View allAll Photos Tagged NegativeLabPro

Leica M7

Leica 35mm Summicron

Ilford XP2 400

  

Leica M-A

21mm f/3.4 Super-Angulon-M

Rollei RPX400 @1600 HC-110 "B"

 

Negative Lab Pro v3.0.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier

For about 80 years this was the tallest building in Brooklyn.

 

Designed by Halsey, McCormack and Helmer

 

Leica M7

Voigtlander 35mm F2 Ultron

Kodak Pro Image 100

 

Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3

 

Negative Lab Pro v2.2.0 | Color Model: Frontier | Pre-Sat: 5 | Tone Profile: LAB - Shadow Hard | WB: Auto-Cool | LUT: Frontier

Negative Lab Pro v2.3.0 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Warm | LUT: Frontier

This is from 1 of 2 rolls of expired film given to me. I shot this roll of Fuji Superia xtra 400 (expired in 2014) just for fun at a local state park back on 4/4/2021 with my Nikon FE and 35mm f/2. I developed this roll at home, "scanned" it with my DSLR and converted the negatives to positives using Negative Lab Pro. It was a nice and refreshing experience to just shoot this roll for fun, to notice my surroundings and try to capture whatever caught my eye (not knowing how it might turn out since it was expired and prepare myself that if it was a "complete loss" it wouldn't be the end of the world--at least I enjoyed the shooting experience). The developing and scanning process helped me to continue to grow in film photography and as a person as well. I'm thankful for what I've learned and for the many kind and gifted people in the film community who have shared their images and encouraged and inspired me to keep shooting film and learning. I can see a positive change in my view of my photos and that seems to match how I am changing as a person over time--less critical of myself and my photos, open to learning and growing as a person and a photographer, and more open to the beautiful imperfections both in myself and in my photos.

__________

 

Nikon FE

Nikon 35mm f/2

Fuji Superia xtra 400 (expired 2014)

Image taken 4/4/2021

Self developed at home in Unicolor C41

“Scanned” with my DSLR

Negative converted to positive with Negative Lab Pro

Nikon FE2 | Nikkor 50mm f/1.4 | Ilford HP5+ 400 @ 1600, +2 dev

 

Digitized with Nikon Z6 II with 55mm f/3.5 and ext. tube | Kaiser Slimlite Plano | Essental Film Holder v3

 

Home developed in HC-110 1:31 | 11 minutes @ 20ºC

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Shadow Hard | WB: Auto-Neutral | LUT: Frontier

Linhof Technorama 617s III | Schneider Tele-Xenar 250mm MC f5.6 | Ektar 100

 

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The nature also makes lovely art.

Hells Canyon, ID

Leica M6

35mm Summicron

JCH Streetpan 400

Leica MP | Summicron-M 35mm IV | Ilford HP5 400

Dropping into Lullwater

 

Leica M5

Fujifilm Superia 400

Kiev 88 | Volva 3 80mm f/2.8 | Fujifilm Pro400h 400

 

Scanned with Canoscan 8800f | 120 w/ acrylic ANR sheet

 

Home developed in Unicolor C-41 | 102 degrees / 3:30 min | Agitation

  

Deliveries at the Co-op, Boise ID

 

Taken 15 February 2023

 

Leica m6

Leica Summicron 35mm/2.0

JCH StreetPan 400

Ferrania P30 + XTOL | Nikon FM3a + Carl Zeiss 1.4/50mm

Scanned with Sony a7R3

Nikon FM2n

Nikkor 28mm f2.8 AIS

Kodak Professional Ektar 100

2024-08

 

While I do not have the best scanning method as of yet, for close up, evenly exposed shots like this one, I have gotten good results. Ektar truly does look more like slide film when scanned or printed correctly.

 

***

まだ完璧なスキャン方法は見つかってないけど、こういう接写で露出が均一な写真だと、けっこういい感じに仕上がってる。エクターって、ちゃんとスキャンしたりプリントしたりすれば、ほんとにリバーサルフィルムっぽく見えるんだよね。

Zeiss Nettar 517 | Zeiss Novar Anastigmat 75mm f/6.3 | Kodak Ektar 100

 

Scanned with Canoscan 8800f

 

Home developed in Unicolor C-41 | 102 degrees

  

Yashica T4

Ilford XP2 400

 

East River Coop building in background

 

Leica M7 | Leica 35mm Summicron v4 | Ilford XP2 400

Yashica T4

Fujifilm Fujicolor 200

  

Linhof Technorama 612 PCII , Super Angulon XL f5.6 / 58 mm, Kodak Tri-X 100

 

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Nikon FE2 | Voigtlander Ultron 40mm f/2 | Orange Filter | Ilford FP4+ 125. Digitized with Nikon Z6 II with 60mm f/2.8 | Kaiser Slimlite Plano | Essential Film Holder v3. Rodinal 1:50 | 15 minutes @ 20ºC.

Linhof Technorama 617s III | Schneider Tele-Xenar 250mm MC f5.6 | Kodak Portra 160

 

Leica Leicaflex SL | Leica 50mm f/2 Summicron | Kodak T-Max 400

 

Scanned with Canoscan 8800f

 

Home developed in Rodinal 1:25 | 6:30 min / 68 degrees | Agitation

A Cooper Union building

 

Designed by Thom Mayne of Morphosis

 

Leica M7

Leica 35mm Summicron

Fujicolor 200

 

cooper.edu/about/history/41-cooper-square

Nikon FE2 | Voigtlander Ultron 40mm f/2 | Kodak Portra 400 @ 200. Scanned with Nikon Z6 II with 55mm f/3.5 and ext. tube | Kaiser Slimlite Plano | Essentail Film Holder v3. Home developed in Kodak Flexicolor (C-41).

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- Fujica GW690III with 85B Warming Filter

- Cinestill 800T shot at ISO 400

- Home developed with Flic Film C-41

Zeiss Ikon Ikoflex II | Novar 80mm f4.5 | Ilford HP5 Plus

 

Home developed in Ilfosol 3

 

Who needs a Holga when you can use a 90 year old Zeiss!

Yashica Electro 35 GSN @F11, Kodak Gold 200

 

Wasn't aware how much Kodak Gold sings at night..... One more from the Porsche 356

Crown Heights section of Brooklyn

 

Leica M7

Leica 35mm Summicron

Fujifilm Fujicolor 200

  

Leica M5

Leitz Summaron 35mm f/3.5

Kodak Gold 200

Minolta Dimage Scan Dual III

VueScan -> dng + Negative Lab Pro

From atop Clingman's Dome

 

Contax T2

Ilford XP2 400 @ 200

  

Leica Leicaflex SL | Leica 50mm f/2 Summicron | Kodak T-Max 400

 

Scanned with Canoscan 8800f

 

Home developed in Rodinal 1:25 | 6:30 min / 68 degrees | Agitation

  

Nikon FE2 | Nikkor 24mm f/2.8 | Kodak T-Max P3200 3200 @ 1600, -1 dev. Digitized with Nikon Z6 II with 55mm f/3.5 and ext. tube | Kaiser Slimlite Plano | Essental Film Holder v3. Home developed in HC-110 1:31 | 9 minutes 15 seconds @ 20ºC.

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*RB67 Pro SD with K/L 90mm f/3.5

*Kodak Portra 400

*Home developed with Flic Film C-41

Leica MP | Summicron-M 28mm ASPH. | Kodak Ultramax 400

Linhof Technorama 612 PCII | Schneider Kreuznach APO-Symmar 135mm f5.6 | Kodak Ektar 100

 

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Barnacle-encrusted remains rise from the tidal flats of Whidbey Island, standing like quiet markers of time and tide.

The rocky shoreline leads into the open horizon, a layered composition of texture, erosion, and stillness.

Captured on medium format film with the Pentacon Six TL and Biometar 80mm lens, the red filter brings subtle drama to the sky and strong definition to the tidal textures.

 

Pentacon Six TL | Carl Zeiss Jena Biometar f2.8 80mm | llford XP2 Super 400

 

Scanned with Epson V800

Lab developed

  

Linhof Technorama 617s III | Super-Angulon XL 90mm f5.6 | Ilford HP5

 

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A pretty thin negative. Shadow detail present so it is the developer dying after 2 months and 10 days.

 

Rittreck View 5x4 | Optar 135mm F/4.7 | Kodak Portra 160 @ 100

the cat

 

Part of the sticking boise project

 

Taken 21 February, 2023

 

Leica m6

Leica Summicron 35mm/2.0

Tri-X 400

  

Nikon FE2 | Nikkor 50mm f/1.4 | Ilford HP5+ 400 @ 1600, +2 dev

 

Digitized with Nikon Z6 II with 55mm f/3.5 and ext. tube | Kaiser Slimlite Plano | Essental Film Holder v3

 

Home developed in HC-110 1:31 | 11 minutes @ 20ºC

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier

Leica M7

Leica 35mm Summicron v4 Ilford XP2 400

Fuji GW690II | Kodak Portra 400

Scanned with Sony A7RIII & Sigma 70mm macro

Converted with Negative Lab Pro

 

IG: @e.vondell

Leica MP | Summicron-M 35mm IV | Kodak Portra 400

Leica MP | Summicron-M 35mm IV | Kodak Ultramax 400

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- Canon EOS 3000 and EF 35mm f/1.4L

- Kodak Colorplus 200

- Scanned using Epson V600 and Vuescan

- Negative converted using Negative Lab Pro

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