View allAll Photos Tagged Number
Mosaic house number in stained glass. Once the bush behind grows up I figure it will look pretty cool as part of the bush will cover the top.
Berenjenas a la Andaluza con miel y romero, el pulpo del "58", calamares, ... it would be worth going back to Barcelona just to try these again!
Down a slight slope and then along the track on a hill overlooking the valley below. We are heading up the steep path in the distance
Old red Routemaster busstill doing tthe rounds in central London. Seen here ourtside St.Pauls Cathedral - there's a small bit of it in the background.
Recipe number six out of 173 in the Martha Stewart Baking Handbook. I'm going to bake them all...eventually. Read about this cake here: blog.booturtle.com/2010/10/marthas-marble-cake-with-white...
Driving into Cataloochee I had to slow for some elk crossing the road. I rolled the window down and photographed 15.
Frankie Bakrlik celebrates the third Phoenix goal.
Photo by Hollie Godber.
© Manchester Phoenix 2015. All rights reserved. This photo may not be reproduced, edited or manipulated in any way without prior expressed consent of the photographer.
"A glimmer of light cannot truly be seen without much that is dark, and darkness cannot truly be felt without shadowy forms rising from the blackness."
~ Anonymous
So, as you might have realized, I love shots with strong texture exhibiting an interplay between light and shadow. This is shot number two from Tuesday's photowalk with Armand (www.flickr.com/photos/32258070@N03/) and Matthew (www.flickr.com/photos/matthewcachia/).
Official list entry
Heritage Category: Listed Building
Grade: II*
List Entry Number: 1209774
Date first listed: 10-Jan-1951
Statutory Address 1: CHURCH OF ST MARY, BUCKFAST ABBEY, BUCKFAST ROAD
Location
Statutory Address: CHURCH OF ST MARY, BUCKFAST ABBEY, BUCKFAST ROAD
County: Devon
District: Teignbridge (District Authority)
Parish: Buckfastleigh
National Park: DARTMOOR
National Grid Reference: SX 74147 67411
Details
Abbey church. Built 1907-1932, on the foundations of the medieval Cistercian abbey church (except the east end). FA Walters. For the Benedictine monks who established a house here in 1882. Most of the building work was carried out by a small group of monks working under a master mason. Snecked local grey limestone with Ham Hill dressings; copper roof. Style "mixture of English Cistercian and French early Gothic" (Pevsner). 1965 east end Blessed Sacrament chapel to the designs of Paul Pearn. Plan: church with 8-bay lean-to aisles plus galleried western bay; central crossing tower; transepts with chapels; 3-bay choir with choir aisles; east end Blessed Sacrament chapel with undercroft. EXTERIOR: west end of nave with flanking projecting buttresses containing stairs to gallery, rising as pinnacles with broach spire roofs, bases and pinnacles decorated with blind arcading. Round-headed west doorway with shafts, left and right shafts with cushion capitals and carved gable. Doorway has 3 orders of zigzag, billet and chevron moulding on engaged shafts; 2-leaf door with elaborate ironwork. Above the doorway a recessed 3-centred blind moulded arch containing 2 round-headed windows with shafts and a roundel window above. Above the archway blind arcading decorates the gable. West ends of lean-to aisles have smaller versions of the buttresses flanking the nave and paired round-headed openings (one blind) with roundels above. North side of 9-bay nave has pilasters and a corbelled parapet. Round-headed triforium windows linked by string rising as continuous hoodmould. Nave with parapet and round-headed windows, the hoodmould string interrupted by the pilasters. Small gabled porch in second bay from the west with set-back buttresses, parapet and round-headed outer doorway with shafts and chevron-carved arch. Easternmost 2 bays of aisle with taller roof and blind arcading above the windows. North end of north transept with tall paired arches containing 4 tiers of glazed blind and glazed windows, either round-headed or roundels. East side of transept has one-bay chapel. The choir continues in the same style with lean-to choir aisle roofs. 1965 concrete east end chapel on 4 columns with shallow gabled roof. Tower with 3 stages above nave roof. Clasping pilasters; corner pinnacles with 2 tiers of blind arcading and broach spires, crow-stepped parapet. Lower stage has lancet windows in round-headed recesses, middle stage has small lancet windows in moulded arched recesses; 2-light plate-traceried louvred belfry windows. INTERIOR: Stone-vaulted, the aisles with transverse vaults. Arcades with piers with engaged shafts and chamfred and moulded arches. Nave rib vault with red sandstone infill. Triforium has a pair of 2-light pointed arches to each bay with super-ordinate round-headed blind arch. Aisle walls decorated with blind round-headed recesses containing triple round-headed arches on shafts with moulded bases and carved capitals. Stone-vaulted west end gallery on piers with canted bays to parapet. Tower arches on short paired shafts with moulded bases and carved capitals. Crossing has corbelled stone gallery; transepts have simple galleries on moulded corbels with cast-iron railings. Choir has similar detail to nave but carved, not moulded capitals and stone infill to the vaulting of choir and choir aisles. East end of sanctuary has 2 round-headed arches and 2 round-headed windows above the triforium with a central shaft rising to a carving of the Coronation of the Virgin. The furnishings, floors, painted decoration and stained glass are unexpectedly lavish, particularly the outstanding metalwork, which is mostly 1928-1932 by Bernhard Witte of Aachen, inspired by German Romanesque metalwork and described in some detail in Pevsner. The stained glass is a remarkable collection, mostly still in the medievalising Victorian tradition and of the highest quality. In addition the church contains a C16 ivory crucifix donated by the Clifford family of Ugbrooke, the leading Roman Catholic family in Devon. 1965 Blessed Sacrament chapel by Paul Pearn conceived as a setting for ambitious mosaic stained glass designed by Father Charles Norris, one of the Buckfast Abbey monks. Historical note: the rebuilding of the abbey church by the Buckfast monks was well-publicised in the national and local press and one of the monks with an interest in photography recorded much of the work: the archive is held by the abbey. Buckfast Abbey became an important focus for Roman Catholicism in Devon in the late C19 and C20 with the monks serving private chapels in the area, including Ugbrooke in Chudleigh for the Clifford family and Dundridge in Harberton for the wife of Sir John Harvey. (Buildings of England: Pevsner N: Devon: London: 1989-: 222-226).
© Historic England 2022
Number of parts: 5 (6 if you count alternative commander's hatch)...
Again, this appears to be a 1945 pattern "Flattened" turret but unlike the Armourfast version there is some attempt to replicate the original's welding and casting marks. In particular the fluted 'fillets' are decernable near the turret collar and Pegasus have included the traverse mechanism bulge and commander's cupola bulge on the left side of the turret.
Pros:
- Passable attempt at including the distinctive welding and casting marks.
- Alternative commander's hatch is included in the open position
- Periscopes (Mk. 4s) are correctly modelled
- Turret dimensions appear to be closer to scale
- Gun is correct length and thickness
Cons:
- Secondary hatch is moulded shut
- Air vents are little too dome-like
- Naturally - as a quick build - all rails and lifting rings and other small detail are missing
- Gun is a little bent and badly moulded, includes noticeable seams
- Gun barrel is not drilled out
IMO number : 9436290
Name of ship : SAMSKIP ENDEAVOUR (since 01-02-2011)
Call Sign : 5BEY3
MMSI : 209380000
Gross tonnage : 7987 (since 01-02-2011)
DWT : 9350
Type of ship : Container Ship (since 01-02-2011)
Year of build : 2011
Flag : Cyprus (since 01-02-2011)
I've been trying my hand at more geometric photos that are front on, I'm finding it fairly hard to get some good photos but this was one of the best I managed to pump out the other day.
I really like the reflections in the windows, they add a little more detail to the photo you might not notice at first glance.
Just realised I managed to bullseye the number 12, that's a bit annoying; a composition with more floor or above the door killed the photo overall, why couldn't the number 12 be lower or higher! >:C
Number:0287
Title:Abstract in Oil 03-02-2009
Statement:The Crosshatch paint has Different Hues of Zucchinis, Pickles, Cucumbers and Green Lettuce Salads. The Crosshatch has Red over Purple. The Marks have Different Hues of Yellow School Buses. The Marks have Hot Pinks. The Splatters have Teals. I used thick painting for Dark Green. I like this painting.
Medium:oil on canvas
Date:3/2/09
Size:20 x 20
SOLD
Betty Shambles is the third contestant in the Hollywood's Most Eligible Bachelor show. Who will he choose?
I like the style of this doorway; one of the streets down the Quayside way in Newcastle city centre.
My daughter won a book coupon for 1000 yen in the photo contest of decorated bread that shows a number. She made the number and I took the photo. The design is not so pretty but the readability is very good. Lol
時計パンコンテストで、娘が入賞。図書券1000円分、頂きました。
Contest result yamazakipan.pantokei.jp/campaign/gallery06.html
PENTAX *ist DS2 / PENTAX FA35mm f2
ACCESSION NUMBER: 1993.005.0011.0004
PHOTOGRAPHER: Unknown
DESCRIPTION: Man standing next to a pig hanging from a tree (probably for butchering.) There is a water tank in the foreground, and a wooden building in the background. Snow is on the ground in the background. This photo was probably taken at the Bihlmeyer Ranch 7 miles south of Franktown in Douglas County, Colorado.
Information about the Douglas County History Research Center and photo reproduction information is available at www.douglascountyhistory.org.
If you choose to use one of our images, we'd love to know how! Leave a comment below or email us at sboyd@dclibraries.org.
This serial number places this piano somewhere around 1920, give or take. That's based on some guesswork resulting from a bit of Internet research.
Classic Citroen with original suffix number plate in black and silver
Photo by www.theplatemarket.com
From the plaque:
This Finial was the uppermost element of the building known as Number One, Poultry, in the heart of the City of London.
The building was constructed in 1870 to a deign by the Victorian architect John Belcher Jr., in the Venetian-Gothic style.
A replacement building by Professor Ludwig Mies van der Rohe was proposed in 1967, but after much controversy, the project, know(n) as Mansion House Square, was finally defeated in 1982. In 1986 an alternative project, also known as Number 1 Poultry, was designed by the British architect Sir James Stirling.The Foundation Stone of this building took place in 1998.
The finial fragment, popularly nicknamed "The Witch's Hat", was carefully dismantled, numbered, and shipped to the United States, where it was reassembled, first in the grounds of the Farnsworth House, by Professor Ludwig Mies van der Rohe in Plano, Illinois; and now, in 2003, at Kentuck Knob.
Eight it's a special number for me, it's my birthday in October! Do you like my "Eight" made out of wire? By Edgar Barreira
Vesta Number 5 Waste Conveyer More here.... swpare.blogspot.com/2011/01/vestaburg-pa-mine-series-of-p...