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Fireteam Alpha of A-6-1 move ammo down a Colombian river as stealthily as possible.

 

This is part of Operation Brushfire. The story from the Alpha Company Forums, written by Provisional Company Commander Robin "GreenLead" Chang:

 

"When Colombian President Álvaro Uribe Vélez announced his government's intention to actively assist the US Government in the latter's renewed war on narcotics sourced from the South American nation, a rouge Colombian general who was dependent on the bribes received from drug barons under his protection, Manuel Castaño, convinced members of the Maxist-Leninist Revolutionary Armed Forces of Colombia (FARC) to join him and many others in a plot to depose of Vélez. With Vélez's assassination and his cabinet forced into exile, Castaño installed himself as dictator and assigned the FARC as his personal militia, in addition to Colombian Army regulars loyal to his cause.

 

Once again, the United Nations Security Council mobilised troops from the LS, US, Russia and China as part of Multinational Force Colombia (MNF-C) to help remnants of government loyalist troops restore democracy to the region. Using the new combined-arms doctrine perfected during Exercise Easy Rider earlier in the year, Alpha Company engaged in counter-guerrilla warfare against Castaño's forces, destroying key outposts and securing important points of departures / passages. Ultimately, they were actively involved in the raid on the last FARC stronghold whereby Castaño was killed when the helicopter he attempted to escape in was downed by FGM-148 Javelin fire. Despite the dictator's death, fighting continued months after the official surrender as MNF-C found themselves fighting holdouts."

MAPA MOVES 2018, Maui Arts & Cultural Center. Photography by Peter Liu.

Oscar acting out Power Ranger moves.

Katie and Andy moved into their new house. A busy day but nice to have a our own quiet house to ourselves.

Approximately 1,800 students move in on the first Move-in Day of 2012 on September 2nd.

Move-In Day for the Class of 2026 at Elon University, August 19, 2022. (Ben Watters photo)

Junagarh Fort (Rajasthani: जुनाग्द क़िला) is a fort in the city of Bikaner, Rajasthan, India. The fort was originally called Chintamani and was renamed Junagarh or "Old Fort" in the early 20th century when the ruling family moved to Lalgarh Palace outside the fort limits. It is one of the few major forts in Rajasthan which is not built on a hilltop. The modern city of Bikaner has developed around the fort.

 

The fort complex was built under the supervision of Karan Chand, the Prime Minister of Raja Rai Singh, the sixth ruler of Bikaner, who ruled from 1571 to 1611 AD. Construction of the walls and associated moat commenced in 1589 and was completed in 1594. It was built outside the original fort of the city, about 1.5 kilometres from the city centre. Some remnants of the old fort are preserved near the Lakshmi Narayan temple.

 

Historical records reveal that despite the repeated attacks by enemies to capture the fort, it was not taken, except for a lone one-day occupation by Kamran Mirza. Kamran was the second son of the Mughal Emperor Babur who attacked Bikaner in 1534, which was then ruled by Rao Jait Singh. In the battle, the Mughals were defeated by Rathors. Kamran then returned to Lahore.

 

The 5.28 hectares large fort precinct is studded with palaces, temples and pavilions. These buildings depict a composite culture, manifest in the mix of architectural styles.

 

GEOGRAPHY

Junagarh fort is located in the arid region of the Thar desert of Rajasthan bordered on the northwest by the Aravalli range, a range of mountains in western India. Part of the desert area is in Bikaner city, which is one of the three desert triangle cities; the other two cities are Jaisalmer and Jodhpur. The name of the place where Bikaner city with its forts was established was then known as Jungladesh.

 

HISTORY

Before the present Junagarh Fort was built, an old stone fort existed in the city. This fort was built in 1478 by Rao Bika who established the city of Bikaner in 1472. Rao Bika was the second son of Maharaja Rao Jodha of the Rathor clan, the founder of Jodhpur city. He conquered the large arid lands to the northern region of Rajasthan to set up his domain. As the second son of Jodha he had no chance of inheriting his father’s territory of Jodhpur or to the title of Maharaja. He, therefore, reconciled and decided to build his own kingdom at Bikaner at the place then called "Jungladesh". Bikaner, though a partly of the Thar Desert, was considered an oasis on the trade route between Central Asia and the Gujarat coast since it had adequate spring water sources. Bika’s name was thus tagged to the Bikaner city as well as to the then state of Bikaner (“the settlement of Bika”) that he established. The history of Bikaner and the fort within it thus start with Bika. It was only about 100 years later that Bikaner’s fortunes flourished under Raja Rai Singhji, the sixth ruler of Bikaner, who ruled from 1571 to 1611. During the Mughal Empire’s rule in the country, he accepted the suzerainty of the Mughals and held a high position of an army general in the court of Emperor Akbar and his son Emperor Jahangir. His successful war exploits by way of winning half of Mewar kingdom won him accolades and rewards from the Mughal emperors. He was gifted the jagirs (lands) of Gujarat and Burhanpur. With the large revenue earned from these jagirs, he built the Junagarh fort on a plain land, which has an average elevation of 230 m. The formal foundation ceremony for the fort was held on 17 February 1589 and the fort was completed on 17 January 1594. Raja Rai Singhji, was an expert in arts and architecture and the knowledge that he acquired during his several sojourns to several countries are amply reflected in the numerous monuments he built in the Junagarh fort. Thus the fort, a composite structure, became an outstanding example of architecture and a unique centre of art, amidst the Thar desert.

 

Karan Singh who ruled from 1631 to 1639, under the suzerainty of the Mughals, built the Karan Mahal palace. Later rulers added more floors and decorations to this Mahal. Anup Singh, who ruled from 1669–98, made substantial additions to the fort complex, with new palaces and the Zenana quarter (royal dwelling for females). He refurbished the Karan Mahal with a Diwan-i-Am (public audience hall) and called it the Anup Mahal. Gaj Singh who ruled from 1746 to 1787 refurbished the Chandra Mahal (the Moon palace). Following him, Surat Singh ruled from 1787 to 1828 and he lavishly decorated the audience hall (see picture in info box) with glass and lively paintwork. Dungar Singh who reigned from 1872 to 1887 built the Badal Mahal (the weather palace) named so in view of a painting of falling rain and clouds (a rare event in arid Bikaner). Ganga Singh who ruled from 1887 to 1943 built the Ganga Niwas Palace, which has towers at the entrance patio. This palace was designed by Sir Samuel Swinton Jacob. Ganga Singh’s son Sadul Singh succeeded his father in 1943 but acceded to the Union of India in 1949. He died in 1950.

 

Bikaner came under the suzerainty of the British Raj under a treaty of paramountcy signed in 1818, where after the Maharajas of Bikaner invested heavily on refurbishing their Junagarh fort. However, during the 18th century, before this treaty was signed, there was internecine war between rulers of Bikaner and Jodhpur and also amongst other Thakur, which was put down by the British troops. It is reported that during the attack by Jodhpur army, of the two entrances to the fort (one in the east and the other in the west), the eastern entrance and the southern rampart were damaged; marks of cannonballs fired are seen on the southern façade of the fort.

 

Ganga Singh was the best-known king among the Rajasthan princes. A favourite of the British Raj, he earned the title of Knight Commander of the Star of India. He served as a member of the Imperial War Cabinet, represented the country at the Imperial First World War Conferences and the British Empire at the Versailles Peace Conference and was aware of the shift of fortunes in the World War II but died in 1943, before the war was won by the allies. His contribution to the building activity in Junagarh involved separate halls for public and private audience in the Ganga Mahal and a durbar hall for formal functions. The hall where he held his Golden Jubilee as a ruler of Bikaner is now a museum. He also got a new palace - north of Junagarh fort - designed and built by Swinton, the third of the new palaces built in Bikaner and named it Lalgarh Palace in the name of his father and shifted his residence from Junagarh fort to this palace in 1902. The royal family still lives in a special suite in the Lalbagh palace, which they have converted into a heritage hotel.

 

STRUCTURES

The structures built within the Junagarh fort are the palaces and temples, which are made of red sandstone (Dulmera) and marble. The palaces are described as picturesque with their assortment of courtyards, balconies, kiosks and windows. The fort, the temples and the palaces are preserved as museums and provide insight into the grandiose living style of the past Maharanas of Rajasthan. The fort is called “a paradox between medieval military architecture and beautiful interior decoration”.

 

OVERVIEW

The massive fort built in the plains of Bikaner has a rectangular (quadrangular) layout with a peripheral length of 986 m. The fort walls are 4.4 m wide and 12 m in height. It encompasses an area of 5.28 ha. It was surrounded by a moat which was 6.1–7.6 m deep with a base width of 4.6 m and top width of 9.1 m. However, the moat no longer exists. The fort is well fortified with 37 bastions (‘burj’ in local language) and seven gates (two are main gates) to counter enemy attacks. The fort was built as a “new stronghold” outside of the ruins of an old fort built by Rao Bika and on the periphery of the Bikaner city walls (1.5 kilometres from the city centre); the old fort was demolished a century after it was built.

 

The fort with seven gates contains several palaces, pavilions and many temples of Hindu and Jain religions - the earliest dated to the 16th century. A major feature of the fort is the stone carving done in red and gold coloured sandstones. The interiors of the palaces are decorated and painted in traditional Rajasthani style. The Junagarh palaces have a large number of rooms, as every king built his own separate set of rooms, not wanting to live in his predecessors’ rooms. These structures were considered as “at par with those of Louis’s France or of Imperial Russia”. Several types of architectural style are discerned in the fort complex and hence it is called a true depiction of composite culture. The earliest style is of Rajput architecture, defined by Gujarati and Mughal architectural influence reflecting the association with Mughal rulers, the second type is of semi-western architecture reflecting British influence, and finally the revivalists Rajput architecture that evolved particularly during the rule of Maharaja Ganga Singh. Only the most representative of all these architectural styles are on display for visitors. Thus, the unique monuments on display in the Junagarh Fort represent sixteen successive generations of the rulers of Bikaner, starting from the end of the 16th century.

 

GATES

While the main entry gate was Karan Pol or Parole, facing east, the current gate of entry is called Suraj Pol (meaning the Sun gate), 'pol' also colloquially spelt prol, built in gold coloured or yellow sandstone, unlike the other gates and buildings built in red sandstone. It is the east facing gate permitting the rising Sun’s rays to fall on the gate, which is considered a good omen. The doors of this gate are strengthened with iron spikes and studs to prevent ramming by elephants during an attack. At the entrance to the gate, two red stone statues of elephants with mahouts stand as sentinels. The gate was also the location for announcing the arrival and departure of royalty by musicians playing the trumpet from a gallery in the gate. The other gates are Karan Pol, Daulat Pol, Chand Pol (a double gate) and Fateh Pol; these provided access to various monuments in the fort. The Karan Pol gate is also braced with iron spikes to prevent battering of the gate by elephants. To the right of this gate is Daulat Pol. Forty-one hand imprints are seen on the Daulat Pol gate wall, in red colour, of the wives of the Maharajas of Bikaner, who committed sati (self immolation) on the funeral pyres of their husbands who died in battle.

 

Between the main gate and the palace, there is a quadrangle, and then another gate called the Tripolia gate (triple gateway) before accessing the royal chambers. Next to this gate is a small temple called the Har Mandir, where the Royal family used to offer worship. In the quadrangle, which houses a large pavilion with a water pool built in Carrara Italian marble. The Karan Mahal, where public audience was held in the Diwan-i-Am by Karan Singh (1631–39) and his successors till the 20th century, can also be seen in the same quadrangle.

 

TEMPLES

Har Mandir temple was the royal chapel - private temple of the royal family. The royal family celebrated the Hindu festival of Dussera and Gangaur here, apart from celebrating other family functions such as birthdays and marriages. In the Dussera celebrations, weapons and horses were worshipped here. The main deities worshipped in this temple are the Hindu deities Lakshmi Narayan, a combined representation of god Vishnu and his consort Lakshmi.

 

The Ratan Behari temple located near the Junagarh Fort, was built in 1846 by the 18th ruler of Bikaner. It was built in Indo-Mughal architectural style using white marble. The Hindu god Krishna is deified in this temple.

 

PALACES

Karan mahal (Public Audience Hall) was built by Karan Singh in c.1680 to mark his victory over the Mughal Emperor Aurangzeb. It is considered as one of the most exquisite palaces built with gardens, which displays the aesthetic sensibilities of the royalty of Rajasthan. It has stained glass windows and intricately carved balconies built in stone and wood fluted columns. Later Rajas, Anup Singh and Surat Singh, also added lot of glitter to this palace with inlaid polychrome glass, intricate mirror patterns, and red and gold paint. In the coronation chamber, there is a shored up alcove, which was used as a throne.

 

Phool Mahal ("Flower Palace") is the oldest part of the palace and was built by king Raja Rai Singh of Bikaner, who ruled between 1571-1668.

 

Anup Mahal is a multi-storey structure, which functioned as the administrative headquarters of the kingdom. It has ornate wooden ceilings with inlaid mirrors, Italian tiles, and fine lattice windows and balconies. It has some gold leaf paintings. It is considered as one of the “grandest construction”.

 

Chandra Mahal has the most luxurious room in the palace, which houses gold plated deities and paintings inlaid with precious stones. In the royal bedroom, mirrors have been strategically placed so that the Maharaja could see from his bed, any intruder entering his room.

 

Ganga Mahal was built in the 20th century by Ganga Singh who reigned for 56 years from 1887 to 1943, has a large durbar hall known as the Ganga Singh Hall that houses the Museum. The museum has exhibits of war weaponry and also a World War I aeroplane (biplane), which is stated to be well maintained.

 

Badal Mahal (The weather palace) is part of the Anup Mahal extensions. It has paintings of Shekhawati Dundlod chiefs paying respects to the Maharaja of Bikaner in different types of turbans. Photos of people standing on nails, wood, swords and saws are also depicted here – a display of faith and endurance. The walls in this palace depict fresco paintings of the Hindu god Krishna and his consort Radha amidst the rain clouds.

 

Bikaneri Havelies located both within and outside the fort in the Bikaner city’s by lanes are also of unique architectural style in home architecture. Aldous Huxley who visited these havelis reportedly said “They are the pride of Bikaner.”

 

FORT MUSEUM

The museum within the fort called the Junagarh Fort Museum was established in 1961 by Maharaja Dr.Karni Singhji under the control of "Maharaja Rai Singhji Trust". The Museum exhibits Sanskrit and Persian manuscripts, miniature paintings, jewels, royal costumes, farmans (royal orders), portrait galleries, costumes, headgear and dresses of gods’ idols, enamelware, silver, palanquins, howdahs and war drums. The museum also displays armoury that consists of one of the assorted collection of post medieval arms.

 

MAHARAJA RAI SINGHJI TRUST

Maharaja Rai Singhji Trust has been set up by the 'Royal family of Bikaner' with the basic objective to showcase the fort with professional inputs in various areas and to improve the experience for visitors. Another objective is to promote education and research scholarships, cultural activities, setting up of libraries and integration with other such trusts.

 

WIKIPEDIA

10/10/2015

 

Fotos: Hercules Rakauskas

Members of the Springfield College campus community move in on Friday, September 3, 2021

So..I think I like this one better than the other that I posted a while back. So I think I will leave this one up, take down the other, and maybe put it in the comments of this one. (that was confusing...sorry..)

 

This is inspired by the *incredibly* inspiring and fantastic video:

www.youtube.com/watch?v=-BrDlrytgm8

The Mountains of Scotland.

(okay...so this wasn't really a mountain, but it was a little hill, and you can see mountains in the background).

 

Take the time to watch it. You'll wish you hadn't, because it'll make you extremely jealous. ;)

 

Again, this is my awesome friend with whom I got to share *awesome* adventures in Scotland..

Her incredibly talented pictures here: www.flickr.com/photos/44034026@N07/

 

*View larger, it's much better :o)*

Another day and another Long Marston bound special, this time the 5Z47 08:54 ex-Doncaster, with 47847 providing the power. Between the barrier coaches was a GNER Mk.2 buffet coach.

 

All images on this site are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed written permission of the photographer. All rights reserved – Copyright Don Gatehouse

New Obies move in to fresh digs on a bright and beautiful Oberlin morning.

 

PC: John Seyfried

Inside the Neil Armstrong Operations and Checkout Building at NASA’s Kennedy Space Center in Florida, Lockheed Martin technicians monitor the progress as a crane moves the Orion crew module structural test article (STA) along the center aisle of the high bay. The STA arrived aboard NASA's Super Guppy aircraft at the Shuttle Landing Facility operated by Space Florida. The test article will be moved to a test tool called the birdcage for further testing. The Orion spacecraft will launch atop NASA’s Space Launch System rocket on EM-1, its first deep space mission, in late 2018. Photo credit: NASA/Ben Smegelsky

NASA image use policy.

 

Students returned to campus and moved into dorm rooms the week of January 25.

 

Photo by Yvonne Gay

Approximately 1,800 students move in on the first Move-in Day of 2012 on September 2nd.

Pussyfoot Creek is nearly 50 feet beneath SR 164 on the Muckleshoot Reservation near Auburn. The creek flows through a 12-foot pipe that makes it difficult for native and migratory fish to travel up and downstream. WSDOT plans to replace the pipe in summer 2020 with a 170-foot-long bridge. That will allow the restoration of a more natural creek bed under the highway, helping fish move up and downstream more easily.

Happy to see you! To see more photos from Move-in, please visit the photo gallery flic.kr/s/aHsmGiTAMU

Happy to see you! To see more photos from Move-in, please visit the photo gallery flic.kr/s/aHsmGiTAMU

This First Bristol ALX 400 is one of a number of deckers that has moved down from Leicester. Here's it's seen pulling away from the stop in The Horsefair heading for Kingswood on route 6.

 

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First Bristol - Volvo B7TL / Alexander ALX400 - KP51 WDF - 32277 - The Horsefair, Bristol - July 6, 2016

Stagecoach East Midlands ADL Enviro 400 19076 (MX56 FTO), is seen at Riverhead Exchange in Grimsby on 30th October 2017.

 

Working a cross town 'Simplibus' 12 from Bradley Park Estate to New Waltham.

  

It was new to Stagecoach Manchester 11 years ago this month, in October 2006 to their Hyde Road depot.

It moved to Lincoln a year later before spending nearly 7 years there, moving to Grimsby in the summer of 2014.

There was plenty of activity on Friday as a record class of freshmen moved into their new homes on the Cullowhee campus.

75/75

Its the end of summer and today I moved in to my college! Dont worry though, I am continuing my 52 weeks project so there will still be photos to come. I wish I could have done a more creative photo for my last one but I didn't have much time to take a photo.

Tight squeeze. This SUV eventually had to move so the truck could complete it's navigation through the intersection.

A detail of the new Memorial to the Sisters of Mercy. Many of these Nuns would have been involved in teaching. The Sisters of Mercy arrived in Nottingham in 1844 and moved into the Convent (now closed) on College Street in 1846.

 

The Sisters of Mercy ran St Mary's Primary School (closed in 1986) and St Catherine's Grammar School for Girls until 1962. St Catherine's moved to Beechdale Road in 1962. The Loretto Sisters took over the running of the School and it was renamed Loretto Grammar School for Girls. In 1975 Comprehensive education was introduced into Nottinghamshire. Loretto was merged with the nearby Bishop Dunn Secondary Modern on Kingsbury Drive in Autumn 1975 to form The Trinity School.

 

In the 1980's and 1990's the Sisters ran a Care Home for the Elderly and a Repository. By the end of the 1990's the number of the sisters had declined to the point that they were occupying an enormous building. In 2000 the decision was taken to close the Convent. The remaining sisters moved into a smaller house nearby. The Convent was sold to a developer and converted into housing. The Cemetery has been retained by the Church and now forms a quiet garden area accessible from the Cathedral Gardens.

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