View allAll Photos Tagged PERSPECTIVE

One thing I love about the Hotel Kurrajong is the layout, with many wings separated by courtyards & gardens.. My exercise included a couple of circumnavigations.

Plane spotters in Speke

 

2025 Keith Jones All Rights Reserved

This is from an assignment on Dyxum.com. Dyxum is a website dedicated the Minolta and Sony A-Mount cameras and lenses. One of the nice things about the site is that they have some truly knowledgeable and dedicated photographers there who are willing to take the time to craft assignments for other photographers to shoot to better their trade.

This assignment was entitled 'Perspective.'

It's a three part assignment and in the first part, you were supposed to take a telephoto shot, and then a wide angle shot, and crop the wide angle shot in Post to be the same framing and size as the original.

The second part is to take a wide angle lens, a telephoto lens, and a 'normal' lens. Shoot your subject with the Wide and the Tele lenses, and then put the normal lens on the camera. Move forward and back on foot until the size and framing of the original is duplicated in the 'normal' lens. I shot that part with a Tamron 28-75mm, so I used 28mm and 75mm as my wide and tele, and then 55mm as my 'normal' and moved front and back. I should have moved further back for the wide part.

Finally, Part C is walk around until you find something you want to shoot, and STOP and SHOOT IT. Then, look at the photo, and see how it can be improved by moving the camera up or down, and left to right. I moved five feel left, and reframed and shot You can see the difference a mere 5' makes.

Here's the drawing teacher in me:

Notice that the corner of the lowest step in the photo is higher in the picture plane than each of the subsequent, ascending steps. But the corners of the four highest stairs don't follow that pattern--each corner is slightly lower than the corner of the step above it, as you might expect. What a wicked perspective conundrum.

 

I may use this photo to torture my students next semester.

Easel was lifted to about 30 degrees where vantage lines become parallel instead of converging. Enlarger set at f/22 for 175 seconds with a gradient burning top to bottom (correcting for how the lifted half of the easel is closer and therefore receives brighter light than the other half.)

 

Built for the “Équipage à l'abordage” collaborative contest on the french forum Brickpirate.net, for the theme "Dirty"

 

Two crews of 3 members are opposing to each other during 20 weeks with 20 differents themes.

 

route 17, de Bodø à Saltstraumen

Standing in the street. Somewhat surreal, and feeling everything.

I sat on the mosque floor, hair once again tucked under a surprisingly comfortable hijab. From my viewpoint on the ground I reveled in the patterns of the mosque found in the carpet, the rings of lights, and the tiled walls. I watched as this man completed his prayers and began to leave, his shoeless feet patting across the floor.

Aerial perspective or atmospheric perspective refers to the effect the

atmosphere has on the appearance of an object as it is viewed from a

distance. As the distance between an object and a viewer increases, the

contrast between the object and its background decreases, and the

contrast of any markings or details within the object also decreases.

The colors of the object also become less saturated and shift towards

the background color.

Quick, snap a shot of the beautiful Vung Tau bridge architecture. And boy did I. No Photoshop/editing on this one. :)

Love the linear perspective ...heading towards a common point... No matter where they come from, all journeys will end at a common finishing point

People wonder about how big these Pelicans are!

 

Well I waited for this Little Egret to walk into frame and took this shot. I hope it puts the size of these birds into perspective. D&J.

Ile Seguin - Country Boulogne-Billancourt, France

HDA : Facade Consultant & Engineer

Client : SAEM Seguin

Architect: Bernard Tschumi Architects

Date : 2003

See more at : www.hda-paris.com/

camera: canonet 28

film: adox cms 20 pro II

dev rodinal 1+100 18min 20C

location: asti AT italy

An unusual view of a mini - this one has been rotated to show the mini in the correct plane - it was actually affixed to a vertical wall in Stavanger, Norway.

Images from GENBAND's 2013 Perspectives Conference in Orlando, Florida.

To understand something from a perspective you're not comfortable with is key to success.

Farthest to posts moderate telephoto angle, shows change in perspective due to moving closer to subject.

Taking into consideration perspective, i've used this angle of frame to create an interesting effect on the image

A group of trees, mainly loblolly pines.

Kiev 4A

Jupiter-12 35mm f/2.8 lens

ILFORD FP4 PLUS

fun to do these sometimes...

Model: Erica

Location: Labuan

This is from an assignment on Dyxum.com. Dyxum is a website dedicated the Minolta and Sony A-Mount cameras and lenses. One of the nice things about the site is that they have some truly knowledgeable and dedicated photographers there who are willing to take the time to craft assignments for other photographers to shoot to better their trade.

This assignment was entitled 'Perspective.'

It's a three part assignment and in the first part, you were supposed to take a telephoto shot, and then a wide angle shot, and crop the wide angle shot in Post to be the same framing and size as the original.

The second part is to take a wide angle lens, a telephoto lens, and a 'normal' lens. Shoot your subject with the Wide and the Tele lenses, and then put the normal lens on the camera. Move forward and back on foot until the size and framing of the original is duplicated in the 'normal' lens. I shot that part with a Tamron 28-75mm, so I used 28mm and 75mm as my wide and tele, and then 55mm as my 'normal' and moved front and back. I should have moved further back for the wide part.

Finally, Part C is walk around until you find something you want to shoot, and STOP and SHOOT IT. Then, look at the photo, and see how it can be improved by moving the camera up or down, and left to right. I moved five feel left, and reframed and shot You can see the difference a mere 5' makes.

This is from an assignment on Dyxum.com. Dyxum is a website dedicated the Minolta and Sony A-Mount cameras and lenses. One of the nice things about the site is that they have some truly knowledgeable and dedicated photographers there who are willing to take the time to craft assignments for other photographers to shoot to better their trade.

This assignment was entitled 'Perspective.'

It's a three part assignment and in the first part, you were supposed to take a telephoto shot, and then a wide angle shot, and crop the wide angle shot in Post to be the same framing and size as the original.

The second part is to take a wide angle lens, a telephoto lens, and a 'normal' lens. Shoot your subject with the Wide and the Tele lenses, and then put the normal lens on the camera. Move forward and back on foot until the size and framing of the original is duplicated in the 'normal' lens. I shot that part with a Tamron 28-75mm, so I used 28mm and 75mm as my wide and tele, and then 55mm as my 'normal' and moved front and back. I should have moved further back for the wide part.

Finally, Part C is walk around until you find something you want to shoot, and STOP and SHOOT IT. Then, look at the photo, and see how it can be improved by moving the camera up or down, and left to right. I moved five feel left, and reframed and shot You can see the difference a mere 5' makes.

With one of Low of composition: Perspective. I guess.

What do you think about?

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