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Caccia-Birch House is a New Zealand colonial homestead and a Heritage New Zealand Category 1 Historic Place. It is located at 130 Te Awe Awe Street in the city of Palmerston North. Completed in 1892, it is named after William Caccia Birch and his wife Maude, who gifted the property to the government in 1941.
1966 Minolta Autocord III TLR
Ilford XP2 Super 400 Film
C41 Process
Sony A7M3 / SEL90M28G Scan
Kaiser Copy Stand
Essential Film Holder
Converted in Negative Lab Pro
I've driven past this cemetery at Halcombe any number of times, and finally thought I should have a look at this angel memorial that's quite visible from the road.
Yashica Mat 124G
Yashinon 80mm f3.5
Ilford 120 HP5 Plus 400
Home Developed
Cinestill DF96 / 6 mins @ 27deg C
Camera Scanned
Sony A7M3 / SEL90M28 Macro
Essential Film Holder
Kaiser Copy Stand
Converted in Negative Lab Pro
© Dominic Scott 2024
Linhof Technorama 617s III | Schneider Apo-Symmar L 180mm f/5.6 | Ilford SFX 200 R72 Infrared Filter
No stick-on vinyl signs on this old warehouse building in Whanganui
Minolta Alpha 7 Limited
Minolta AF 35-105 / f3.5-4.5
Kodak Portra 160
Processed by Splendid Photo in Wellington
Sony A7M3 / SEL90M28G Scan
Kaiser Copy Stand
Converted in Negative Lab Pro.
Nikon FM2n + 50mm-F1,4+ Kodak Ektar 100. Negative Lab Pro v2.2.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Flat | LUT: Pakon fotoplenka.in.ua/p591531878-fotoplenka-kodak-professional...
300 Ashland in the Background, deigned by Enrique Norten (TEN Arquitectos)
Voigtlander Bessa R2
7Artisans 35mm 2.0
Lomography 100
- Fujica GW690III
- Kodak Ektar 100 shot at 160
- Home developed with Tetenal C-41
- Scanned using Epson V600 and Vuescan
- Negative converted using Negative Lab Pro
when the light is right
Boise, ID
Taken 6 April 2023
Leica m6
Leica Summicron 35mm/2
Kodak T Max 400
Kiev 88 | Vega Vega 12B 90mm f/2.8 | Lomography 800
Scanned with Canoscan 8800f | 120 w/ acrylic ANR sheet
Home developed in Unicolor C-41 | 102 degrees / 3:30 min | Agitation
Shot on a Pentax 6x7 with a 105mm F/2.4, Kodak Gold 200
Scanned with a Fujifilm GFX 50R on a Pentax 645 120mm F/4 Macro
One of the first images taken on my recently acquired Yashica Mat 124G. Exposure was set using the meter in the camera - I have read these are often inaccurate or not working at all. It appears this one is OK.
Yashica Mat 124G
Yashinon 80mm f3.5
Ilford 120 HP5 Plus 400
Home Developed
Cinestill DF96 / 6 mins @ 27deg C
Camera Scanned
Sony A7M3 / SEL90M28 Macro
Essential Film Holder
Kaiser Copy Stand
Converted in Negative Lab Pro
© Dominic Scott 2024
Independence Plaza in Tribeca
Leica M7
Leica 35mm Summicron v4
Ilford XP2 400
www.cityrealty.com/nyc/tribeca/independence-plaza-40-harr...
Oct 22.
Probando el carrete que dice tener la mayor resolución ADOX CMS 20 II PRO
Pentax LX - SMC K 28mm - Adox CMS 20 II pro - Pyrocat HD Semistand 28 min
Some treasures for sale on one of the many stalls at this year's Whanganui Vintage Weekend.
Minolta Dynax / Maxxum / a9
Minolta AF 24-105mm
Kodak 400 TX
Dominic Scott 2024
Linhof Technorama 612 PCII | Schneider Kreuznach APO-Symmar 135mm f5.6 | Ilford SFX 200 R72 Infrared Filter
Leica M6 Re-Issue / Leica 21mm Super-Elmar f/3.4 / Fuji 400 / Plustek 8300AI Scanner / Negative Lab Pro
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ
Nikon FM2n | Nikkor 35-70 f2.8 | Kodak Tri-X 400 @ 1600
Scanned with Epson V600
Home developed in Ilfotec DD-X 1:4 | 14:00 a 20°
Negative Lab Pro v2.4.1 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: LAB - Highlight Soft | WB: None | LUT: Frontier
A few more photos from my 'test' roll of film on the Minolta Autocord - very pleased with the results!
1966 Minolta Autocord III TLR
Ilford XP2 Super 400 Film
C41 Process
Sony A7M3 / SEL90M28G Scan
Kaiser Copy Stand
Essential Film Holder
Converted in Negative Lab Pro
© Dominic Scott 2023