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Actually it's a marble. And I'm not sure I'm down with the whole idea of a 'He' anyway (please don't hold that against me).

 

Not the style I normally go for, but I decided to mix it up a little. Living life on the edge, oh yeah!

 

Lightroom and Color Efex Pro 2 used.

  

Overlooking the rolling landscape of Edale, this photograph captures the timeless beauty of the Peak District’s iconic countryside. The composition layers soft, undulating hills, patchwork fields divided by traditional dry‑stone walls, and scattered clusters of trees, all beneath a wide, vivid blue sky streaked with light clouds. The image aims to convey a sense of calm, vastness, and enduring rural character — balancing the sweeping scale of the moorland with the intimate detail of the valley below. It celebrates the quiet majesty of Britain’s natural heritage, highlighting how light and form shape a landscape that feels both ancient and peacefully alive.

 

#Edale #PeakDistrict #LandscapePhotography #BritishCountryside #NaturePhotography #RuralBritain #CountrysideViews #HikingUK #VisitEngland #NaturalBeauty #ValleyViews #ScenicLandscape #GreatOutdoors #UKLandscapes #NationalPark

Gravity’s masterpiece: Pristine mountain water shatters against ancient, moss-slicked stone under a brilliant summer sky.

This vertical composition captures a dramatic, close-up view of a waterfall cascading over dark, tiered rock formations. The water fans out into a wide, white spray as it hits successive ledges, creating a textured "veil" effect against the shadowed stone. To the left, the rock face is deeply weathered and layered, encrusted with patches of bright green moss and hardy mountain grasses.

The perspective is from a low angle, looking up toward a bright blue sky dotted with soft white clouds, which gives the waterfall a sense of monumental scale. The contrast between the brilliant white water and the dark, wet jagged rocks creates a powerful visual tension, emphasizing the raw energy of the flow.

 

#Waterfall #NaturePhotography #MountainStream #Hydrology #WildPlaces #AdventureAwaits #WaterInMotion #EarthFocus #LandscapeLovers #Cascades

Ester asked why people are sad.

"That’s simple," says the old man. "They are the prisoners of their personal history. Everyone believes that the main aim in life is to follow a plan. They never ask if that plan is theirs or if it was created by another person. They accumulate experiences, memories, things, other people's ideas, and it is more than they can possibly cope with. And that is why they forget their dreams.”

 

Paulo Coelho, The Zahir

  

Ester fragte, warum die Menschen traurig sind.

"Das ist einfach", sagt der alte Mann. "Sie sind die Gefangenen ihrer persönlichen Geschichte. Jeder glaubt, dass das Hauptziel im Leben darin besteht, einem Plan zu folgen. Sie fragen nie, ob dieser Plan der ihre ist oder ob er von einer anderen Person erstellt wurde. Sie sammeln Erfahrungen, Erinnerungen, Dinge, Ideen anderer Menschen, und das ist mehr, als sie überhaupt bewältigen können. Und das ist der Grund, warum sie ihre Träume vergessen.

 

Paulo Coelho, Der Zahir

  

Nikon D 800

ISO 100

f/4.0

50 mm

1/60

 

Clifton Suspension bridge from the Leigh Woods side

...Not Stirred.

 

#MacroMondays

#Keyhole

 

Another not-easy theme, another last-minute result, and therefore a pretty late upload for today's theme. I knew from the start what I wanted to do but to get there... It's basically a redo of a keyhole photo I had taken for another MM theme ("Safety" from February '21; it's in the first comment). The lock and its keyhole are different, too, because I didn't want to photograph the same thing twice. It's a tiny TSA travel lock that I might put on my photo rucksack. There's a ring around the keyhole, and the lettering on the keyhole says "JYL" and "802" and on the ring below the keyhole, it's "TSA 007" (subtle...).

 

That lint was already inside this newly bought, freshly unpacked lock was almost an insult. So I did only minor dedusting in post and left that cheeky fluff in the image, especially because stacking had also rendered it so nicely sharp and clear. So my new motto for macro photos is "Embrace the lint!".

 

Since I wanted to get the keyhole's interior sharp and bright, I had to point the lamp right at the keyhole which inevitably caused the outside of the lock to be blown out, creating unpleasant-looking yellowish tones on its matte aluminium surface. Only when I decided to go fully high-key and actually use the bright light as an effect in the image, it finally worked. This is another bracketing image, not in-camera focus stacking because the latter didn't get deep enough. As usual, I combined the ORFs in Helicon Focus, method B, R8, S4 yielded the best results.

 

HMM, Everyone!

 

ein Blick durch die Linse

After repeated days of torrential rain, the sun breaks out just before is sets on a field groaning to contain it's swollen creek.

 

- Captured in a series of three consecutive shots at varying exposures (EV -2,0,2) using Jag.gr's PureShot camera replacement app for Apple's iPhone 6.

- Imported the three images to Adobe Lightroom to apply lens corrections.

- Edited the three images in Nik Software Define 2 to remove noise and artifcts.

- Imported into EasyHDR to combine the three images of various exposures.

- Imported HDR image into Adobe Lightroom for some final lighting adjustments and cropping.

#MacroMondays

#Animal

#1000

 

This is total nonsense, I know ;) It's my "eternal calendar dog" of which you have already seen the calender cubes (please check the first comment). Once again, what I wanted to do for the theme didn't work out as planned, and this is my last-minute attempt. The setup was as simple as this photo is: Calendar dog placed on a yellow foam sheet (dull side), and it's a single, handheld shot in natural light. That's it. Calendar dog has a hole in its back in which you plug the calender cube holder (which I've removed for the photo). Processed in DXO and Analog Efex where I've added the white frame to enhance the comic look. Calendar dog's length is exactly 6 cm / 2,36 inches.

 

HMM, Everyone, and have a nice week ahead!

  

When we visited Alaska 2 summers ago one of the most memorable days was spent on Prince William Sound out of Valdez. The teal blues of the water, turquoise ice formations, blue gray mountains and clouds...in one word, stunning!

There’s something so grounding about architecture that has watched the centuries pass. From the weathered stone of the towers to the calm waters of the pond, this view is a masterclass in elegance and history. ✨

Walking through these grounds feels like stepping into the pages of a classic novel. If these walls could talk, imagine the stories they’d tell. Perfect afternoon for a stroll and a little daydreaming. 📖🌿

 

#StonyhurstCollege #Lancashire #VisitEngland #ArchitecturePhotography #StatelyHome #HeritageSite #BritishArchitecture #TravelUK #DarkAcademia

 

"After climbing a great hill, one only finds that there are many more hills to climb." Nelson Mandela

 

Range view as seen from Skyline Drive just south of Front Royal, VA.

Hexentanzplatz/Thale Harz

#siderssunday

#urbanpoetry

  

These yellow coneflowers (the high-growing variety) grow in the same spot every summer in a front garden around the corner. The "house" to which the front garden belongs is more of a hut, and the owner or tenant built a recording studio with padded walls in the two tiny rooms. The adjacent house, the one that is the background of this image, is very old and battered, and it's under heritage protection. I assume that the owner, an old gentleman, can't afford the renovation which must follow the strict guidelines required in heritage protection. So one thing is clear: a future owner will have to put a lot of money and work into the renovation of that house.

 

There's a busy bee on top of the tallest flower. I just so managed to catch it before it flew away in search of more delicious pollen of which there is plenty in the front gardens.

 

For Sliders Sunday, I gave this image the full (well, not quite, but you get the point) Nik Collection treatment, adding the texture in Analog Efex, and the other processing was done in Color Efex.

 

HSS, Everyone :)

 

Captured at River Derwent, this image explores the quiet breadth of a mountain valley shaped by water, stone, and open space. The winding riverbed draws the eye into the distance, leading through a landscape of scattered rock, grassy banks, and rising fells beneath a clear blue sky.

 

The artistic concept centres on scale and flow. The textured foreground of stones and shallow water creates an intimate starting point, while the sweeping valley expands outward into a sense of freedom and stillness. The photograph balances rugged terrain with calm light, presenting the landscape as both expansive and deeply grounded in the natural rhythm of the uplands.

 

#RiverDerwent #LakeDistrict #Cumbria #MountainValley #RockyRiver #FellLandscape #BritishLandscape #WildLandscape #LandscapePhotography #NaturePhotography #OutdoorAdventure #OpenCountryside #HikingPhotography #FineArtLandscape #WildBritain

About the only way to photograph Durdle Door without people is to use a long time exposure...... But I kept the dog at the foot of the steps! Lee Big Stopper used here but it was a pain as three different colleges / schools groups marking out rocks and sections in the beach, there were hard hats in white blue and green buzzing around, I had hoped it would be quiet in a weekday - some hope. Will have to visit another time and try a late night shoot too.

4 exposure HDR.

 

This is the view of the The Three Brothers comprised of Lower Brother, Middle Brother and Eagle Peak, left to right, across the meadow where Merced River meanders between the trees.

"Once in awhile you get shown the light in the strangest of places, if you look at it right." ~Grateful Dead~

Trying out the Perspective Efex filter by DxO (Nik collection) ... quite liking it indeed..

Jedidiah Smith State Park's Stout Grove...

 

"The redwoods, once seen, leave a mark or create a vision that stays with you always. No one has ever successfully painted or photographed a redwood tree. The feeling they produce is not transferable. From them comes silence and awe. Its not only their unbelievable stature, nor the color which seems to shift and vary under your eyes, no, they are not like any trees we know, they are ambassadors from another time." John Steinbeck

This is not a Photoshop effect. The image was not altered in any way except for color and contrast adjustments that are always necessary since I shoot RAW.

 

Sunsets like this are commonplace, actually expected, almost every day in Ixtapa, Mexico.

Taken at the Colne Blues Festival, this black‑and‑white street photograph captures the authentic, unfiltered atmosphere of a live music venue. Framed through the open doorway of Mojo’s pub, the image blends foreground character and background action: a festival‑goer stands relaxed, while behind him a drummer keeps the rhythm flowing, posters and event signage lining the walls to tell the story of the weekend. The monochrome treatment heightens texture, contrast, and mood, stripping away distraction to focus on the raw energy, community spirit, and timeless vibe of live blues and rock culture. It is a snapshot of belonging, where music brings people together, turning a local pub into the heart of the festival.

 

#ColneBluesFestival #BlackAndWhitePhotography #StreetPhotography #DocumentaryPhotography #LiveMusic #PubCulture #BluesMusic #FestivalVibes #MusicPhotography #UrbanStorytelling #Monochrome #BritishFestivals #StreetPortrait #EverydayMoments #CandidPhotography

Macro Mondays: High key

#FenceFriday

 

Some fence and bokeh fun for Friday. Photo taken on a recent stroll around the corner to check out my "new-old" Lumix GX9 and my rediscovered OM System 20mm F1.4 lens.

 

The GX9 is another new, used acquisition (this time from MPB), a camera I considered buying back in 2018 when, for rational grounds (High-Res mode, splashproof, designated HDR button, etc., all of what the GX9 doesn't have), I got the Oly EM-5 Mark II instead but, strangely, never warmed up to the latter so I traded it in for the OM1 two years ago. Of my few outings so far with the GX9 I can say that the camera was instant fun. True, the electrical viewfinder is nothing to call home about but still nice to have, and it's a cool feature that it can be folded up. And the battery life... it shares the battery with the much smaller LX100 series, so it doesn't last that long but since I now also own both LX 100s (I and, since Easter, the Mark II) and I already had a couple of extra batteries for these, it's not a big deal.

 

With the huge hype about (and general unavailability of) the Fuji X100V and VI, cameras like the GX9 (and even the still older GX80/85), the Ricoh GRIII, the 8-year-old Pen-F and such are being extremely hyped up as well right now. So I'm glad I got a GX9 copy "as new". I'd have loved to get a Pen-F but the "as new" prices are almost the same as the original retail price of its release year 2016, and that's insane.

 

As for the 20mm F1.4 lens, the 40mm equivalent is a focal length I like very much. However, at first, I also didn't warm up to that lens, either. I thought it lacked in sharpness, and my copy suffers from extreme red (!) and turquoise-green chromatic aberrations which, however, can be dealt with in post even if it takes a few more slider tweaks than your regular aberrations. But I love the bubbly bokeh and the general rendering, and now, the first walk with the GX9 confirmed that the lens's sharpness is excellent. So it will see more camera time in the future.

 

In case you've read to this point (and I could understand if you haven't): Wishing you HFF, and a nice weekend!

There’s something so special about the traditional folk art found on narrowboats. Seeing a boater meticulously maintaining those iconic "Roses and Castles" designs reminds you that for many, these aren't just boats—they’re floating pieces of heritage.

Taking a slow walk along the Rochdale Canal and catching these moments of craftsmanship is the best kind of weekend therapy.

 

#CanalLife #Narrowboat #RosesAndCastles #BritishHeritage #CanalArt #SlowLiving #BoatingLife #EnglishCountryside #Artisan

Neue Techniken bringen ja auch immer wieder die Gelegenheit mit, altes Bildmaterial hervorzukramen und dieses neu zu bearbeiten. Hier also ein neu zusammengesetztes Panorama des Meije-Massivs, das ich im Juli 2013 abbgelichtet habe. Heute erstellt mit PTGui, und insbesondere den Himmel mittels Photoshops Sky Replacement ersetzt. Das ganze schließlich in 30bit-Ansicht abgestimmt und mit NikCollections Silver Effex in schwarz weiß entwickelt . Fernweh :-)

 

-----

 

New techniques always bring with them the opportunity to dig out old image material and edit it anew. So here is a newly composed panorama of the Meije massif that I photographed in July 2013. Today created with PTGui, and in particular replaced the sky with Photoshop's Sky Replacement. The whole thing was finally coordinated in 30bit view and developed in black and white with NikCollections Silver Effex. Wanderlust :-)

This canal-side photograph captures the historic character of Eanam Wharf, where stone buildings, narrowboats, and autumn foliage gather around the still water. The composition uses reflections to double the visual weight of the architecture, creating a layered scene where heritage and everyday canal life meet.

The artistic concept focuses on memory, place, and quiet continuity. The dramatic sky adds atmosphere, while the warm stonework and moored boats suggest a working waterfront shaped by time. Through its balance of texture, reflection, and muted colour, the image presents Eanam Wharf as both a preserved industrial landmark and a living part of the modern waterway.

 

#EanamWharf, #Blackburn, #Lancashire, #CanalPhotography, #Narrowboat, #CanalLife, #WaterfrontPhotography, #HeritageArchitecture, #IndustrialHeritage, #Reflections, #AutumnPhotography, #MoodySky, #HistoricWharf, #BritishWaterways, #UrbanLandscape, #TravelPhotography, #UKPhotography, #ArchitecturePhotography, #StillWater, #BehancePortfolio

  

For Macro Monday's "Relaxation" theme. A really tough one ;-) Three short rubber bands in the moment of transition from being taut to returning to their relaxed state. I'm not really happy with this, and it is the third capture in a row for MMs that involves motion blur, but was even less happy with my other two ideas / shots, so here it is. Width: between 1,37795 and 1,77165 inches (3,5 - 4,5 cm)

 

Thank you for your kind comments, I appreciate every single one (and I'll try to answer them, certainly with a fav), and your faves ;-) ! Today I'm very busy, so won't be able to be on Flickr much, I'll try to catch up later.

 

A Happy Macro Monday, Everyone!

 

Für das Macro-Monday-Thema "Relexation". Das dritte MM-Foto in Folge mit Bewegungsunschärfe, drei sehr kurze Gummibänder, im Moment des Loslassens und der Rückkehr in den entspannten Zustand. Ich bin nicht richtig zufrieden damit, aber meine beiden anderen Ideen / Fotos haben mir noch weniger gefallen...

 

Vielen Dank für Eure tollen Kommentare und Faves und einen schönen Montag, genießt die seltene Sonne, so es geht ;-)

 

#great_blue_heron #florida #best_birds_planet #planet_birds #birdbrilliance #birdphotography #nature #wildlifephotography #birdextreme #bestbirdshots #discovertheworld #nature_perfection #wildlifeperfection #gregorymountainpacks #canon #gitzo #leofotousa #markins #manfrotto #TKpanel #luminarneo #adobe_LR_PS #nikcollection #topaz #dxo #capture_1 #rrs

Along the Leeds & Liverpool Canal, Bridge 160 arches in weathered stone over still water, its reflection soft against the green banks. A narrowboat rests in the shade beyond the arch, while wildflowers and tall grasses line the towpath. A person sits back in a folding chair, hat tipped low, reading in tranquil peace — a small, human stillness held within the calm of the countryside.

 

#LeedsLiverpoolCanal #EastMarton #CanalPeace #TowpathCalm #Bridge160 #CountrysideQuiet #CanalLifeUK #RuralStillness #WaterwayWander #NorthernCanals #SlowDayScenes

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