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Don't have a negative scanner, so tried scanning negs on a regular flatbed with no negative/slide attachment. First attempt didn't work because you need light to shine through the negative.
So tried using an iphone as back illumination (Torch app). Got this. It's a color photo, but none of the colors made it through.
Inverted and level adjusted in photoshop.
Scanning, archiving and restoration at Metro Imaging
www.metroimaging.co.uk/film-lab-services/scanning
© Alice Widger
My entry for the Positive Posters competition. I think negativity and negative energy is a real issue today and although it may sound cliche, but the world really would be a much better place if people would only be a bit nicer to each other and with a more positive outlook on life. Don't you agree?
The picture was very overexposed but for some reason I got the idea to turn it into a black and white negative which looks a lot better. It may not be visible but there is a Caracaras nest on the towers platform.
this negative is rejected already,cant process..but i try to process myself with using table lamp..
see the result above..
This is from a series of old negatives found in an envelope in a box of photographs at a junk store in Dewey, Oklahoma. Some seem related, others do not. Most are damaged in some way and/or poorly executed in the camera and in the dark room. Many are over- exposed.
To try to make some sense of the group, all were scanned so that obscure details might be revealed.
These are negative painted as opposed to the other birdhouse being positive painted. Watercolor. 1/21/12
A Room-A Loom began as a site-specific weaving experiment by Julia Sherman at workspace, a small project space in East L.A. Materials used thus far in the L.A. loom have included weeds, old clothing, Halloween costumes, computer cables, bubble wrap, plastic bags, John Baldessari's toilet paper, Sheep Dog fur, raw wool, yarn, pants, jeans, blankets, burlap sacks, palm fronds, pom-poms and more.
Copy is the first of several project spaces spanning the country and beyond to undertake A Room - A Loom. Eventually, there will be a group exhibition with all of the weavings from the various participating spaces.
A Room-A Loom began as a site-specific weaving experiment by Julia Sherman at workspace, a small project space in East L.A. Materials used thus far in the L.A. loom have included weeds, old clothing, Halloween costumes, computer cables, bubble wrap, plastic bags, John Baldessari's toilet paper, Sheep Dog fur, raw wool, yarn, pants, jeans, blankets, burlap sacks, palm fronds, pom-poms and more.
Copy is the first of several project spaces spanning the country and beyond to undertake A Room - A Loom. Eventually, there will be a group exhibition with all of the weavings from the various participating spaces.
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or:
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or if you want to make your own paper here is the chemistry:
www.dickblick.com/items/jaquard-cyanotype-sensitizer-set/...
or:
www.bhphotovideo.com/c/product/313645-REG/Photographers_F...
or
www.freestylephoto.com/070091-Formulary-Liquid-Cyanotype-...
Toned it a bit for detail. The lightsource is uneven, has very poor CRI and the diffuser is plastic ripped from an empty wheybag (I workout, yes). But I think this is going to work better than anything worth 150 euros or less does once I get a better lightsource. No idea how the plasticdiffuser affects the CRI, though. Do notice the difference in the amount of grain, now it's very toleratable with D3100@iso200. Still room for improvement if I get a body that allows lower than iso100 figures ;D
I've been trying to recover a negative from a 4x5 fuji instant film. The pattern on this one is from some paper towels that i had soaked in bleach and applied to the back of the negative. Left it soaking to long, 30 minutes instead of 20.