View allAll Photos Tagged Multiplex
This multiplex (multi screen movie theatre) was in the news a few days back as the local chain was bought over by INOX - a biggie in the national market. It is the first merger-consolidation in the Indian multiplex market. (Yes, there is a reflection from the car window at the lower right corner of the photo!)
Backlot Cinema, Blackpool. Blackpool has a new town centre, first-run cinema again - the 9 screen Backlot Multiplex which opened in March 2024. The architects for the scheme were Covell Matthews, with interior design by Burrows Little. The largest capacity screen is the 264 seat Imax screen (the screen is 10.85m tall and 19.87m wide), with the smallest coming in at 32 seats, often used for private screenings and meetings. There is a strong community ethos within the cinema, with discounts for local residents, Parent Club, Golden Age screenings, and involvement with Festivals.
www.thebacklotblackpool.co.uk/
Blackpool, Fylde Coast, Lancashire, North West England - Backlot Cinema, Adelaide Street / Coronation Street / Hounds Hill
May 2024
CD-Regal zur Wandanbringung aus filmbeschichtetem Birke-Multiplex in weiß, rot, hellbraun.
This wall mountable CD Rack may take up to 53 of you CDs in store. Made of birch plywood with a phenolic (red, light brown) or a melamine film (white) finish.
Size: 60 x 18 x 18.6 cm (= 23.62 x 7.09 x 7.32 inch)
www.woodandmore.de/16_cd-regale/cd-regal-storit-053-birke...
Multiplexing the segments in a 7-Segment LED display with a 74HC595 shift register and 3 wires from an Arduino.
Yes, this is not necessarily the best way to make a 7-Segment display count, but it was more of an academic challenge to see how it could be done. For details of this project please visit my blog.
institutions of Resolution Disputes [iRD]
Even though the iRD mimics an institute, in reality it is not a classic, institutional organ. Instead, the iRD multiplexes the term institution, by revisiting its usage in the late 1970s. Back then, Joseph Goguen and Rod Burstall formulated the term institution as a ‘more compound framework’, that dealt with the growing complexities at stake when connecting different logical systems (such as databases and programming languages) within computer sciences. While these institutions were put in place to connect different logical systems, they were not logical themselves.
Inspired by the idea of hyper functional, yet illogical frameworks, the iRD is dedicated to researching the interests of anti-utopic, obfuscated, lost and unseen, or simply ‘too good to be implemented’ resolutions.
The institutions of Resolution Disputes [iRD] call attention to media resolutions.
While ‘the resolution’ generally simply refers to a determination of functional settings in the technological domain, the iRD stresses that a resolution is indeed an overall agreed upon settlement (solution). However, the iRD believes that a resolution also entails a space of compromise between different actors (objects, materialities, and protocols) in dispute over norms (frame rate, number of pixels etc.). Generally, settings either ossify as requirements and de facto standards, or are notated as norms by standardizing organizations such as the International Organization for Standardization. We call this progress*.
However, resolutions are non-neutral standard settings that involve political, economical, technological and cultural values and ideologies, embedded in the genealogies and ecologies of our media. In an uncompromising fashion, quality (fidelity) speed (governed by efficiency) volume (generally encapsulated in tiny-ness for hardware and big when it comes to data) and profit (economic or ownership) have been responsible for plotting this vector of progress. This dogmatic configuration of belief x action has made upgrade culture a great legitimizer of violence, putting many insufficient technological resolutions to rest. While a resolution can thus be understood as a manifold assemblage of common - but contestable - standards, it should also be considered in terms of other options; those that are unknown and unseen, obsolete and unsupported within a time and (technological) space.
Resolutions inform both machine vision and human ways of perception. They shape the material of everyday life in a pervasive fashion.
As the media landscape becomes more and more compound, or in other words, an heterogenous assemblage in which one technology never functions on its own, its complexities have moved beyond a fold of everyday settings. Technological standards have compiled into resolution clusters; media platforms that form resolutions like tablelands, flanked by steep cliffs and precipices looking out over obscure, incremental abysses that seem to harbor a mist of unsupported, obsolete norms.
The platforms of resolution now organize perspective. They are the legitimizers of both inclusion and exclusion of what can not be seen or what should be done, while ‘other’ possible resolutions become more and more obscure.
It is important to realize that the platforms of resolutions are not inherently Evil*. They can be impartial. We need to unpack these resolutions and note that they are conditioning our perception. A culture that adheres to only one or a few platforms of resolutions supports nepotism amongst standards. These clusters actively engage simpleness and mask the issues at stake, savoring stupidity, and are finally bound to escalate into glutinous tech-fascism.
The question is, have we become unable to define our own resolutions, or have we become oblivious to them?
Resolutions do not just function as an interface effect*, but as hyperopic lens, obfuscating any other possible alternative resolutions from the users screens and media literacy. When we speak about video, we always refer to a four cornered moving image. Why do we not consider video with more or less corners, timelines, or soundtracks? Fonts are monochrome; they do not come with their own textures, gradients or chrominance and luminance mapping. Text editors still follow the lay-out of paper; there is hardly any modularity within written word technologies. Even ghosts, the figments of our imagination, have been conditioned to communicate exclusively through analogue forms of noise (the uncanny per default), while aliens communicate through blocks and lines (the more ‘intelligent’ forms of noise).
The user is hiking the resolution platforms comfortably. He is shielded from the compromises that are at stake inside his resolutions. Unknowingly suffering from this type of technological hyperopia, he keeps staring at the screens that reflect mirage after mirage.
A resolution is the lens through which constituted materialities become signifiers in their own right. They resonate the tonality of the users hive mind and constantly transform our technologies into informed material vernaculars.
Technology is evolving faster than we, as a culture, can come to terms with. This is why determinations such as standards are dangerous; they preclude alternatives. The radical digital materialist believes in informed materiality*: while every string of data is ambiguously fluid and has the potential to be manipulated into anything, every piece of information functions within adhesive* encoding, contextualization and embedding. Different forms of ossification slither into every crevice of private life, while unresolved, ungoverned free space seems to be slipping away. This is both the power and the risk of standardization.
We are in need for a re-(Re-)Distribution of the Sensible*.
The iRD offers a liminal space for resolution studies. Resolution studies is not only about the effects of technological progress or about the aesthetization of the scales of resolution. Resolution studies is a studies on how resolution embeds the tonalities of culture, in more than just its technological facets.
Resolution studies researches the standards that could have been in place, but are not. As a form of vernacular resistance, based on the concept of providing ambiguous resolutions, the iRD employs the liminal resolution of the screen as a looking-glass. Here, hyperopia is fractured and gives space to myopia, and visa versa. This is how iRD exposes the colors hidden inside the grey mundane objects* of everyday life.
The iRD is not a Wunderkammer for dead media*, but a foggy bootleg trail for vernacular resistance.
Progress has fathered many dead technologies. A Wunderkammer, or curiosity cabinet of media resolutions would celebrate these dead objects by trapping them inside a glass bell, relieving them indefinitely of their action radius. While the iRD adheres to the settlements of governing media resolutions, it also welcomes ventures along the bootleg trails of the tactical undead*. These undead move beyond resolution, through the literacies of the governing techno-cultures, into liminal spaces. They follow the wild and uncanny desire paths that cut through sensitive forms and off-limit areas into speculative materialities, futures and critical turns*. They threaten the status quo of secure forms of media and provide the ambiguity that is so necessary for inspiration, action and curiosity.
The iRD believes that methods of creative problem creation* can bring authorship back to the layer of resolution setting.
Resolution theory moves against what seems like an unsolvable puzzle of flattening reality. The iRD function one way trail straight into the Sea of Fog and towards the abyss of techno-norms. The iRD can however also be a modular framework, that opens and expands standards through inspection and reflection. As any good theory of media, resolution theory is a theory on literacy. Literacy of the machines, the people, the people creating the machines and the people being created by the machines. Through challenging the platforms of resolution, it can help the wanderer to scale actively between these states of hyperopia and myopia. It can uncover crystal cities of fog as well as shine a light on the soon to be distributed futures. Here we can mine for the yet unscreened timonds.
'Cosmorama' by Vehicles For Experimental Practice - Launch of Multiplexer - Goldsmiths Design Journal -
21st October 2015
This was part of the private collection of cacti and succulents at Manor Nursery, Angmering, West Sussex. The collection was started in 1948. The nursery is now gone. The collection has been dispersed to various new locations.
Echinopsis oxygona
Common Name: Easter Lily Cactus
Synonym: Cereus oxygonus, Cereus multiplex, Echinopsis multiplex, Echinopsis schwantesii, Echinopsis paraguayensis, Echinopsis eyriesii
Echinopsis oxygona es una especie botánica de plantas en la familia de las Cactaceae. Es endémica del Chaco, Corrientes, Entre RÃos, Formosa, Jujuy, Salta, Santa Fe y Santiago del Estero en Argentina; Paraguay; Chuquisaca, Santa Cruz y Tarija en Bolivia y Uruguay. Es una especie común que se ha extendido por todo el mundo.
Es una planta perenne carnosa, globosa de color verde, armada de espinos y con las flores de color rosa.
Synonyms include -
Cereus oxygonus
Cereus multiplex
Echinopsis multiplex
Echinopsis schwantesii
Echinopsis paraguayensis
Severance Town Center, Ohio's first indoor shopping center, opened in 1963. Today, it's a zombie mall awaiting redevelopment. For the time being, the old Regal Cinemas 14 has been repurposed as the Front Stage Multiplex, an arts and entertainment venue.
Pertinent to our current conversation regarding the pre I-10 historical multiplex segment of US 99-60-70 and Calif. SR 111 in and around Imperial and Coachella Valley here is a map from 1954? –source unknown.
It shows the co-signed segment of the 99-60-70 from Indio East to the Palm Springs SR 111 cut off.
( Not Shown- From there 60-70 continues off SW to Los Angeles at the top of the Beaumont Grade whilst 99 goes on W to San Bernardino, Los Angeles and points North)
(The Palm Springs SR 111 interchange had been completed in 1953 to ease traffic flow off Hwy 99-6-70 onto the SR 111 to Palm Springs and Coachella Valley Cities)
The map shows the 1935 rerouting of US 60-70 East at Indio with a more direct line from Indio to the Summit and thus by-passing the old US 60-70 National Trails alignment through Mecca and then Box Canyon up to the Summit. (The Box Canyon Route is then shown as 195) (note: There are still remnants of the old National Trails US 60-70 Hwy to the South of the current (2014) I-10 near The Summit.
At Indio this 1954 map shows US 99 diverging South from US 6-70 and following the West side of the Salton Sea to Brawley, El Centro and Calexico-Mexicali.
SR 111 is shown beginning at the Palm Springs interchange with US 60-70-99, wending its way SE through every city in the Coachella Valley and then down through Mecca and following the Eastern shore of the Salton Sea and the Southern Pacific (now UP) railroad line to Yuma. It is shown continuing on to Niland then Brawley, El Centro and Calexico crossing US 99 at least twice in the process.
Cette photo a été prise durant la sortie photo Multiplex #1 à Paris organisée par Phototrend
Compte rendu : phototrend.fr/2014/12/compte-rendu-de-la-premiere-sortie-...
Picked up this great little multiplex adapter to go with the Trio FM-105 tuner I have. As of today, I haven't had a chance to go over it, but it looks to be in pretty good shape. Will have to be recapped,etc but I'm confident it will turn out great. Appears to be a rather rare unit. I can't find any information or even a picture of another one out there.
BOKSA - das modulare Regalsystem jetzt in exklusiver Edition aus neuartigem, schwarzem Birke-Multiplex- zum Stapeln, Rollen, Drehen und endlosen Kombinieren. Ideal als Aktenregal, Bücherregal, Hifi/TV-Möbel für Schallplatten, Sideboard oder TV Lowboard - mit Boksa können Sie sich Ihre Regalwand nach Ihren Vorstellungen zusammenstellen. Möbelfüße, Möbelrollen, Glaseinlegeboden und Auflagepuffer bitte separat bestellen.
Hinweis: Nur in limitierter Stückzahl erhältlich. Artikel werden nicht im Warenkorb reserviert.
Mehr Informationen:
www.woodandmore.de/18_boksa-regalmodul/boksa-regalsystem-...
YL2294 (CMMF).
Chertsey (Lanaudière), 5 septembre 1994.
Habitat: en montagne, au sol, grégaire ou en petite grappe, formant un grand "rond de sorcière", au milieu d'un large chemin rocailleux et habitant en partie la forêt adjacente, dans une sapinière à bouleau mal drainée. Environ une centaine de spécimens présents, plutôt en milieu ouvert. Collection réalisée lors d'un été pluvieux.
J'appose un cf. dans le nom, car je crois qu'il serait préférable de vérifier l'identité de l'espèce par une analyse de l'ADN.
YL
Cette photo a été prise durant la sortie photo Multiplex #1 à Paris organisée par Phototrend
Compte rendu : phototrend.fr/2014/12/compte-rendu-de-la-premiere-sortie-...
Mit Standardbauteilen (Multiplex, Baumarktsortiment) und geringem Aufwand sollte ein Buchscanner hergestellt werden, der konkurrenzlos günstig und mobil einsetzbar ist.
Dieser Buchscanner soll es auch kleinen Kultureinrichtungen und Privatsammlungen erlauben hochwertige Digitalisate zu erstellen. Das zentrale Bauteil des Scanners beinhaltet zwei Kameras und zwei rechtwinklig angeordnete Glasplatten zum Glätten der Buchseiten. Mittels eines Flaschenzuges wird das zu digitalisierende Buch ans Glas gepresst und dann flächig abfotografiert. Für den einfachen Transport kann der Scanner in Module zerlegt werden. Teile des Rahmens bilden dabei eine stabile Transportkiste für alle Komponenten.
Details zum Projekt: www.slub-dresden.de/service/arbeitsplaetze-arbeitsraeume/...
Foto: www.robertlohse.de
Southern California, 1976
Oil on canvas, 6'7 1/4" x 6' 3 1/2" (201 x 191.8 cm)
Elizabeth Murray, American, 1940-2007
Elizabeth Murray's Southern California was on display in the special exhibition, Multiplex: Directions in Art, 1970 to Now from November 21, 2007
I've only ever been to this particular multiplex once, to see Pirates of the Caribbean: Dead Man's Chest with my brother.
I didn't know how far along Oglivie Rd. the cinema was from St. Laurent Centre, my main reference point for that part of the Ottawa suburbs, so I walked what seemed like two miles all of the way from the St. Laurent Centre and missed almost half of the movie.
Happily, when I re-visited the area for photography purposes, I was aware that the OC Transpo Blair Transitway stop was nearby.
I love the design of this 80s futuristic building.
'The front part of the building has a distinctive mirrored crystal ziggurat shape, framed by external steel beams at each corner, joined at the apex. Originally it had red neon lights connecting the apexes at each side, so that it looked like a pyramid at night.'
This was the UK's first multiplex cinema and was open from 1985-2015. Refused listed status by Historic England on the grounds that it looked like 'a large industrial shed unit'. I would disagree with them there.
It's a little off topic from my usual uploads, but I do enjoy modern history, and it was worth seeing this before it gets torn down.
Modular storage cube BOKSA for books, CDs, DVDs, magazines, media. Made of birch plywood with a red phenolic finish.
Regalsystem Modul BOKSA aus rotem Birke-Multiplex mit lichtdurchlässiger Acrylwand.
ORWE - das große Schallplattenregal aus hochwertigem, stabilen Multiplex in weiß mit farbigen Rückwänden.
Record shelf ORWE made of birch plywood in semi-gloss white. With almost 2m height and a width of 1.05m ORWE can hold up to nearly 1120 records and therefore offers sufficient space in particular for all the vinyl treasures of record-collectors.
www.woodandmore.de/19_lp-regale/orwe-multiplex-regal-weis...
Here's a shot of the insides of the AD-2. Looks pretty clean in there now I've had a chance to wipe away a few years worth of dust. Unit originally looked filthy but I'm happy with the way it cleaned up. If anyone has a schematic, I'd love a copy.
IChiOne is the longest running drum & bass event with its roots n Amsterdam soil and has been building up a loyal international & national fan base over the last decade. IChiOne is One of the unique pillars of the drum and bass scene, known for its strong ethos, but also for its open mindedness and experimental programming.
Many artists have made their first Amsterdam appearance during IChiOne. Take, for example artists, including Breakage, Ben UFO, Instra: mental, Ramadanman and Shackleton and an abundance of other artists.
Saturday, May the 24th, 2014 IChiOne touches down at Toren to celebrate its 10 year anniversary. Lovers of deep bass and complex rhythms heed the call for this 10th year anniversary, as IChiOne programmed an amazing line up.
This is also the penultimate Saturday in the existence of Toren , the Amsterdam underground club of the moment, will be closing its doors for good the 1st of june .
IChiOne parties are blessed with its tranquil atmosphere and amazingly welcoming, yet earthy hospitality, so feel welcome to be a part of this once in a lifetime experience.
Although IChiOne prefers the underground and resides in the shadows, during this event IChiOne will make the night as bright as day.
IChiOne shines like the sun.
DRUM REALM:
Arnicvs - DJ Trax (Jungletrain / Moving Shadow) NL/UK
Digital - Spirit (Metalheadz / Function Records / Phantom Audio) UK
Paradox Live (Reinforced / Paradox Music / Esoteric Music UK) UK
Silvahfonk - Fre4knc (Creative Wax / Samurai Music) NL
0=0 Live (Planet Mu / Synaptic Plasic) CA
Subfilter B2B Phuture T (Jungletrain / Eastern Promise Audio) NL
BASS REALM:
Naked Lunch b2b Audio Culture (NakedLunch / Audio Culture) IE/NL
Moresounds Live (Cosmic Bridge / Astrophonica) FR
Lavontés Groove (4lux / In Haus Wax) UK
Bass Clef Live (Magic + Dreams / Mordant Music / Punch Drunk) UK
HOSTED BY:
Multiplex Mc (Deep Cutz / Cheeky Monday) NL
Quest One (Essential Bass / Rampage) NL
MC Loudly NL
VISUALS BY:
Christopher Valentini Gabriel (Children of the Light) NO
Lennart Visuals NL
Marlton AMC 8 Theater is being renovated with a new exterior look and interior upgrages. It first opened in May, 1983 as one of the area's first multiplex theaters. Go to my Entertainment set for a shot of the exterior before this work.
We had a trip to Prague in January – for Jayne’s birthday - we don’t buy Christmas or birthday presents, we travel instead. We left snowy England for a very, very dull and grey Czech Republic. Yet again I was on a photographic downer looking at the weather forecast, grey is the colour that haunts me. Fortunately it was dull grey and not burnt highlight inducing bright grey.With the grey sky acting like a big diffuser I was going to have deep shadow and contrast to deal with. We had three very short spells of broken cloud which gave us a bit of sun and colour, which I managed to more or less anticipate so we managed to be in decent locations every time – generally somewhere high.
We had been upgraded to a five star hotel, apparently our original choice was flooded. We got compensation and five star hotel upgrade– a first for me. The Art Nouveau Palace has a beautiful interior, with beautiful rooms, the breakfast room was fantastic, as was the breakfast it has to be said. We were able to have an early breakfast so were out on foot just after eight. It was very cold – and dull! We spent the whole week well wrapped up. It drizzled for a day, but never really wet us, it snowed for a day, again we didn’t get wet and the snow didn’t settle. We walked 65 mile, spending plenty of time checking buildings and their interiors out – and coffee shop and bar interiors it has to be said. Although it was dull and sometimes wet I decided that the Camera was staying in my hands for the whole trip. Whenever I put it in my backpack for one reason or another I regret it.
Again, I didn’t look at any photographs of Prague before we got there, I like to just walk and discover, with the DK guidebook in my pocket (which is full of photos it has to be said). We like to get off the beaten track and see the grittier side of the places we visit – within reason! Prague has an incredible tram network, over 1000 trams – with many of them Tatra Eastern Bloc machines. The system seems chaotic but in reality it is incredible with one of the largest networks and highest usages in the world. The trams and cars frequently share the same road space with very little in the way of drama, none of the inexplicable and pathetic constant horn blowing one finds in many countries. Once it became apparent that buildings with a grey blanket as a background were going to be a bit un-inspirational I decided that the trams would be a good focal point instead. Where I have photographed one of the older trams against a background without clues it is easy to imagine that the photos were taken fifty years ago.
The train network also provided photo opportunities. The rolling stock ranges from old Eastern Bloc to very modern double decker’s and pendolinos. There are three stations although we visited the main station and Smichov. The main station interior is art deco and has been renovated by a private company. The exterior and the platforms are very rundown with a grim eastern bloc 1950’s feel –but it works! We discovered to our amusement that we could just walk across multiple lines, no health and safety, just keep your eyes open and don’t walk under a train – you’ll make a mess. Smichov station was grim, it didn’t help that it snowed all day and was grey and bitter. We felt like we were in a 50’s film set in Russia, broken concrete platforms and dereliction. With both stations there was another world underneath them. The underground Metro is running seamlessly and efficiently away beneath your feet. I didn’t have any problems taking photos anywhere but I was very open and obviously a tourist, I didn’t act covertly or suspiciously. There was only one occasion I was stopped and that was in a shopping centre – full of CCTV cameras filming everyone else!
We discovered old and beautiful- and very large- shopping centres hidden away in quite a few places. Brass framed windows and doors, shops thriving, there was a massive camera shop with thousands of second hand cameras, too much to look at. Many of the landmark buildings prevent photography, some make a small charge, some encourage it, the DK guide book gives a good indication regarding camera use. Nothing stops many people though, they just shoot away regardless, usually wanting a picture that includes their self. Prague is surrounded by low hills and has a fair few towers that you can pay a few pounds to go up, so viewpoints are plentiful. I think we visited most of them. I read about the Zizkov Tower, which looks like a Soviet rocket on the horizon and we headed straight for it - after crossing the rail lines! Set in a quiet residential area, there wasn’t a soul about. Two beautiful girls on reception and we parted with a few pounds, into the lift and were on the observation deck with no one else up there. There are fantastic views over the city, but! It is through two layers of not very clean glass so you go for the view rather than sharp panoramas. Still a fascinating place, with a nice café bar and very clean toilets – there are toilets everywhere, usually manned with a fee. Places are well staffed compared with home were three students are supposed to run a 20 screen multiplex cinema.
Graffiti was prominent, no matter how grand the monument, some moron would have daubed it. How do they get away with it in a 24 hour city centre with a strong police presence? The place is very clean, constantly being swept. What did surprise me, was that many buildings, that looked grand and built of stone, from a distance, were actually rendered with very low quality brickwork concealed. When restored the building look very impressive, others are missing the outer render from ground level to a fair height.
I need to cut this short really, I like to put a background story to the photos and although it would be better to individualise it to a specific photo or group of photos I don’t have the time to do that. I do try to give specific detail in the title bar after I have uploaded, this is time consuming enough although I’m pretty proficient at it by now. There are many things I would like to write that should be of interest to anyone thinking of going to Prague but I’ll have to let the pictures do the talking. As usual I am unlikely to be selective enough with my uploads, I’m not very good at leaving photos out so I just upload and be damned.
Dem-Master Demolition Liebherr 984 Ultra High Reach demolishing the former Western Infirmary Hospital in Glasgow City Centre.
ORWE - das große Schallplattenregal aus hochwertigem, stabilen Multiplex in weiß mit farbigen Rückwänden.
Record shelf ORWE made of birch plywood in semi-gloss white. With almost 2m height and a width of 1.05m ORWE can hold up to nearly 1120 records and therefore offers sufficient space in particular for all the vinyl treasures of record-collectors.
www.woodandmore.de/19_lp-regale/orwe-multiplex-regal-weis...
ORWE - das große Schallplattenregal aus hochwertigem, stabilen Multiplex in weiß mit farbigen Rückwänden.
Record shelf ORWE made of birch plywood in semi-gloss white. With almost 2m height and a width of 1.05m ORWE can hold up to nearly 1120 records and therefore offers sufficient space in particular for all the vinyl treasures of record-collectors.
www.woodandmore.de/19_lp-regale/orwe-multiplex-regal-weis...
IChiOne is the longest running drum & bass event with its roots n Amsterdam soil and has been building up a loyal international & national fan base over the last decade. IChiOne is One of the unique pillars of the drum and bass scene, known for its strong ethos, but also for its open mindedness and experimental programming.
Many artists have made their first Amsterdam appearance during IChiOne. Take, for example artists, including Breakage, Ben UFO, Instra: mental, Ramadanman and Shackleton and an abundance of other artists.
Saturday, May the 24th, 2014 IChiOne touches down at Toren to celebrate its 10 year anniversary. Lovers of deep bass and complex rhythms heed the call for this 10th year anniversary, as IChiOne programmed an amazing line up.
This is also the penultimate Saturday in the existence of Toren , the Amsterdam underground club of the moment, will be closing its doors for good the 1st of june .
IChiOne parties are blessed with its tranquil atmosphere and amazingly welcoming, yet earthy hospitality, so feel welcome to be a part of this once in a lifetime experience.
Although IChiOne prefers the underground and resides in the shadows, during this event IChiOne will make the night as bright as day.
IChiOne shines like the sun.
DRUM REALM:
Arnicvs - DJ Trax (Jungletrain / Moving Shadow) NL/UK
Digital - Spirit (Metalheadz / Function Records / Phantom Audio) UK
Paradox Live (Reinforced / Paradox Music / Esoteric Music UK) UK
Silvahfonk - Fre4knc (Creative Wax / Samurai Music) NL
0=0 Live (Planet Mu / Synaptic Plasic) CA
Subfilter B2B Phuture T (Jungletrain / Eastern Promise Audio) NL
BASS REALM:
Naked Lunch b2b Audio Culture (NakedLunch / Audio Culture) IE/NL
Moresounds Live (Cosmic Bridge / Astrophonica) FR
Lavontés Groove (4lux / In Haus Wax) UK
Bass Clef Live (Magic + Dreams / Mordant Music / Punch Drunk) UK
HOSTED BY:
Multiplex Mc (Deep Cutz / Cheeky Monday) NL
Quest One (Essential Bass / Rampage) NL
MC Loudly NL
VISUALS BY:
Christopher Valentini Gabriel (Children of the Light) NO
Lennart Visuals NL
It's really a home-made attempt at the old Radio/Phonograph/TV consoles, known at the time (the 1960s) as an 'Entertainment Center' or today more known as 'Multiplex Entertainment Console' since the term 'Entertainment Center' is the cabinet that one buys today and puts each component in separately.
I built this one out of a stereo-only Multiplex unit when the stereo died. i wanted to recycle the wooden cabnent in some way. it's a little more up-to-date and sports a HD Tuner (in analog mode to support the TV but is over-the-air digital TV compatible) a Zenith 20" System 3 TV, a Zenith 4-head VCR, a double-deck VCR (behind the right door in the photo) a DVD changer (behind the left door) and of course, to set it off completely, an Atari video game system on the very top.
I WANTED an original but they're nowhere to be found. but this one does more to me, and works with a remote.
The doors slide to hide all the components (the ones that would be visible are covered by the speaker grilles but they lift up now since the speakers were gutted for space) and it just looks like a coffee table. i always thought the way the appliances hid away in the '60s really brought the Jetson's to life. it was actually quite modular and space-saving. and since i'm a stickler for neatness and organization, having a REAL entertainment center just looks cooler. and, it still functions as a table, especially for my deer decor quite visible in the shot :)
Bit of history here - our final year Uni project on imaging. This was an attempt to build an electronic compound eye using an array of photodiodes wired up to a computer.
We used two layers of multiplexers to index each photodiode, 16 8-way, and then one 16-way.
Former Village 10 multiplex building which opened in 1988 as part of an expansion of multiplexes by Village. The cinemas were on the upper level with a food court downstairs which was later near empty.
In 2002 the Knox Ozone development was opened immediately behind with a new Village 15 cinema multiplex. The old food court was converted to JB Hi Fi, Retravision (now Betta Electrical) and Dick Smith Powerhouse (now Cheap as Chips). The former cinemas upstairs have remained empty ever since.
This was part of the private collection of cacti and succulents at Manor Nursery, Angmering, West Sussex. The collection was started in 1948. The nursery is now gone. The collection has been dispersed to various new locations.
Echinopsis oxygona
Common Name: Easter Lily Cactus
Synonym: Cereus oxygonus, Cereus multiplex, Echinopsis multiplex, Echinopsis schwantesii, Echinopsis paraguayensis, Echinopsis eyriesii
Echinopsis oxygona es una especie botánica de plantas en la familia de las Cactaceae. Es endémica del Chaco, Corrientes, Entre RÃos, Formosa, Jujuy, Salta, Santa Fe y Santiago del Estero en Argentina; Paraguay; Chuquisaca, Santa Cruz y Tarija en Bolivia y Uruguay. Es una especie común que se ha extendido por todo el mundo.
Es una planta perenne carnosa, globosa de color verde, armada de espinos y con las flores de color rosa.
Synonyms include -
Cereus oxygonus
Cereus multiplex
Echinopsis multiplex
Echinopsis schwantesii
Echinopsis paraguayensis
I love the design of this 80s futuristic building.
'The front part of the building has a distinctive mirrored crystal ziggurat shape, framed by external steel beams at each corner, joined at the apex. Originally it had red neon lights connecting the apexes at each side, so that it looked like a pyramid at night.'
This was the UK's first multiplex cinema and was open from 1985-2015. Refused listed status by Historic England on the grounds that it looked like 'a large industrial shed unit'. I would disagree with them there.
It's a little off topic from my usual uploads, but I do enjoy modern history, and it was worth seeing this before it gets torn down.
Klares Design für Ihr Heimaudio-Center. Ermöglichen Sie Ihren Hifi-Komponenten, Schallplatten, CDs oder DVDs einen stilvollen Auftritt. Das Medienregal ROADIE in zwei verschiedenen Größen kann beliebig gestapelt werden!
ROADIE I (flache Variante) - passend für einzelne Stereo-Komponenten wie Schallplattenspieler, CD-Player, CDs oder DVDs, als Zeitschriftenablage oder als Schuhregal.
Passenden Stellfüße: Art-Nr. 6311 - Stellfüße für ROADIE I und II
Hinweis: Nur in limitierter Stückzahl erhältlich. Artikel werden nicht im Warenkorb reserviert.
Mehr Informationen:
www.woodandmore.de/22_hifi-moebel/hifi-regal-roadie-ii-fu...
IChiOne is the longest running drum & bass event with its roots n Amsterdam soil and has been building up a loyal international & national fan base over the last decade. IChiOne is One of the unique pillars of the drum and bass scene, known for its strong ethos, but also for its open mindedness and experimental programming.
Many artists have made their first Amsterdam appearance during IChiOne. Take, for example artists, including Breakage, Ben UFO, Instra: mental, Ramadanman and Shackleton and an abundance of other artists.
Saturday, May the 24th, 2014 IChiOne touches down at Toren to celebrate its 10 year anniversary. Lovers of deep bass and complex rhythms heed the call for this 10th year anniversary, as IChiOne programmed an amazing line up.
This is also the penultimate Saturday in the existence of Toren , the Amsterdam underground club of the moment, will be closing its doors for good the 1st of june .
IChiOne parties are blessed with its tranquil atmosphere and amazingly welcoming, yet earthy hospitality, so feel welcome to be a part of this once in a lifetime experience.
Although IChiOne prefers the underground and resides in the shadows, during this event IChiOne will make the night as bright as day.
IChiOne shines like the sun.
DRUM REALM:
Arnicvs - DJ Trax (Jungletrain / Moving Shadow) NL/UK
Digital - Spirit (Metalheadz / Function Records / Phantom Audio) UK
Paradox Live (Reinforced / Paradox Music / Esoteric Music UK) UK
Silvahfonk - Fre4knc (Creative Wax / Samurai Music) NL
0=0 Live (Planet Mu / Synaptic Plasic) CA
Subfilter B2B Phuture T (Jungletrain / Eastern Promise Audio) NL
BASS REALM:
Naked Lunch b2b Audio Culture (NakedLunch / Audio Culture) IE/NL
Moresounds Live (Cosmic Bridge / Astrophonica) FR
Lavontés Groove (4lux / In Haus Wax) UK
Bass Clef Live (Magic + Dreams / Mordant Music / Punch Drunk) UK
HOSTED BY:
Multiplex Mc (Deep Cutz / Cheeky Monday) NL
Quest One (Essential Bass / Rampage) NL
MC Loudly NL
VISUALS BY:
Christopher Valentini Gabriel (Children of the Light) NO
Lennart Visuals NL