View allAll Photos Tagged MotionGraphics
1 x 30 second
3 x 10 second cutdowns
Sky Creative's Sarah Cloutier approached Rushes 3D & Motion GFX to produce a commercial promoting Sky's revamped website. The new site promotes all of it's new channels and covers news, sport & entertainment in rich content.
The job was broken down between 3D and Motion Graphics with the Maya guys tackling the 3D elements required in the three sections of the piece. In News Barack Obama spills out of his web page revealing a spinning globe, jumbo jet, city skyline, plus pound & dollar symbols. Sport has Steve Gerrard again spilling out of his page, this time bringing with him a rugby ball, footaball, Formula 1 racing car and cricket stumps. The Final section has Scarlet Johannson coming to life from the red carpet revealing a camera, with snapshots of celebrities shooting out from it as a film can spins out from her frame.
Allan Williamson modelled all these elements and then Mark Pascoe tackled the lighting and texturing using Renderman. Extra 3D elements were created by myself in Cinema 4D which included the Breaking News banner and image frames in all three sections plus the carousel on the final Sky logo reveal .
All elements were then finally composited by myself in After Effects and moving backgrounds wipes and extra polish were added to gel the whole piece together.
The final result is a "content rich" ad which reflects the vibe of the website.
Title: "Sky.com Believe in Better"
Product:3 x 10sec and 1 x 30 Sec. commercials
Agency: Sky Creative
Producer: Sarah Cloutier
Post Facility: Rushes
Rushes Producer: Warwick Hewett
Maya: Mark Pascoe, Alan Williamson
After Effects: Matt Lawrence
Cinema 4D: Matt Lawrence
A motion design invitation for the classical music festival Mahler Jihlava 2010 in Czech Republic.
See the video: vimeo.com/11617795
Portfolio page: www.vitzemcik.com/#402076/Mahler-Jihlava-2010
✰ This photo was featured on The Epic Global Showcase here: bit.ly/1WDMz6O ------------- DAY 196 • Zitaro | #learnsquared #daily #design #motiongraphics #graphicdesign #cgi #3d #dailyart #dailypic #c4d #cinema4d #scifi #abstract #modern #graphics #arthabit #artoftheday #renderaday #render #stylow #everyday #rsa_graphics #liferemixed #otoy #octane #dxfspace2001 by @iamstylow on Instagram.
My "other work" … Animation video is just released! Watch the full video here DRACHENFLUG - DRACHENWISSEN (Official Music Video)
1 x 30 second
3 x 10 second cutdowns
Sky Creative's Sarah Cloutier approached Rushes 3D & Motion GFX to produce a commercial promoting Sky's revamped website. The new site promotes all of it's new channels and covers news, sport & entertainment in rich content.
The job was broken down between 3D and Motion Graphics with the Maya guys tackling the 3D elements required in the three sections of the piece. In News Barack Obama spills out of his web page revealing a spinning globe, jumbo jet, city skyline, plus pound & dollar symbols. Sport has Steve Gerrard again spilling out of his page, this time bringing with him a rugby ball, footaball, Formula 1 racing car and cricket stumps. The Final section has Scarlet Johannson coming to life from the red carpet revealing a camera, with snapshots of celebrities shooting out from it as a film can spins out from her frame.
Allan Williamson modelled all these elements and then Mark Pascoe tackled the lighting and texturing using Renderman. Extra 3D elements were created by myself in Cinema 4D which included the Breaking News banner and image frames in all three sections plus the carousel on the final Sky logo reveal .
All elements were then finally composited by myself in After Effects and moving backgrounds wipes and extra polish were added to gel the whole piece together.
The final result is a "content rich" ad which reflects the vibe of the website.
Title: "Sky.com Believe in Better"
Product:3 x 10sec and 1 x 30 Sec. commercials
Agency: Sky Creative
Producer: Sarah Cloutier
Post Facility: Rushes
Rushes Producer: Warwick Hewett
Maya: Mark Pascoe, Alan Williamson
After Effects: Matt Lawrence
Cinema 4D: Matt Lawrence
8 SP students and a lecturer from the Diploma in Visual Effects and Motion Graphics went on an awesome storm-chasing trip in Tucson, Arizona, guided by reowned storm chaser Alister Chapman.
vimeo.com/scottgeersen/twtwb-titles
Title Sequence: Concept, Pitch, Boards, Design, Direction, Animation, Compositing, Project Management.
This Australian film by Director Stuart Beattie is an adaptation of John Marsden’s classic first novel of the “Tomorrow” series, which has been translated into 7 languages and captured the imaginations of teenagers across the globe.
Following on from a successful titles pitch (work.scottgeersen.com/twtwb-titles-pitch) to director Stuart Beattie and EP Andrew Mason, I designed and directed the main-on-end title sequence for the film, leading a team of in-house and freelance artists, as well as undertaking much of the animation and compositing work myself.
My brief, partly self-initiated and partly from the director and EP, was to represent scenes pivotal to both plot and characters in an accelerated journey that was as forceful, aggressive, and stirring as possible.
To do so, a highly stylised, almost painterly approach was chosen, referencing visual cues very familiar to teen audiences – graphic novels, comics, silhouettes, illustrations. The most striking moments from the film were reduced and broken down into iconic representations, giving them much greater emotional resonance.
Subtle use of 3D space and perspective injects depth and tension, and frames are vividly depicted in the rich orange, brown, and gold tones of the Australian summer – a palette that is simultaneously vibrant and dangerous, suggestive of idyllic bush sunsets and fiery explosions. Search- and flood-lights, explosions, and gun flashes impart sharp details to the silhouetted forms, at once highlighting and simplifying specific features of each scene.
Process:
Once production began with a team of 5 (including myself), we had only 3 weeks to produce more than 90 seconds of 2K motion graphics and 3D, mostly from scratch. While I had pitched my own visual interpretations of narrative events, Stuart was very keen to more closely represent actual shots from the film – including key images of characters. This was a tricky process, as I never managed to see a cut of the film before the cinema release! While perhaps an unusual situation for a titles designer to be in, I was helped along by the film’s editor Marcus D’Arcy, and an intimate knowledge of original novel. In the end, about 50% of shots came from my original pitch, and my team and I created additional styleframes as Stuart relayed his ideas.
To complete the project, I enlisted the help of several freelancers. Daniel Balzer was our 3D artist, working in Cinema 4D. Morten Rowley provided additional 3D in Maya, and Daniel Bavell provided painted/illustrated elements. Designer Jess Morgan set up the opening title cards and logo as well as comping the final shot of the sequence.
Credits:
Titles Director: Scott Geersen
Art Direction: Scott Geersen
Design/Animation/Compositing: Scott Geersen, Daniel Bavell, Daniel Balzer, Morten Rowley, Jess Morgan
3D: Daniel Balzer, Morten Rowley
Lab Producers: Prue Fletcher, Jayne Herrmann
Haven't posted in a while again lately so I thought I'd use the video feature once more.
Only 15 seconds long, this was probably one of the fastest and most erratic animations I've done in a while. When you're asked to put something together for an event to showcase your company's brand and it has to be striped to tape less than 2 days later...you start pulling any first idea that comes to mind.
Hardly much of a rainbow, I'll agree, but hopefully the 'concept' of an origin might come into play here. Somewhere. ;)
I did the whole piece here. 3d animation, compositing as well as sound design.
The Art Institute of Portland's January 2009 Portfolio Show - graduating students show their portfolios to the local business community, networking, interviewing, and meeting with potential employers in creative fields.
Find out more about The Art Institute of Portland: www.artinstitutes.edu/portland
Photo: Lulu Hoeller
The Art Institute of Portland's January 2009 Portfolio Show - graduating students show their portfolios to the local business community, networking, interviewing, and meeting with potential employers in creative fields.
Find out more about The Art Institute of Portland: www.artinstitutes.edu/portland
Photo: Lulu Hoeller
Programa semanal que repasa de una manera diferente la actualidad deportiva, así como recuerda grandes momentos de la historia deportiva de Canal +.
Cliente: Digital Plus.
Octubre de 2008
vimeo.com/scottgeersen/twtwb-titles
Title Sequence: Concept, Pitch, Boards, Design, Direction, Animation, Compositing, Project Management.
This Australian film by Director Stuart Beattie is an adaptation of John Marsden’s classic first novel of the “Tomorrow” series, which has been translated into 7 languages and captured the imaginations of teenagers across the globe.
Following on from a successful titles pitch (work.scottgeersen.com/twtwb-titles-pitch) to director Stuart Beattie and EP Andrew Mason, I designed and directed the main-on-end title sequence for the film, leading a team of in-house and freelance artists, as well as undertaking much of the animation and compositing work myself.
My brief, partly self-initiated and partly from the director and EP, was to represent scenes pivotal to both plot and characters in an accelerated journey that was as forceful, aggressive, and stirring as possible.
To do so, a highly stylised, almost painterly approach was chosen, referencing visual cues very familiar to teen audiences – graphic novels, comics, silhouettes, illustrations. The most striking moments from the film were reduced and broken down into iconic representations, giving them much greater emotional resonance.
Subtle use of 3D space and perspective injects depth and tension, and frames are vividly depicted in the rich orange, brown, and gold tones of the Australian summer – a palette that is simultaneously vibrant and dangerous, suggestive of idyllic bush sunsets and fiery explosions. Search- and flood-lights, explosions, and gun flashes impart sharp details to the silhouetted forms, at once highlighting and simplifying specific features of each scene.
Process:
Once production began with a team of 5 (including myself), we had only 3 weeks to produce more than 90 seconds of 2K motion graphics and 3D, mostly from scratch. While I had pitched my own visual interpretations of narrative events, Stuart was very keen to more closely represent actual shots from the film – including key images of characters. This was a tricky process, as I never managed to see a cut of the film before the cinema release! While perhaps an unusual situation for a titles designer to be in, I was helped along by the film’s editor Marcus D’Arcy, and an intimate knowledge of original novel. In the end, about 50% of shots came from my original pitch, and my team and I created additional styleframes as Stuart relayed his ideas.
To complete the project, I enlisted the help of several freelancers. Daniel Balzer was our 3D artist, working in Cinema 4D. Morten Rowley provided additional 3D in Maya, and Daniel Bavell provided painted/illustrated elements. Designer Jess Morgan set up the opening title cards and logo as well as comping the final shot of the sequence.
Credits:
Titles Director: Scott Geersen
Art Direction: Scott Geersen
Design/Animation/Compositing: Scott Geersen, Daniel Bavell, Daniel Balzer, Morten Rowley, Jess Morgan
3D: Daniel Balzer, Morten Rowley
Lab Producers: Prue Fletcher, Jayne Herrmann
Here's a funky cool special effects music video for your Saturday night!
Hope you're all having a great weekend.
Enjoy!
Case study on the process behind this project available at: www.behance.net/gallery/16404173/Stage-Visuals-TJR
1 x 30 second
3 x 10 second cutdowns
Sky Creative's Sarah Cloutier approached Rushes 3D & Motion GFX to produce a commercial promoting Sky's revamped website. The new site promotes all of it's new channels and covers news, sport & entertainment in rich content.
The job was broken down between 3D and Motion Graphics with the Maya guys tackling the 3D elements required in the three sections of the piece. In News Barack Obama spills out of his web page revealing a spinning globe, jumbo jet, city skyline, plus pound & dollar symbols. Sport has Steve Gerrard again spilling out of his page, this time bringing with him a rugby ball, footaball, Formula 1 racing car and cricket stumps. The Final section has Scarlet Johannson coming to life from the red carpet revealing a camera, with snapshots of celebrities shooting out from it as a film can spins out from her frame.
Allan Williamson modelled all these elements and then Mark Pascoe tackled the lighting and texturing using Renderman. Extra 3D elements were created by myself in Cinema 4D which included the Breaking News banner and image frames in all three sections plus the carousel on the final Sky logo reveal .
All elements were then finally composited by myself in After Effects and moving backgrounds wipes and extra polish were added to gel the whole piece together.
The final result is a "content rich" ad which reflects the vibe of the website.
Title: "Sky.com Believe in Better"
Product:3 x 10sec and 1 x 30 Sec. commercials
Agency: Sky Creative
Producer: Sarah Cloutier
Post Facility: Rushes
Rushes Producer: Warwick Hewett
Maya: Mark Pascoe, Alan Williamson
After Effects: Matt Lawrence
Cinema 4D: Matt Lawrence
At this Digital Design Slam, student teams had one day to design and produce an identity and motion graphics package for a music awards show. They presented their final design concepts to a panel of judges.
Find out more about VFS's one-year Digital Design program at vfs.com/digitaldesign.
Captures of my video-presentation.
I'm Mikel Canal, a student of Motionmaker and Graphic Design, from Barcelona (1991).
Since 2009 I'm making my own projects in Motion trying to develope new styles. I just wanted to animate my identity making this video...
vimeo.com/scottgeersen/twtwb-titles
Title Sequence: Concept, Pitch, Boards, Design, Direction, Animation, Compositing, Project Management.
This Australian film by Director Stuart Beattie is an adaptation of John Marsden’s classic first novel of the “Tomorrow” series, which has been translated into 7 languages and captured the imaginations of teenagers across the globe.
Following on from a successful titles pitch (work.scottgeersen.com/twtwb-titles-pitch) to director Stuart Beattie and EP Andrew Mason, I designed and directed the main-on-end title sequence for the film, leading a team of in-house and freelance artists, as well as undertaking much of the animation and compositing work myself.
My brief, partly self-initiated and partly from the director and EP, was to represent scenes pivotal to both plot and characters in an accelerated journey that was as forceful, aggressive, and stirring as possible.
To do so, a highly stylised, almost painterly approach was chosen, referencing visual cues very familiar to teen audiences – graphic novels, comics, silhouettes, illustrations. The most striking moments from the film were reduced and broken down into iconic representations, giving them much greater emotional resonance.
Subtle use of 3D space and perspective injects depth and tension, and frames are vividly depicted in the rich orange, brown, and gold tones of the Australian summer – a palette that is simultaneously vibrant and dangerous, suggestive of idyllic bush sunsets and fiery explosions. Search- and flood-lights, explosions, and gun flashes impart sharp details to the silhouetted forms, at once highlighting and simplifying specific features of each scene.
Process:
Once production began with a team of 5 (including myself), we had only 3 weeks to produce more than 90 seconds of 2K motion graphics and 3D, mostly from scratch. While I had pitched my own visual interpretations of narrative events, Stuart was very keen to more closely represent actual shots from the film – including key images of characters. This was a tricky process, as I never managed to see a cut of the film before the cinema release! While perhaps an unusual situation for a titles designer to be in, I was helped along by the film’s editor Marcus D’Arcy, and an intimate knowledge of original novel. In the end, about 50% of shots came from my original pitch, and my team and I created additional styleframes as Stuart relayed his ideas.
To complete the project, I enlisted the help of several freelancers. Daniel Balzer was our 3D artist, working in Cinema 4D. Morten Rowley provided additional 3D in Maya, and Daniel Bavell provided painted/illustrated elements. Designer Jess Morgan set up the opening title cards and logo as well as comping the final shot of the sequence.
Credits:
Titles Director: Scott Geersen
Art Direction: Scott Geersen
Design/Animation/Compositing: Scott Geersen, Daniel Bavell, Daniel Balzer, Morten Rowley, Jess Morgan
3D: Daniel Balzer, Morten Rowley
Lab Producers: Prue Fletcher, Jayne Herrmann
© All Rights Reserved - Black Diamond Images
"This year, Vivid LIVE has commissioned multi-award winning German design collective URBANSCREEN to create a new projected artwork, transforming Sydney Opera House with their reinterpretation of the sails – Vivid LIVE’s most public event. (Recommend viewing this VIDEO)
URBANSCREEN have taken the art of light projection, video mapping and motion graphics to extraordinary heights in their many large scale installations, including commissions from major art galleries, international festivals and opera companies. Recent works showcase their versatile and sensitive engagement with architecture, from the dream-themed 555 Kubik at the Hamburger Kunsthalle, the ‘operatic staging’ of Wolfgang Amadeus Mozart’s Idomeneo, Rè di Creta at Theatre Bremen, to the celebration of the 10th anniversary of the Museums Quartier in Vienna – highlighting Creative Director Thorsten Bauer’s musical approach to institutions.
The work will explore both the iconic sculptural form of the Opera House but also its place as a home for music, dance and drama, resulting in a work that is both sophisticated and spectacular." Reference
While the lightshows around the harbour are stunning it is worth noting that there is just so much more to the Vivid Sydney Festival and more than one night does need to be allocated to see all that this festival has to offer.
Check out the website for much more.
Vivid Sydney - Festival of Lights and Ideas draws to a close tomorrow night 11th June after having opened on 25th May 2012
More Vivid Sydney Photos HERE (Images to be added as time permits.)
Client: Radium Audio Ltd
Project: BSkyB Arts HD - The Making of Music & Sound
Director: Andrew Diey
The 4 x Sky Arts HD idents which we create the music & sound for now have their own "making of" to accompanying the idents.
Sky Arts HD Idents here: vimeo.com/15011723
This Making of film was created by our creative director Andrew Diey who wanted to capture the magic that goes into the scoring and designing sound to the off-beat and wonderful visuals.
This is all about how we go about creating a piece of work .. from initial foley stages through to the end mix process in the studio.
How we did it: Filming all aspects of the sound recording process and capturing the performance by Ben who is one of our in-house creative directors. We wanted to be able to share what goes into the sound creation from the musical performances, to the home-brew software [yes we write our own software] and the home-brew boxes which give us a unique spin on how to take our sound design into unusual yet rewarding areas. Magnus also makes an appearance in this film, He is head of production.
Clemens Wirth - AfterFX vimeo.com/clemento
weareseventeen - www.weareseventeen.com/
Radium Films is part of www.radium-audio.com
Radium Staff featured: Ben, Chris, Magnus, Peter, Andrew
Sounds we created include: Fruit, Child Fruit lunge, organic ambience, musical score,Wood, Deck, Music, Sea, Wind, Plastics, Materials, Hall acoustics, Music Score, Violin Theme, Sound Design, Ribbon, Swooshes, Swishes,Liverpool, Music Score, Atmos, Bike, Sound Design, Ribbon, Swooshes, Swishes
Watch this video on Vimeo. Video created by Radium Audio Ltd.
End title sequence to a fictional movie "Good Omens," based on the book of the same name by Neil Gaiman and Terry Pratchett.
Motion graphic effect that I made today. About 180 layers to make this 1980s homage. This is a work in progress, will update the model in a while to have rotating individual layers. Each sub-cube here has 6 individual faces.
Radium Audio Music & Sound design showreel for Early 2011.
////////////////////////////////////////////////////////////////////////////
Founder Foreword: Andrew Diey Dec 2010:
Radium Audio is a unique creative audio company hidden deep in the East End of London.
Our vision is to provide the highest quality sound & music, being fearless and bold about exploring new areas of creativity in the sonic universe.
All the sounds you hear on this showreel are original and have been crafted
organically from real instruments and from objects we have recorded in our
studios ...
Often our clients really treasure us ... and return to work with us time and
time again ... because we live and breathe sound and music.
What we have learned is this. "People don't just watch. They listen and
watch. People want to experience the brand not just the message... and the
right sound in advertising & branding delivers this.
If you choose to work with us, what you will get will be the most authentic
and original ideas.
Andrew Diey
//////////////////////////////////////////////////////////////////////////////
Clip 01: Magic Christmas
Clip 02: Cadburys - Trident Gum
Clip 03: Reebok - The Pump
Clip 04: BSkyB - Little Crackers
Clip 05: Nowtel - NOWI
Clip 06: Nokia - Booklete 3G
Clip 07: MUBI
Clip 08: Nike
Clip 09: Singapore Tourist Board - Yoursingapore.com
Clip 10: Universal Channel
Clip 11: Weareseventeen - Strange Arrangements
--------------------------------
Pt 2: Sound Design
--------------------------------
Our sounds come from objects we record.
We created our own software for our sound design.
We are at the beginning of a sound revolution.
Opensource software allows us to realise our creative dreams.
--------------------------------
Clip 01: Vh1 - Behind the Music
Clip 02: The Mill - Motion Graphics Reel
Clip 03: The Mill - Games Reel
Clip 04: Rolex - Daytona
Clip 05: Reebok - ZigTech
Clip 06: NCIS - LL Cool J
Clip 07: Nissan - The Digger
Clip 08: Weareseventeen - Strange Arrangements Detail
Clip 09: Ferrari - California
Clip 10: Nowtel - NOWI
Contact: carleen@radium-audio.com
Tel: + 44 (0)208 985 9958
Watch this video on Vimeo. Video created by Radium Audio Ltd.