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House of Shadows late sun hitting old houa creates strong shadows making this old relic look as if it is haunted, shot in North Carolina.
WWH33L was a Daimler Fleetline CRG6LXB / Park Royal H43/32F new as SELNEC 7175 in May 1973. It later passed to Greater Manchester and was a Bolton allocated bus. On disposal it passed to Fareway for use in Liverpool. Four ambitious Merseybus drivers mortgaged their houses and bought ten secondhand buses and started Fareway operating in the north of Liverpool. The company quickly grew to have a fleet of 70, offering a service very different from the public sector ethos of Merseybus, which was privatised in 1991 as an employee buy out. Fareway created a good image and won a large part of the north Liverpool market, so Merseybus bought Fareway and closed it down.
Pictures of some of the aircraft taking part in Red Flag 22-1 at Ellis Air Force Base, Las Vegas Nevada
Sitting in a park in Paris, France
Reading the news and it sure looks bad
They won't give peace a chance
That was just a dream some of us had
Still a lot of lands to see
But I wouldn't want to stay here
It's too old and cold and settled in it's ways here
Oh, but California
California I'm coming home
I'm going to see the folks I dig
I'll even kiss a Sunset pig
California I'm coming home
Editorial da Vogue Italiana de Setembro de 2007.
Para mais informações, www.vistase.net/?p=791
Scans de jesuisjane.blogspot.com/
Operator- Catteralls of Southam
Operating Area- Warwickshire
Make- Vanhool
Model- Astromega TX27
Chassie-
Fleet No- N/A
Reg- UUI 8256
Location Seen- Ruyton-XI-Towns Shropshire
Service- N/A
Info-
Seen- 22/5/23
The Chimney Rock segment of the Crooked Wild and Scenic River is becoming increasingly popular for all kinds of recreation. Thousands of people visit each year to enjoy the incredible fishing, camping, and scenic views.
The area provides for many types of recreation activities including: camping, fishing, hiking, and driving, or bicycling on the Crooked River Backcountry Byway. A paved portion of the 43-mile long Crooked River Back Country Byway winds its way through the river canyon. It’s got it all!
Check out this amazing stretch of river and start your adventure right here:
blm.gov/d8ld
Photo by Bob Wick, BLM
Because of the proximity of East Midlands Airport (the circuit is just across the road from one end of the runway) aircraft taking off or landing are a familiar sight during meetings at Donington Park. Most of the meetings I've attended there have also included a short flying display during the lunch break, and the SeeRed meeting in September 2007 was no exception. This is a Supermarine Spitfire PR Mk XIX which was a photo reconnaissance version of the aircraft, and this one bears the black and white stripes that were painted on allied aircraft to reduce the chances that they would be fired on by friendly forces during and after the Normandy Landings. It is now registered G-RRGN. A note in the programme of the event says: ‘Thanks to Rolls-Royce and Sir Ralph Robins who have organised not only for their WW2 Spitfire, flown by John Allison, to be demonstrated on Saturday, but also for a fly-by from the Red Arrows at Saturday lunchtime.’ I don’t remember the Red Arrows fly-by and I’ve certainly got no photos of it.
German postcard by Kolibri-Verlag, Nubdeb/Westf., no. 600. Photo: Warner Bros. Clark Gable in Band of Angels (Raoul Walsh, 1957). Collection: Geoffrey Donaldson Institute.
With his natural charm and knowing smile, Clark Gable (1901-1959) was 'The King of Hollywood' during the 1930s. He often portrayed down-to-earth, bravado characters with a carefree attitude, and was seen as the epitome of masculinity. Gable won an Academy Award for Best Actor for It Happened One Night (1934), and was nominated for leading roles in Mutiny on the Bounty (1935) and for his best-known role as Rhett Butler in Gone with the Wind (1939).
William Clark Gable was born in 1901 in Cadiz, Ohio, to Adeline (Hershelman) and William Henry Gable, an oil-well driller. He was of German, Irish, and Swiss-German descent. When he was seven months old, his mother died, and his father sent him to live with his maternal aunt and uncle in Pennsylvania, where he stayed until he was two. His father then returned to take him back to Cadiz. At 16, he quit high school, went to work in an Akron, Ohio, tire factory, and decided to become an actor after seeing the play The Bird of Paradise. He toured in stock companies, worked oil fields and sold ties. His acting coach Josephine Dillon, 15 years his senior, paid for him to have his teeth repaired and his hair styled. She also trained him to lower his voice and attain better body posture, attributes that that were instrumental in contributing to his later success and eventual iconic status. In 1924, with Dillon's financing, they went to Hollywood, where she became Gable's manager and first wife. He appeared as an extra in silent films between 1924 and 1926. However, he was not offered any major film roles, so he returned to the stage. While Gable acted on stage, he became a lifelong friend of Lionel Barrymore. He moved to New York City, where Dillon sought work for him on Broadway. He received good reviews in Machinal (1928). He gave an impressive appearance as the seething and desperate character Killer Mears in the Los Angeles stage production of The Last Mile. In 1930, Gable and Dillon divorced and a year later, he married Maria Langham (a.k.a. Maria Franklin Gable), also about 17 years older than him. After several failed screen tests, Gable was signed in 1930 by MGM's Irving Thalberg. He made his talking film debut as an archetypal villain named Brett in the Western The Painted Desert (Howard Higgin, 1931), starring William Boyd. Joan Crawford asked for him as co-star in Dance, Fools, Dance (Harry Beaumont, 1931) and the public loved him manhandling Norma Shearer in A Free Soul (Clarence Brown, 1931) the same year. His unshaven lovemaking with bra-less Jean Harlow in Red Dust (Victor Fleming, 1932) made him MGM's most important star. His acting career then flourished. At one point, he refused an assignment, and the studio punished him by loaning him out to (at the time) low-rent Columbia Pictures, which put him in Frank Capra's It Happened One Night (1934) opposite Claudette Colbert. He won an Academy Award for his performance. The next year saw a starring role in Call of the Wild (William A. Wellman, 1935) with Loretta Young, with whom he had an affair (resulting in the birth of a daughter, Judy Lewis). He returned to far more substantial roles at MGM, such as Fletcher Christian in Mutiny on the Bounty (Frank Lloyd, 1935) and Rhett Butler in the Oscar-winning epic Gone with the Wind (Victor Fleming, 1939).
After divorcing Maria Langham, Clark Gable married Carole Lombard in 1939, but tragedy struck in January 1942 when the plane in which Carole and her mother were flying crashed into Table Rock Mountain, Nevada, killing them both. A grief-stricken Gable joined the US Army Air Force and was off the screen for three years, flying combat missions in Europe. When he returned the studio regarded his salary as excessive and did not renew his contract. He freelanced, but his films didn't do well at the box office. He starred in such films as The Hucksters (Jack Conway, 1947) and Homecoming (Mervyn LeRoy, 1948) with Lana Turner. He married Sylvia Ashley, the widow of Douglas Fairbanks, in 1949. Unfortunately this marriage was short-lived and they divorced in 1952. In July 1955 he married a former sweetheart, Kathleen Williams Spreckles (a.k.a. Kay Williams) and became stepfather to her two children, Joan and Adolph ("Bunker") Spreckels III. In 1959, Gable became a grandfather when Judy Lewis, his daughter with Loretta Young, gave birth to a daughter, Maria. In 1960, Gable's wife Kay discovered that she was expecting their first child. In early November 1960, he had just completed filming The Misfits (John Huston, 1961) with Marilyn Monroe, when he suffered a heart attack, and died later that month. Gable was buried shortly afterwards in the shrine that he had built for Carole Lombard and her mother when they died, at Forest Lawn Cemetery. In March 1961, Kay Gable gave birth to a boy, whom she named John Clark Gable after his father.
Sources Ed Stephan (IMDb), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
Serpent Camel Eye of the Sphinx Tiger is a 2021 American contemporary Oriental film directed by Madame Kunst and shot entirely on iPhone. It was released independently on YouTube. In 2022, "Serpent Etc" was included as part of the Parallel Play film screening at Burnt Oak Gallery in California.
watch Serpent Camel Eye Of The Sphinx Tiger: Un Film Oriental (2021) on YouTube!
Original Artists’ Statement
We wanted to make places that don’t exist, with rich iconographies pointing to nowhere. An indeterminate zone (“The Orient”) through which identity can fracture like refracted light. It’s a made up place where there is no there - yet the impacts of orientalism are felt materially, pooling around people and places of need to Other their struggles. This flattening of identity gives calm to the colonial gaze, as dehumanization creates objects and empathy gets in the way of control. Were they just terrorists asking for it, or just objectified massage workers. The gaze doesn’t ask. We wanted to meet and return this gaze to the spectator. Perform the liminalities of self made and imposed identities. Serpent Camel Eye of the Sphinx Tiger.
2021
"What is the House of Eorl but a thatched barn where brigands drink in the reek, and their brats roll on the floor among the dogs?" - Saruman the Many-Coloured
An attempt to enter two different competitions in one swoop; The 12x12 category of the Summer Joust, and the Open round of the Middle Earth Lego Olympics.
A little echo to my Eowyn build of previous years: flic.kr/p/2oYPf29
As in previous years, I'm taking inspiration from Leia Ham's LOTR: Middle Kingdom series:
images.squarespace-cdn.com/content/v1/584a5cdbff7c5026f7c...
Nikon D800 and 70-200 mm F 2.8 lens photoshoot of beautiful redhead Swimsuit Bikini Model Goddess with Pretty Blue Eyes and wavy blond hair.
Here is some awesome video I shot at the same time as the stills with the Sony Alpha NEX 6 camera with the 16-50 mm power zoom kit lens for nex6 e mount cameras bracketed to my Nikon D800:
www.youtube.com/watch?v=CYfDWw7w1uk
www.youtube.com/watch?v=sZ8v2zzItis
Combine the shallow-depth-of-field with Sony NEX-6 latest face-tracking auto focus, and you can see how the moving video keeps the model's pretty blue eyes in focus, while blurring the background! The Sony Alpha NEX 6 has much better bokeh than the cameras I have been using! :)
She was tall, thin, fit, toned, defined, and beautiful! Pretty blue eyes and firery red hair!
Modeling the Gold 45 Revolver(TM) Gold'N'Virtue(TM) Bikini!
Nikon D800E Photographs of a Beautiful Sandy-Blonde/Brunette Swimsuit Bikini Model shot with the new Nikon D800 and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens.
Shot in both RAW & JPEG, but all these photos are RAWs finished in Lightroom 5.3 ! :)
May the HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey!
All the Best on Your Epic Hero's Journey from Johnny Ranger McCoy!
Modeling the black & gold "Gold 45 Revolver" Gold'N'Virtue swimsuits with the main equation to Moving Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:
herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
The books behind the pretty goddess on the Malbu bluff and surfboard are The Decline and Fall of the Roman Empire by Edward Gibbon, Homer's Iliad, Homer's Odyssey, Shakespeare, and Herman Melville's Moby Dick! My favorite books! Will have some video of the pretty model reading them beside a campfire soon.
They're all collectors editions! My books cost as much as my surfboards!
And for those who always ask, I shoot in RAW! Always! :)
The Tao of the Portland Japanese Garden: Japanese Maple Tree Mixed Autumn Colors: Yellow Orange Green Red Leaves Fine Art Landscape Nature Photography! Fuji GFX100 Zen Tao Photography! Elliot McGucken 45EPIC Master Medium Format Photographer Fuji GFX 100 & Fujinon Fujifilm GFX Lens!
Epic Fine Art Photography Prints & Luxury Wall Art:
Support epic, stoic fine art: Hero's Odyssey Gear!
Follow me on Instagram!
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Best wishes on your Epic Odyssey!
Homer: Tell me, O muse, of that ingenious hero who traveled far and wide after he had sacked the famous town of Troy. Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home. . . --Homer's Odyssey, Book I
Note on reverse.
From Trevor Henshaw's The Sky Their Battlefield. F.E.2d A6355 from 57 Squadron RFC, was on "line patrol" near Noyelles on 29th of April 1917 when at around 9:55am it was shot down by Unteroffizier F. Gille of Jasta 12. It's crew of 2Lt E. Percival and 2Lt F.A.W. Handley were uninjured and taken prisoner.
Lt. Manfred von Richthofen of Jasta 11 describes one of his aerial victories in. Bloody April - Slaughter in the skies of Arras, 1917 by Peter Hart.
"Together with seven of my aircraft, I attacked an enemy squadron west of Lens. The aircraft I had singled out caught fire after I had discharged 150 shots into it from a distance of 50 metres. The aircraft fell burning. The occupant of the aircraft fell out of it at a height of 500 metres. Immediately after it crashed on the ground, I could see a heavy black smoke-cloud rising. The aircraft burned for some time with frequent flares of flame."
One of the side passageways in the Library of Congress. Love the shiny gold ceiling.
The building was renamed to the "Thomas Jefferson Building" in 1980. It was completed in 1897 and has one of the most elaborate interiors I've ever seen outside a church. I have a lot of pictures of it! :)
Hand-held over my head.
You really should view on black.
On Explore/interestingness for December 27; highest position #374
GRG26/5/4 Photographic Portraits of South Australian Soldiers, Sailors and Nurses who took part in World War One
Number 1556 GARRIE, Frederick James
11th Light Horse Regiment & Army Service Corps
Place of birth: Fremantle W A
Residence : Adelaide
SRSA ref: GRG26/5/4/1556
A Port Authority Chevy Caprice patrolling near the World Trade Center memorial in Lower Manhattan, New York. The Port Authority of New York and New Jersey, as the name suggest, is an inter-state agency that patrols and protects places like sea and airports.
traveladventureeverywhere.blogspot.com/2024/06/saint-pete...
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
Detail of a stained glass window in St. Mary Magdalene Catholic Church in Omaha, Nebraksa, USA
Window by Mayer of Munich; it was installed in 1920
Niccolo di Tommaso, Venedig ca. 1320 - ca. 1410
Geburtsvision der hl. Birgitta von Schweden - St. Bridget and the Vision of the Nativity (ca. 1373 - 75)
Pinacoteca Vaticana, Rom
Effigy (c. 1199) on the tomb of King Richard I of England (front) and Queen Isabella of Angoulême (back). Richard I was known as Richard Cœur de Lion or Richard the Lionheart because of his reputation as a great military leader and warrior.
The Royal Abbey of Our Lady of Fontevraud was a monastery in the village of Fontevraud-l'Abbaye, near Chinon, France.
The abbey was founded in 1101 by the itinerant preacher Robert of Arbrissel. The first permanent structures were built between 1110 and 1119.
The area where the Abbey is located was then part of what is sometimes referred to as the Angevin Empire. The King of England, Henry II, his wife, Eleanor of Aquitaine, and son, King Richard the Lionheart were all buried here at the end of the 12th century.
It was disestablished as a monastery during the French Revolution.
The complex of monastic buildings served as a prison from 1804 to 1963. Since 1975, it has hosted a cultural centre, the Centre Culturel de l'Ouest.
A major restoration was completed in 2006. The abbey is now a UNESCO World Heritage Site and a historic monument of France.
"Thraupis é género de aves passeriformes da família Thraupidae que compreende nove espécies de sanhaçus ou sanhaços. Tais ocorrem somente na América Latina, desde o México até a Argentina.
Seu habitat preferido são as áreas semi-abertas, porém alguns, como o sanhaçu-cinzento e o sanhaçu-do-coqueiro, vivem em áreas urbanas. Eles se alimentam de frutas, néctar e insetos capturados em vôo" - Fonte: Wikipedia
"Thraupis is sort of passeriforms birds of the Thraupidae family who understands nine species of sanhaçus or sanhaços. Such only occur in Latin America, since Mexico until Argentina.
Its preferred habitat is the half-open areas, however some, as the sanhaçu-gray and the sanhaçu-do-coconut palm, live in urban areas. They feed of fruits, nectar and insects captured in flight" - From: Wikipedia
Port Soderick is a small hamlet and former day tripper resort to the south of Douglas, once famed for its pleasure grounds, leisure facilities and beach developed by the Forrester family in late Victorian times.
Click here for more photographs of the abandoned resort of Port Soderick: www.jhluxton.com/Isle-of-Man/The-Industrial-Archaeology-o...
Port Soderick is linked to Douglas by the Isle of Man railway but prior to World War II a funicular railway connected the resort to the Marine Drive electric tramway which provided an alternative transport link to Douglas. A passenger ferry service also operated to Douglas Harbour.
With the decline of the Manx Tourist industry the resort has fallen on hard times, all except the now state owned Glen lay abandoned.
The Hotel, which, traded as the anchor until the early 2000’s, under the proprietor ship of a ‘celebrity chef’, lay abandoned until demolition in 2017.
In 2016 and the site was sold to Heritage Great Britain plc – owners of such popular attractions as Land’s End and the Snowdon Mountain Railway.
The following year, 2017 the site was sold on again to a local company Ballacrega Estates which resulted in a clean up of the site, demolition of the northern coastal walkway, the hotel and café buildings, cleaning out shingle and stones from the paddling pool and repairs to the former dance hall / amusement arcade building.
"In loving memory of Anne wife of Andrew Chapman died January 11th 1905 aged 58 years. Also Francis died December 18th 1899 aged 10 years. Isabella Sinclair died June 1891 aged 5 years. Isabella Sinclair sister of the above Anne died April 24th 1903 aged 71 years. Also Mary D. Chapman died October 25th 1905 aged 23 years. Also the above Andrew died February 9th 1922 aged 72 years"
Linthorpe Cemetery
This picture shows the entrance of a building in Pyongyang. It was taken with a flash, back from restaurant. You need to understand that there is no public lights in Pyongyang, so everything is dark! Thanks to the flash, i could make some pictures, but i had to stop quickly..
© Eric Lafforgue
WATERS TO THE WEST OF THE KOREAN PENINSULA (March 11, 2015) The littoral combat ship USS Fort Worth (LCS 3), front, along with the guided-missile destroyers USS Michael Murphy (DDG 112) and USS John S. McCain (DDG 56), destroyer ROKS Eulji Mundeok (DDH 972), and Ulsan-class frigate ROKS Jeju (FF 958) operate together during Foal Eagle 2015. Foal Eagle is a series of annual training events that are defense-oriented and designed to increase readiness and maintain stability on the Korean Peninsula while strengthening the Republic of Korea-U.S. alliance and promoting regional peace and stability of the Indo-Asia-Pacific region. (U.S. Navy photo courtesy of ROK Navy / Released)
Reception Day for the Class of 2015 began early June 27 with new cadets beginning the transformation from civilian to West Point cadet. Photo by Mike Strasser, West Point Public Affairs
The ancient city of Persepolis is a UNESCO World Heritage site.
UNESCO: "Persepolis, whose magnificent ruins rest at the foot of Kuh-e Rahmat (Mountain of Mercy) in south-western Iran, is among the world’s greatest archaeological sites. Renowned as the gem of Achaemenid (Persian) ensembles in the fields of architecture, urban planning, construction technology, and art, the royal city of Persepolis ranks among the archaeological sites which have no equivalent and which bear unique witness to a most ancient civilization. The city’s immense terrace was begun about 518 BCE by Darius the Great, the Achaemenid Empire’s king. On this terrace, successive kings erected a series of architecturally stunning palatial buildings, among them the massive Apadana palace and the Throne Hall (“Hundred-Column Hall”)."
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Set in it's own tranquil garden the Tiantan, or the Temple of Heaven (天坛), is a religious complex in south Beijing, and considered one of the finest examples of Ming architecture. For five centuries the Temple of Heaven was the centre of imperial symbolism and ceremony of the Ming and Qing dynasties.
The temple complex was constructed from 1406 to 1420 during the reign of the Yongle Emperor, who was also responsible for the construction of the Forbidden City in Beijing. The complex was extended and renamed Temple of Heaven during the reign of the Jiajing Emperor in the 16th century. The Temple of Heaven was renovated in the 18th century under the Qianlong Emperor. Due to the deterioration of state budget, this became the last large-scale renovation of the temple complex in the imperial time.
Earth was represented by a square and Heaven by a circle; several features of the temple complex symbolize the connection of Heaven and Earth, of circle and square. The whole temple complex is surrounded by two cordons of walls; the outer wall has a taller, semi-circular northern end, representing Heaven, and a shorter, rectangular southern end, representing the Earth.
In ancient China, the Emperor of China was regarded as the Son of Heaven, who administered earthly matters on behalf of, and representing, heavenly authority. To be seen to be showing respect to the source of his authority, in the form of sacrifices to heaven, was extremely important. The temple was built for these ceremonies, mostly comprising prayers for good harvests.
Twice a year the Emperor and all his retinue would move from the Forbidden city through Beijing to encamp within the complex, wearing special robes and abstaining from eating meat. No ordinary Chinese was allowed to view this procession or the following ceremony. In the temple complex the Emperor would personally pray to Heaven for good harvests. The highpoint of the ceremony at the winter solstice was performed by the Emperor on the Earthly Mount. The ceremony had to be perfectly completed; it was widely held that the smallest of mistakes would constitute a bad omen for the whole nation in the coming year.
4256 Muz Cesar Karel in General Borojević med obiskom polka v Furlaniji Emperor Charles I of Austria and GeneralBorojević during a visit to the regiment in Friuli Vojaški muzej Slovenske vojske in Park vojaške zgodovine Pivka Military Museum of the Slovenian Armed Forces and Military History Park Pivka 2014 S 2339 PivkaMuz_031
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Charles I of Austria or Charles IV of Hungary (Karl Franz Joseph Ludwig Hubert Georg Otto Marie; 17 August 1887 – 1 April 1922) was, among other titles, the last ruler of the Austro-Hungarian Empire. He was the last Emperor of Austria, the last King of Hungary,[1] and the last monarch of the House of Habsburg-Lorraine. He reigned from 1916 until 1918, when he "renounced participation" in state affairs, but did not abdicate. He spent the remaining years of his life attempting to restore the monarchy until his death in 1922. Following his beatification by the Catholic Church in 2004, he has become commonly known as Blessed Charles of Austria.
Emperor of Austria
King of Hungary and Croatia
King of Bohemia
Reign 21 November 1916 – 1919
Coronation 30 December 1916
Predecessor Franz Joseph I
Spouse Zita of Bourbon-Parma
Issue
Otto, Crown Prince of Austria
Archduchess Adelheid
Robert, Archduke of Austria-Este
Archduke Felix
Archduke Karl Ludwig
Archduke Rudolf
Archduchess Charlotte
Archduchess Elisabeth
House House of Habsburg-Lorraine
Father Archduke Otto Franz
Mother Princess Maria Josepha of Saxony
Born 17 August 1887
Persenbeug-Gottsdorf,
Austria-Hungary
Died 1 April 1922 (aged 34)
Madeira, Portuguese Republic
BurialIgreja Nossa Senhora do Monte, Madeira
Heart buried in Muri Abbey, Switzerland
ReligionRoman Catholicism
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Karel I. Habsburško-Lotarinški (s polnim imenom Karl Franz Josef Ludwig Hubert Georg Maria von Habsburg-Lothringen), zadnji avstrijski cesar in ogrski kralj (kot Karel IV.), * 17. avgust 1887, Persenbeug, † 1. april 1922, Funchal, Madeira. Po beatifikaciji je postal znan tudi kot blaženi Karel.
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Svetozar Borojević von Bojna[2] (Umetić, kod Kostajnice, 13. prosinca 1856. – Klagenfurt, 23. svibnja 1920.) feldmaršal Oružanih snaga Austro-Ugarske.
Svetozar Borojević von Bojna se za vrijeme Prvoga svjetskog rata istaknuo nizom uspjeha u obrambenom ratovanju. Zbog toga je dobio čin feldmaršala, čime je postao prvi i jedini nositelj tog čina u Austro-Ugarskoj koji nije bio njemačkog podrijetla.
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The lovely Mel in her gold sequinned dress
MelanieRose1 (MM #4380038).
Four studio flash and reflector - two gridded strip soft boxes from sides, beauty Dish plus large octa from front
Within weeks of the outbreak of war in August 1914 the Royal Naval Air Service (RNAS) was operating armoured cars in Flanders. They soon discovered that Rolls-Royces were the most durable and reliable and by Christmas of that year a new, turreted version had been built. This proved so successful that in 1920, when the War Office required new armoured cars they more or less copied the original Admiralty design.
The chassis is the 40/50hp Silver Ghost, slightly modified with stronger rear springs and twin Michelin steel disc wheels at the back. Armour covers the engine and crew compartment with hinged doors at the front to protect the radiator. The turret, which is turned by hand, contains a single Vickers water-cooled machine-gun. The rear section is an open tray, flanked by wooden lockers for the stowage of tools and other small items.
This particular car left Derby Works in 1920 and was armoured at Woolwich Arsenal. It served with No. 5 Armoured Car Company of the Tank Corps, first in Ireland and then in Scarborough from 1922. In 1927 our Rolls-Royce went with the Company to Shanghai during an international emergency and in 1929 it was in Egypt. Here it served for some time with the 12th Royal Lancers and 11th Royal Hussars. By 1939 it was back in Britain, undertaking anti-invasion patrols along the coast of East Anglia. It came to the Tank Museum after the war where it has been used on many special and official occasions. In May 1997 it was employed to transport Her Majesty, Queen Elizabeth II, during her visit to the Tank Museum.
The original turreted pattern of Rolls Royce was built on a strengthened commercial chassis in September 1914. This pattern, with slightly different bodywork, more vision slits and aluminium pistons was introduced on the 9120 Silver Ghost chassis. The turret was slightly higher and the car had disc-type wheels.
Issued new to 5th Armoured Car Company in Dublin in January 1921 (formed May 1920 from 17 Tank Battalion). Served in Ireland until 1922, then in Scarborough until 1927. It was shipped to Shanghai in 1927 and formed part of the British contingent of the League of Nations International Force. It then served in Egypt from 1929 to 1932, with the R.T.C. The 5th Armoured Car Company were re-equipped with light tanks in 1932 so the car was handed over to the 12th Royal Lancers (Prince of Wales') and on their departure to the U.K. in 1934 to the 11th Hussars (PrinceAlbert's Own). In 1938 they changed the Rolls Royce cars for the new Morris AC9 and this car was shipped back to the U.K. It was issued to the 1st Derbyshire Yeomanry in 1939, and took part in anti-invasion partrols along the north-east coast. In 1940 it was trnasferred to the D&M School at the Army AFV School, at Bovington. In 1946 it was handed over to the present Tank Museum. The car is painted as it was in Shanghai in 1927, one of four cars of No. 4 Section, 5ACC. The commander of the section was Lieut. G.W. Richards, MC
The Rolls Royce armoured car is almost a legend: introduced by the Royal Naval Air Service in 1914 modified versions were still in service with the 11th Hussars in the North African desert in 1940-41. In between they were also used by the Royal Air Force in Iraq and Egypt.
The Naval version proved so successful that when, in 1920, the Army needed new armoured cars the War Office perpetuated the Naval version with a few modifications. The chassis is that of the 40/50hp Rolls Royce Silver Ghost modified with stronger rear springs and twin Michelin disc wheels at the back and single disc wheels at the front. The engine was fitted with aluminium pistons. The engine and crew compartment is armoured and has hinged doors at the front to protect the radiator. The turret, turned by hand, mounts a single Vickers water-cooled machine gun. The rear of the body is an open tray flanked by wooden lockers for the stowage of tools and the crew’s kit.
A modified version of the 1920 Pattern was produced as the 1920 Pattern Mark IA. This had a commander’s cupola on the turret while the Vickers machine gun was carried in a ball mounting. The Mark IA was superseded by the 1924 Pattern that had a redesigned armoured body and a similar turret to the Mark IA.
At the beginning of the Second World War in September 1939 the British Army still had 42 Rolls Royce Armoured Cars 1920 Pattern Mark I, 10 of the 1920 Pattern Mark IA and 24 1924 Pattern cars. Most of these were used for training in Britain. However the 11th Hussars in Egypt were equipped with a ‘modernised’ version. This had an open topped turret armed with a Boys anti-tank rifle, a Bren light machine gun and a smoke discharger. The Hussars used these cars in action with Italian forces during the successful early campaign in Libya.
The chassis of the Tank Museum’s exhibit was built at Rolls Royce’s Derby works in 1920 and armoured at Woolwich Arsenal. It had a long and varied career.
Issued to No. 5 Armoured Car Company of the Tank Corps it served first in Ireland and then, from 1922, at Scarborough. It then went with No. 5 Company to Shanghai in 1927 to help protect the International Settlement during an outbreak of fighting between Chinese factions. By 1929 the Museum’s car was in Egypt with No. 5 Company. In 1932 it was transferred to the 12th Lancers and then in 1934 to the 11th Hussars before being shipped back to Britain in 1938. After the start of World War II the 1st Derbyshire Yeomanry used it for anti-invasion patrols along the North East coast. It escaped wartime scrap metal drives and was given to the Museum in 1946. Here it has been used on many special and official occasions, notably to transport Her Majesty Queen Elizabeth II during her visit to the Tank Museum in May 1997.
The Rolls Royce car is currently painted in the markings of number four section, No.5 Armoured Car Company, Shanghai, 1927, commanded by Lieutenant G.W. Richards, MC.
(Text from the Tank Museum website)
A wonderful view of the Ford Works at Dagenham in Essex from a fascinating book issued by the Ford Motor Company of England to tell the story of the company's activities during WW2. The book, issued in 1946, is full of sketches and paintings by Helen McKie, an artist who produced a lot of 'Thames-side' material for the river boat operators, the General Steam Navigation Co., as well as commissions for the Southern Railway.
The view looks across the Blast Furnace and other parts of the plant that formed the massive integrated vehicle production plant Ford had opened in 1931 on the marshes adjoining the River Thames. It replaced Ford's earlier UK factory at Trafford Park in Manchester. The camouflage used to try and break up the visual outline of the plant, and so distract enemy bombers, is very clearly shown. The subject of wartime 'camo' is brilliantly told in a book on the subject by Henrietta Goodden that was a relevation to me as it showed the work, and links, between so many mid-20th century graphic designers and artists whose names and work are so well known apart from their wartime service.
In the north of the Netherlands Park Hoge Veluwe stands Jachthuis Sint Hubertus, on a beautiful pond in a popular rambling area. It was built by architect H.P. Berlage from 1915 – 1920. The legend of Saint Hubertus served as a guideline for the design. It was built for Anton Kröller (who liked to hunt) and Helene Kröller – Müller (who was interested in the mystical aspect of the Hubertus legend). This legend tells the story of the conversion of Hubertus who in his youth had been a keen hunter. He repented, especially following a vision of a Red Deer with a luminous cross between its antlers and a voice that told him to better his life if he wanted to avoid hell. After having taken on the cross from the deer’s antlers - figuratively speaking - Hubertus retired to a monastery. Hubertus finally died in 727 as the bishop of Liege and Maastricht, and the Catholic Church later named him patron saint of the hunters. Architect Berlage and the artists who worked with him have expressed the legend in the Jachthuis using a lot of symbolic, which was quite normal for art styles of around 1900.
As the plan shows, the building is shaped like antlers. The tower with the cross incorporated in the masonry symbolizes the luminous cross between the antlers. Berlage was an architect who designed in the style of the New Objectivity. This style allowed artists to show the individual beauty of constructive elements. As Berlage designed most of the interior as well as many implements, the whole thing was perfectly geared to each other. This is enhanced by the repeated use of certain materials and shapes. In his time, Berlage was a modern architect. The building is full of technical tours de force, such as central heating, a central clock system, a central vacuum system, an electric lift and Pullmann sliding windows.
Durante il percorso, notammo un piccola indicazione che indicava "Anfiteatro Romano". Optammo per la deviazione e imboccamo la stradina. Lì per lì pensammo di aver sbagliato strada ed esserci persi nel labirinto di case (bellissime!)...eppure doveva esser visibile...si poteva però salire più su e dalla piccola altura lo scorgemmo.
Quello che rimaneva dell'anfiteatro I sec d.C., quel muro/i, era parte delle gradinate ancora parzialmente conservate e visibili, perfettamente incastonato tra le case medievali XII sec., disposte in modo da preservare la sua forma elittica.
Infatti se fate una ricerca da satellite per Assisi (dai dai! :)!) potete benissimo vedere TUTTA la struttura, incredibile.!.. (non so come postarlo qui :((!, dai dai!).
E' un bellissimo esempio di riutilizzazione di un edificio romano.
Buon giorno!!
*Starlight*
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During the walk we noticed a little indication that showed "Roman Anphitheatre". We decided to make the diversion and walk in that direction. At certain point we come up with the doubt to have taken the wrong path and be lost in the labirint of houses (so beautiful!)...yet it should be visible (!)...we could climb a little bit higher and from that point we notice it.
The rest of the Anphitheatre (I sec. after C.), that wall/s, was part of the tiers part preserved and visible, perfectly set between medieval houses (XII sec.), disposed in a way to preserve the "oval" form (don't know exact translation :(!).
Infact If you make a search on satellite for Assisi (googl..please please do it :)!) you can see it perfectly, ALL the structure!!, incredible!...(I don't know how to post it here so..:((! come on, how can I explain you, is ALL, not only walls...go and see :)))!). It's a beautiful example of roman structure's reuse.
Buon giorno!!
*Starlight*
It is a species of Laughingthrush endemic to the high elevation areas of the Nilgiris and adjoining hill ranges in Peninsular India. This laughingthrush is about 24 cm long with a rufous underside and a dark olive grey upper body. The crown is slaty brown and there is a jagged and broad white supercilium margined with black. The throat, lores and a streak behind the eye are black. The tail is olive brown. The iris is reddish brown and the legs and bill are black. It is easily detected by its loud series of nasal call notes and can be hard to spot when it is hidden away inside a patch of dense vegetation.
This species is found in dense forest patches on the Nilgiri and Wayanad ranges above 1,200 metres (3,900 ft) above sea level.It forages along the forest edge singly or in small groups low in the trees and sometimes on the ground.
The distribution of the species is restricted to a small area which is prone to habitat destruction leading to its status being considered as endangered.