View allAll Photos Tagged Mapping
First attempt at a disc-to-heart conformal mapping (e-marmotte kind of asked for it).
The original picture is here.
Finally finished with school so now I have time to go out.
I'm just trying out some manual tone mapping as an alternative to the usual boring HDR stuff... I like it... it takes considerably longer. However, it is much more flexible!! I'm not quite down with the technique yet unfortunately.
On a rainy day in Long Beach British Columbia.
One of the most compelling sights in Jaipur, India is the Jantar Mantar, a Unesco world heritage site. Completed in 1734 by prince Jai Singh II, the founder of the city, it is an astrological observatory. The structures, like the one pictured, are used as instruments to map the heavens, and the world's largest sundial is part of the complex. Photo by Dave.
Near the north bank of Lake Martha, on the Brighton Lakes trail, Big Cottonwood Canyon, Utah, USA
RAW file edited in View NX-I, additional adjustments to tone mapping (emphasized the background patterns,) fill light and clarity added in Corel Paintshop.
Nos intoxicamos siempre con el color, con las palabras que hablan del color, y con el sol que hace brillante a los colores.
André Derain
Buy it as a beautiful Canvas Print!
One of those mapping things, you know the sort they drop around the countryside so you can find where you are on the map - if you've got the right map.
I'd like this one to be much bigger, like some kind of huge monolith, maybe see what photoshop can do.
As per usual the colours look more like I intended if you check out the full size version
Terra Incognita To Australia. By the National Library of Australia..
Just lost myself in the catalogue of the “Mapping Our World” exhibition at the NLA 7 November 2013 - 10 March 2014.
“Lose Yourself in the World's Greatest Maps”
Read all about Pelsaert, the VOC and the wreck of the "SCHIP BATAVIA"
see p132...135
Wandering around the books like this…
vimeo.com/crestpictures/bookcase
see a few good maps here...
www.davidrumsey.com/luna/servlet/detail/RUMSEY~8~1~31935~...
Jeremy Douglass and Lev Manovich, 2009.
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Data:
The covers of every issue of Time magazine published from 1923 to summer 2009.
Total number of covers: 4535.
The large percentage of the covers included red borders. We cropped these borders and scaled all images to the same size to allow a user see more clearly the temporal patterns across all covers.
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Timescale:
1923-2009.
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Mapping:
Time covers appear in order of publication (i.e., from 1923 to 2009), arranged in a grid layout (left to right and top to bottom).
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Mapping 4535 Time covers into a grid organized by publicatoon date reveals a number of historical patterns. Here are some of them:
Medium: In the 1920s and 1930s Time covers use mostly photography. After 1941, the magazine switches to paintings. In the later decades the photography gradually comes to dominate again. In the 1990s we see emergence of the contemporary software-based visual language which combines manipulated photography, graphic and typographic elements.
Color vs. black and white: The shift from early black and white to full color covers happens gradually, with both types coexisting for many years.
Hue: Distinct “color periods” appear in bands: green, yellow/brown, red/blue, yellow/brown again, yellow, and a lighter yellow/blue in the 2000s.
Brightness: The changes in brightness (the mean of all pixels’ grayscale values for each cover) follow a similar cyclical pattern.
Contrast and Saturation: Both gradually increase throughout the 20th century. However, since the end of the 1990s, this trend is reversed: recent covers have less contrast and less saturation.
Content: Initially most covers are portraits of individuals set against neutral backgrounds. Over time, portrait backgrounds change to feature compositions representing concepts. Later, these two different strategies come to co-exist: portraits return to neutral backgrounds, while concepts are now represented by compositions which may include both objects and people – but not particular individuals.
The visualization also reveals an important “metapattern”: almost all changes are gradual. Each of the new communication strategies emerges slowly over a number of months, years or even decades.
700 Years by Zizi Majid, Muhammad Izdi, Jeremie Bellot (AV Extended) at the facade of National Museum Singapore during Singapore Night Festival 2023.
I THINK that I shall never see
A poem lovely as a tree.
Joyce Kilmer. 1886–1918
339 on Tuesday, May 12, 2009 Explore
Made w/ an old map, my hand-dyed papers & a facsimile vintage label I just got from Cavallini. Oh, and also part of an older collage just ripped to pieces!
--Weekly Explorer's Transmission--
--Log of Eagle-Eye Silver—
-- 21 Junali 3815--
Exploration of sector H09 and the local planet Wastyria has been rather uneventful. Unlike the insane predators of Arium Major, the chill of this cold water ball seems to have stifled the size of most native creatures—though there apparently are the Rockback Whales discovered by pilot Hannibal, I haven’t yet seen any yet. Perhaps they are both rare and reclusive? Anyway, with the lack of animal encounters on this planet so far, I’ve been mapping out as many of the tiny islands that dot Wastyria’s watery surface. The cold of the planet is just enough in most regions to freeze the ocean spray, but not enough to solidify the ocean water itself; so I bought down my Barracuda Special from orbit and have been skimming around the ocean at speed for a few days. The pilots and drivers sure think they’ve got a need for speed, but exploring is where the real fun’s at. We get all the fun toys from the engineers before those guys do, and since we’re the ones with the alien close encounters, we hang on to the good stuff! This little speedboat is amazing. It’s blindingly fast and incredibly maneuverable making it perfect for Wastyria with all its random rock piles sticking out of the ocean. Bombing around in this little baby for a few days has been a fun vacation from the crazy monsters I usually have to take out or run from. We’ll see where Lord Business sends me next week, maybe there’ll be more action.
--End--
The slightly sawn off range of the Atlas Works that fronted Paragon China on Sutherland Road, Longton in the Potteries. The left of the building originally extended further out to encompass an arched entrance and lodge, adding about 25% to the overall frontage.
This old potbank dates back to 1903 and was set up by Herbert James Aynsley and Hugh Irving, his son-in law, transferring the Star China business from St. Gregory's Works and changing their name to Paragon China.
It continued under this name as a family business until it was aquired by Thomas C Wld & Sons in 1960, the Paragon name was kept in place even though repeatedly changing hands. In 1964 Allied English Potteries took over and then in 1972 Royal Doulton Tableware Ltd. took ownership and traded designs under the Paragon name until 1991. Their Royal Albert ware was a Paragon design.
More recently this building operated as a factory shop for Aynsley China whose main worksoperated along Sutherland Road.
It is now home to Midway Manufacturing who specialise in electro-mechanical and electronic assemblies, long may they keep the building in use.
The car park to the front would appear to have been occupied by terraced housing on maps from the 1950's.
The doorway wasn't part of the original structure, it replaces a window.
This is a collection of images, infographics, visualization, maps... reached on Internet. Here the list of link for each visualization:
Emotional Cartography by Christian Nold
Hurricane tracker by Stamen
Cabspotting by Stamen
Is that enough?