View allAll Photos Tagged OVER-PROCESSED
A rare day of big waves and good light. Strange light, actually, in the way that it's cast shadows within the waves. These are all a bit too over-processed, but I'm all out of time just now. I should have thought to take some video!
Image adjusted and toned blue in Photoshop due to the photo lab's machine accidentally overdeveloping the roll of film that this image was on.
Image captured with an Agfa Click-I.
Thanks in advance for visiting my stream. I have a house-load of cleaning to do today so I will return after I've spic and spanned the cottage. Hope you all are enjoying a HSS!!! Talk with you soon! =)
I tried to balance the exposure to get the writing on the glass sharp and catch the buildings outside. I've over processed the stone work to one side of the window but I'm pleased enough with it to have another go soon!
An amazing sunset last night. Be honest and tell me if you think the sky is over-processed. I added a duplicate layer set to overlay (40%) to increase the contrast and add some ooomph. To be honest, the original isn't that much different.
Excavated in Italy, where much of production of Attic workshops ended up.
This plate is ascribed to Psiax, a contemporary of Andokides and Epiktetos who worked in both the red figure and black figure styles and is currently in the Andokides room (room 14) of the BM.
I visited the BM in June 2012, hadn’t been for possibly more than ten years. All the old friends were there, plus a few more. BM page here, where this work is compared (unfavourably) with the almost contemporary red figure archer on a plate by Epiktetos.
Shot on the Nikon D3100, with the kit lens, then processed (or possibly over-processed) in GIMP.
I truly adore this photo. There's not much to say about it, but I like the was i'm covering my face. Do you like the way i adjusted the colour or is it a bit to lurid and ''Over-processed'' ??
Quote by Mae West
I figured it's been an awfully long time (try two and a half months!!) since I posted something so I thought I'd throw something up. I just don't have the motivation much lately... I'm so tired out and I can't WAIT for November to graduate school and be DONE!
I look entirely over-processed here but I promise all I really did was a looot of airbrushing and a touch of dodging and burning :]
i dont usually go for the super over processed look, but i kinda like this...a lot.
im starting a 52 project on new year.(mainly because i dont have nearly enough time to do 365)
theme: music lyrics
whether its in the title or in the picture itself, itll be there. hope you guys like em :)
Instructions for an Incubation
EYE-DEE-QUE (Something Like an Asclepeion)
Matt Wardell
Feb 12-13, 2016 10pm-11am
Incubation is the practice of sleeping in a sacred area with the intention of experiencing a divinely inspired dream or cure. As the exhibition is loosely based on an ancient Greek temple of healing, we too will seek the inspired dream or cure. To encourage dreaming, the following is recommended:
Before arriving:
Avoid caffeine, sleeping pills, alcohol, and marijuana. (At least the hours just prior to sleep)
Relax- stretch, take a bath or a shower, be mindful, have intention. What ails you? What is the dream? What is the cure?
Bring something to record your dreams. Keep it by your side so when you wake up you can take notes as soon as possible. Just thinking about remembering your dreams will help you to remember them. Be prepared to draw and/or write the dream.
Bring something to be comfortable while sleeping. Bed roll, sleeping bag, air mattress, favorite blanket, Snuggie?
When thinking about dinner options, consider something with cheese, chicken, or salmon.
Avoid a heavy meal.
Consider breakfast. Perhaps bring an item to share?
Gabie Strong (and friends) 10pm-midnight
Music for Healing or What You Need # 2
Gabie Strong, Christopher Reid Martin, Ted Byrnes
February 12, 10pm-midnight
Baik Art
Please join us Friday, February 12 for an evening with Gabie Strong, Christopher Reid Martin, and Ted Byrnes. Themes of catharsis and cleansing will lead into a sonic space to prepare us to dream and, ideally, to heal. Between 10pm-midnight, Gabie Strong, Christopher Reid Martin, and Ted Byrnes will activate the space of Baik Art. For an optimal experience, be prepared to lie down.
An intrepid group will spend the night following the performance in the ancient Greek tradition of ‘incubation’. Your dreams will be interpreted the following morning by a professional. Please email Matt Wardell at shonufwardell@hotmail.com to reserve your spot. BYOB (Bring Your Own Bedding). Details of the overnight stay will follow. Space is very limited!!
Gabie Strong is a California artist and musician exploring spatial constructions of degeneration, drone and decay as a means to improvise new arrangements of self-reflexive meaning. Strong uses sound performance, radio broadcasting, environmental installation, photography and video as mediums for experimentation.
Her work has been presented on Kchung TV at the Hammer Museum’s Made in L.A. 2014 biennial exhibition, Pasadena Armory Center for the Arts, Knowledges at Mount Wilson Observatory, Pitzer Art Galleries, University Art Gallery UC Irvine, and LAXArt amongst others.
Strong has performed at MOCA, the wulf, Los Angeles Contemporary Archive, Printed Matter’s LA Art Book Fair, Art Los Angeles Contemporary, Human Resources, SASSAS, LACE, High Desert Test Sites, LACMA, the MAK Center for Art and Architecture, Jabberjaw, and with her all-female free-psych band Lady Noise for Dawn Kasper’s performances at the 2012 Whitney Biennial.
Strong’s work is an exploration of the affect of decay that is experienced from living in the spatial disorganization of the twenty-first century. This disorganization is the result of living in multiple non-places at once—both physical and virtual— where borders are both confining and permeable. I often collaborate with other artists, musicians and poets to create work that embodies the difference of lived experience.
Christopher Reid Martin is a multidisciplinary artist, currently residing in Los Angeles. He first began working with sound in Orange County in 2004, layering sounds from various field recordings of daily life which convey living truths and over processed instrumentation as the reactionary expression. These expressions came to birth the solo project known as of Shelter Death, as it has evolved into a project in which performance and sound interplay to make for a personal reactionary experience in a perpetually decaying world.
In 2010, Christopher had taken his creative endeavors into other avenues, releasing tracks under various formats under his shared Orange County based label Via Injection. Christopher's creative repertoire expanded when he began documenting his experience in countries outside the US, by taking field recordings, foreign radio recordings, and/or taking photographs. Photographs were either left unadulterated as they were taken or digitally manipulating and layered these with old scanned various schematics. This has lead to an ongoing body of work, which fuses reality in the form of photography, with corroded ideas in the form of chopped manipulated grids and manuals. Christopher has and continues to show work in a number of art shows and has performed live in a number of events in projects such as Bailouts, Via Injection, Shelter Death, and under his own name.
christopher-reid-martin.format.com/
Ted Byrnes is a drummer/percussionist living in Los Angeles. An alumnus of the Berklee College of Music in Boston, MA, he comes from a jazz background and has since made his home in the worlds of free improvisation, new music, electro-acoustic music, and noise.
Ted primarily works in ad hoc improvisational settings, but has standing improvisational groups including: a group with Ulrich Krieger, a duo with Jeff Parker, a duo with Chris Cooper (AQH), a duo with Nicholas Deyoe, a duo with John Wiese, a duo with Scott Cazan, a trio with Jacob Wick and Owen Stewart-Robertson, among others. Additionally, Ted has played in duo/trio/or ensemble settings with: Mazen Kerbaj, David Watson, Ingebrigt Haker Flaten, Charlemagne Palestine, Alfred 23 Harth, Tim Perkis, Jaap Blonk, Torsten Muller, Kim Myhr, Jim Denley, Lloyd Honeybrook, Chris Schlarb, Mike Watt, Paul Masvidal, the LAFMS (including Smegma, Airway, Ace Farren Ford’s Artificial Art Ensemble, Rick and Joe Potts, Fredrik Nilsen, Tom Recchion, Vetza, etc), Sissy Spacek (the band), Maher Shalal Hash Baz, and more.
Ted has also collaborated with / worked for a variety of visual artists: he has accompanied a Doug Aitken “happening”, collaborated with Olivia Booth to play her glass artworks, collaborated with Dani Tull on a sound performance, performed with John Knuth and Bret Nicely at an installation in an empty pool, and has performed for FLUXUS artist Jeff Perkins on multiple occasions for his projector/light installations.
Currently, Ted is delving further into the possibilities and realities of solo drumset performance in addition to continuing to work with his existing projects.
An offering will be made of cheesecake and figs. Lights will be extinguished.
Daniel Pontius 9am-11am
Daniel Pontius will provide individual consultations of your dreams.
Designer and co-owner of SIMEONA LEONA, Daniel Pontius’ approach to intuitive dream analysis looks at the archetypal language of the collective unconscious filtered through the dreamer’s personal symbology. You are the oracle. This approach assists the dreamer to develop their own narrative in what may feel like an esoteric dream-world. It empowers the dreamer to become their own oracle—to find their own guidance and council to questions and concerns.
Daniel Pontius’ first job out of graduate school (MA Interior Design, 2003. WSU Interdisciplinary Design Institute) was making curtains for a 17th century Wiltshire, England manor house, updated in 1908 by Detmar Blow. Arriving in Manhattan after London, he sourced and designed custom fabrics and furniture for Clodagh Design International Interiors, followed by a key position in the Interiors Department of Deborah Berke and Partners Architects.
In 2008, his love of textiles and design brought him to Los Angeles where he began working on interiors as well as crafting custom pillows and hand-embellished textiles from vintage and antique materials for Pat McGann Gallery, Blackman Cruz and Hallworth Design. In 2014, Daniel Pontius and Cirilo Domine opened SIMEONA LEONA, an imaginatively curated design gallery located in Los Angeles’ emerging Koreatown neighborhood. The gallery spotlights the singular and the beautiful; focusing on simplicity and proportion.
Please be aware that the gallery will open to the public starting at 11am.
Please be prepared to bring an offering (suggested $5-20 donation) to compensate our artists.
And, be aware that a liability waiver must be signed to participate in the overnight event.
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EYE-DEE-QUE (Something Like an Asclepeion)
Matt Wardell
January 9 - February 13, 2016
Baik Art presents EYE-DEE-QUE (Something Like an Asclepeion), a solo installation and series of events by Los Angeles artist Matt Wardell.
For the exhibition, Wardell will present an immersive environment of images and objects by channeling ‘something like’ an ancient Greek temple of healing. Using Baik Art’s unique architecture, viewers experience a literal (and perhaps figurative) katabasis (‘to go down’ as in a descent of some type), but more importantly, and ideally, a catharsis (‘cleansing’ or ‘purification’).
Numerous objects, found and constructed, engage with the verticality of Baik Art’s shaft-like space, surrounded by an installation of wall works including drawings, collages, and repurposed images. Several fabric sculptures fill the gallery functioning as apotropaic totems. These Guardian Figures suggest a ‘presence’, ideally something beyond the object.
Daytime and evening events will further activate the gallery a space for healing. Practitioners from a variety of fields will be on hand for consultation. Music for Healing or What You Need will present a sonic cleansing. Incubation and Dream Analysis will be an overnight event of guided sleep followed by dream analysis with a professional. Utilizing the healing properties of dog saliva, An Event for Wound Licking will be a participatory event pairing wounds with dogs. For the date and time of each event, please contact the artist at shonufwardell@hotmail.com.
In ancient Greece and Rome, an asclepeion was a healing temple, sacred to Asclepius, the Greek God of Medicine. These temples were places in which patients would visit to receive either treatment or some sort of healing, whether it was spiritual or physical. Epidaurus was the first place to worship Asclepius as a god, beginning sometime in the 5th century BCE.
Starting around 350 BCE, the cult of Asclepius became increasingly popular. Pilgrims flocked to asclepieia to be healed. They slept overnight (“incubation”) and reported their dreams to a priest the following day. He prescribed a cure, often a visit to the baths or a gymnasium. Since snakes were sacred to Asclepius, they were often used in healing rituals. Non-venomous snakes were left to crawl on the floor in dormitories where the sick and injured slept.
Matt Wardell seeks to prolong a sense of wonder while placing the viewer in a lingering position of active assessment. He is interested in how we choose to live and in introducing work that facilitates these investigations. Wardell enjoys walking on fences, answering wrong numbers, and giving directions to places he does not know. Uncomfortable laughter, confusion, and irritation tend to be the byproducts of Wardell’s works.
Wardell has exhibited his work at venues throughout the United States and Mexico, including the Museum of Modern Art in San Francisco (SFMOMA), Claremont Museum of Art in Claremont, Los Angeles Contemporary Exhibitions (LACE), REDCAT, PØST, Human Resources, Black Dragon Society, Mark Moore Gallery, and Commonwealth and Council, all in Los Angeles. Wardell is a founding member of the artist collective 10lb Ape.
Baik Art
2600 S. La Cienega Blvd., Los Angeles, California 90034
310.842.3892
it's really late and i am finding myself far from tired. the moon is not out nor are any cool cloudscapes, and i have nothing to edit. so i pulled out some photo discs and was going through my archive when i found this picture. it was taken back in pittsburgh and is still (according to Flickr) my most interesting photo. but i found it to be to over processed and quite full of grain. so i retone-mapped it and reedited, and i'm sharing it with you. so what do you think?
Any Critique/Advice is Much Appreciated
HDR from Single RAW Image
Was reworking an old photo with my new NIK plugins (awesome) when I over-processed it to the point where it reminded me of those campy postcards from the 50's & 60's, so I turned it into one.
so I have this goofy habit of always writing this or some other silly thing on the sides of all my coffee cups. I dunno, it just makes me giggle. ;-)
this is really over processed but that's actually the sort of look I was going for so I feel it turned out well.
go forth and drink love potion ya'll!
side note: the power went out on me this morning during my shower. how weird is that?!?! I sure hope its back on when I get home from work. have a great weekend!
Sometimes you can over-process an image and very occassionally it works to good effect. I think in this case it does, but then again photography is such a subjective discipline who knows how it will be received. I thought i'd submit this to find out what fellow Flickerers made of this image, so please feel free to tell me what you think, thanks Mike
I shot this as a part of the 24 hour photo competition held by Photobox, through their Facebook page, this past Wednesday. It was 24 hours with 24 different themes. A new theme was introduced each hour and the shots had to be done in real time for some pretty great prizes.
The theme for the hour was 'amazement' and this over-processed shot still makes me laugh even though the high pass filter makes me look older, craglier and splotchier than I am. Still, I was pretty happy with myself for coming up with it and had no idea how this image would end up relating to the contest as a whole.
During each hour the contestants could see the other images for the given competition. It was pretty high energy and fun at first and some of the entries were very good but the vast majority were pretty sad. There was an obvious disparity between the good images and the not-so-good. The fun drained away for me at about hour five when they started posting the winners from the first few hours. It seemed as if they were simply drawing them from a hat and some didn't even match the themes.
This is when it turned ugly. A few people called the Photobox people on it complaining that the winners were pretty random not to mention amateurish. These poor souls who were justly annoyed were instantly pounced upon by the masses claiming sour grapes. There was an obvious backlash against people who knew their way around a camera as there were plenty of comments from people saying they were happy that the people with better equipment and/or skill (<-- this was my favorite... gah...) wouldn't be dominating the contest while lauding praise upon some pretty sorry winning images. I sat there dumbfounded. It was a photo contest with rules stating the photos would be judged on technical and creative photographic merits and yet this was clearly not what they were selecting. I didn't pipe up because I've been around the web too long to get dragged into a flame war so easily but I agreed with and felt for dissenters as the horde ripped at them.
I really like the work Photobox does as far as their printing and shipping go but I think I won't bother with their contests again... oh and I might change this image so the paper reads, "Photobox 24 winning images list" because, well, had you seen all the entries you'd know that the choices they made were pretty... um... amazing.
So Sing Your Life.
Yay for playing drunken dress-up. I mean, seriously, what the hell is this? It's a super posed, over-processed homage of sorts to cabarets, and it's...well...silly. But it was the best shot of the bunch, because, like i said, it was DRUNKEN dress-up. I never expect too much of myself on those days.
ANYWAY, for Theme of the Week's "Lyrically Inspired," here's some Morrissey. Happy Morrissey to be more specific.
And here's my chance to walk right up to the microphone and name
All the things i love: (Cats, vodka, pixy stix, a certain someone...)
And all the things i loathe: (Meat, most people, romantic comedies...)
34/365
I just keep on experimenting... Both in-camera and in post-processing. In this one, I tried to change the contrasts separately in the sky and the lighthouse. Oddly enough, I think the result is almost a bit HDR-ish, and possibly a bit over-processed for my taste. But who knows, maybe I ought to give HDR a try next... :-)
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*** This photo was developed on a Mac (and might look darker than intended if viewed on a PC).
I've just been toying with over-processing some of my photos. This is from the 2014 California Mille.
Austin Healey 100M
In general I try to avoid over-processed images. In fact, I try to avoid post-processing altogether. However, to fit a self-portrait into the :black:yellow:white: group, a bit of post-processing was necessary. I decided to go somewhat overboard.
Looking up from a boat from the canal in Birmingham, totally over processed but ... well I like it anyway!
unfortunatly had to really over process this shot to rescue it.... end result not brilliant but i can live with it... question is can you??
I feel like I am over processing my photos. It is addicting though-I love messing around in Elements and seeing what I can come up with. Maybe I'll start posting photos SOOC (or maybe just slight editing :)
The Gefion Fountain. Strolling along the waterfront near Kastellet in the evening. Didn't notice the massive cloud bank at the time. Maybe a bit over processed, but I liked the slight HDR effect.
Model: Emma Shadbolt
www.spotlightmodels.co.uk/#!emma-shadbolt/c71b
Can't quite decide how much I like this. Was looking for a fashion ad look, so happy with it being a little over processed, but unsure about skin tones.
Feedback appreciated!
I liked the picture but it wasn't very interesting...until I slammed the sliders!!!
Edgewater
Elgin, Illinois 42.007870, -88.348092
March 4, 2020
COPYRIGHT 2020 by JimFrazier All Rights Reserved. This may NOT be used for ANY reason without written consent from Jim Frazier.
200304cz7-5604instagram 1080
As I am totally overloaded at present I was not planning to visit the Students Summit in the Mansion House on Dawson Street but I ended in the area at five o’clock so I decided to pay a quick visit but I remained for the full event as all the presentations were very interesting.
My Sony NEX-7 is not really suitable for low-light conditions so the photographs may appear over-processed because I applied a lot of noise reduction.
The Union of Students in Ireland (USI) is the national representative body for third level students' in Ireland. Founded in 1959, USI now represents more than 354,000 students in over forty colleges across the island of Ireland. The goal of the USI is to work for rights of students and a fair and equal third level education system in Ireland. USI shares the view that by empowering their membership with business acumen they can help shape the future to be a better place for everyone. The Student Summit does exactly this. Students are the energetic life force to preserve and power the future of Ireland's economy.
OK, so I'm trying something different for Sliders Sunday. I do agree with Ray www.flickr.com/people/raymondpfg/ re. the distracting background in the original shot so rather than just soften it a bit, I went "all the way" and gave it a soft, glowy effect. Which is better?
Thanks everyone for your thumbs up, but since I'm not a big fan of over processed images (no, really) I still have a hard time liking the "glowy" one. I may just go back to re-shoot it, for my own sake.
Shot on iPhone 7 Plus.
Take an ordinary street photo and over process it with a vintage feel to get... ummmmmm.
August 8, 2014 - Northwest of Kearney Nebraska
Prints Available...Click Here
All Images are also available for...
stock photography & non exclusive licensing...
Late evening on hot and humid August evening in Nebraska. Warnings popped up about an hour before this storm was even visible to the eye over the horizon at sunset.
Spectacular Colors emitting from this stacked supercell. Cloud to Cloud Lightning shooting off every few seconds made this a storm chasers dreamscape.
Gear in hand that evening I traveled north out of Odessa Nebraska. Now about 2 miles to the east of Amherst Nebraska. This storm was strengthening and moving almost due south, southeast, meaning it was coming right at my location.
It would be a Historic Event to capture! Now remastered to the original color with no enhancements. Enjoy!
*** Personal Note ***
January 2020
It has been awhile since I have come back to this set of images.
Original Set of Images can be found here on Flickr
This set of images is and still has been the most stolen set of images I have on the web on several platforms. Literately millions of views with no link back to my work or my photostream. Probably why I haven't revisited this set til now.
Just to let you know, those images were WAY over processed, over saturated etc. Yes I'm guilty. But it was the way I did things back then. I don't anymore.
Every year I go back and edit a few sets of images that deserve to be re-edited or reprocess from raw. I'm also adding several images from this set I didn't share last time around.
Beautiful storm photography from my best of 2014 Collection!
*** Please NOTE and RESPECT the Copyright ***
Copyright 2014
Dale Kaminski @ NebraskaSC Photography
All Rights Reserved
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
#ForeverChasing
#NebraskaSC
Through the magic of over-processing, the skies over the Old Hokkaido Prefectural Building look very dark and gloomy in a picture taken originally in March of 2020.
One of my favourite beaches...
This is another HDR from 5 bracketed shots - this time shot hand-held. I know...it's over processed...but I still quite like it.
A test of technology; it was essentially pitch black, 45 minutes after sunset, when this arrived at Arnside, I cranked up the ISO and over processed; maybe the impressionistic image will appeal to someone other than me! Test run for the WCRC loco from Carnforth, up the Cumbrian coast and back. Yes the shutter speed was perhaps higher than needed, but the loco seemed to be getting faster as it got closer!
I've reloaded this bit of fun to show what can be done with four different views, though I am certainly not one to try and teach anyone how to use photoshop. All at ISO 8000, as the loco got closer I increased shutter speed, up to 1/800 sec, rather too high but the loco seemed to be moving faster! Top left, straight out of the camera, below that, just a little brightening. On the right, much more brightness, bottom right with colour temperature shifted to give a feel for the 'real' colours. All taken from JPEGs out of the camera. Note on the bottom right image you can see the wires that actuate the semaphore running by the tracks. Overall, feel free to go to the pub at this time of day!