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Nikon FE with Fuji Superia Xtra 400 negative film. Nikkor 15mm f3.5 AI ultra ultra wideangle lens.
Linear scan as positive using Nikon Scan. Negative conversion using ColorNeg module of ColorPerfect.
Spotmatic II | SMC Takumar 28mm | Arista Premium 400
Running off the lead frames, blind and from-the-hip "screw focus, get the shot" Leica-brandishing street style. OK, it wasn't that deliberate.
Roll #48.
No color manipulations involved -- just an amazing sunset.
Sanibel Island, Florida
(photo: Selva Morales)
I recently bought a job lot of glass negatives at auction and just spent a few hours photographing them on a lightbox with my dslr then 'developing' them in Photoshop.
The point at which Niagara Frontier Transportation Authority (NFTA) light rail vehicles head underground toward UB's South Campus. Have you ever seen a more negative set of signs? Danger, Do Not Enter, Caution, Trespassers will be Prosecuted, No Entry... with good reason, of course. It wasn't enough to stop a car from following the tracks into the tunnel about 3 years ago.
There are a lot of terribly clever photographers out there who produce simplistic yet beautiful black and white landscapes. I love them, particularly the dreamy skies and blurred water from long exposures. Can't get enough.
On thinking about it, it is the creative use of negative space in a land or seascape. It takes a certain degree of boldness and artistic vision to carry it off - the big risk is that all that negative space is just boring.
Anyway, I've stuck me neck out on this shot in liberal use of negative space. Hope it doesn't bore everyone!
The water is Widdop Reservoir, a remote and beautiful place on the moors some 8 miles from Hebden Bridge. The Pennine Way goes close by. The crags off the left of this photo are known for fantastic bouldering. A mile down the road is a great pub
Widdop is a lovely spot. Really tranquil. When his time comes, my brother wants his ashes scattering here. Not sure Yorkshire Water will be too happy about that tho'...
That's me c1963 but not my moped.
I only found the 6x9 cm negative, not the print.
Must try to let it be printed somewhere...
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pictionid57350380 - catalog14040190 - titlegdastronautics details plslo2 fill and control site 9-level 7 date 08091961 - filename14040190.tif
This is from a series of old negatives found in an envelope in a box of photographs at a junk store in Dewey, Oklahoma. Some seem related, others do not. Most are damaged in some way and/or poorly executed in the camera and in the dark room. Many are over- exposed.
To try to make some sense of the group, all were scanned so that obscure details might be revealed.
From a series of large format negatives created by the Teaching Aids Centre, Brisbane Street, Hobart, 1951 - 1973.
Tasmanian Archive and Heritage Office: AB713-1-229
TAHO images may be freely used for research or private study purposes. They may also be shared on private websites or blogs. When using or sharing the images please ensure that a clear attribution is included.
For commercial use, please contact the Tasmanian Archive and Heritage Office
56022 heading towards Knottingley. Rejoined main line after leaving Eggborough power station loop. Lost negative so this is photo of print.
Been back here today(15.7.10) and found out this is Hensall and train has just come from Drax power station, not as I previously thought.
These images were photographed in www.Brmlab.cz images taken by Jamison Young, the negatives were put onto a glass slide overhead projector by ATA (Petr from Brmlab) the brain man, these images are licensed under Creative Commons license, they are out of copyright and its not possible to know who the author is, if you have any information on the people in this slide or anything else, please contribute, or if you use please place the link to your blog here. Your welcome to use this image as you choose without attribution if possible, and remix as you want. www.jamyoung.net
This was meant to be yesterdays picture. I got two rolls of my Diana film back, I can't wait to scan them in. This is one of my favourite negatives, it's a pinhole shot of a horse in a field. If there are two things that looking at these rolls of film have told me, they are (.)I seem to take a load of really bad multiple exposures(.) and (.)I waste a lot of film because I wind on when I don't mean to(.)
Anyway, this shot leads me onto something else. My New Years Resolution photo was a bit heavy, so I devised a list or more uplifting resolutions to go with it
i.) I want to learn to play guitar. I've been playing since I was 14/15, and there's so much to playing guitar I can't achieve. I want to be able to perform a smooth, flowing solo, instead of the clunk I do now.
ii.) Branch out even more into film photography. Stu was kind enough to send me a Holga in the summer (which arrived on my birthday =D), and even let me keep it, for which I am eternally greatful. But if it wasn't for encouragement, company and free expired film from Karli and Fran, I probably would have stopped. And I'm glad I didn't, because using film has been so fun, I want to keep it up.
iii.) Play a gig in public, which means...
iv.) Writing more songs
I might add to this if I can think of some more.
I think everybody can change at least one thing about themselves for the better. It's just a case of whether they can see it or not.
One of those children is my Grandma. Born 1906, must be 5 or so here, so I'd guess this is about 1911-12.
Source: livinghistories.newcastle.edu.au/nodes/view/32994
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
Steam coming from the steam engine that is connected to the crane that is lifting the steel beam.
Beach Street Power House.
This set contains 39, 8x10 inch glass negatives of the construction of the Philadelphia, Frankford Street Elevated Railroad in 1913. There are also several enlargements of areas that I found interesting. They were packed in a box and separated with paper with notes recorded on them. The paper had disintegrated and stuck to the emulsion side of the negatives. You will find many of the photos with this paper still stuck to the plates because I did not try to remove it for fear of damaging the photos.