View allAll Photos Tagged MotionGraphics
Animated GIF here: cargocollective.com/geso/A-Virus-From-Outer-Space
"Language is a virus from outer space." William S. Burroughs
New collection of animated GIFs, extract from my current visual-set as VJ, inspired in the quote from Burroughts. This visual set has been showcased at CutOut Fest 2012 (Queretaro, Mexico) and Applied Sound Arts 2013 (Leipzig, Germany), so far. More shows to come!!!
Party Motion. New track from Smalltown Romeo.
Plant Records 2011
Track by: Pete Emes, Mike Grimes and Mandeep Ubhi
Directed by Matt Luckhurst.
Cinematography: Joshua Wong
Dancers: Ashley 'Colours' Perez, Nishga Hotz-Felder, Sabrina Naz, Adam 'Truck' Bowen,
Animated by Matt Luckhurst and Ege Soyeur.
Special thanks to Sarmad Rizvi, Ryan Ford and John Barros.
Equipment: Emmedia Calgary, Ab.
Shot at the HiFi Club, Calgary, Ab.
Watch this video on Vimeo. Video created by mattluckhurst.
At this Digital Design Slam, student teams had one day to design and produce an identity and motion graphics package for a music awards show. They presented their final design concepts to a panel of judges.
Find out more about VFS's one-year Digital Design program at vfs.com/digitaldesign.
Communication. Online, E-learning film For Dutch CO. AGILIS BV.
3D animation on low-poly style
Directing & Motion Graphics by Kaan Sensoy
Music by The Bee Gees '' Jive Talkin`
Trabajos Audiovisuales, Motion Graphics, 3D, durante el año 2009:
- AGUDO Comunicación.
- MORFO Motion Graphics
- PlayStation 3
- Iphone 3G s
- Libelula Post
- Aldea S.O.S.
- Etc.
Musica: RATATAT - Seventeen years
Trabajado en: After Effects Cs4, Premiere Pro Cs4, 3D max, Cinema 4D, Illustrator Cs4 y
Photoshop Cs4.
Visuals for Night club event.
Using footage from various flight training videos.
Watch preview here
Motion/ Concept/ ID :
Within 'Somewhere' We are transported to a time where the boundaries between what is real and what is simulated are blurred. We live online and download places to relax, parks and shopping malls. We can even interact with our friends as if they were in the same room with simulated tele-presence. Everyone is connected and immersed in nanorobotic replications of any kind of object or furnishings, downlodable on credit based systems. Distance and time become as alien as the 'offline' The local becomes the global and the global becomes the local. Consumer based capitalism has changed forever. A truly 'glocolised' world. The singularity is near.
The film places us into this vision, observing an average inhabitant within the ever changing environment of the latest SimuHouse. From a painting to a park and from a telephone call to a shopping mall. That is until there is a leek in the system and everything malfunctions. The film concludes with the house being forced to reset, giving the character and viewer a stark reminder that nothing is 'real' even her dog, which re-materialises in front of her.
CREDITS:
Directed By: Paul Nicholls
3D, 2D, Tracking, Post Production, Compositing, Camera Work: Paul Nicholls
Cast: Indre Balestuta, Iffy
Sound Design: Jesse Rope
Narration: Robert Leaf
Greek Vocal Talent: Lia Loanniti
Serbian Vocal Talent: Mina Micevic
Store Voice: Guillaume Nyssens
System Voice: Anita Shim
Music By: Kourosh Dini, Twighlight Archive, Pete Berwick
OFFICIAL SELECTION: Onedotzero, Alphaville
VISIT MY SITE: WWW.FACTORYFIFTEEN.COM
Watch this video on Vimeo. Video created by Paul Nicholls.
A child in rags on the streets is a common sight in India. We can see them working at a tea stall, selling cheap toys on the traffic signal, sometimes performing dangerous acrobatics or worse begging for a few coins. The sight is so common that we see through this brutal cruelty.
Have we ever thought how would we feel if the child on the street was one of our own?
Stop child labour - that nameless child on the street may also have parents like you who are waiting for her return.
Produced by : www.dasantosh.com
Team: Santosh Kushwaha, Pradeep Gupta & Geetaj Chananna.
Sources: en.wikipedia.org/wiki/Child_la...
labour.gov.in/content/division...
-Accelerating Action Against Child Labour" Report (2010),
-Census of India 2001
-National Commission for Enterprises in Unorganised Sector (2007
-The non-government organizations estimation
These are some of the title slides that we put together for the Greater Ones series back in March. I think you'll all probably notice from what gets uploaded that the week we did Superman, it was one of my favorites. He's not even my favorite superhero, but just how that week's media turned out looked really great, in my opinion.
The focus was all about bringing out types and shadows of Jesus that are seen in modern superheroes that most everyone seems to love today. Each week our Pastor focused on the particular characters, pulling out certain attributes from each one that were clearly characteristics of Jesus.
Each week we had a video that kicked off the sermon that would highlight each hero, as well as a quick teaser at the very end of service for the next week. If you want to see these videos check out the links below:
vimeo.com/87302639
vimeo.com/88578439
vimeo.com/88576743
vimeo.com/89231006
vimeo.com/89231175
vimeo.com/89844520
vimeo.com/89844533
The video portion of this project was a lot of fun to work on because it really helped to push our 3D titling abilities, and was a ton of fun to get to edit and piece together. It also helps that our church building is located in an old movie theatre. So our main auditorium has 2 large projection screens that helped really make this series a lot of fun.
To see the other portions of the project I have uploaded check them out here:
www.flickr.com/photos/toddfooshee/15199614082/
At this Digital Design Slam, student teams had one day to design and produce an identity and motion graphics package for a music awards show. They presented their final design concepts to a panel of judges.
Learn more about VFS's one-year Digital Design program at vfs.com/digitaldesign.
Animated GIF here: cargocollective.com/geso/A-Virus-From-Outer-Space
"Language is a virus from outer space." William S. Burroughs
New collection of animated GIFs, extract from my current visual-set as VJ, inspired in the quote from Burroughts. This visual set has been showcased at CutOut Fest 2012 (Queretaro, Mexico) and Applied Sound Arts 2013 (Leipzig, Germany), so far. More shows to come!!!
At this Digital Design Slam, student teams had one day to design and produce an identity and motion graphics package for a music awards show. They presented their final design concepts to a panel of judges.
Find out more about VFS's one-year Digital Design program at vfs.com/digitaldesign.
Animated GIF here: cargocollective.com/geso/A-Virus-From-Outer-Space
"Language is a virus from outer space." William S. Burroughs
New collection of animated GIFs, extract from my current visual-set as VJ, inspired in the quote from Burroughts. This visual set has been showcased at CutOut Fest 2012 (Queretaro, Mexico) and Applied Sound Arts 2013 (Leipzig, Germany), so far. More shows to come!!!
At this Digital Design Slam, student teams had one day to design and produce an identity and motion graphics package for a music awards show. They presented their final design concepts to a panel of judges.
Learn more about VFS's one-year Digital Design program at vfs.com/digitaldesign.
The digital stop-motion video I created for my first font, 'Ribbon Candy.'
Available soon for download at www.heykyle.net
To Do List is a personal project about the things we cherish and aspire to do in our every day lives. Hope it inspires you!
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Created by
Yaniv Fridman : www.yanivfridman.com
Daniel Luna : www.danielluna.tv
Music and Sound Design by
WhiteNoise Lab / Roger Lima : www.whitenoiselab.com
Watch this video on Vimeo. Video created by Yaniv Fridman.
Author: Tisha
Madrid, 2010
In parapsychology and many forms of spiritual practice, an aura is a field of subtle, luminous radiation supposedly surrounding a person or object (like the halo or aureola of religious art) that some people are claimed to be capable of observing by means of their third eye.[1][2] The depiction of such an aura in religious art usually connotes a person of particular power or holiness.
Metaphysical contexts
In metaphysical terms, "spirit" has acquired a number of meanings:
1.An incorporeal but ubiquitous, non-quantifiable substance or energy present individually in all living things. Unlike the concept of souls (often regarded as eternal and usually believed to pre-exist the body) a spirit develops and grows as an integral aspect of a living being.[citation needed] This concept of the individual spirit occurs commonly in animism. Note the distinction between this concept of spirit and that of the pre-existing or eternal soul: belief in souls occurs specifically and far less commonly, particularly in traditional societies. One might more properly term this type/aspect of spirit "life" (bios in Greek) or "ether" rather than "spirit" (pneuma in Greek).
2.A daemon sprite, or especially a ghost. People usually conceive of a ghost as a wandering spirit from a being no longer living, having survived the death of the body yet maintaining at least vestiges of mind and of consciousness.
3.In religion and spirituality, the respiration of a human has for obvious reasons become seen as strongly linked with the very occurrence of life. A similar significance has become attached to human blood. Spirit in this sense denotes that which separates a living body from a corpse — and usually implies intelligence, consciousness and sentience.
4.Various animistic religions, such as Japan's Shinto and various Native American and African tribal beliefs, focus around invisible beings which represent or connect with plants, animals (sometimes called "Animal Fathers"), or landforms; translators usually employ the English word "spirit" when trying to express the idea of such entities.
5.Individual spirits envisaged as interconnected with all other spirits and with "The Spirit" (singular and capitalized). This concept relates to theories of a unified spirituality, to universal consciousness and to some concepts of Deity. In this scenario all separate "spirits", when connected, form a greater unity, the Spirit, which has an identity separate from its elements plus a consciousness and intellect greater than its elements; an ultimate, unified, non-dual awareness or force of life combining or transcending all individual units of consciousness. The experience of such a connection can become a primary basis for spiritual belief. The term spirit occurs in this sense in (to name but a few) Anthroposophy, Aurobindo, A Course In Miracles, Hegel, and Ken Wilber. In this use, the term seems conceptually identical to Plotinus's "The One" and Friedrich Schelling's "Absolute". Similarly, according to the panentheistic/pantheistic view, Spirit equates to essence that can manifest itself as mind/soul through any level in pantheistic hierarchy/holarchy, such as through a mind/soul of a single cell (with very primitive, elemental consciousness), or through a human or animal mind/soul (with consciousness on a level of organic synergy of an individual human/animal), or through a (superior) mind/soul with synergetically extremely complex/sophisticated consciousness of whole galaxies involving all sub-levels, all emanating (since the superior mind/soul operates non-dimensionally, or trans-dimensionally) from the one Spirit.
6.Christian theology can use the term "Spirit" to describe God, or aspects of God — as in the "Holy Spirit", referring to a Triune God (Trinity): "The result of God reaching to man by the Father as the source, the Son as the course ('the Way'), and through the Spirit as the transmission"[cite this quote].
7.In (popular) theological terms, the individual human "spirit" (singular, lowercase) is a deeply situated aspect of the soul[citation needed] subject to "spiritual" growth and change; the very seat of emotion and desire, and the transmitting organ by which humans can contact God. In a rare theological definition it consists of higher consciousness enclosing the soul.[citation needed] "Spirit" forms a central concept in pneumatology (note that pneumatology studies "pneuma" (Greek for "spirit") not "psyche" (Greek for "soul" — as studied in psychology).
8.Christian Science uses "Spirit" as one of the seven synonyms for God, as in: "Principle; Mind; Soul; Spirit; Life; Truth; Love"
9.Harmonism reserves the term "spirit" for those which collectively control and influence an individual from the realm of the mind.
Verb:
protecting
1.Present participle of protect.
Noun:
protection
Plural
countable and uncountable; plural protections
protection (countable and uncountable; plural protections)
1.The process of keeping (something or someone) safe.
2.(computing) An instance of a security token associated with a resource (such as a file.)
energy (plural energies)
1.The impetus behind all motion and all activity.
2.The capacity to do work.
3.(physics) A quantity that denotes the ability to do work and is measured in a unit dimensioned in mass × distance²/time² (ML²/T²) or the equivalent.
vimeo.com/scottgeersen/twtwb-titles
Title Sequence: Concept, Pitch, Boards, Design, Direction, Animation, Compositing, Project Management.
This Australian film by Director Stuart Beattie is an adaptation of John Marsden’s classic first novel of the “Tomorrow” series, which has been translated into 7 languages and captured the imaginations of teenagers across the globe.
Following on from a successful titles pitch (work.scottgeersen.com/twtwb-titles-pitch) to director Stuart Beattie and EP Andrew Mason, I designed and directed the main-on-end title sequence for the film, leading a team of in-house and freelance artists, as well as undertaking much of the animation and compositing work myself.
My brief, partly self-initiated and partly from the director and EP, was to represent scenes pivotal to both plot and characters in an accelerated journey that was as forceful, aggressive, and stirring as possible.
To do so, a highly stylised, almost painterly approach was chosen, referencing visual cues very familiar to teen audiences – graphic novels, comics, silhouettes, illustrations. The most striking moments from the film were reduced and broken down into iconic representations, giving them much greater emotional resonance.
Subtle use of 3D space and perspective injects depth and tension, and frames are vividly depicted in the rich orange, brown, and gold tones of the Australian summer – a palette that is simultaneously vibrant and dangerous, suggestive of idyllic bush sunsets and fiery explosions. Search- and flood-lights, explosions, and gun flashes impart sharp details to the silhouetted forms, at once highlighting and simplifying specific features of each scene.
Process:
Once production began with a team of 5 (including myself), we had only 3 weeks to produce more than 90 seconds of 2K motion graphics and 3D, mostly from scratch. While I had pitched my own visual interpretations of narrative events, Stuart was very keen to more closely represent actual shots from the film – including key images of characters. This was a tricky process, as I never managed to see a cut of the film before the cinema release! While perhaps an unusual situation for a titles designer to be in, I was helped along by the film’s editor Marcus D’Arcy, and an intimate knowledge of original novel. In the end, about 50% of shots came from my original pitch, and my team and I created additional styleframes as Stuart relayed his ideas.
To complete the project, I enlisted the help of several freelancers. Daniel Balzer was our 3D artist, working in Cinema 4D. Morten Rowley provided additional 3D in Maya, and Daniel Bavell provided painted/illustrated elements. Designer Jess Morgan set up the opening title cards and logo as well as comping the final shot of the sequence.
Credits:
Titles Director: Scott Geersen
Art Direction: Scott Geersen
Design/Animation/Compositing: Scott Geersen, Daniel Bavell, Daniel Balzer, Morten Rowley, Jess Morgan
3D: Daniel Balzer, Morten Rowley
Lab Producers: Prue Fletcher, Jayne Herrmann
www.area75.com.ar y www.molinofilms.com.ar
Presentan este cortometraje de Juan Pablo Rainieri.
Protagonizado por Marcia Pinto y Jimena Domínguez.
Guión de Diego Rojas.
Dirección de arte y matte painting de Jorge L. Fernández.
3D de Flavio Bianchi.
Música original de Jimena Domínguez.
Animación experimental. Gráfica en movimiento inspirada en los muros de la Brigada Ramona Parra.
Musicalización, Legua York (maqueta DVD)
Diseño y Animación: ecostypo
At this Digital Design Slam, student teams had one day to design and produce an identity and motion graphics package for a music awards show. They presented their final design concepts to a panel of judges.
Find out more about VFS's one-year Digital Design program at vfs.com/digitaldesign.
With each and every post, we strive here at Creative Tempest to bring you only the best artists from around the world. This post comes to you from the great American state of New York, with our artist being none other than internationally known Creative Director, Gui Borchert. Chances are, if you’ve picked up a magazine in the passed few years, you’ve seen some of his ads for big names such as Coke, Dell, Nike and Puma. Gui has an incredible credentials list that includes speaking in conferences around the world, judging international competitions, having his work showcased at art galleries in places like Brazil and New York City, being internationally published in books and magazines, and winning a ton of awards just to top it all off. We’re happy to post such talent and vision here on Creative Tempest and hope you will share the same appreciation for great artwork that we do. Find out more info at www.creativetempest.com
At this Digital Design Slam, student teams had one day to design and produce an identity and motion graphics package for a music awards show. They presented their final design concepts to a panel of judges.
Learn more about VFS's one-year Digital Design program at vfs.com/digitaldesign.
CMA Video filmed the opening of Winston's Whistle Stop Tour, the latest ride at Thomasland at Drayton Manor
✰ This photo was featured on The Epic Global Showcase here: bit.ly/1OmtC1q
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