالم الطبخ والغذاء , مطبخ منال العالم
مملكة أخر الأخبار في الوطن العربي والعالم
مملكة السياحه والسفر في الوطن العربي و العالم
مملكة السوق الحرة للتبادل التجاري
مملكة الصوتيات والمرئيات الأسلامية , و اناشيد اسلامية
مملكة الرجل , ازياء شباب , موضه شباب , ازياء رجاليه , أحذية شبابية , عطور رجالية
مملكة العاب فلاش , احلى العاب بنات
مملكة الماسنجر msn 2012 وملحقاته
مملكة التصميم وملحقاته , سكرابز , اكشن , تدريجات , ملفات psd , فرش فتوشوب دروس فتوشوب
مملكة الجوال , بلاك بيري , ايفون وملحقاتها
مملكة قوقل google , مناسبات قوقل , قوقل بلص
دورة الفيس بوك , دورة Facebook
دورة تويتر, دروس تويتر, تعلم استخدام Twitter
دورة الربح من الانترنت بواسطة جوجل ادسنس , Google AdSense
ملتقى تطوير المواقع والمجلات الالكترونيه
Drew Vogel at the Open Data Day 2013 Hackathon. Preston Auditorium, The World Bank.1818 H St NW, Washington, DC.
Visit www.fabinstyle.com / www.fabinstyle.in for latest Bollywood celebrity pictures, Hot Bollywood Celebrity pictures, Hot Bollywood actress, Hot actresses and Movie Timings, much more….
www.hrady.cz/index.php?OID=3919
Kostel sv. Petra a Pavla v Borovsku stojí za vsí směrem k břehu přehrady a jako jediná zdejší historická památka se dožil současnosti. Velká část vsi i s budovou tvrze či zámku v bezprostředním okolí kostela byla totiž zbořena při výstavbě Želivské přehrady a z původního hradu se dochoval pouze do skály vytesaný sklípek.
Farní kostel v Borovsku je doložen v souvislosti s hradem již k roku 1350, kdy byl zasvěcen sv. Petru a Pavlovi. Samostatně stojící zvonice pochází z roku 1483. Tři původní vzácné zvony, které zde byly zavěšeny, byly bohužel odvezeny za první světové války. Ve zdi přístavku kostela se dochovaly dva zajímavé náhrobky Ostrovců z Kralovic.
Read the report:
(English) www.reiselust.me/UK/alleberichte/001-025/021/index.php
(Deutsch) www.reiselust.me/deutschland/alle-berichte/001-025/021/in...
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The Church of the Ascension Lower Broughton, Manchester. Rededication of the church service and induction of the rev Canon Falak Sher as Rector. The celebrant for the serice was the Right Rev Philip North, Bishop of Burnley. Picture by Paul Heyes, Saturday November 19, 2022.
River Road is a narrow, winding lane that parallels the Sacramento River offering much beauty along its path. It is a popular road for both bird enthusiasts like myself as well as local cyclists. It is common to see groups of riders including the Chico State University team moving through in a pack. It's always great to see all the colors go by in a whir!
Listening Gothan Project - Santa Maria (Del Buen Ayre)
S: secondo me lui è stato all'altezza
me: dici?
S: sì, lo vedevo ben concentrato
me: appunto
aveva paura di sbagliare
S: uhm
me: anch'io avrei avuto paura...lei ha una faccia!
S: giusta osservazione
tu dici che dovrebbe venire più naturale, senza pensare?
me: sì, perchè se hai paura di un ostacolo stai sicuro che ci finisci irrimediabilmente dentro
S: uno psicologo una volta mi diceva che è proprio così
quando pensi adesso cado
cadi
me: già...è così.
S: e allora lei non dovrebbe avere il dito alzato
me: perchè?
S: perché parte dal presupposto di dover mettere sull'avviso, di guardare dal di fuori, in un certo di pre-giudicare
stai attento che cadi
e lui cade
me: già
se lo aspetta
S: caspita, troppo dramma dietro questa foto
me: il tango è dramma
S: ma anche passione
me: sì
S: e non chiuderei il sillogismo dicendo
passione = dramma
me: no
quello no
S: meno male
camminano fianco a fianco
forse è lì il problema
me: ?
S: se è dramma ma anche passione, vuol dire che i due sono vicini, si sfiorano e magari alla fine si toccano
non necessariamente
me: capito
S: insomma, adesso uno dei due deve dire una cosa che fa ridere!
me: ci pensi tu?
S:
oppure forse c'è un'altra soluzione per quel dito alzato
lei lo sa che lui sbaglia
lui lo fa quasi sempre, nonostante lei ogni volta alzi il dito
e lui si concentra ogni volta di più
ma non c'è niente da fare
succede
eppure lei ogni volta fa finta di arrabbiarsi, ma col sorriso
me: caspita!
S: anzi, quasi se lo aspetta quell'errore
tanto che se lui non lo facesse, lo guarderebbe quasi in modo diverso
ogni volta che tornano a ballare è come quella prima volta che lui ha invitato lei sebbene sapesse di non essere tanto bravo nel tango e lei quella volta, la prima, si era commossa
perchè aveva capito che sforzo gli era costato
mettersi in gioco pur sapendo di non essere bravissimo
solo per cercare di starle vicino
e a lei proprio quella cosa le era rimasta impressa
quella specie di piccolo fallimento orgoglioso
è così che poi si sono messi insieme, dopo
sudati e lui che aveva uno sguardo che tirava un po' di lato
consapevole del fallimento, ma senza abbassare del tutto gli occhi
e allora dopo uscendo, nel buio
si erano baciati."
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Bon NAdal i pròsper 2010!!!
Merry Christmas and prosperous 2010!
Feliz Navidad y próspero 2010!
THE NAME OF CHRISTMAS
Under the name of Christmas
I feel something
I do not know exactly how I have to say.
It makes me think of a new land
where peace and love do not stop blooming ...
And no matter if the star was born
and points to the path
three kings from the East, crossing the sky ...
And it does not matter,
know if many shepherds were
carrying cheese and honey in the stable ...
And it does not matter,
see hanging rich brightness
here and there,
shown in joy ...
I feel that there is a big thing at the bottom of everything.
To define the word can not find any!
It must be a force to achieve
that there is on earth
any country without love
no home without bread!
The sweet name of Christmas gives us clues ...
If the power exists,
we must find!
Joana Raspall
::::::::::::::::::::::::::::::::::::::::::::::::::
EL NOMBRE DE NAVIDAD
Bajo el nombre de Navidad
siento algo
que yo no sé muy bien cómo tengo que decir.
Me hace pensar en una tierra nueva
donde paz y amor no paran de florecer ...
Y no importa, si surgió la estrella
y señala la ruta
a tres reyes de Oriente, cruzando el cielo ...
Y no importa,
saber si eran muchos los pastores
llevando queso y miel al Establecía ...
Y no importa,
ver que cuelgan ricas brillos
aquí y allá,
en muestra de alegría ...
Siento que hay algo grande, al fondo de todo.
Para definirla no encuentro ninguna palabra!
Debe ser una fuerza que conseguiría
que no haya en la tierra
ningún país sin amor
ni ningún hogar sin pan!
El dulce nombre de la Navidad nos da pistas ...
Si la fuerza existe,
debemos encontrar!
Joana Raspall
Hilo de la Fotohistoria en Pullip .es: THE PARK(1 of 3): Postcard from Ireland /
EL PARQUE (1 de 3): Postal desde Irlanda
(Read in order, this is: SHOT/FOTO 12 of 95) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 82, 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 94, 95.
FOTOSTORY: In English / En Español
Sun: When Yaz came he helped me to blow some of the plants too and the seeds lived an adventure thanks to me! :D I was a great helper! ^^
/
Sun: Cuando vino Yaz me ayudó a soplar algunas y las semillas también vivieron su aventura gracias a mi! :D Fui una buena ayudadora! ^^
LINKS:
- Las FOTOHISTORIAS de Sheryl en el Foro de Pullips: Pullip .es
- Sheryl Photostories at Flickr
- Hilo de las Fotohistorias de Sun y Cíen en el Foro de Pullips: Pullip .es
El Torito, Lloret de mar small friendly bodega/bar cheap drinks prices, hens stags parties all welcome.
Porto - Portugal - Europe
The busy daily life at he borders of the Douro.
De Luis I-brug (Portugees: Ponte Dom Luís I) over de rivier Douro is een opvallende boogbrug in de Portugese stad Porto.
De brug is vernoemd naar koning Lodewijk I van Portugal (Dom Louís I, 1861 - 1889), die de brug in 1886 opende.
uit:
nl.wikipedia.org/wiki/Dom_Luis_I_Brug
The Luís I Bridge (Ponte Luís I) is a metal arch bridge that spans the Douro River between the cities of Porto and Vila Nova de Gaia in Portugal. At the time of construction its span of 172 m was the longest of its type in the world.
The Government held a competition for the construction of a metallic bridge over the Douro River on a site that was adjacent to an existing bridge and would replace it. Teófilo Seyrig had already engineered the D. Maria Pia Bridge project nearby, whilst working as a partner of Eiffel. He now took sole responsibility for the new, major Luís 1st Bridge. The construction was begun in 1881 and the bridge opened on 31 October 1886.
Total length 385.25 m
Weight 3045 tons
The arch measures 172 m in length and 44.6 m in height
From:
en.wikipedia.org/wiki/Dom_Lu%c3%ads_Bridge,_Porto
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The Stadium Business Design and Development Summit, Emirates Old Trafford, Manchetser. Award winners. Picture by Paul Heryes, Tuesday November 29, 2022.
Interested in Muay Thai, Karate or Personal Training in Riverside, Corona, Chino or surrounding areas? Visit one of our USKO Karate dojos to learn more.
Interested in Muay Thai, Karate or Personal Training in Riverside, Corona, Chino or surrounding areas? Visit one of our USKO Karate dojos to learn more.
This was taken on my P&S (Sony DSC T7) a while back and uploading it with really minor editing like contrast. The texture IS REAL... its granite staircase in a garden (in Hyderabad).
Budapest is the capital of Hungary. As the largest city of Hungary, it serves as the country's principal political, cultural, commercial, industrial, and transportation centre. In 2010, Budapest had 1,721,556 inhabitants, down from 1980 peak of 2.06 million. The Budapest Commuter Area is home to 3,271,110 people. The city covers an area of 525 square kilometres within the city limits. Budapest became a single city occupying both banks of the river Danube with a unification on 17 November 1873 of right (west)-bank Buda and Óbuda with left (east)-bank Pest.
Aquincum, originally a Celtic settlement, was the direct ancestor of Budapest, becoming the Roman capital of Lower Pannonia. Magyars arrived in the territory in the 9th century. Their first settlement was pillaged by the Mongols in 1241-42. The re-established town became one of the centres of Renaissance humanist culture in the 15th century. Following the Battle of Mohács and nearly 150 years of Ottoman rule, development of the region entered a new age of prosperity in the 18th and 19th centuries, and Budapest became a global city after the 1873 unification. It also became the second capital of Austria-Hungary, a great power that dissolved in 1918. Budapest was the focal point of the Hungarian Revolution of 1848, the Hungarian Soviet Republic of 1919, Operation Panzerfaust in 1944, the Battle of Budapest of 1945, and the Revolution of 1956.
(Wikipedia)
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The view of the Hungarian capital as taken from the top of the famous St. Stephen's Basilica.
www.fai-asturies.org/principal.php?pag=lernot&id=79
201 años dempués de la declaración de soberanía de 1808 Fai! quixo recordar esti 25 de mayu como'l día nacional d'Asturies. Pa ello, entamóse una folixa que cuntó con un recital poéticu, la ellaboración d'un mural y un conciertu con 4 grupos asturianos que punxeron la banda sonora a una xornada reivindicativa pola soberanía popular asturiana.
Más d’un cientu de persones participaron esti sábadu 23 na I Folixa Nacional entamada por Fai! como reivindicación y celebración del Día de la Nación Asturiana, recuerdu de la xornada qu’abre la historia contemporánea d’Asturies, el 25 de mayu de 1808, día de la declaración de soberanía de la Xunta Xeneral.
Doscientos ún años depués d’esti fechu y de la creación de la bandera asturiana, la organización d'esquierda soberanista Fai! quixo ufrir un menú folixeru y combativu nel marcu del CSOA La Reflexón. Abriendo les actividaes, Sergio Gutiérrez Camblor, Carlos Suari, Pablo X. Suárez, Xabel Vegas y Xandru Fernández protagonizaron el recital poéticu “Poetes agresivos (disparen les sos obres contra los que se duermen)”, onde tuvo bien presente, de la mano de los sos versos, la crítica social y la ironía más característica de cinco poetes que representaron na Folixa’l presente y el futuru de la lliteratura nacional, al tiempu que nes paredes se proyectaben imáxenes subversives qu'afalaben l'ambiente combativu del recital.
De siguío, dellos artistes plásticos emprimaben a diseñar un mural que tenía la histórica fras como protagonista: “Asturies enxamás vencida”.
Dientro del CSOA, organización, delles puestos de material y músicos ultimaben tolos detalles pa que dende les siete y media, la música entamara a sonar na I Folixa Nacional con un escenariu enllenu d'asturines y de banderes d'otros pueblos en llucha como les de los Països Catalans, Castiella, el País Llionés, Andalucía, Euskal Herria, Palestina...K-Nalón yera’l grupu encargáu de romper el silenciu col so rap dinamiteru 100% n’asturianu.
Darréu Arma X y 13 Palabras xubíen al escenariu de La Reflexón pa que la revolución de rimes nun aparara.Metanes l'actuación, una pancarta xubió al escenariu pa denunciar la illegalización de les idées y pola derogación de la llei de partíos.
Al finar esta actuación los sones reivindicativos dexaron pasu al actu políticu, onde militantes de Fai! lleeron un manifiestu en favor del 25 de mayu como día nacional d'Asturies. Enantes, un representante del Comité de Sofitu a Iniciativa Internacionalista n'Asturies, que llamentablemente foi la única organización qu'acudió a la llamada que dende Fai! se ficiere a los partíos de la izquierda nacional asturiana pa dicir unes pallabres, agradeció'l convite y presentó la campaña que ta desendolcando'l comité nesti país, a pesar de les torgues y la criminalización que careció y carez esta y otres munches opciones polítiques d'esquierda soberanista nel estáu español.
Na segunda metada del conciertu Vinagre de Sidra abría capítulu pa les guitarres y el rock, que yá na fin de la nueche diba zarrar Gomeru, depués de cinco hores de música dende la trinchera más reivindicativa del país.
Dende Fai! nun queremos que s'escaeza la nuestra historia, la historia d'un pueblu combativu que siempre supo tar a l'altura de les circunstancies. Güei tócanos a nosotres y nosotros, les y los asturianes y asturianos del sieglu XXI siguir na llucha en busca de la soberanía popular d'Asturies.
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Jillian Geurts trained in musical theatre and performance with The Fame Theatre Company from 1995-2005. During this time she performed many lead roles in various productions and toured Queensland three times. In 2004, upon discovering Zen Zen Zo's unique brand of physical theatre, she participated in their Youth Physical Actor Training for two years. Jillian was a member of the award-winning St Rita's College Showchoir for three years (2003-05) and in 2005 she won the senior section on the Toombul Time to Shine talent competition. In 2006 she performed in Children of the Black Skirt (St Rita's College) and as the lead role of Dorothy Brock in 42 Street (St Rita's College).
In 2007, Jillian undertook a gap-year in Europe, after which she returned to study film at Queensland University of Technology. Throughout 2008 she continued her training in Zen Zen Zo's adult classes, as well as training and studying Butoh dance-theatre. She worked on the front-of-house team for Zen Zen Zo's In the Raw production Zeitgeist and in late 2008 was accepted into the company's 2009 Internship group.
In March 2009, Jillian worked with Butoh master's Muramatsu Takuya and Yuyama Daiichiro during a three week creative development, culminating in the sold-out performance Gaia - The Dairakudakan Project. From this, she was selected for cast of Zeitgeist touring to the Edinburgh Fringe Festival in August 2009 and Adelaide Fringe 2010.
She performed the role of Miranda in Zen Zen Zo's production The Tempest, as well as assisted with the documentary charting the show's creation. In August this year, she will tour to Edinburgh to perform in Zen Zen Zo's tour of Zeitgeist.
(information from Zen Zen Zo's official site)
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You see, all approaches to life work when things are going well, but test is the storm represented by words like cancer, bankruptcy, fired, divorce, terminal. Even smaller storms can drive us to the edge, and sometimes over, unless we've committed ourselves completely to this awesome Savior named Jesus. He loves you unconditionally. He proved that when He died on that cross for the very sins you've done against Him. He's willing to put your life in His eternal keeping and give you eternal life beginning the day you entrust yourself totally to Him. You could do that right where you are. Maybe you could pray like this, "Lord Jesus, I've been trying to do it without a Savior. I've lived my last day without you Lord. I believe you died to pay the death penalty for my sins and today I'm putting my total trust in you to begin a relationship with God. I need a Savior."
You don't need to fear the storm if you know you're ready because your life is in hands that will never, never drop you. Jesus - the One who during a life-threatening storm stepped to the bow of the boat He was in and said, "Peace, be still" and it was. He will do that for you in your storm.
-Ron Hutchcraft
Cardiff Centarl market on Mary Street., view from the balcony, the iron work is fantastic here.
A plan was adopted for Cardiff Market in 1890 and Haycock’s market of 1835 closed for demolition. In August of that year a memorial stone was laid for the new market which was officially opened on 8 May 1891. The new central market was designed on similar lines to that of the 1835 version, except that the St Mary Street entrance was provided by the existing archway beneath Market Buildings.
The market was designed by the borough engineer William Harpur, and consisted of a large wrought iron shed running from the back wall of Market Buildings through to Trinity Street.
The main market hall had stalls down each side and on either side of four aisles, with a balcony on all four sides of the hall. In all, 349 stalls were provided in the original layout, ranging from simple open counters to lock ups. There was a determined attempt to group tenants by trade and to confine non-food sales to the balcony in an effort to ensure that shoppers did venture upstairs. A raised office for the market superintendent was provided on the ground floor surmounted by a clock tower.
The Central Market was opened on 8 May 1891 by the Lady Mayoress of the day, the Marchioness of Bute. A plaque to commemorate the occasion can still be seen near the Trinity Street entrance.
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