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This used to be a branch of the Halifax bank. It closed a couple of years ago and recently Agora Gaming moved in. It looks pretty dodgy, you can't see inside, you have to buzz in, and half the frontage was taken up with an advert for their website.
It also promises a "smoking zone" which would have to be outside I think.
Anyway it has a bailiff's notice outside - evicted on 16 July 2008 for 'forefeiting the lease'. I suspect that is not paying rent, and considering what a short time they've been there I wonder if they've ever paid rent!
Honestly the funniest thing I have found during an explore. We had found this noted nailed to a wooden door in the basement with yes a blue thong attached to it. Too funny to believe!. After reading this 3 page letter to, umm I don't know who, we found that this girl came into this house at night and had this feeling felt a presence within the house and felt like eyes were watching her. Apparently she got really horny from this presence, and she ended up getting tooo excited and she ended up leaving the house naked. Not knowing she was naked she returned to write this note.
This is the only pink photo I can find so will post this in aid of Breast Cancer Awareness Month
www.flickr.com/groups/passionatelypinkforthecure/
This is my Series one Land Rover which I use for racing www.ppracing.co.uk
Notes, notes and more notes.
ZURBwired 2010: Meet RAFT, a bay area non-profit organization that provides educators with the tools they need to engage their students in powerful hands-on learning experiences.
The ZURBwired 24-hour marathon is where our team and the team from one lucky local nonprofit get together to do something great in 24 hours. We spend the day helping the nonprofit solve a big challenge; whether it be marketing for an upcoming event, or completely overhauling their brand—and we get it all done in 24 hours.
ZURB is a close-knit team of interaction designers and strategists that help companies design better (www.zurb.com).
if anybody would be interested in buying prints of any of my photos, just let me know, i would be so overjoyed to share a little piece of my printed heart with you, and I'd even include a handwritten letter.
all the money will be put towards photo adventures, and equipment.
your support means the world to me guys, love you all! <3
I found this note tucked away in the case of a FSU Fed 1. I had actually owned the camera for some time before even discovering this was there. I can't read any of this however I can assume that it is a rough exposure guide. With the top most column being the film speed, followed by shutter speed and aperture combinations below. This leads me to believe that the words on the far left describe different lighting conditions, maybe one for color and one for black and white?
If you can read any of this I would love to know what it means! The camera is from 1937 (according to FedKa.com's database) so lord knows how old this note is.
www.youtube.com/watch?v=824u91hSL14
"The Passenger Synopsis
Act I
The early 1960s, on an ocean liner. Watching over the scene is a chorus who sometimes takes part as prisoners, passengers or officers, and sometimes are merely onlookers from another time, as are we.
Scene i
A German diplomat, Walter, and his young wife, Lisa, are on the way to Brazil where he will take up a diplomatic post. Suddenly she sees a fellow passenger who she thinks she recognizes, except that she knows that person to be dead. Under the shock of this encounter, she reveals to her husband for the first time she was an SS overseer in Auschwitz. The revelation is a crisis for both of them.
Scene ii
In the camp, we learn hat the “Passenger” is Martha, a Polish prisoner who Lisa Franz, the overseer, has marked out as someone who could help control the other prisoners.
Scene iii
In the female barracks, we meet women from every corner of Europe brought together in this cosmopolitan hell. A suspected Russian partisan, Katja arrives from a brutal interrogation, and the Kapo finds a note in Polish which may implicate her. Lisa orders Martha to read it, and Martha coolly renders it as a love letter – as if to her own fiancée, Tadeusz, who she believes is also a prisoner.
Back on the boat, Lisa and Walter try to come to terms with this new background to their relationship.
Act II
Scene iv
Under Lisa’s supervision the women are sorting belongings looted from the prisoners. An officer arrives demanding a violin. The Governor has ordered a concert at which his favorite waltz should be played by one of the prisoners. Lisa produces a violin, but the officer says he will send the prisoner himself to collect it. The prisoner is Tadeusz. He and Martha have a brief scene of recognition before Lisa interrupts them. She allows them to continue their contact, hoping to capitalize on this “kindness” letter.
Scene v
Lisa confronts Tadeusz in the workshop where he produces silver ornaments to order for the SS officers. One is a Madonna which Lisa recognizes as Martha. Lisa offers Tadeusz the chance to meet Martha, but Tadeusz refuses. He does not want to be in Lisa’s debt.
Scene vi
In the female barracks it is Martha’s birthday. She sings a song about being in love with death. Lisa interrupts and tries to goad Martha by telling her that Tadeusz turned down a chance to see her, but Martha remains unmoved: if that is what Tadeusz decided, he was right to do so!
Yvette tries to teach an old Russian woman French, and Katja sings about Russia. Suddenly guards burst in: it is “selection” time. A list of numbers is broadcast, and one by one various prisoners are taken away. Lisa tells Martha that it is not her turn yet: she will arrange for her to witness Tadeusz’s concert.
Scene vii
Back on the boat Lisa and Walter have come to a new understanding. Even if the “Passenger” is Martha, they are determined to brazen it out, and decide to join the dancing in the Salon. Lisa is however horrified when the "Passenger” approaches the band, apparently to make a request, and they start to play the Governor’s Waltz.
Scene viii
Back in the camp it is time for the concert, and all the officers and prisoners are assembled. Tadeusz, however, does not play the waltz, but something else. The scene breaks up in uproar as his violin is smashed and he is dragged off to the death cells.
Epilogue
We are left with Martha ad her memories –and her longing that all who suffered should not be forgotten."
I bought this at a Hallmark store in Lawrence,MA around 2000-2001 for 40% off.
It was old stock they had for about 10 years that they couldn't get rid of.
NOTES is a series I started in 1968. NOTE TO ERIK was the second one completed but the footage goes back to 1966. When I saw the footage I loved it, but didn't feel ready to deal with it. Seeing Sharon Moss again, who had moved to NYC from Storrs, CT inspired me to return to this footage to make a note to a mutual friend ERIK KIVIAT. It took about 2 years for me to feel I could respond to the generosity of her performance and the images I had gathered and shaped in my camera. Sharon Moss and her cats play and dance naked in the snow.