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Instructions for an Incubation
EYE-DEE-QUE (Something Like an Asclepeion)
Matt Wardell
Feb 12-13, 2016 10pm-11am
Incubation is the practice of sleeping in a sacred area with the intention of experiencing a divinely inspired dream or cure. As the exhibition is loosely based on an ancient Greek temple of healing, we too will seek the inspired dream or cure. To encourage dreaming, the following is recommended:
Before arriving:
Avoid caffeine, sleeping pills, alcohol, and marijuana. (At least the hours just prior to sleep)
Relax- stretch, take a bath or a shower, be mindful, have intention. What ails you? What is the dream? What is the cure?
Bring something to record your dreams. Keep it by your side so when you wake up you can take notes as soon as possible. Just thinking about remembering your dreams will help you to remember them. Be prepared to draw and/or write the dream.
Bring something to be comfortable while sleeping. Bed roll, sleeping bag, air mattress, favorite blanket, Snuggie?
When thinking about dinner options, consider something with cheese, chicken, or salmon.
Avoid a heavy meal.
Consider breakfast. Perhaps bring an item to share?
Gabie Strong (and friends) 10pm-midnight
Music for Healing or What You Need # 2
Gabie Strong, Christopher Reid Martin, Ted Byrnes
February 12, 10pm-midnight
Baik Art
Please join us Friday, February 12 for an evening with Gabie Strong, Christopher Reid Martin, and Ted Byrnes. Themes of catharsis and cleansing will lead into a sonic space to prepare us to dream and, ideally, to heal. Between 10pm-midnight, Gabie Strong, Christopher Reid Martin, and Ted Byrnes will activate the space of Baik Art. For an optimal experience, be prepared to lie down.
An intrepid group will spend the night following the performance in the ancient Greek tradition of ‘incubation’. Your dreams will be interpreted the following morning by a professional. Please email Matt Wardell at shonufwardell@hotmail.com to reserve your spot. BYOB (Bring Your Own Bedding). Details of the overnight stay will follow. Space is very limited!!
Gabie Strong is a California artist and musician exploring spatial constructions of degeneration, drone and decay as a means to improvise new arrangements of self-reflexive meaning. Strong uses sound performance, radio broadcasting, environmental installation, photography and video as mediums for experimentation.
Her work has been presented on Kchung TV at the Hammer Museum’s Made in L.A. 2014 biennial exhibition, Pasadena Armory Center for the Arts, Knowledges at Mount Wilson Observatory, Pitzer Art Galleries, University Art Gallery UC Irvine, and LAXArt amongst others.
Strong has performed at MOCA, the wulf, Los Angeles Contemporary Archive, Printed Matter’s LA Art Book Fair, Art Los Angeles Contemporary, Human Resources, SASSAS, LACE, High Desert Test Sites, LACMA, the MAK Center for Art and Architecture, Jabberjaw, and with her all-female free-psych band Lady Noise for Dawn Kasper’s performances at the 2012 Whitney Biennial.
Strong’s work is an exploration of the affect of decay that is experienced from living in the spatial disorganization of the twenty-first century. This disorganization is the result of living in multiple non-places at once—both physical and virtual— where borders are both confining and permeable. I often collaborate with other artists, musicians and poets to create work that embodies the difference of lived experience.
Christopher Reid Martin is a multidisciplinary artist, currently residing in Los Angeles. He first began working with sound in Orange County in 2004, layering sounds from various field recordings of daily life which convey living truths and over processed instrumentation as the reactionary expression. These expressions came to birth the solo project known as of Shelter Death, as it has evolved into a project in which performance and sound interplay to make for a personal reactionary experience in a perpetually decaying world.
In 2010, Christopher had taken his creative endeavors into other avenues, releasing tracks under various formats under his shared Orange County based label Via Injection. Christopher's creative repertoire expanded when he began documenting his experience in countries outside the US, by taking field recordings, foreign radio recordings, and/or taking photographs. Photographs were either left unadulterated as they were taken or digitally manipulating and layered these with old scanned various schematics. This has lead to an ongoing body of work, which fuses reality in the form of photography, with corroded ideas in the form of chopped manipulated grids and manuals. Christopher has and continues to show work in a number of art shows and has performed live in a number of events in projects such as Bailouts, Via Injection, Shelter Death, and under his own name.
christopher-reid-martin.format.com/
Ted Byrnes is a drummer/percussionist living in Los Angeles. An alumnus of the Berklee College of Music in Boston, MA, he comes from a jazz background and has since made his home in the worlds of free improvisation, new music, electro-acoustic music, and noise.
Ted primarily works in ad hoc improvisational settings, but has standing improvisational groups including: a group with Ulrich Krieger, a duo with Jeff Parker, a duo with Chris Cooper (AQH), a duo with Nicholas Deyoe, a duo with John Wiese, a duo with Scott Cazan, a trio with Jacob Wick and Owen Stewart-Robertson, among others. Additionally, Ted has played in duo/trio/or ensemble settings with: Mazen Kerbaj, David Watson, Ingebrigt Haker Flaten, Charlemagne Palestine, Alfred 23 Harth, Tim Perkis, Jaap Blonk, Torsten Muller, Kim Myhr, Jim Denley, Lloyd Honeybrook, Chris Schlarb, Mike Watt, Paul Masvidal, the LAFMS (including Smegma, Airway, Ace Farren Ford’s Artificial Art Ensemble, Rick and Joe Potts, Fredrik Nilsen, Tom Recchion, Vetza, etc), Sissy Spacek (the band), Maher Shalal Hash Baz, and more.
Ted has also collaborated with / worked for a variety of visual artists: he has accompanied a Doug Aitken “happening”, collaborated with Olivia Booth to play her glass artworks, collaborated with Dani Tull on a sound performance, performed with John Knuth and Bret Nicely at an installation in an empty pool, and has performed for FLUXUS artist Jeff Perkins on multiple occasions for his projector/light installations.
Currently, Ted is delving further into the possibilities and realities of solo drumset performance in addition to continuing to work with his existing projects.
An offering will be made of cheesecake and figs. Lights will be extinguished.
Daniel Pontius 9am-11am
Daniel Pontius will provide individual consultations of your dreams.
Designer and co-owner of SIMEONA LEONA, Daniel Pontius’ approach to intuitive dream analysis looks at the archetypal language of the collective unconscious filtered through the dreamer’s personal symbology. You are the oracle. This approach assists the dreamer to develop their own narrative in what may feel like an esoteric dream-world. It empowers the dreamer to become their own oracle—to find their own guidance and council to questions and concerns.
Daniel Pontius’ first job out of graduate school (MA Interior Design, 2003. WSU Interdisciplinary Design Institute) was making curtains for a 17th century Wiltshire, England manor house, updated in 1908 by Detmar Blow. Arriving in Manhattan after London, he sourced and designed custom fabrics and furniture for Clodagh Design International Interiors, followed by a key position in the Interiors Department of Deborah Berke and Partners Architects.
In 2008, his love of textiles and design brought him to Los Angeles where he began working on interiors as well as crafting custom pillows and hand-embellished textiles from vintage and antique materials for Pat McGann Gallery, Blackman Cruz and Hallworth Design. In 2014, Daniel Pontius and Cirilo Domine opened SIMEONA LEONA, an imaginatively curated design gallery located in Los Angeles’ emerging Koreatown neighborhood. The gallery spotlights the singular and the beautiful; focusing on simplicity and proportion.
Please be aware that the gallery will open to the public starting at 11am.
Please be prepared to bring an offering (suggested $5-20 donation) to compensate our artists.
And, be aware that a liability waiver must be signed to participate in the overnight event.
--------------------------------------------------------------------------------------
EYE-DEE-QUE (Something Like an Asclepeion)
Matt Wardell
January 9 - February 13, 2016
Baik Art presents EYE-DEE-QUE (Something Like an Asclepeion), a solo installation and series of events by Los Angeles artist Matt Wardell.
For the exhibition, Wardell will present an immersive environment of images and objects by channeling ‘something like’ an ancient Greek temple of healing. Using Baik Art’s unique architecture, viewers experience a literal (and perhaps figurative) katabasis (‘to go down’ as in a descent of some type), but more importantly, and ideally, a catharsis (‘cleansing’ or ‘purification’).
Numerous objects, found and constructed, engage with the verticality of Baik Art’s shaft-like space, surrounded by an installation of wall works including drawings, collages, and repurposed images. Several fabric sculptures fill the gallery functioning as apotropaic totems. These Guardian Figures suggest a ‘presence’, ideally something beyond the object.
Daytime and evening events will further activate the gallery a space for healing. Practitioners from a variety of fields will be on hand for consultation. Music for Healing or What You Need will present a sonic cleansing. Incubation and Dream Analysis will be an overnight event of guided sleep followed by dream analysis with a professional. Utilizing the healing properties of dog saliva, An Event for Wound Licking will be a participatory event pairing wounds with dogs. For the date and time of each event, please contact the artist at shonufwardell@hotmail.com.
In ancient Greece and Rome, an asclepeion was a healing temple, sacred to Asclepius, the Greek God of Medicine. These temples were places in which patients would visit to receive either treatment or some sort of healing, whether it was spiritual or physical. Epidaurus was the first place to worship Asclepius as a god, beginning sometime in the 5th century BCE.
Starting around 350 BCE, the cult of Asclepius became increasingly popular. Pilgrims flocked to asclepieia to be healed. They slept overnight (“incubation”) and reported their dreams to a priest the following day. He prescribed a cure, often a visit to the baths or a gymnasium. Since snakes were sacred to Asclepius, they were often used in healing rituals. Non-venomous snakes were left to crawl on the floor in dormitories where the sick and injured slept.
Matt Wardell seeks to prolong a sense of wonder while placing the viewer in a lingering position of active assessment. He is interested in how we choose to live and in introducing work that facilitates these investigations. Wardell enjoys walking on fences, answering wrong numbers, and giving directions to places he does not know. Uncomfortable laughter, confusion, and irritation tend to be the byproducts of Wardell’s works.
Wardell has exhibited his work at venues throughout the United States and Mexico, including the Museum of Modern Art in San Francisco (SFMOMA), Claremont Museum of Art in Claremont, Los Angeles Contemporary Exhibitions (LACE), REDCAT, PØST, Human Resources, Black Dragon Society, Mark Moore Gallery, and Commonwealth and Council, all in Los Angeles. Wardell is a founding member of the artist collective 10lb Ape.
Baik Art
2600 S. La Cienega Blvd., Los Angeles, California 90034
310.842.3892
I've started seeing my new boyfriend, "Gym", about 3-4 times a week. Previously afraid of committment with him, I think I am starting to get serious.
I do have to admit, he is a bit picky about my shoes and clothes.
Today was the first day I had to cancel our date, I am ill'in.
Day 16 of my unofficial 365 days of photos.
model: Porche
I didn't learn a lesson today, but I learned there is a lesson I need to learn. Porsche had a bronzer or baby oil on that gave a strong reflection on her skin. I need to find about 15 shots that are good, so many of the ones I liked are afflicted witht he horrendous gleam. I don't want to over process the images because they are potentially getting published. Wish me luck
It's a Ferrari, so shouldn't it be red? A ridiculously over processed image as befits a somewhat ridiculously expensive automobile.
Today I received an invite to a new group on Flicker about Yellowstone. This small new site perked an interest in some past photos I have taken. I went back and found a Raw image of Gibbon Falls. To process this image I used NX2 and made five different exposures all one stop difference. I made a few changes in NX2 and saved them as jpegs. Next I imported these images into Photomatix Pro and played with it until I found some colors I liked. I then took the image into Lightroom and made a few small adjustments. I imported to CS4 to finish the photo by using Topaz Adjust to make the colors pop and Topaz DeNoise to reduce the noise. In both of these programs I over processed on purpose to bring out the color of the cliff and the blues of the water.
Click wasatchreflections to view on black. To read my daily blog click here
[Photoshopped] Apologies for the over-processing of this image. I enjoy poking around on Photoshop to see how I can take a photo to a different level.
I took some of my favorite shots of Zhidan and put them in this small collage. When I was done I thought it looked more like the makings of a movie poster -- which was not my intent. Oh well. I guess that's why it's so great to play in the electronic world. Everything is so easy to change!
I realize this isn't stretching Photoshop very much. But I wasn't trying to be wild or ultra artistic. I was looking for simple, elegant and classy.
Over processed this Color camera only mage The Veil Nebula from a dark site, Four Panel Mosaic, Taken on the Nights of September 10, 11, 2018; From June Lake California, Using SV80T w 0.8x FFFR; ZWO ASI294mcPro, 25 x 300s each panel, PixInsight, taken & processed.
Sunday at Meji Jingu and even in winter, just days after a huge snowfall, you can't move for all the weddings happening.
In just the small area of the main shrine courtyard there were 4 weddings happening simultaneously
a little over processed so I may reload a more vanilla version some time later
I present you with an extremely over-processed picture of the moon. It seems moon photography will have to be added to my list of "to learn"s...
Faith is taking the first step even when you don't see the whole staircase.
~ Martin Luther King, Jr.
Hasselblad 500CM / Fuji 400H shot 2 stops over. Processed @ RPL in L.A.
Wardrobe and Styling by Threads Count in Portland Oregon:
Coat by Versace, Denim by Diesel, Boots by Barracuda.
Jawbone Canyon is a geographic feature in the Mojave Desert and a Bureau of Land Management area located in Kern County, California, 20 miles (32 km) north of Mojave on CA 14. The area is a popular destination for hikers and off road vehicle enthusiasts.
Europeans first settled in the canyon around 1860—naming it Jawbone because its shape resembled a mandible—and the trail was used as a trade route from Keyesville into the Piute Mountains (not to be confused with the Piute Mountains of the eastern Mojave Desert). During the Kern River gold rush, several gold mines operated in the canyon; the most successful of these, the St. John mine, yielded nearly $700,000 worth of gold between 1860 and 1875. The Gwynn mine, on the Geringer Grade, ran six claims yielding a total of $770,000 worth of gold and quartz before ceasing operations in 1942. Mining continued throughout the 1940s, mainly focused on rhyolite and antimony.
Source: en.wikipedia.org/wiki/Jawbone_Canyon
Note: These images were taken with the Samsung S22 Ultra, which I have since returned because I find the images over-processed, but I'm posting them as a review of that device, and because this was a new-to-me area.
Although it may seem as if I have tried to over process and sharpen it in an aggressive way , but I'd like to tell you " I didn't !! "
+1 in comments
I know the processing here won’t be to everyone’s taste, that’s why I included the extra one in the comments.
Messier 31 (Andromeda Galaxy) with Messiers 32 and 110
2018-10-30 & 2018-11-02, Didcot, England
A fresh attempt at this target using two sessions of data. Unfortunately both nights were not ideal conditions (I suffered with dew and high level clouds). I also am still learning the best settings as ISO800 and 300s subs only give me ~40% peak histogram so I may be better off looking at ISO1600 or something. We shall see!
Either way, the addition of Astronomy Tools v1.6 to Photoshop has been a game changer! Additionally the walkthrough guide at www.myastronomyjournal.com/DSLR-AIP/C002-M31-Walkthrough/ proved invaluable to improving my overall processing techniques. I hope that this image has some modesty about the processing as I have previously always been tempted to over-process to squeeze out every last bit of detail at the cost of heavy noise and a somewhat unnatural look.
Gear:
Skywatcher 130-PDS with 0.9x coma corrector (585 mm, f/4.5)
Skywatcher NEQ6-Pro Synscan
Canon EOS 550D (unmodified) and Skywatcher 2" LP filter
ZWO ASI120-MC guide camera
Skywatcher Startravel 80 guide scope
Acquisition & Processing:
- AstrophotographyTools (APT) and PHD2 guiding with dithering
- 34 x 300s = total 170 minutes @ ISO 800
- 2x20 flats, 16 library darks, library bias
- Stacked in DeepSkyStacker and post-processed in Photoshop CC 2018 (with Gradient Xterminator + Astronomy Tools v1.6)
View of the Tetons from Shadow Mountain (Grand Teton National Park, October 2009).
This is my 4th HDR, and my first that was made from a single image, which can be found about 20 photos later in my photostream. (link)
I have mixed feelings about this rendition. I feel like these HDR tonal mapping photos are cheating the natural beauty of the shot, but I have to admit that I love how this looks. I realize that this is definitely over processed, and over saturated, but I liked it; almost like a painting of the photo I took.
If you're not familiar with HDR, here's a link to a definition from Wikipedia.
Over-processed, oily, full of bad-ass chemicals ... nevertheless these chilli chips are so tasty. They are an indulgence I rarely allow myself, but this month's assignment demanded chips!
Entry for Scavenge Challenge February 2013: #18. Chip in with chips: poker, wood, potato, fish & chips. Use any chips except cow chips!
Instructions for an Incubation
EYE-DEE-QUE (Something Like an Asclepeion)
Matt Wardell
Feb 12-13, 2016 10pm-11am
Incubation is the practice of sleeping in a sacred area with the intention of experiencing a divinely inspired dream or cure. As the exhibition is loosely based on an ancient Greek temple of healing, we too will seek the inspired dream or cure. To encourage dreaming, the following is recommended:
Before arriving:
Avoid caffeine, sleeping pills, alcohol, and marijuana. (At least the hours just prior to sleep)
Relax- stretch, take a bath or a shower, be mindful, have intention. What ails you? What is the dream? What is the cure?
Bring something to record your dreams. Keep it by your side so when you wake up you can take notes as soon as possible. Just thinking about remembering your dreams will help you to remember them. Be prepared to draw and/or write the dream.
Bring something to be comfortable while sleeping. Bed roll, sleeping bag, air mattress, favorite blanket, Snuggie?
When thinking about dinner options, consider something with cheese, chicken, or salmon.
Avoid a heavy meal.
Consider breakfast. Perhaps bring an item to share?
Gabie Strong (and friends) 10pm-midnight
Music for Healing or What You Need # 2
Gabie Strong, Christopher Reid Martin, Ted Byrnes
February 12, 10pm-midnight
Baik Art
Please join us Friday, February 12 for an evening with Gabie Strong, Christopher Reid Martin, and Ted Byrnes. Themes of catharsis and cleansing will lead into a sonic space to prepare us to dream and, ideally, to heal. Between 10pm-midnight, Gabie Strong, Christopher Reid Martin, and Ted Byrnes will activate the space of Baik Art. For an optimal experience, be prepared to lie down.
An intrepid group will spend the night following the performance in the ancient Greek tradition of ‘incubation’. Your dreams will be interpreted the following morning by a professional. Please email Matt Wardell at shonufwardell@hotmail.com to reserve your spot. BYOB (Bring Your Own Bedding). Details of the overnight stay will follow. Space is very limited!!
Gabie Strong is a California artist and musician exploring spatial constructions of degeneration, drone and decay as a means to improvise new arrangements of self-reflexive meaning. Strong uses sound performance, radio broadcasting, environmental installation, photography and video as mediums for experimentation.
Her work has been presented on Kchung TV at the Hammer Museum’s Made in L.A. 2014 biennial exhibition, Pasadena Armory Center for the Arts, Knowledges at Mount Wilson Observatory, Pitzer Art Galleries, University Art Gallery UC Irvine, and LAXArt amongst others.
Strong has performed at MOCA, the wulf, Los Angeles Contemporary Archive, Printed Matter’s LA Art Book Fair, Art Los Angeles Contemporary, Human Resources, SASSAS, LACE, High Desert Test Sites, LACMA, the MAK Center for Art and Architecture, Jabberjaw, and with her all-female free-psych band Lady Noise for Dawn Kasper’s performances at the 2012 Whitney Biennial.
Strong’s work is an exploration of the affect of decay that is experienced from living in the spatial disorganization of the twenty-first century. This disorganization is the result of living in multiple non-places at once—both physical and virtual— where borders are both confining and permeable. I often collaborate with other artists, musicians and poets to create work that embodies the difference of lived experience.
Christopher Reid Martin is a multidisciplinary artist, currently residing in Los Angeles. He first began working with sound in Orange County in 2004, layering sounds from various field recordings of daily life which convey living truths and over processed instrumentation as the reactionary expression. These expressions came to birth the solo project known as of Shelter Death, as it has evolved into a project in which performance and sound interplay to make for a personal reactionary experience in a perpetually decaying world.
In 2010, Christopher had taken his creative endeavors into other avenues, releasing tracks under various formats under his shared Orange County based label Via Injection. Christopher's creative repertoire expanded when he began documenting his experience in countries outside the US, by taking field recordings, foreign radio recordings, and/or taking photographs. Photographs were either left unadulterated as they were taken or digitally manipulating and layered these with old scanned various schematics. This has lead to an ongoing body of work, which fuses reality in the form of photography, with corroded ideas in the form of chopped manipulated grids and manuals. Christopher has and continues to show work in a number of art shows and has performed live in a number of events in projects such as Bailouts, Via Injection, Shelter Death, and under his own name.
christopher-reid-martin.format.com/
Ted Byrnes is a drummer/percussionist living in Los Angeles. An alumnus of the Berklee College of Music in Boston, MA, he comes from a jazz background and has since made his home in the worlds of free improvisation, new music, electro-acoustic music, and noise.
Ted primarily works in ad hoc improvisational settings, but has standing improvisational groups including: a group with Ulrich Krieger, a duo with Jeff Parker, a duo with Chris Cooper (AQH), a duo with Nicholas Deyoe, a duo with John Wiese, a duo with Scott Cazan, a trio with Jacob Wick and Owen Stewart-Robertson, among others. Additionally, Ted has played in duo/trio/or ensemble settings with: Mazen Kerbaj, David Watson, Ingebrigt Haker Flaten, Charlemagne Palestine, Alfred 23 Harth, Tim Perkis, Jaap Blonk, Torsten Muller, Kim Myhr, Jim Denley, Lloyd Honeybrook, Chris Schlarb, Mike Watt, Paul Masvidal, the LAFMS (including Smegma, Airway, Ace Farren Ford’s Artificial Art Ensemble, Rick and Joe Potts, Fredrik Nilsen, Tom Recchion, Vetza, etc), Sissy Spacek (the band), Maher Shalal Hash Baz, and more.
Ted has also collaborated with / worked for a variety of visual artists: he has accompanied a Doug Aitken “happening”, collaborated with Olivia Booth to play her glass artworks, collaborated with Dani Tull on a sound performance, performed with John Knuth and Bret Nicely at an installation in an empty pool, and has performed for FLUXUS artist Jeff Perkins on multiple occasions for his projector/light installations.
Currently, Ted is delving further into the possibilities and realities of solo drumset performance in addition to continuing to work with his existing projects.
An offering will be made of cheesecake and figs. Lights will be extinguished.
Daniel Pontius 9am-11am
Daniel Pontius will provide individual consultations of your dreams.
Designer and co-owner of SIMEONA LEONA, Daniel Pontius’ approach to intuitive dream analysis looks at the archetypal language of the collective unconscious filtered through the dreamer’s personal symbology. You are the oracle. This approach assists the dreamer to develop their own narrative in what may feel like an esoteric dream-world. It empowers the dreamer to become their own oracle—to find their own guidance and council to questions and concerns.
Daniel Pontius’ first job out of graduate school (MA Interior Design, 2003. WSU Interdisciplinary Design Institute) was making curtains for a 17th century Wiltshire, England manor house, updated in 1908 by Detmar Blow. Arriving in Manhattan after London, he sourced and designed custom fabrics and furniture for Clodagh Design International Interiors, followed by a key position in the Interiors Department of Deborah Berke and Partners Architects.
In 2008, his love of textiles and design brought him to Los Angeles where he began working on interiors as well as crafting custom pillows and hand-embellished textiles from vintage and antique materials for Pat McGann Gallery, Blackman Cruz and Hallworth Design. In 2014, Daniel Pontius and Cirilo Domine opened SIMEONA LEONA, an imaginatively curated design gallery located in Los Angeles’ emerging Koreatown neighborhood. The gallery spotlights the singular and the beautiful; focusing on simplicity and proportion.
Please be aware that the gallery will open to the public starting at 11am.
Please be prepared to bring an offering (suggested $5-20 donation) to compensate our artists.
And, be aware that a liability waiver must be signed to participate in the overnight event.
--------------------------------------------------------------------------------------
EYE-DEE-QUE (Something Like an Asclepeion)
Matt Wardell
January 9 - February 13, 2016
Baik Art presents EYE-DEE-QUE (Something Like an Asclepeion), a solo installation and series of events by Los Angeles artist Matt Wardell.
For the exhibition, Wardell will present an immersive environment of images and objects by channeling ‘something like’ an ancient Greek temple of healing. Using Baik Art’s unique architecture, viewers experience a literal (and perhaps figurative) katabasis (‘to go down’ as in a descent of some type), but more importantly, and ideally, a catharsis (‘cleansing’ or ‘purification’).
Numerous objects, found and constructed, engage with the verticality of Baik Art’s shaft-like space, surrounded by an installation of wall works including drawings, collages, and repurposed images. Several fabric sculptures fill the gallery functioning as apotropaic totems. These Guardian Figures suggest a ‘presence’, ideally something beyond the object.
Daytime and evening events will further activate the gallery a space for healing. Practitioners from a variety of fields will be on hand for consultation. Music for Healing or What You Need will present a sonic cleansing. Incubation and Dream Analysis will be an overnight event of guided sleep followed by dream analysis with a professional. Utilizing the healing properties of dog saliva, An Event for Wound Licking will be a participatory event pairing wounds with dogs. For the date and time of each event, please contact the artist at shonufwardell@hotmail.com.
In ancient Greece and Rome, an asclepeion was a healing temple, sacred to Asclepius, the Greek God of Medicine. These temples were places in which patients would visit to receive either treatment or some sort of healing, whether it was spiritual or physical. Epidaurus was the first place to worship Asclepius as a god, beginning sometime in the 5th century BCE.
Starting around 350 BCE, the cult of Asclepius became increasingly popular. Pilgrims flocked to asclepieia to be healed. They slept overnight (“incubation”) and reported their dreams to a priest the following day. He prescribed a cure, often a visit to the baths or a gymnasium. Since snakes were sacred to Asclepius, they were often used in healing rituals. Non-venomous snakes were left to crawl on the floor in dormitories where the sick and injured slept.
Matt Wardell seeks to prolong a sense of wonder while placing the viewer in a lingering position of active assessment. He is interested in how we choose to live and in introducing work that facilitates these investigations. Wardell enjoys walking on fences, answering wrong numbers, and giving directions to places he does not know. Uncomfortable laughter, confusion, and irritation tend to be the byproducts of Wardell’s works.
Wardell has exhibited his work at venues throughout the United States and Mexico, including the Museum of Modern Art in San Francisco (SFMOMA), Claremont Museum of Art in Claremont, Los Angeles Contemporary Exhibitions (LACE), REDCAT, PØST, Human Resources, Black Dragon Society, Mark Moore Gallery, and Commonwealth and Council, all in Los Angeles. Wardell is a founding member of the artist collective 10lb Ape.
Baik Art
2600 S. La Cienega Blvd., Los Angeles, California 90034
310.842.3892
My first attempt to shoot an image with the sole intention of over processing and seeing what I can do in post.
Doesn't do much for my taste, I think it's too overdone.
Image is taken from West Head Lookout, Sydney overlooking Lion Island
Taken in the back garden, thrown (literally) through lightroom. Not sure I really like it, a little over-processed perhaps, but I've not put a great deal on flickr of late, so just wanted to get the momentum back
I was going to use a photo of Jack as my PAD, as I took a few at a party he went to, but then Rich pointed out the moon and I decided to do my first moon photo of 2013.
A bit over processed, to try and bring out the details a bit more (I think I have a few moon photos in my stream now, hard to find different things to do with them really!)
27.01.13
Welcome to the most over processed photo ever. I am not proud of it.
I'm hungry...i'm going to get some food.
I'm back, i got some crisps and a light 'n' whippy chocolate bar..
I wasn't in the mood for anything this evening, i'm not feeling like my normal self today, and for this i apologize.
I was going to do todays photo dedicated to my Gammy, who died a year ago today, but i think i will do that in the week when Charlotte is over, as we were both very close to her, and i think it will mean more and be better if my best friend is in it.
Rest In Peace Gam's
Enjoy..
Coca-Cola facility. El Paso, TX. Clouds are real, as they were. Not added in post nor over-processed for effect.
Lonely tree... well not really there were like a hundred people walking here. I hated it, I love to go on walks (+/- 8km long walks) to clear my head and take the occasional snapshot and stupid me thought it was a good idea to go the Archerberg to do that. Big mistake it was crawling with tourist :-(
Anyhow I really like this picture but really couldn't figure out how process it without over-processing it so here it is with a few minor tweaks.
Used the good old Samyang 35mm for this shot!
I may have over processed this photo of Claire but I wanted to create a gritty look. Taken a day before her body conditioning competion.
A rare day of big waves and good light. Strange light, actually, in the way that it's cast shadows within the waves. These are all a bit too over-processed, but I'm all out of time just now. I should have thought to take some video!
Since this was in the video, I thought I'd go ahead and post it. I tried to over process it to make it look like the faded yellowed original photograph of the building. Please check out the video this is in HERE