View allAll Photos Tagged Multipurpose
Groundbreaking for the new Multipurpose Facility on Feb. 26, 2019. Approved by voters in Nov. 2018, the facility is slated for completion by December 2019.
Photos by Shelley Gammon
The Armoured Multipurpose Vehicle (AMPV) is a family of 4x4 vehicles being developed jointly by Krauss-Maffei Wegmann (KMW) and Rheinmetall Defence.
A fast, multipurpose helicopter platform. Manufactured by Yakovlev, it is a moderately armoured helicopter with an extensive armament. There are currently two vastly different modifications of the gunship/transport unit.
Interestingly, it uses the traditional rotor system, after most of the NSC airforce has switched out to NOTAR systems and coaxial rotor systems. The helicopter is powered by two massive TDD-1 internal turboshaft engines and two smaller TD-2 engines mounted onto the sides. This small craft can move at Mach 0.26 fully loaded.
On it's sides are two missiles countermeasures suites, which fire a laser to destroy incoming hostile missiles. It is similar to the one used on NSC tanks. It also includes an invisibility illusion generator.
This helicopter now includes a new imaging and sensor system, making the gunner's and pilot's job much easier. The main rotary cannon, located under the nose, is pointed towards wherever the gunner is looking, greatly increasing this new series' efficiency.
It's new sensors and equipment allow it to mesh into the intel network, which is a system that creates a virtual map with feed from the frontlines, recon units, etc. It allows HUD-equipped units to view a minimap of the area with identified enemies on it. Each unit with a camera, including infantry equipped with the Enforcer suit, contributes to this intel network. This way, every unit in the military is essentially a recon unit. The helo is a powerful one, surveying a large area and identifying any visible enemies.
It is able to deliver long range missile strikes if a friendly unit in the area guides it (infantrymen can use their on-chest computers.)
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Yakovlev Yak-110A "Hyperion" Light Gunship/Transport - "A" Variant
The Yak-110A is a helicopter more focused on troops transport than gunship. It is designed to transport a large group of men into a high-action zone and support them with it's powerful armament.
Armed with:
-1x Gunner's Rotary Autocannon
-6x Weapon Hardpoints (located 3 under each stub wing)
>Unguided Rocket Pods
>Guided AT Missiles
>Air-to-Air Missiles
-Twin Micro TLS modules (on either side)
Loads: 10 passengers, 2 crew
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Yakovlev Yak-110G "Hyperion" Light Gunship/Transport - "G" Variant
The Yak-110G is more focused on attacking. It is more of a gunship than the A variant. It is designed to drop-and-forget the troops it carries, similarly to the Mi-24, and perform attack maneuvers towards the enemy.
A very unique feature of this helicopter is it's additional Tesla cannon underneath the main gunner's autocannon. Controlled by the gunner, it is able to fry or burn infantry and disable electronic devices with a highly concentrated controlled continuous electric bolt.
Armed with:
-1x Gunner's (Turret Mounted) High Calibre Autocannon
-1x Gunner's (Turret Mounted) High Energy Tesla Cannon
-6x Weapon Hardpoints (located 3 under each stub wing)
>Unguided Rocket Pods
>Guided AT Missiles
>Air-to-Air Missiles
Loads: 6 passengers, 2 crew
-4x Turkish ShBM underbody
--------------------
GC Cost: 15,400 Credits (Tier 4, Stealth) 9,000 (Stealth)
With its 5 EM stabilizers (1 on each leg and 1 on the back), this CYGNUS Corp. ground unit is one of the most stable walkers on the market. The EM stabilizers compensate for the heavy armor penetrating cannon and heavy high velocity gatling recoil. GLAIVEs are also equiped with a set of missiles and a light laser gatling. They are used in various missions like search and destroy, strategic point defense or enemy base assault.
Andy Garner, NA Laboratory Coordinator and Project Executive for Major Capital Projects in Seibersdorf, welcomes the arrival of IAEA Director General Rafael Mariano Grossi, at the Agency laboratories in Seibersdorf, Austria. 24 February 2022
Photo Credit: Dean Calma / IAEA
Rafael Mariano Grossi, IAEA Director General
Diego Candano Laris, Senior Advisor to the Director General
Andy Garner, NA Laboratory Coordinator and Project Executive for Major Capital Projects in Seibersdorf
Victor Varychenko, Head, Seibersdorf Laboratories Services Section
Gerhard Schoebel, Project Engineer, NA
Adriana Lukovac Djokovic, Project Manager, NA
Osama Daadouch, Facilities Management Assistant
I just finished four pieces of these pallet style multipurpose furnitures. They are all made of reclaimed wood from Shanghai's old town. They come with casters so that they can be moved easily.
They all have an unique design through the arrangement of the top wood surface. I will make four round cushions each so that it can be used as a sofa, together with the new coffee tables.
But it could also be used as a TV and stereo table.
I just finished four pieces of these pallet style multipurpose furnitures. They are all made of reclaimed wood from Shanghai's old town. They come with casters so that they can be moved easily.
They all have an unique design through the arrangement of the top wood surface. I will make four round cushions each so that it can be used as a sofa, together with the new coffee tables.
But it could also be used as a TV and stereo table.
A multi purpose furniture made of old pallets. Each piece can be used separately or two or more pieces can be combined and locked together. They can be used with a foam cushion or without. Four wheels on each unit allow great flexibility. The wheels can be locked of course. The top edges are protected with aluminum L-profiles and the corners are protected as well.
It can be used as:
Sofa
Bed
Moving aid
Stage
Catwalk
and so on.....
History of organ Redoute
General Information
History as a multipurpose facility Reduty Publicly construction begins in 1901, when the city of Bratislava as one of the cultural centers of Austria-Hungarian Empire Teresian bought the former granary, built on the banks of the Danube in 1773 on the orders of Maria Theresa. After the demolition of the city granary built in the years 1913-1919 multifunctional building in neo-baroque style with elements of Rococo and Art Nouveau. The name itself implies Redoute object of linguistic terms for interpretation in French ("Redoute"- Ball, prom or dance hall, etc.) Public multipurpose building. This was originally the seat of several associations, trade as well as cultural organizations and served on a large scale public capital Bratislava on musical events, dance parties and performances and to provide similar services.
The seat of the Slovak Philharmonic has become Redoute up to the beginning of the 50th years for the period of post-war Czechoslovak Republic. The focus of its activities, the provision of general and particular cultural services to the public concentrating varied Concerts. This house featured artists (male) and artists (female) from Slovakia but also many foreign guests from all over the world. At that time (in 1956) was to Slovak Philharmonic concert hall organ built and placed under the window in the facade of the building facing the street Medená. It is about a 85 štvormanuálový registering body Rieger-Kloss. Organ is electro pneumatic traktúry and one sliding game table. The factory was built by the authority located in Krnov in the current Czech Republic. Its current condition is marked by particular problems of quality materials available in the post-war market of Czechoslovak Republic in the mid 50s. Apart from the fact that the architecture (design) of this monumental musical instrument became not only a symbol of the object Reduty but also the Slovak Philharmonic.
After the Velvet Revolution, the object Reduty gradually transformed to fit the multifunctional cultural facility with a rich European musical tradition and at the same time it was decided the reconstruction and completion of the building
Current Status
History of organ Redoute
+ Organ in the Concert Hall of the Slovak Philharmonic was built in 1956 by Ing. Veverku. vyrobený, made by organ Krnov, Czechoslovakia;
+ Characteristics of organ type - Rieger-Kloss Organ Opus 3210; technical design consists of the following parts - 4 manuals and pedal, 84 registers sounding, about 6,000 pipes, electrical traktúra, bowling tube, and moving game table;
+ Appearance organ (ie prospectus, ie its front part is called fancy face organ) adapt its constructor works of art of the concert hall SF)
+ A successful (visual) art solution fits into the interior of the concert hall and accepting some creative themes linked to the overall interior decoration,
+ Adaptation of the technical solutions addressing the visual, the sound of the organ was very inconvenient, many pipes are deaf - and has broken above a disproportionately large - length, which is due to the technical structures and organs due to inadequate acoustics solution;
2 Current status and review of existing organs
· Current state of the organ is difficult for artistic production incapacitated, is permanently faulty and can not be efficiently modified or rebuilt,
· Internal structure has only a minimal amount of material and the addition of a smaller pipework is not applicable construction elsewhere,
· The historically - art website does not constitute the organ of no value,
· Its hilarious appearance - art rendition of the facade of the organ (its face), may be the subject of consideration in the design of new creative solutions to future body;
3 Description of the disposition of the existing organ in the Concert Hall of the Slovak Philharmonic
Switch (Absteller):
1 switch drum
2 The switch 16 ' Man. + 32 ' Ped.
3 Reed switch registers of
I. manual:
4 Principal 16'
5 Burdon 16'
6 Principal 8'
7 Hollow Flute 8'
8 Viola da gamba 8'
9 Octave 4'
10th Recorder Flute 4'
11th Supe roktáva 2'
12th Transverse flute 2'
13th Whistle sparkling 4x 4'
14th Mixture 8 -10X 1 1/3 - 4'
15th Trumpet 16'
16th Trumpet 8'
17th I / II
18th III / II
19th IV / II
II. Manual:
20th Kvintadéna 8'
21, Cover 8'
22, Principal 4'
23 Roh night 4'
24th Glucanase 2 2/ 3'
25th Octave 2'
26th 2 flute flat'
27th Superkvinta 1 1/ 3'
28th Superoktáva 1'
29th Mixture 6 - 8x 1' - 4'
30th Crooked horn 8'
31 String shelf 4'
32 III / I
33 IV / I
34th I tremolo
Switch (absteller):
35th Hand switch registers
36th Switch connectors from the Register
37th Sub switch (couplings)
38th Super switch (couplings)
39th Mixtur switch
40th Pedal switch
III. manual:
41 Pommer indoor 16'
42 Principal 8'
43 Dome Flute 8'
44th Salicional 8'
45th Cover Musick 8'
46th Vox coelestis 1 - 2x 8 + 8'
47th Octave 4'
48th Flute pipe 4'
49th Violina 4'
50th Fifth covered 2 2/3'
51 Kvintadecima 2'
52 2 flute forest'
53 Seskvialtera - 2 2/3' + 1 3/ 5'
54th Mixture 7 - 9x 1 1/3 - 4'
55th Dulcimer - 3 8/9 ' - 1 1/ 3'
56th Field Trumpet 8'
57th Vox humana 8'
58th Klarina 4'
59th Harp 8'
60th IV / III
61st III tremolo
IV. manual:
62 Roh Kamzíková 8'
63 Roh night indoor 8'
64th Fluttering flute 1 - 2 8' + 8'
65th Principal 4'
66th Flute radius 4'
67th Fifth pipe 2 2/3'
68th Octave 2'
69 Tonus Fabri 2 + 1'
70th Terciová Flute 1 3/ 5'
71 Flute Kvintová 1 1/3'
72 Swiss fife 1'
73 Mixture Nono's 8/9' - 2 2/5'
74th AKUTOL 4x 1/2' - 4'
75th Cimbál terciový 3x 1 /4 - 2'
76th Rankettregál 16'
77th Dulcian 8'
78th Shawm 4'
79th Bells big G - works
Pedal
80th Plinth 32'
81st Double Bass 32' + 16'
82 Principálbas 16'
83 Apertabas 16'
84th Subbas 16'
85th Burdonbas 16'
86th Fifth Big 10 2/3'
87th Octavebas 8'
88th Hollow Flute 8'
89th Kvintadéna pipe 8'
90th Cover 8'
91st Naza covered 5 1/3'
92nd Chorálbas 4'
93rd Pointed Flute 4'
94th Cink 2 + 1'
95th Pipe effervescent 4x 5 1/ 3'
96th Mixture 7-9 x 2-4'
97th Kontrapozón 32'
98th Dulcian 16'
99th Požoň 16'
100th Trumpet 8'
101 Klarina 4'
102 I / P
103 II / P
104th III / P
105th IV / P
4 available combinations
Rollers
III. and IV. in impoundments
Electric traktúry
Man C - c5 (manuals)
Before C - g1 (pedal)
4 Inadequate design parameters of the existing functional organ from a technical point of view
· Occupy too much space - for the system design,
· Pipe section realized the sound of difficult material (zinc) and hardly tunable material (lack priezvučnosť prospectus is inappropriate resonance, etc.),
· Many pipes are broken, have only a decorative function,
· Poor artistic appearance of the body organ pipes - inappropriate striebrenkový coat;
· Middle balkónovitý projection bodies (positive) is inappropriate, interferes with musical productions, in the future it will be necessary to imbed into the sides of the level, but to lose plasticity breakdown; prospectus shift back by 1 m;
Svetoslav III Multipurpose Trimaran Frigate
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The Svetoslav is a revision of the older Svetoslav. First upgraded in 2033. It has been re-equipped with new electronics, sensors, radars and sonars.
It is able to detect all enemies - ships, subs, and planes, and is able to engage all of them. It also now features three hulls, not one, for stability and more weapons capacity.
Armament:
• 2x 130mm Dual Purpose Railguns
• 4x Palma (Kashtan) Laser CIWS (w/ SAM)
gyazo.com/ff7f7b9263888579c4b6706f7fc9a527.png?1345839182
• 60x Small VLS Cells (15 Quadcells)
• 12x Anti-Air VLS cells
• 7x2 14 Forward Launched Multipurpose Missiles/Underwater Missiles (Anti-ship, Anti-Sub)
Air Force:
• 1x Yakovlev Yak-114 "Oceanus" Helicopter Cruise Missile Platform (Tier 4, Stealth)
• 1x Kamov Ka-60 "Strela" Mk2 Light Helicopter Gunships (Tier 4, Stealth)
--------------------
GC Cost: 28000 Credits (Tier 3) 56000* (Tier 3)
*With ship's airforce
History of organ Redoute
General Information
History as a multipurpose facility Reduty Publicly construction begins in 1901, when the city of Bratislava as one of the cultural centers of Austria-Hungarian Empire Teresian bought the former granary, built on the banks of the Danube in 1773 on the orders of Maria Theresa. After the demolition of the city granary built in the years 1913-1919 multifunctional building in neo-baroque style with elements of Rococo and Art Nouveau. The name itself implies Redoute object of linguistic terms for interpretation in French ("Redoute"- Ball, prom or dance hall, etc.) Public multipurpose building. This was originally the seat of several associations, trade as well as cultural organizations and served on a large scale public capital Bratislava on musical events, dance parties and performances and to provide similar services.
The seat of the Slovak Philharmonic has become Redoute up to the beginning of the 50th years for the period of post-war Czechoslovak Republic. The focus of its activities, the provision of general and particular cultural services to the public concentrating varied Concerts. This house featured artists (male) and artists (female) from Slovakia but also many foreign guests from all over the world. At that time (in 1956) was to Slovak Philharmonic concert hall organ built and placed under the window in the facade of the building facing the street Medená. It is about a 85 štvormanuálový registering body Rieger-Kloss. Organ is electro pneumatic traktúry and one sliding game table. The factory was built by the authority located in Krnov in the current Czech Republic. Its current condition is marked by particular problems of quality materials available in the post-war market of Czechoslovak Republic in the mid 50s. Apart from the fact that the architecture (design) of this monumental musical instrument became not only a symbol of the object Reduty but also the Slovak Philharmonic.
After the Velvet Revolution, the object Reduty gradually transformed to fit the multifunctional cultural facility with a rich European musical tradition and at the same time it was decided the reconstruction and completion of the building
Current Status
History of organ Redoute
+ Organ in the Concert Hall of the Slovak Philharmonic was built in 1956 by Ing. Veverku. vyrobený, made by organ Krnov, Czechoslovakia;
+ Characteristics of organ type - Rieger-Kloss Organ Opus 3210; technical design consists of the following parts - 4 manuals and pedal, 84 registers sounding, about 6,000 pipes, electrical traktúra, bowling tube, and moving game table;
+ Appearance organ (ie prospectus, ie its front part is called fancy face organ) adapt its constructor works of art of the concert hall SF)
+ A successful (visual) art solution fits into the interior of the concert hall and accepting some creative themes linked to the overall interior decoration,
+ Adaptation of the technical solutions addressing the visual, the sound of the organ was very inconvenient, many pipes are deaf - and has broken above a disproportionately large - length, which is due to the technical structures and organs due to inadequate acoustics solution;
2 Current status and review of existing organs
· Current state of the organ is difficult for artistic production incapacitated, is permanently faulty and can not be efficiently modified or rebuilt,
· Internal structure has only a minimal amount of material and the addition of a smaller pipework is not applicable construction elsewhere,
· The historically - art website does not constitute the organ of no value,
· Its hilarious appearance - art rendition of the facade of the organ (its face), may be the subject of consideration in the design of new creative solutions to future body;
3 Description of the disposition of the existing organ in the Concert Hall of the Slovak Philharmonic
Switch (Absteller):
1 switch drum
2 The switch 16 ' Man. + 32 ' Ped.
3 Reed switch registers of
I. manual:
4 Principal 16'
5 Burdon 16'
6 Principal 8'
7 Hollow Flute 8'
8 Viola da gamba 8'
9 Octave 4'
10th Recorder Flute 4'
11th Supe roktáva 2'
12th Transverse flute 2'
13th Whistle sparkling 4x 4'
14th Mixture 8 -10X 1 1/3 - 4'
15th Trumpet 16'
16th Trumpet 8'
17th I / II
18th III / II
19th IV / II
II. Manual:
20th Kvintadéna 8'
21, Cover 8'
22, Principal 4'
23 Roh night 4'
24th Glucanase 2 2/ 3'
25th Octave 2'
26th 2 flute flat'
27th Superkvinta 1 1/ 3'
28th Superoktáva 1'
29th Mixture 6 - 8x 1' - 4'
30th Crooked horn 8'
31 String shelf 4'
32 III / I
33 IV / I
34th I tremolo
Switch (absteller):
35th Hand switch registers
36th Switch connectors from the Register
37th Sub switch (couplings)
38th Super switch (couplings)
39th Mixtur switch
40th Pedal switch
III. manual:
41 Pommer indoor 16'
42 Principal 8'
43 Dome Flute 8'
44th Salicional 8'
45th Cover Musick 8'
46th Vox coelestis 1 - 2x 8 + 8'
47th Octave 4'
48th Flute pipe 4'
49th Violina 4'
50th Fifth covered 2 2/3'
51 Kvintadecima 2'
52 2 flute forest'
53 Seskvialtera - 2 2/3' + 1 3/ 5'
54th Mixture 7 - 9x 1 1/3 - 4'
55th Dulcimer - 3 8/9 ' - 1 1/ 3'
56th Field Trumpet 8'
57th Vox humana 8'
58th Klarina 4'
59th Harp 8'
60th IV / III
61st III tremolo
IV. manual:
62 Roh Kamzíková 8'
63 Roh night indoor 8'
64th Fluttering flute 1 - 2 8' + 8'
65th Principal 4'
66th Flute radius 4'
67th Fifth pipe 2 2/3'
68th Octave 2'
69 Tonus Fabri 2 + 1'
70th Terciová Flute 1 3/ 5'
71 Flute Kvintová 1 1/3'
72 Swiss fife 1'
73 Mixture Nono's 8/9' - 2 2/5'
74th AKUTOL 4x 1/2' - 4'
75th Cimbál terciový 3x 1 /4 - 2'
76th Rankettregál 16'
77th Dulcian 8'
78th Shawm 4'
79th Bells big G - works
Pedal
80th Plinth 32'
81st Double Bass 32' + 16'
82 Principálbas 16'
83 Apertabas 16'
84th Subbas 16'
85th Burdonbas 16'
86th Fifth Big 10 2/3'
87th Octavebas 8'
88th Hollow Flute 8'
89th Kvintadéna pipe 8'
90th Cover 8'
91st Naza covered 5 1/3'
92nd Chorálbas 4'
93rd Pointed Flute 4'
94th Cink 2 + 1'
95th Pipe effervescent 4x 5 1/ 3'
96th Mixture 7-9 x 2-4'
97th Kontrapozón 32'
98th Dulcian 16'
99th Požoň 16'
100th Trumpet 8'
101 Klarina 4'
102 I / P
103 II / P
104th III / P
105th IV / P
4 available combinations
Rollers
III. and IV. in impoundments
Electric traktúry
Man C - c5 (manuals)
Before C - g1 (pedal)
4 Inadequate design parameters of the existing functional organ from a technical point of view
· Occupy too much space - for the system design,
· Pipe section realized the sound of difficult material (zinc) and hardly tunable material (lack priezvučnosť prospectus is inappropriate resonance, etc.),
· Many pipes are broken, have only a decorative function,
· Poor artistic appearance of the body organ pipes - inappropriate striebrenkový coat;
· Middle balkónovitý projection bodies (positive) is inappropriate, interferes with musical productions, in the future it will be necessary to imbed into the sides of the level, but to lose plasticity breakdown; prospectus shift back by 1 m;
The new track, sports field, grandstands, bus parking, playground and multipurpose room are nearing completion for use by the Kaiserslautern Raiders in Vogelweh, Germany April 11, 2013. The Department of Defense Dependents Schools-Europe project is 97 percent complete and will be ready for the DODDS-E track and field championships in late May. The state-of-the-art, all-weather running track surrounds a fully-lit turf soccer/football field. The field will require less water and maintenance than a traditional grass field. The project also includes a multipurpose room for the local elementary school. The MPR features a basketball court, rock climbing wall, performance stage and a fully-functional kitchen. In addition to this project, the U.S. Army Corps of Engineers Europe District is working with DoDDS-E to build new 21st century high-, middle- and elementary schools on U.S. Army Garrison Kaiserslautern, the largest U.S. community overseas. USACE is currently designing and building 21st century schools for DoDDS throughout Germany, Italy, Belgium and the U.S., for more information read the following article: www.usace.army.mil/Media/NewsArchive/tabid/204/Article/42... (U.S. Army Corps of Engineers photo by Jennifer Aldridge)
Picture Of The USS Bataan (LHDS 5) Was Commissioned September 20, 1997. The USS Bataan Is The Fifth Ship In The WASP Class Of United States Navy Multipurpose Amphibious Assault Ships. It Is Participating In The 2016 New York City Parade Of Ships To Mark The Start Of 2016 Fleet Week In New York City. Photo Taken Wednesday May 25, 2016.
DSC6865
NRP Álvares Cabral is a multipurpose MEKO class frigate, 116 meters in length and 3400 tonnes displacement. Among other missions, she had in the past 2 deployments in the Standing NATO Maritime Group 1 (SNMG1), 5 in the Standing Naval Force North Atlantic (STANAVFORLANT) and 2 in the European Maritime Force (EUROMARFOR).
Read more... eunavfor.eu/portuguese-frigate-nrp-alvares-cabral-takes-o...
History of organ Redoute
General Information
History as a multipurpose facility Reduty Publicly construction begins in 1901, when the city of Bratislava as one of the cultural centers of Austria-Hungarian Empire Teresian bought the former granary, built on the banks of the Danube in 1773 on the orders of Maria Theresa. After the demolition of the city granary built in the years 1913-1919 multifunctional building in neo-baroque style with elements of Rococo and Art Nouveau. The name itself implies Redoute object of linguistic terms for interpretation in French ("Redoute"- Ball, prom or dance hall, etc.) Public multipurpose building. This was originally the seat of several associations, trade as well as cultural organizations and served on a large scale public capital Bratislava on musical events, dance parties and performances and to provide similar services.
The seat of the Slovak Philharmonic has become Redoute up to the beginning of the 50th years for the period of post-war Czechoslovak Republic. The focus of its activities, the provision of general and particular cultural services to the public concentrating varied Concerts. This house featured artists (male) and artists (female) from Slovakia but also many foreign guests from all over the world. At that time (in 1956) was to Slovak Philharmonic concert hall organ built and placed under the window in the facade of the building facing the street Medená. It is about a 85 štvormanuálový registering body Rieger-Kloss. Organ is electro pneumatic traktúry and one sliding game table. The factory was built by the authority located in Krnov in the current Czech Republic. Its current condition is marked by particular problems of quality materials available in the post-war market of Czechoslovak Republic in the mid 50s. Apart from the fact that the architecture (design) of this monumental musical instrument became not only a symbol of the object Reduty but also the Slovak Philharmonic.
After the Velvet Revolution, the object Reduty gradually transformed to fit the multifunctional cultural facility with a rich European musical tradition and at the same time it was decided the reconstruction and completion of the building
Current Status
History of organ Redoute
+ Organ in the Concert Hall of the Slovak Philharmonic was built in 1956 by Ing. Veverku. vyrobený, made by organ Krnov, Czechoslovakia;
+ Characteristics of organ type - Rieger-Kloss Organ Opus 3210; technical design consists of the following parts - 4 manuals and pedal, 84 registers sounding, about 6,000 pipes, electrical traktúra, bowling tube, and moving game table;
+ Appearance organ (ie prospectus, ie its front part is called fancy face organ) adapt its constructor works of art of the concert hall SF)
+ A successful (visual) art solution fits into the interior of the concert hall and accepting some creative themes linked to the overall interior decoration,
+ Adaptation of the technical solutions addressing the visual, the sound of the organ was very inconvenient, many pipes are deaf - and has broken above a disproportionately large - length, which is due to the technical structures and organs due to inadequate acoustics solution;
2 Current status and review of existing organs
· Current state of the organ is difficult for artistic production incapacitated, is permanently faulty and can not be efficiently modified or rebuilt,
· Internal structure has only a minimal amount of material and the addition of a smaller pipework is not applicable construction elsewhere,
· The historically - art website does not constitute the organ of no value,
· Its hilarious appearance - art rendition of the facade of the organ (its face), may be the subject of consideration in the design of new creative solutions to future body;
3 Description of the disposition of the existing organ in the Concert Hall of the Slovak Philharmonic
Switch (Absteller):
1 switch drum
2 The switch 16 ' Man. + 32 ' Ped.
3 Reed switch registers of
I. manual:
4 Principal 16'
5 Burdon 16'
6 Principal 8'
7 Hollow Flute 8'
8 Viola da gamba 8'
9 Octave 4'
10th Recorder Flute 4'
11th Supe roktáva 2'
12th Transverse flute 2'
13th Whistle sparkling 4x 4'
14th Mixture 8 -10X 1 1/3 - 4'
15th Trumpet 16'
16th Trumpet 8'
17th I / II
18th III / II
19th IV / II
II. Manual:
20th Kvintadéna 8'
21, Cover 8'
22, Principal 4'
23 Roh night 4'
24th Glucanase 2 2/ 3'
25th Octave 2'
26th 2 flute flat'
27th Superkvinta 1 1/ 3'
28th Superoktáva 1'
29th Mixture 6 - 8x 1' - 4'
30th Crooked horn 8'
31 String shelf 4'
32 III / I
33 IV / I
34th I tremolo
Switch (absteller):
35th Hand switch registers
36th Switch connectors from the Register
37th Sub switch (couplings)
38th Super switch (couplings)
39th Mixtur switch
40th Pedal switch
III. manual:
41 Pommer indoor 16'
42 Principal 8'
43 Dome Flute 8'
44th Salicional 8'
45th Cover Musick 8'
46th Vox coelestis 1 - 2x 8 + 8'
47th Octave 4'
48th Flute pipe 4'
49th Violina 4'
50th Fifth covered 2 2/3'
51 Kvintadecima 2'
52 2 flute forest'
53 Seskvialtera - 2 2/3' + 1 3/ 5'
54th Mixture 7 - 9x 1 1/3 - 4'
55th Dulcimer - 3 8/9 ' - 1 1/ 3'
56th Field Trumpet 8'
57th Vox humana 8'
58th Klarina 4'
59th Harp 8'
60th IV / III
61st III tremolo
IV. manual:
62 Roh Kamzíková 8'
63 Roh night indoor 8'
64th Fluttering flute 1 - 2 8' + 8'
65th Principal 4'
66th Flute radius 4'
67th Fifth pipe 2 2/3'
68th Octave 2'
69 Tonus Fabri 2 + 1'
70th Terciová Flute 1 3/ 5'
71 Flute Kvintová 1 1/3'
72 Swiss fife 1'
73 Mixture Nono's 8/9' - 2 2/5'
74th AKUTOL 4x 1/2' - 4'
75th Cimbál terciový 3x 1 /4 - 2'
76th Rankettregál 16'
77th Dulcian 8'
78th Shawm 4'
79th Bells big G - works
Pedal
80th Plinth 32'
81st Double Bass 32' + 16'
82 Principálbas 16'
83 Apertabas 16'
84th Subbas 16'
85th Burdonbas 16'
86th Fifth Big 10 2/3'
87th Octavebas 8'
88th Hollow Flute 8'
89th Kvintadéna pipe 8'
90th Cover 8'
91st Naza covered 5 1/3'
92nd Chorálbas 4'
93rd Pointed Flute 4'
94th Cink 2 + 1'
95th Pipe effervescent 4x 5 1/ 3'
96th Mixture 7-9 x 2-4'
97th Kontrapozón 32'
98th Dulcian 16'
99th Požoň 16'
100th Trumpet 8'
101 Klarina 4'
102 I / P
103 II / P
104th III / P
105th IV / P
4 available combinations
Rollers
III. and IV. in impoundments
Electric traktúry
Man C - c5 (manuals)
Before C - g1 (pedal)
4 Inadequate design parameters of the existing functional organ from a technical point of view
· Occupy too much space - for the system design,
· Pipe section realized the sound of difficult material (zinc) and hardly tunable material (lack priezvučnosť prospectus is inappropriate resonance, etc.),
· Many pipes are broken, have only a decorative function,
· Poor artistic appearance of the body organ pipes - inappropriate striebrenkový coat;
· Middle balkónovitý projection bodies (positive) is inappropriate, interferes with musical productions, in the future it will be necessary to imbed into the sides of the level, but to lose plasticity breakdown; prospectus shift back by 1 m;
History of organ Redoute
General Information
History as a multipurpose facility Reduty Publicly construction begins in 1901, when the city of Bratislava as one of the cultural centers of Austria-Hungarian Empire Teresian bought the former granary, built on the banks of the Danube in 1773 on the orders of Maria Theresa. After the demolition of the city granary built in the years 1913-1919 multifunctional building in neo-baroque style with elements of Rococo and Art Nouveau. The name itself implies Redoute object of linguistic terms for interpretation in French ("Redoute"- Ball, prom or dance hall, etc.) Public multipurpose building. This was originally the seat of several associations, trade as well as cultural organizations and served on a large scale public capital Bratislava on musical events, dance parties and performances and to provide similar services.
The seat of the Slovak Philharmonic has become Redoute up to the beginning of the 50th years for the period of post-war Czechoslovak Republic. The focus of its activities, the provision of general and particular cultural services to the public concentrating varied Concerts. This house featured artists (male) and artists (female) from Slovakia but also many foreign guests from all over the world. At that time (in 1956) was to Slovak Philharmonic concert hall organ built and placed under the window in the facade of the building facing the street Medená. It is about a 85 štvormanuálový registering body Rieger-Kloss. Organ is electro pneumatic traktúry and one sliding game table. The factory was built by the authority located in Krnov in the current Czech Republic. Its current condition is marked by particular problems of quality materials available in the post-war market of Czechoslovak Republic in the mid 50s. Apart from the fact that the architecture (design) of this monumental musical instrument became not only a symbol of the object Reduty but also the Slovak Philharmonic.
After the Velvet Revolution, the object Reduty gradually transformed to fit the multifunctional cultural facility with a rich European musical tradition and at the same time it was decided the reconstruction and completion of the building
Current Status
History of organ Redoute
+ Organ in the Concert Hall of the Slovak Philharmonic was built in 1956 by Ing. Veverku. vyrobený, made by organ Krnov, Czechoslovakia;
+ Characteristics of organ type - Rieger-Kloss Organ Opus 3210; technical design consists of the following parts - 4 manuals and pedal, 84 registers sounding, about 6,000 pipes, electrical traktúra, bowling tube, and moving game table;
+ Appearance organ (ie prospectus, ie its front part is called fancy face organ) adapt its constructor works of art of the concert hall SF)
+ A successful (visual) art solution fits into the interior of the concert hall and accepting some creative themes linked to the overall interior decoration,
+ Adaptation of the technical solutions addressing the visual, the sound of the organ was very inconvenient, many pipes are deaf - and has broken above a disproportionately large - length, which is due to the technical structures and organs due to inadequate acoustics solution;
2 Current status and review of existing organs
· Current state of the organ is difficult for artistic production incapacitated, is permanently faulty and can not be efficiently modified or rebuilt,
· Internal structure has only a minimal amount of material and the addition of a smaller pipework is not applicable construction elsewhere,
· The historically - art website does not constitute the organ of no value,
· Its hilarious appearance - art rendition of the facade of the organ (its face), may be the subject of consideration in the design of new creative solutions to future body;
3 Description of the disposition of the existing organ in the Concert Hall of the Slovak Philharmonic
Switch (Absteller):
1 switch drum
2 The switch 16 ' Man. + 32 ' Ped.
3 Reed switch registers of
I. manual:
4 Principal 16'
5 Burdon 16'
6 Principal 8'
7 Hollow Flute 8'
8 Viola da gamba 8'
9 Octave 4'
10th Recorder Flute 4'
11th Supe roktáva 2'
12th Transverse flute 2'
13th Whistle sparkling 4x 4'
14th Mixture 8 -10X 1 1/3 - 4'
15th Trumpet 16'
16th Trumpet 8'
17th I / II
18th III / II
19th IV / II
II. Manual:
20th Kvintadéna 8'
21, Cover 8'
22, Principal 4'
23 Roh night 4'
24th Glucanase 2 2/ 3'
25th Octave 2'
26th 2 flute flat'
27th Superkvinta 1 1/ 3'
28th Superoktáva 1'
29th Mixture 6 - 8x 1' - 4'
30th Crooked horn 8'
31 String shelf 4'
32 III / I
33 IV / I
34th I tremolo
Switch (absteller):
35th Hand switch registers
36th Switch connectors from the Register
37th Sub switch (couplings)
38th Super switch (couplings)
39th Mixtur switch
40th Pedal switch
III. manual:
41 Pommer indoor 16'
42 Principal 8'
43 Dome Flute 8'
44th Salicional 8'
45th Cover Musick 8'
46th Vox coelestis 1 - 2x 8 + 8'
47th Octave 4'
48th Flute pipe 4'
49th Violina 4'
50th Fifth covered 2 2/3'
51 Kvintadecima 2'
52 2 flute forest'
53 Seskvialtera - 2 2/3' + 1 3/ 5'
54th Mixture 7 - 9x 1 1/3 - 4'
55th Dulcimer - 3 8/9 ' - 1 1/ 3'
56th Field Trumpet 8'
57th Vox humana 8'
58th Klarina 4'
59th Harp 8'
60th IV / III
61st III tremolo
IV. manual:
62 Roh Kamzíková 8'
63 Roh night indoor 8'
64th Fluttering flute 1 - 2 8' + 8'
65th Principal 4'
66th Flute radius 4'
67th Fifth pipe 2 2/3'
68th Octave 2'
69 Tonus Fabri 2 + 1'
70th Terciová Flute 1 3/ 5'
71 Flute Kvintová 1 1/3'
72 Swiss fife 1'
73 Mixture Nono's 8/9' - 2 2/5'
74th AKUTOL 4x 1/2' - 4'
75th Cimbál terciový 3x 1 /4 - 2'
76th Rankettregál 16'
77th Dulcian 8'
78th Shawm 4'
79th Bells big G - works
Pedal
80th Plinth 32'
81st Double Bass 32' + 16'
82 Principálbas 16'
83 Apertabas 16'
84th Subbas 16'
85th Burdonbas 16'
86th Fifth Big 10 2/3'
87th Octavebas 8'
88th Hollow Flute 8'
89th Kvintadéna pipe 8'
90th Cover 8'
91st Naza covered 5 1/3'
92nd Chorálbas 4'
93rd Pointed Flute 4'
94th Cink 2 + 1'
95th Pipe effervescent 4x 5 1/ 3'
96th Mixture 7-9 x 2-4'
97th Kontrapozón 32'
98th Dulcian 16'
99th Požoň 16'
100th Trumpet 8'
101 Klarina 4'
102 I / P
103 II / P
104th III / P
105th IV / P
4 available combinations
Rollers
III. and IV. in impoundments
Electric traktúry
Man C - c5 (manuals)
Before C - g1 (pedal)
4 Inadequate design parameters of the existing functional organ from a technical point of view
· Occupy too much space - for the system design,
· Pipe section realized the sound of difficult material (zinc) and hardly tunable material (lack priezvučnosť prospectus is inappropriate resonance, etc.),
· Many pipes are broken, have only a decorative function,
· Poor artistic appearance of the body organ pipes - inappropriate striebrenkový coat;
· Middle balkónovitý projection bodies (positive) is inappropriate, interferes with musical productions, in the future it will be necessary to imbed into the sides of the level, but to lose plasticity breakdown; prospectus shift back by 1 m;
History of organ Redoute
General Information
History as a multipurpose facility Reduty Publicly construction begins in 1901, when the city of Bratislava as one of the cultural centers of Austria-Hungarian Empire Teresian bought the former granary, built on the banks of the Danube in 1773 on the orders of Maria Theresa. After the demolition of the city granary built in the years 1913-1919 multifunctional building in neo-baroque style with elements of Rococo and Art Nouveau. The name itself implies Redoute object of linguistic terms for interpretation in French ("Redoute"- Ball, prom or dance hall, etc.) Public multipurpose building. This was originally the seat of several associations, trade as well as cultural organizations and served on a large scale public capital Bratislava on musical events, dance parties and performances and to provide similar services.
The seat of the Slovak Philharmonic has become Redoute up to the beginning of the 50th years for the period of post-war Czechoslovak Republic. The focus of its activities, the provision of general and particular cultural services to the public concentrating varied Concerts. This house featured artists (male) and artists (female) from Slovakia but also many foreign guests from all over the world. At that time (in 1956) was to Slovak Philharmonic concert hall organ built and placed under the window in the facade of the building facing the street Medená. It is about a 85 štvormanuálový registering body Rieger-Kloss. Organ is electro pneumatic traktúry and one sliding game table. The factory was built by the authority located in Krnov in the current Czech Republic. Its current condition is marked by particular problems of quality materials available in the post-war market of Czechoslovak Republic in the mid 50s. Apart from the fact that the architecture (design) of this monumental musical instrument became not only a symbol of the object Reduty but also the Slovak Philharmonic.
After the Velvet Revolution, the object Reduty gradually transformed to fit the multifunctional cultural facility with a rich European musical tradition and at the same time it was decided the reconstruction and completion of the building
Current Status
History of organ Redoute
+ Organ in the Concert Hall of the Slovak Philharmonic was built in 1956 by Ing. Veverku. vyrobený, made by organ Krnov, Czechoslovakia;
+ Characteristics of organ type - Rieger-Kloss Organ Opus 3210; technical design consists of the following parts - 4 manuals and pedal, 84 registers sounding, about 6,000 pipes, electrical traktúra, bowling tube, and moving game table;
+ Appearance organ (ie prospectus, ie its front part is called fancy face organ) adapt its constructor works of art of the concert hall SF)
+ A successful (visual) art solution fits into the interior of the concert hall and accepting some creative themes linked to the overall interior decoration,
+ Adaptation of the technical solutions addressing the visual, the sound of the organ was very inconvenient, many pipes are deaf - and has broken above a disproportionately large - length, which is due to the technical structures and organs due to inadequate acoustics solution;
2 Current status and review of existing organs
· Current state of the organ is difficult for artistic production incapacitated, is permanently faulty and can not be efficiently modified or rebuilt,
· Internal structure has only a minimal amount of material and the addition of a smaller pipework is not applicable construction elsewhere,
· The historically - art website does not constitute the organ of no value,
· Its hilarious appearance - art rendition of the facade of the organ (its face), may be the subject of consideration in the design of new creative solutions to future body;
3 Description of the disposition of the existing organ in the Concert Hall of the Slovak Philharmonic
Switch (Absteller):
1 switch drum
2 The switch 16 ' Man. + 32 ' Ped.
3 Reed switch registers of
I. manual:
4 Principal 16'
5 Burdon 16'
6 Principal 8'
7 Hollow Flute 8'
8 Viola da gamba 8'
9 Octave 4'
10th Recorder Flute 4'
11th Supe roktáva 2'
12th Transverse flute 2'
13th Whistle sparkling 4x 4'
14th Mixture 8 -10X 1 1/3 - 4'
15th Trumpet 16'
16th Trumpet 8'
17th I / II
18th III / II
19th IV / II
II. Manual:
20th Kvintadéna 8'
21, Cover 8'
22, Principal 4'
23 Roh night 4'
24th Glucanase 2 2/ 3'
25th Octave 2'
26th 2 flute flat'
27th Superkvinta 1 1/ 3'
28th Superoktáva 1'
29th Mixture 6 - 8x 1' - 4'
30th Crooked horn 8'
31 String shelf 4'
32 III / I
33 IV / I
34th I tremolo
Switch (absteller):
35th Hand switch registers
36th Switch connectors from the Register
37th Sub switch (couplings)
38th Super switch (couplings)
39th Mixtur switch
40th Pedal switch
III. manual:
41 Pommer indoor 16'
42 Principal 8'
43 Dome Flute 8'
44th Salicional 8'
45th Cover Musick 8'
46th Vox coelestis 1 - 2x 8 + 8'
47th Octave 4'
48th Flute pipe 4'
49th Violina 4'
50th Fifth covered 2 2/3'
51 Kvintadecima 2'
52 2 flute forest'
53 Seskvialtera - 2 2/3' + 1 3/ 5'
54th Mixture 7 - 9x 1 1/3 - 4'
55th Dulcimer - 3 8/9 ' - 1 1/ 3'
56th Field Trumpet 8'
57th Vox humana 8'
58th Klarina 4'
59th Harp 8'
60th IV / III
61st III tremolo
IV. manual:
62 Roh Kamzíková 8'
63 Roh night indoor 8'
64th Fluttering flute 1 - 2 8' + 8'
65th Principal 4'
66th Flute radius 4'
67th Fifth pipe 2 2/3'
68th Octave 2'
69 Tonus Fabri 2 + 1'
70th Terciová Flute 1 3/ 5'
71 Flute Kvintová 1 1/3'
72 Swiss fife 1'
73 Mixture Nono's 8/9' - 2 2/5'
74th AKUTOL 4x 1/2' - 4'
75th Cimbál terciový 3x 1 /4 - 2'
76th Rankettregál 16'
77th Dulcian 8'
78th Shawm 4'
79th Bells big G - works
Pedal
80th Plinth 32'
81st Double Bass 32' + 16'
82 Principálbas 16'
83 Apertabas 16'
84th Subbas 16'
85th Burdonbas 16'
86th Fifth Big 10 2/3'
87th Octavebas 8'
88th Hollow Flute 8'
89th Kvintadéna pipe 8'
90th Cover 8'
91st Naza covered 5 1/3'
92nd Chorálbas 4'
93rd Pointed Flute 4'
94th Cink 2 + 1'
95th Pipe effervescent 4x 5 1/ 3'
96th Mixture 7-9 x 2-4'
97th Kontrapozón 32'
98th Dulcian 16'
99th Požoň 16'
100th Trumpet 8'
101 Klarina 4'
102 I / P
103 II / P
104th III / P
105th IV / P
4 available combinations
Rollers
III. and IV. in impoundments
Electric traktúry
Man C - c5 (manuals)
Before C - g1 (pedal)
4 Inadequate design parameters of the existing functional organ from a technical point of view
· Occupy too much space - for the system design,
· Pipe section realized the sound of difficult material (zinc) and hardly tunable material (lack priezvučnosť prospectus is inappropriate resonance, etc.),
· Many pipes are broken, have only a decorative function,
· Poor artistic appearance of the body organ pipes - inappropriate striebrenkový coat;
· Middle balkónovitý projection bodies (positive) is inappropriate, interferes with musical productions, in the future it will be necessary to imbed into the sides of the level, but to lose plasticity breakdown; prospectus shift back by 1 m;
From Wikipedia:
en.wikipedia.org/wiki/Old_Idaho_State_Penitentiary
Built by inmates, the Multipurpose Building (1923) served as a shirt factory, shoe shop, bakery, license plate shop, laundry, hobby room, and loafing room and housed the communal showers.
Photo by Eric Friedebach
BC Place is the largest multipurpose venue of its kind in the province of British Columbia, hosting sport, exhibitions and live entertainment, right in the heart of Downtown Vancouver. It is the home of the BC Lions Football Club, Vancouver Whitecaps FC and the BC Sports Hall of Fame. A spectacular, one-of-a-kind retractable roof - the largest in the world - reveals over 7,500 square metres of sky and has created a year-round facility for world class events in beautiful British Columbia.
To the right is The Rogers Arena, an indoor sports arena. Opened in 1995, the arena was known as General Motors Place (GM Place) from its opening until July 6, 2010.
It is home to the Vancouver Canucks of the National Hockey League and hosted the ice hockey events at the 2010 Winter Olympics.[8] The name of the arena temporarily became Canada Hockey Place during the Olympics. It was previously home to the Vancouver Grizzlies of the National Basketball Association from 1995 to 2001.
Granite paving squares… and we have a mountain of them. This colorful, multipurpose product has been reclaimed from the slopes that we see when driving under the overpasses all across the state. While the sizes of this product are variable, one side is consistently 12″ wide. The other measurements range from 12″-18″ in length x 4″-6″ thick. These blocks weigh approximately 80 – 120 pounds each. The surface on one side is typically paving quality which lends itself for use in patios, courtyards, walkways, driveway aprons, wall building, slope retention and veneer applications. Thousands are available.
History of organ Redoute
General Information
History as a multipurpose facility Reduty Publicly construction begins in 1901, when the city of Bratislava as one of the cultural centers of Austria-Hungarian Empire Teresian bought the former granary, built on the banks of the Danube in 1773 on the orders of Maria Theresa. After the demolition of the city granary built in the years 1913-1919 multifunctional building in neo-baroque style with elements of Rococo and Art Nouveau. The name itself implies Redoute object of linguistic terms for interpretation in French ("Redoute"- Ball, prom or dance hall, etc.) Public multipurpose building. This was originally the seat of several associations, trade as well as cultural organizations and served on a large scale public capital Bratislava on musical events, dance parties and performances and to provide similar services.
The seat of the Slovak Philharmonic has become Redoute up to the beginning of the 50th years for the period of post-war Czechoslovak Republic. The focus of its activities, the provision of general and particular cultural services to the public concentrating varied Concerts. This house featured artists (male) and artists (female) from Slovakia but also many foreign guests from all over the world. At that time (in 1956) was to Slovak Philharmonic concert hall organ built and placed under the window in the facade of the building facing the street Medená. It is about a 85 štvormanuálový registering body Rieger-Kloss. Organ is electro pneumatic traktúry and one sliding game table. The factory was built by the authority located in Krnov in the current Czech Republic. Its current condition is marked by particular problems of quality materials available in the post-war market of Czechoslovak Republic in the mid 50s. Apart from the fact that the architecture (design) of this monumental musical instrument became not only a symbol of the object Reduty but also the Slovak Philharmonic.
After the Velvet Revolution, the object Reduty gradually transformed to fit the multifunctional cultural facility with a rich European musical tradition and at the same time it was decided the reconstruction and completion of the building
Current Status
History of organ Redoute
+ Organ in the Concert Hall of the Slovak Philharmonic was built in 1956 by Ing. Veverku. vyrobený, made by organ Krnov, Czechoslovakia;
+ Characteristics of organ type - Rieger-Kloss Organ Opus 3210; technical design consists of the following parts - 4 manuals and pedal, 84 registers sounding, about 6,000 pipes, electrical traktúra, bowling tube, and moving game table;
+ Appearance organ (ie prospectus, ie its front part is called fancy face organ) adapt its constructor works of art of the concert hall SF)
+ A successful (visual) art solution fits into the interior of the concert hall and accepting some creative themes linked to the overall interior decoration,
+ Adaptation of the technical solutions addressing the visual, the sound of the organ was very inconvenient, many pipes are deaf - and has broken above a disproportionately large - length, which is due to the technical structures and organs due to inadequate acoustics solution;
2 Current status and review of existing organs
· Current state of the organ is difficult for artistic production incapacitated, is permanently faulty and can not be efficiently modified or rebuilt,
· Internal structure has only a minimal amount of material and the addition of a smaller pipework is not applicable construction elsewhere,
· The historically - art website does not constitute the organ of no value,
· Its hilarious appearance - art rendition of the facade of the organ (its face), may be the subject of consideration in the design of new creative solutions to future body;
3 Description of the disposition of the existing organ in the Concert Hall of the Slovak Philharmonic
Switch (Absteller):
1 switch drum
2 The switch 16 ' Man. + 32 ' Ped.
3 Reed switch registers of
I. manual:
4 Principal 16'
5 Burdon 16'
6 Principal 8'
7 Hollow Flute 8'
8 Viola da gamba 8'
9 Octave 4'
10th Recorder Flute 4'
11th Supe roktáva 2'
12th Transverse flute 2'
13th Whistle sparkling 4x 4'
14th Mixture 8 -10X 1 1/3 - 4'
15th Trumpet 16'
16th Trumpet 8'
17th I / II
18th III / II
19th IV / II
II. Manual:
20th Kvintadéna 8'
21, Cover 8'
22, Principal 4'
23 Roh night 4'
24th Glucanase 2 2/ 3'
25th Octave 2'
26th 2 flute flat'
27th Superkvinta 1 1/ 3'
28th Superoktáva 1'
29th Mixture 6 - 8x 1' - 4'
30th Crooked horn 8'
31 String shelf 4'
32 III / I
33 IV / I
34th I tremolo
Switch (absteller):
35th Hand switch registers
36th Switch connectors from the Register
37th Sub switch (couplings)
38th Super switch (couplings)
39th Mixtur switch
40th Pedal switch
III. manual:
41 Pommer indoor 16'
42 Principal 8'
43 Dome Flute 8'
44th Salicional 8'
45th Cover Musick 8'
46th Vox coelestis 1 - 2x 8 + 8'
47th Octave 4'
48th Flute pipe 4'
49th Violina 4'
50th Fifth covered 2 2/3'
51 Kvintadecima 2'
52 2 flute forest'
53 Seskvialtera - 2 2/3' + 1 3/ 5'
54th Mixture 7 - 9x 1 1/3 - 4'
55th Dulcimer - 3 8/9 ' - 1 1/ 3'
56th Field Trumpet 8'
57th Vox humana 8'
58th Klarina 4'
59th Harp 8'
60th IV / III
61st III tremolo
IV. manual:
62 Roh Kamzíková 8'
63 Roh night indoor 8'
64th Fluttering flute 1 - 2 8' + 8'
65th Principal 4'
66th Flute radius 4'
67th Fifth pipe 2 2/3'
68th Octave 2'
69 Tonus Fabri 2 + 1'
70th Terciová Flute 1 3/ 5'
71 Flute Kvintová 1 1/3'
72 Swiss fife 1'
73 Mixture Nono's 8/9' - 2 2/5'
74th AKUTOL 4x 1/2' - 4'
75th Cimbál terciový 3x 1 /4 - 2'
76th Rankettregál 16'
77th Dulcian 8'
78th Shawm 4'
79th Bells big G - works
Pedal
80th Plinth 32'
81st Double Bass 32' + 16'
82 Principálbas 16'
83 Apertabas 16'
84th Subbas 16'
85th Burdonbas 16'
86th Fifth Big 10 2/3'
87th Octavebas 8'
88th Hollow Flute 8'
89th Kvintadéna pipe 8'
90th Cover 8'
91st Naza covered 5 1/3'
92nd Chorálbas 4'
93rd Pointed Flute 4'
94th Cink 2 + 1'
95th Pipe effervescent 4x 5 1/ 3'
96th Mixture 7-9 x 2-4'
97th Kontrapozón 32'
98th Dulcian 16'
99th Požoň 16'
100th Trumpet 8'
101 Klarina 4'
102 I / P
103 II / P
104th III / P
105th IV / P
4 available combinations
Rollers
III. and IV. in impoundments
Electric traktúry
Man C - c5 (manuals)
Before C - g1 (pedal)
4 Inadequate design parameters of the existing functional organ from a technical point of view
· Occupy too much space - for the system design,
· Pipe section realized the sound of difficult material (zinc) and hardly tunable material (lack priezvučnosť prospectus is inappropriate resonance, etc.),
· Many pipes are broken, have only a decorative function,
· Poor artistic appearance of the body organ pipes - inappropriate striebrenkový coat;
· Middle balkónovitý projection bodies (positive) is inappropriate, interferes with musical productions, in the future it will be necessary to imbed into the sides of the level, but to lose plasticity breakdown; prospectus shift back by 1 m;
Rosalind Ballroom was multipurpose entertainment venue that served New work from 1919 through its closing in 2014. Rosalind was originally founded in Philadelphia in 1917 by Louis Brecker with financing by Frank Yuengling. Two years later, to escape bluelaws, Brecker moved his ballroom dancing spot to a 2nd floor space on 51st Street in Manhattan. When the 51st Street location was torn down in 1956, it moved to it final location, at 239 West 52nd Street. Originally built as Iceland, an ice skating rink, in 1922, it then became Gay Blades Rink before being converted in the early 1950's to a roller-skating rink. It remained a ballroom dancing style hall until 1981 when Brecker sold to Albert Ginsberg, who began scheduling regular disco nights. After becoming a premier rock and pop convert venue, it finally closed with a six-night headlining stint by Lady Gaga culminating in a final April 7 2014 show.
Performers from Casey Elementary and Middle School entertained teachers, fellow students and family members with a winter talent show at the Camp Casey Multipurpose Complex Theater Jan. 7.
Under the direction of Mary Lee McGuire emcees Krista Bradley, Victoria Guiles, Christian Hopkins and Dahshon Pugh guided performers of all grades through a show that included dance, instrument solos, singers, and skits provided by the MCs.
According to McGuire, much of the night’s performance is left up to the students to develop, choreograph and highlight their talents.
This event could not have been accomplished without the behind-the-scenes work of Technical Director Michael Tobin, Stage Manager Jessica Gudeman, Director of MCs Vanessa Frazier, Stage Crew; Joanne Caldwell, James Peden, Caleb Hill and Samuel Shuler.
The 15 acts lined up like this:
• Di Patapos – dance by Vhon Zeta
• Oh Danny Boy – saxophone by Alana Oden
• Dynamite – performed by Rebecca Vail
• G Slide – dance by JaNiya Campbell
• Because of You – performed by Kathleen Paclapan
• Always With Me – piano by Michelle Ramirez
• Diamonds – performed by Jaleasia Norman
• Hawaiian Dance – dance by Ashlyn Smith, Kylee Ezzio, Taylor Ezzio, Serena Walden and Kitwanna Walden
• We Are Never Getting Back Together – performed by Angelica Estrada and Hero Paclapan
• Piano selections – piano by Casey Harney
• Irreplaceable – performed by Natalia Smith
• Make You Feel My Love – performed by Mariella Iquina
• Belly Dance – dance by Paulene Amandy
• Piano Medley – piano by Tiara Russell
• What The Fox Say? – dance by JaTorreyeon Jones, Angel Flores, Solomon Smith, Schyler Smith and Malikai Harvey
It is completed a new modern style, multipurpose hall in Meiji Univ. Meiji is a distinguished private school in Japan.
----------------------------
Izumi Library of Meiji University> (明治大学 和泉新図書館).
Architect : MHS Planners Architects & Engineers (設計:松田平田設計).
Contractor : Shimizu Corporation (施工:清水建設).
Completed : March 2012 (竣工:2012年3月).
Structured : Reinforced Concrete (構造:RC造、S造).
Costs : $37 million (総工費:約37億円).
Use : Library (用途:図書館).
Height : ft (高さ:m).
Floor : 4 (階数:地上4階).
Floor area : 95,325 sq.ft. (延床面積:8,856㎡).
Building area : 27,986 sq.ft. (建築面積:2,600㎡).
Site area : sq.ft. (敷地面積:㎡).
Location : 1-9-1 Eifuku, Suginami Ward, Tokyo, Japan (所在地:日本国東京都杉並区永福1-9-1).
Referenced :
www.mhs.co.jp/work/6450/%E6%98%8E%E6%B2%BB%E5%A4%A7%E5%AD...
www.shimz.co.jp/tw/works/03aca/jp_edu_201203_meiji.html
Corporate Brochure and Trifold
This indesign template can easily serve multipurpose . You could turn it into a brochure, newsletter, annual report, printed portfolio or other editorial design. Images can be linked easily to the indesign file.
Free image used in the cover can be downloaded from the link given in the pdf Help file. Images of the models are not included.
* Print Friendly, CMYK
* 3mm Bleed
* 300Dpi
Dimensions :
Brochure
* Size: 5.8” x 8.2”
* Color mode: CMYK
* Resolution: 300dpi
* Application: Adobe InDesign CS5.5 , CS4 .idml, Photoshop CS5.5,CS4
* File Type: Layered .indd, Layered .psd
Trifold
* Size: 11” x 8.5”
* Color mode: CMYK
* Resolution: 300dpi
* Application: Adobe InDesign CS5.5 , CS4 .idml, Photoshop CS5.5,CS4
* File Type: Layered .indd, Layered .psd
Fonts can be downloaded from the link given in the pdf Help file. Images not included.
Hybrid inserted on its context, downtown Bogota study case - Juan Alejo Morales Mor - Senior Project Universidad de los Andes
Groundbreaking Ceremony: Multipurpose Building for the Nuclear Security Training and Demonstration Centre. IAEA Seibersdorf, Austria. 12 July 2021
Photo Credit: Dean Calma / IAEA
Performers from Casey Elementary and Middle School entertained teachers, fellow students and family members with a winter talent show at the Camp Casey Multipurpose Complex Theater Jan. 7.
Under the direction of Mary Lee McGuire emcees Krista Bradley, Victoria Guiles, Christian Hopkins and Dahshon Pugh guided performers of all grades through a show that included dance, instrument solos, singers, and skits provided by the MCs.
According to McGuire, much of the night’s performance is left up to the students to develop, choreograph and highlight their talents.
This event could not have been accomplished without the behind-the-scenes work of Technical Director Michael Tobin, Stage Manager Jessica Gudeman, Director of MCs Vanessa Frazier, Stage Crew; Joanne Caldwell, James Peden, Caleb Hill and Samuel Shuler.
The 15 acts lined up like this:
• Di Patapos – dance by Vhon Zeta
• Oh Danny Boy – saxophone by Alana Oden
• Dynamite – performed by Rebecca Vail
• G Slide – dance by JaNiya Campbell
• Because of You – performed by Kathleen Paclapan
• Always With Me – piano by Michelle Ramirez
• Diamonds – performed by Jaleasia Norman
• Hawaiian Dance – dance by Ashlyn Smith, Kylee Ezzio, Taylor Ezzio, Serena Walden and Kitwanna Walden
• We Are Never Getting Back Together – performed by Angelica Estrada and Hero Paclapan
• Piano selections – piano by Casey Harney
• Irreplaceable – performed by Natalia Smith
• Make You Feel My Love – performed by Mariella Iquina
• Belly Dance – dance by Paulene Amandy
• Piano Medley – piano by Tiara Russell
• What The Fox Say? – dance by JaTorreyeon Jones, Angel Flores, Solomon Smith, Schyler Smith and Malikai Harvey
I just finished four pieces of these pallet style multipurpose furnitures. They are all made of reclaimed wood from Shanghai's old town. They come with casters so that they can be moved easily.
They all have an unique design through the arrangement of the top wood surface. I will make four round cushions each so that it can be used as a sofa, together with the new coffee tables.
But it could also be used as a TV and stereo table.