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vimeo.com/scottgeersen/twtwb-titles
Title Sequence: Concept, Pitch, Boards, Design, Direction, Animation, Compositing, Project Management.
This Australian film by Director Stuart Beattie is an adaptation of John Marsden’s classic first novel of the “Tomorrow” series, which has been translated into 7 languages and captured the imaginations of teenagers across the globe.
Following on from a successful titles pitch (work.scottgeersen.com/twtwb-titles-pitch) to director Stuart Beattie and EP Andrew Mason, I designed and directed the main-on-end title sequence for the film, leading a team of in-house and freelance artists, as well as undertaking much of the animation and compositing work myself.
My brief, partly self-initiated and partly from the director and EP, was to represent scenes pivotal to both plot and characters in an accelerated journey that was as forceful, aggressive, and stirring as possible.
To do so, a highly stylised, almost painterly approach was chosen, referencing visual cues very familiar to teen audiences – graphic novels, comics, silhouettes, illustrations. The most striking moments from the film were reduced and broken down into iconic representations, giving them much greater emotional resonance.
Subtle use of 3D space and perspective injects depth and tension, and frames are vividly depicted in the rich orange, brown, and gold tones of the Australian summer – a palette that is simultaneously vibrant and dangerous, suggestive of idyllic bush sunsets and fiery explosions. Search- and flood-lights, explosions, and gun flashes impart sharp details to the silhouetted forms, at once highlighting and simplifying specific features of each scene.
Process:
Once production began with a team of 5 (including myself), we had only 3 weeks to produce more than 90 seconds of 2K motion graphics and 3D, mostly from scratch. While I had pitched my own visual interpretations of narrative events, Stuart was very keen to more closely represent actual shots from the film – including key images of characters. This was a tricky process, as I never managed to see a cut of the film before the cinema release! While perhaps an unusual situation for a titles designer to be in, I was helped along by the film’s editor Marcus D’Arcy, and an intimate knowledge of original novel. In the end, about 50% of shots came from my original pitch, and my team and I created additional styleframes as Stuart relayed his ideas.
To complete the project, I enlisted the help of several freelancers. Daniel Balzer was our 3D artist, working in Cinema 4D. Morten Rowley provided additional 3D in Maya, and Daniel Bavell provided painted/illustrated elements. Designer Jess Morgan set up the opening title cards and logo as well as comping the final shot of the sequence.
Credits:
Titles Director: Scott Geersen
Art Direction: Scott Geersen
Design/Animation/Compositing: Scott Geersen, Daniel Bavell, Daniel Balzer, Morten Rowley, Jess Morgan
3D: Daniel Balzer, Morten Rowley
Lab Producers: Prue Fletcher, Jayne Herrmann
The Art Institute of Portland's January 2009 Portfolio Show - graduating students show their portfolios to the local business community, networking, interviewing, and meeting with potential employers in creative fields.
Find out more about The Art Institute of Portland: www.artinstitutes.edu/portland
Photo: Lulu Hoeller
An educational project made during the International Typography Workshop in Czieszyn (http://www.zamekcieszyn.pl/pl/index.php?option=com_content&task=view&id=1201&Itemid=51) led by Professor Jan Kubasiewicz, Coordinator of Dynamic Media Institute at Massachusetts College of Art and Design in Boston (http://dmiboston.org/archive/archives/by_faculty/kubasiewicz_jan/).
The task was to interpret a part of Eugeniusz Rudnik's music composition Kolaż (http://pl.wikipedia.org/wiki/Eugeniusz_Rudnik) visually using motion design.
A bit about process and behind the scenes could be found at the workshop's wiki page (http://dynamicgd.pbworks.com/V%C3%ADt-Zemč%C3%ADk).
See the video: vimeo.com/12624243
Portfolio page: www.vitzemcik.com/#467923/Partical-Collage
The reflex. Illusional Infinity. Gives back all truth from its front. Hide all the truth from its back. Seams like we live in an Universe, a day, a life with no end. Reflex blinds us. Deny us half the truth in space and time. In beginnings and ends. In days and nights. The Moebius Movement Series is inspired in the Moebius curve not by its math values but by the illusion it creates. It brings us the claustrophobia of an endless universe. Like a child submerged in a pool looking up to its reflex. I use 3D programs and a little motion design to create these small peaces os infinity.
Planet Earth – 16 November 2138
After the discovery of life after death, humankind has stopped to see death as their enemy. Most of them already experienced it and reached the other side. Only a small number of people and all other living creatures stayed. Even though they do not feel any emotions for death, they somehow feel uncomfortable about killing animals for food. The Solution was simple; “We shall escape the absurdity of growing a whole chicken in order to eat the breast or wing, by growing the parts separately under a suitable medium.” So, they invented a machine to grow meat at homes and called it ‘Living System Device’, shortly LSD. Some romantic poets called it ‘Lovely Side of Darkness’, shortly LSD.
They do not need to be concerned about zoonotic diseases like viruses or no need to produce large amounts of antibiotics and feeding stuff anymore. With this reforming technology, humans even developed new species to help nature to recover itself.
Of course humankind wants to have fun after they satisfy their hunger. A group of science lovers created new species with musical abilities to have fun and learn more from them. ‘Snake Jazz’ is one of the most famous of all. Their concert tickets are already sold out for the next 5 years. Hopefully, our friend Adam experienced their last concert of the year and recorded this for us. Enjoy.
Edit: @enselb
Special thanks to Winston Churchill
First-run of my animated logo for a currently fictional production company. Song is "Zippo's" by David Holmes
At this Digital Design Slam, student teams had one day to design and produce an identity and motion graphics package for a music awards show. They presented their final design concepts to a panel of judges.
Find out more about VFS's one-year Digital Design program at vfs.com/digitaldesign.
Baking up some 3d fluid simulation at work for some preproduction tests. We adopted blender 5 days ago in the office. It was great to go with opensource and never having to worry about keeping versions up to date, licenses and not having full access to the codes to write your own functions. Do give blender a go.
Here we have a rendered view which uses Zbuffer information for depth of field and glows to help make the droplets pop. Its great to be able to do it all in one app without having to deal with lost of scene information on exports.
TVC quảng cáo bất động sản D’.Palais de Louis được PanaMotion VFX Studio thực hiện bằng tất cả tầm vóc và tâm huyết
Là một kiệt tác sang trọng bậc nhất trong kiến trúc và nghệ thuật trang trí của Pháp, D’.Palais De Louis của Tân Hoàng Minh Group đã được sử dụng kỹ xảo VFX (Visual Effects), keying, match moving và compositing linh hoạt tạo nên những thước phim sang trọng, sống động, tinh tế gây ấn tượng mạnh cho người xem.
🎥Client: Tân Hoàng Minh Group
🎥Project: D’.Palais de Louis
🎥Production House: PanaMotion VFX Studio
#PanaMotion #tvcquangcao #tvc #VFX #Lightening #ColorGrading #SoundEffects #motiongraphic #storyboard #StudioVFX
► Contact us
Tel: (+84)906290741
Email: hello@panamotion.vn
Địa chỉ: Tầng 4, tòa nhà 5 tầng VLXD Hồng Hà, Ngõ 109 Trường Chinh, Thanh Xuân, Hà Nội
Time-lapse footage taken at the Very Large Array in Socorro, New Mexico; one of the largest Radio Astronomy Observatories in the world.
As a learning exercise, and something to challenge myself, I wanted to try to combine two of my favorite things: motion-graphics and time-lapse photography.
I also wanted to see if I could stretch my editing techniques a little further.
The VLA really is a legitimately amazing thing to see in person. If you've ever considered making a visit, you should.
It's an awe-inspiring feat of human engineering, and the surroundings are gorgeous. Unbelievable skies in New Mexico. I caught some nasty weather, but it was still a great experience. I'm definitely going back!
Canon t3i / 600D (2 -rented a second)
Canon 10-22mm
Canon 24-105mm
Canon 70-200mm 2.8 (rented)
Sigma 30mm 1.4
GoPro HD Hero
Kessler Crane Pocket Dolly
Kessler elektraDrive Basic Controller
Completed in After Effects.
Grading with Magic Bullet.
Music: "What It Is Without The Hand That Wields It",
Telefon Tel Aviv
Many, many thanks to Rob Chiu, Tony Scott and Paul Greengrass for their inspirational cutting style.
Watch this video on Vimeo. Video created by Douglas Koke.
Flotek & Mario Kinle Records
Promo Label
Video by: Theo Jahlion
Music by:
Flotek & Mario Kinle - The last Violin
Theo Jahlion: Gettin Started
Unfortunately flicker allows only 1minute and a half videos to be uploaded.
The entire video is available here: vimeo.com/14621308
"It’s that 1-2-3 or the do-re-mi or this “abc” - these first three letters of the alphabet, it’s one simple incantation and you know where it ends. Usually, the first steps considered in every elaborate process are the most important.
Repetition and a sense of routine are mandatory in order to learn, in order to create. Only after that will the understanding of the complete “alphabet” be achieved. Later “words” emerge and ultimately ideas, even if they’re visually based on individual meaningless glyphs which can be written, printed, typed, projected or displayed. "
With each and every post, we strive here at Creative Tempest to bring you only the best artists from around the world. This post comes to you from the great American state of New York, with our artist being none other than internationally known Creative Director, Gui Borchert. Chances are, if you’ve picked up a magazine in the passed few years, you’ve seen some of his ads for big names such as Coke, Dell, Nike and Puma. Gui has an incredible credentials list that includes speaking in conferences around the world, judging international competitions, having his work showcased at art galleries in places like Brazil and New York City, being internationally published in books and magazines, and winning a ton of awards just to top it all off. We’re happy to post such talent and vision here on Creative Tempest and hope you will share the same appreciation for great artwork that we do. Find out more info at www.creativetempest.com
"This Christmas give
or give yourself,
design"
Animation for promote the new campain from Index Book. If you buy any book from Index Book during the Christmas campaign, you’ll be entered into the weekly drawing for an assortment of books.
indexbook.com
Production: Mikel Canal
At this Digital Design Slam, student teams had one day to design and produce an identity and motion graphics package for a music awards show. They presented their final design concepts to a panel of judges.
Find out more about VFS's one-year Digital Design program at vfs.com/digitaldesign.
Art Outside
Friday - Sunday, October 22-24
at Apache Pass
Full access to the Art Outside festival Included in the MGFest Austin All Arts Access Badge, or you can buy tickets for Art Outside only.
Art Outside is a 3-Day camping festival at the beautiful Apache Pass festival grounds near Rockdale, Texas. The site features hundreds of acres of grassy camping areas and lush pecan trees scattered throughout.
Featuring Over 300 Artists including: Random Rab, Gift Culture, Artificial Life Preserver, Psymbolic--visuals, Win Win Creative, VJ Mason Dixon, Michael Christian, Art of Such-N-Such, Life-Size Mousetrap, Ricochet, Elemental Uprising, 999 Eyes Freakshow, Agent Red, Blockhead, God-des and She, Spoonfed Tribe, Community Art Makers, The Art Department, George Krause, Minor Mishap, Gyronauts, T-Bird and the Breaks, Heyoka, Brownout!, Govinda, Anahata Sound, plus many more!
MGFest's Art Outside Screening includes: Max Hattler, N.A.S.A., Eric Gunther for OK Go, Roger Ruzanka & The Flashbulb, Jon Satrom, Alan Sondheim, and more.
Direccion y Fotografia: Jonathan Ramos
Edicion y Montaje: Jorge A Tellez
Make up: Daniella Villa
Modelo: Jorge A Tellez
Videoclip for Kaiserdisco's "Espandrillo". Released on MyBestFriend (Traumschallplatten) Cologne.
Video by sevra&stas. Made with Modul8 and AfterFX.
For further information please visit traumschallplatten.de or my website severinschultze.de.
This Video is made with Modul8, Flash and After Effects.
©2009 monokompatibel
This is a frame from a video. You can watch it on Vimeo.
Direccion y Fotografia: Jonathan Ramos
Edicion y Montaje: Jorge A Tellez
Make up: Daniella Villa
Modelo: Ana Maria Gutierrez
At this Digital Design Slam, student teams had one day to design and produce an identity and motion graphics package for a music awards show. They presented their final design concepts to a panel of judges.
Find out more about VFS's one-year Digital Design program at vfs.com/digitaldesign.