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35mm bw negative film. Epson V600 scan. Reykjavik Iceland.
The Frisbee team are, Árni Húmi Aðalsteinsson holding the frisbee, Júlíus Már Sigurðsson kneeling on the right, Heimir and unknown boy. I don´t know which is which.
This photo was a part of a Neighbourhood project and publishing of a newspaper called Nágrannar (Neighbours). Photo september 1996.
Going through my parent's negatives found these pics of them in their late 20's in Walt Disney Land in 1987.
Negatives scanned with Canon Canoscan 9000f Mark II and sharpened/touched up in Lightroom
Source: livinghistories.newcastle.edu.au/nodes/view/32994
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
Negative and false positive. The film is Arista Premium 400, shot with a Voigtländer VF-101 rangefinder and developed by Downtown Camera, Toronto.
I received these negatives as part of a lot. Nothing spectacular but perhaps one day someone will recognize someone in the photos as an old family member. Nothing would make me happier than to return these back to the family.
Clue #1: One of the negatives in this lot was shot at the Corfe Castle, Dorset England.
Image derived from the original glass negative.
The P.O.I of this photo are the two oyster catchers. The rest of the image is just white cloud. This brings attention to the oyster catchers as there is nothing else interesting to look at in the image.
56022 heading towards Knottingley. Rejoined main line after leaving Eggborough power station loop. Lost negative so this is photo of print.
Been back here today(15.7.10) and found out this is Hensall and train has just come from Drax power station, not as I previously thought.
8x10 Paper Negative
Ilfobrom FB single weight
IShot at ISO 3, then developed in paRodinal 1+25 for 5 minutes.
This is so much brighter than the Caltar or the Apo-Artar images (both f/11) for a very simple reason - this lens is mounted with a Packard shutter, so I have to manually sync the flash - my guess is that I sync at 1/2 second! The ambient light level at 1/25th was f/2 according to the flash meter.