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This is the setup for a panorama of the Ma On Shan Sports Ground to be posted later. While the panoramas done handheld in the past have yielded decent results, the near planes have not been perfect. To get perfect seams you really need to do things right—with a tripod and cable release. Ideally you would also use a pano head, which I do not own. But really you need a pano in the old days when you have to do it by hand. These days any pano stitching software, including both the excellent and free Hugin as well as Photoshop, can correct geometric distortions so even if your image sensor is not located at the perfect spot (which is basically what a pano head allows you to do), the results can be excellent. As you can see many of the handheld panoramas I have posted earlier on the stream, in the digital age, that bit is mostly a luxury.
When doing panoramas, having a leveled camera would save pixels, so the built-in electronic leveling on the 7D (pictured) is super useful.
Photographed with iPhone 5, processed in Snapseed.
“Panorama Setup: Canon EOS 7D + Canon EF 17-40 f/4L USM + Canon TC-80N3 + Manfrotto tripod” / 20130326.IPH5.11158
/ #SMLSetup #SMLOpinions #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #城市 #Urban #Canon #Canon7D #Canon1740 #tripod #Manfrotto #setup #config #opinions #sports
This is my simple(ish) solution to connecting the new Orbis (fantastic bit of kit) to your camera. I generally like to use a monopod anyway for steadying my shots, so I have combined it with the Orbis to give what I think is a fairly professional result.
The items used are a Manfrotto monopod (but could be any) an adjustable quick release head, a light stand to portable flash connector and a manfrotto super-clamp. The beauty of it is that it all fits together without any modifications.The above setup can also be used on a tripod.
Bogen Manfrotto 055XPROB Pro Tripod Legs with Bogen Manfrotto 488RC2 Midi Ball Head with RC2 Rapid Connect System (3157N)
See also:
Cosplayer
Japan Touch 2018
Lighting/Strobist: Godox AD600pro in TTL mode in Broncolor beautybox with front diffuser and grid mounted on a Manfrotto lightstand
Shooting the downtown Atlanta skyline from Freedom Parkway.
Scroll over the gear if interested in what's being used.
Insert your light and then close the zipper back up. Using a Manfrotto 5001B light stand and a Manfrotto Flex Arm is the PERFECT way to insert speedlights. All very portable to any location.
I figured out a way to mount a speedlight on a cheap softbox meant for studio flashes.
See also view inside softbox.
What you need:
- a Manfrotto (=Bogen) Super Clamp
- The AS-19 speedlight stand that comes at least with SB-800 and SB-600 flashes
- a male spigot (brass stud) that screws in the bottom of the AS-19 and can be inserted in the Super Clamp.
- A softbox with wide enough speed ring. Mine is a cheap Elinchrom Portalite from a D-Lite 4 kit.
Mounting a speedlight is simple, once you figure out the tricks.
1) Mount the Super Clamp at the edge of the softbox, as seen in the photo.
2) Screw the male spigot in the 1/4" hole at the bottom of the AS-19 speedlight stand
3) Put the AS-19 on the Super Clamp. Turn is to that the middle flash shoe is outside the softbox. This positions the other two flash shoes on the AS-19 conveniently inside the softbox.
4) Slide the speedlight on either of the flash shoes and rotate the head to point at the front of the softbox
5) Engage the built-in diffuser to get even light distribution on the surface of the softbox. A diffuser cup could also be used to get still more even light, but this was good enough for me.
6) Now go out an shoot some nice photos.
Flickr Outing at Salinas Pueblo Missions - Abo - Here is who went:
Rich - flickr.com/photos/sparkys_pics/
Tomas - flickr.com/photos/40306840@N00/
Mark - flickr.com/photos/creativejuice/
Alex - flickr.com/photos/buggs/
Angela - flickr.com/photos/solphoto/
Lisa - flickr.com/photos/compugoddess/
Deanna - flickr.com/photos/nicholsphotos/
Jim - flickr.com/photos/jimmcdonough/
Tom - flickr.com/photos/99564297@N00/
Evan - flickr.com/photos/burqueno/
Susan - flickr.com/photos/susansee/
Connie - flickr.com/photos/81259938@N00/
Richard - www.flickr.com/photos/19092212@N00/
Like my tripod, this is a 290 Series. It looks like and is built the same way as my tripod. I thought about buying a different brand of monopod for less money, but I was worried about build quality. I spent the extra $16 to get a known level of quality. Collapsed length of about 19 inches, 11-pound load capacity.
Manfrotto 190CXPRO4 Carbon Fibre Tripod with 701HDV Head and Opticron ES80GAED Scope.
COMMENTS ON TRIPOD AND HEAD
Full specifications and comprehensive reviews for this Manfrotto tripod and head can no doubt be found elsewhere on the internet. These are merely a few notes based on my experience of using this kit for digiscoping with my Opticron ES80GAED scope and Nikon Coolpix P5100 camera over the past four months or so (ie since 11 February 13).
The only tripod I've used before for digiscoping is the relatively cheap Velbon Sherpa 750R (which comes with the PH-157Q head), and so this is my only point of comparison.
(Note: all the photos referred to here are arranged sequentially in my Flickr Digiscoping Equipment Set. Links will be added later!)
WEIGHT AND DIMENSIONS
The two essential requirements for my new tripod and head were that the combined unit had to be no heavier than my old Velbon Sherpa 750R and that it should still fit into my rucksack (Vango Trail 45) along with the rest of my digiscoping kit.
The 190CXPRO4 tripod weighs in at 1.34kg and the 701HDV head at 0.77kg, giving a total weight of 2.11kg, which is about 0.1kg less that the 750R.
However, after a few outings I realised that the pan handle was not serving any useful purpose for digiscoping, and wasn't that helpful for videoscoping either (see later). So in order to save about 90g in weight, and eliminate the need to repeatedly loosen/tighten the pan handle assembly whenever packing/unpacking the unit from my rucksack, I decided to dispense with it, thereby reducing the load to about 2kg.
The combined length of tripod (with legs closed) and head is about 60 cm. Although this is about 4cm longer than the Velbon, it still comfortably fits into my rucksack, and so both criteria are satisfied.
MANFROTTO 190CXPRO4 TRIPOD
The main problem I experienced with the Velbon tripod was the flimsy leg-locks which were prone to shearing. The locks on the Manfrotto are considerably more substantial, and so should prove to be more reliable - I've certainly not encountered any problems to date. If the worst were to happen, replacement locks can be bought for a tolerable price from manfrottospares.com (currently £6.30 each excluding VAT and P&P), and presumably can be DIY fitted. It's also worth noting that a small plastic tool is provided which allows the tension of the leg-lock springs to be adjusted. I've found this quite useful in the field, and as it weighs just a few grams, it's certainly worth carrying around.
My other relatively minor bugbear with the Velbon was the rubber feet which were frequently left behind in muddy terrain. Although the Manfrotto feet are more securely fitted, I still managed to lose one a few weeks ago in a muddy field! A set of three replacements cost me £12.60 from manfrottospares.com (including VAT and the cheapest P&P option).
There are, however, two fundamental design features of the Manfrotto tripod that I'm not particularly happy with. Firstly, although the legs can be set at four different angles, in reality only the most acute angle is usable when in a standing position (unless the centre column is extended, which rather defeats the object) - and this angle is noticeably sharper than on the Velbon, which makes the tripod feel less stable. There's a hook near the top of the tripod to allow a weight to be suspended to increase stability under windy conditions. I gave this a go using a carrier bag holding a boulder weighing about 5kg, but there was no discernible improvement. Whenever possible though, I do my digiscoping from a kneeling position, which allows me to use either the second or third leg settings, which greatly improves stability; hence in practice, this design feature is not generally a problem for me.
Secondly, unlike the Velbon, the centre column cannot be split, and the lowest practical position that can readily be achieved for digiscoping is about 38cm, as opposed to 16cm on the Velbon. Although it's possible to reduce the height further by rotating the tripod centre column horizontally (see photo) this involves a lot of fiddling about with both the scope and tripod and I don't think it's something I'd be happy to do in the field. A simpler option - where possible - would be to keep the centre column vertical and just dig a hole underneath it! (Incidentally, I found Manfrotto's instruction on how to return the centre column from the horizontal to the vertical position unfathomable, and I ended up just reversing the original procedure - which apparently you're not supposed to do for health and safety reasons!)
The only other quibble I have with the tripod is that the housing for the bubble-level can at times interfere with the rotation of the pan lock. This can easily be overcome by pulling the lock outwards, but it's still an irritation - especially as it's redundant when used in conjunction with the 701HDV head, as this is provided with its own bubble-level.
Despite the above negatives, overall I'm happy enough with the 190CXPRO4.
MANFROTTO 701HDV TRIPOD HEAD
An important design feature of the 701HDV tripod head is the slider, which allows the position of the 501PL quick release plate to be varied in order to balance the load - within limits. The QRP is provided with a spring-loaded anti-rotation pin (see photo) which fits into a hole in the body of the scope. If this feature is employed then the scope is fixed at the forward end of the QRP, but if the pin is not fixed in the hole, the scope can be moved backwards by several cm.
Fortunately, in the case of the ES80GAED scope (fitted with 20-60x zoom eyepiece), use of the anti-rotation pin allows the scope to be balanced both with and without the P5100 camera fitted (see photos).
The advantage of a balanced set-up is that there's generally no need to apply the pan or tilt locks, which makes it much easier to track and photograph moving objects. Also, even if an object is stationary, applying a lock can affect the framing of the shot, especially at high magnification. This used to be a particular problem with the Velbon tripod, which made shooting high magnification videos a very tedious - and at times impossible - process. It can be seen from the 701HDV test video that framing such shots is now considerably easier.
The only major problem I've encountered with the 701HDV head is that the QRP balance position varies with the angle of tilt of the scope, ie the load must be moved forwards if the scope is tilted upwards, and backwards if the scope is tilted downwards. Although there's a fair degree of tolerance, I've sometimes found it easier just to use the tilt lock, rather than trying to find the new balance point after tilting the scope.
Another - but lesser - problem is that the pan and tilt locks tend to be either on or off, and so it's difficult to incrementally increase the drag, which would be useful in certain circumstance - eg for video tracking shots. In fact I've not found the 701HDV to be much of an improvement over the Velbon in this application. However, as videos are of secondary importance to me, I can live with this.
The only other point worth noting, is that I initially encountered some difficulty in loading and unloading the scope from the slider, but these problems were easily overcome (see the latch photos and associated text).
Overall I've been very impressed with 701HDV, and it's certainly made the black art of digiscoping a heck of a lot easier!
13 June 13
So, I'm heading off to the Far East for a couple of months. This is my essential travel photographer gear. I'll be using 'Photogene' for basic editing on the iPad and 'Flickstackr' for uploading on the move. Watch this space!
Thanks to Paul for inspiration here. www.flickr.com/photos/pmalsop/4868426420/in/photostream
check-out the notes for more details
Photograph taken at an altitude of Eight metres, in the golden hour around sunrise at 08:41am on Tuesday 1st January 2013 opposite Adventure Island Theme Park and the Western Esplanade on the muddy shoreline of Southend on Sea, Essex, England.
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Nikon D800 86mm 1/160s f/16.0 iso200 Mirror Up RAW (14-bit) AF-S Single point focus. Manual exposure. Auto white balance.
Nikkor AF-S 70-200mm f/2.8G ED IF VRII. Jessops 77mm UV filter. Nikon MB-D12 battery grip. Manfrotto 055XPROB tripod. Manfrotto quick release plate 200PL-14. Manfrotto 327RC2 Grip action ball head. My memory 32GB class 10 20MB/s SDHC. Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit
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LATITUDE: N 51d 31m 55.61s
LONGITUDE: E 0d 43m 2.89s
ALTITUDE: 8.0m
RAW (TIFF) FILE SIZE: 103.00MB
PROCESSED (JPeg) SIZE: 25.43MB
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Processing power:
HP Pavillion Desktop with AMD A10-5700 APU processor. HD graphics. 2TB with 8GB RAM. 64-bit Windows 8.1. Verbatim USB 2.0 1TB desktop hard drive. Nikon VIEWNX2 Version 2.10.0 64bit. Adobe photoshop Elements 8 Version 8.0 64bit
BENRO TMS07A Macro tripod
MANFROTTO 492 Micro Ball Head
Closed 38cm
Working height 0cm-70cm
Together 830 gr
It has been a goal of mine to improve my workflow on the road. Traveling and taking a large 15″ laptop on the road can be a drag, literally. Especially with a bag full of camera gear. So here is my new workflow and solution for traveling light while being even more productive with photo and video edits. From camera to lenses to editing. Sort of a “What’s in my camera bag” blog post…
Ipad Pro 10.5
Affinity Photo
Adobe Lightroom Mobil
LumaFusion
2 x SD Card Readers
Sony a6500
16-35mm and 70-200mm Lenses
DJI Mavic Pro
Nisi 100mm Filter System
Sirui N-1205 x Tripod
Manfrotto Advanced Travel Backpack
iPad Pro 10.5
I have always loved the process of editing on the go be it through simple apps on a smart phone or on my previous Samsung tablet. But never felt like it was a complete solution to edit to my preferred finished piece unless I finished the edit on my laptop, which can be a pain to carry if you are travelling to remote locations and want to edit and upload on the go. But then Apple announced the new and improved Ipad Pro 10.5 and I saw the demo of the Affinity app. I was sold and so was my previous tablet. I suddenly had the power of a laptop with the apps to back it up. Now Affinity Photo, Lightroom Mobile, Snapseed and LumaFusion for video editing are the perfect solution for me on the road and unless I have to do some serious accurate composite work I use the old beast of a laptop but I can now safely leave that at home when travelling to remote locations. A saving of maybe 2kg on my back.
Affinity Photo
When I saw the demonstration for the Affinity photo app at the launch of the iPad Pro I thought to myself FINALLY!! There is now a photoshop quality app that can do a near desktop quality job for photo and image manipulation. I have always used Lightroom and Snapseed but even together these two apps had been very limited and obviously lacking the options for near desktop type editing.
Adobe Lightroom Mobile
Using the Adobe Lightroom Mobile app on an android tablet had been a bit frustrating at times because the IoS app would get updates at first, at least it was that way for a bit. Then there is the limiting nature of the Lightroom Mobile app in general… up until July 2017 that is. Wow is all I can say! The new updates for the Adobe Lightroom Mobile app have far exceeded my expectations. The new app editing on the iPad Pro 10.5 is a pure joy with the selective edits and the ability to paint on selective edits anywhere on a photo, very mich like the desktop version of Lightroom. In fact the new mobile app is so close to the desktop version it now even takes precedence over Affinity Photo. I now make 60% of my edits in Lightroom before flicking over to Affinity to finish any finer details that need tweaking.
Here is a short video of an edit done using the iPad Pro 10.5 and the Lightroom Mobile and Affinity Apps
www.brucelevick.com/wp-content/uploads/2017/07/img_0164.mp4
LumaFusion
iMovie has been a somewhat handy app to have but falls short in terms of editing and producing quality videos on the go. Once again as the iPad Pro 10.5 is released a new app emerges to compensate for the short comings of iMovie and other video editing apps on the market. The LumaFusion app is a beast and developed by professional video editors for professional video editors. This app is near desktop editing quality with enough editing options (including multiple video and audio layers) to develop fantastic videos without having to break out the laptop. With the ability to directly connect to cloud accounts, or directly import from the camera roll, LumaFusion is the perfect mix of editing, transitions, titles, colour grading and sharping, slow down or speeding up clips to copy and paste settings to match across all clips. It is the perfect accompaniment to Premiere Pro for continuing on with edits on the desktop for larger projects or completing in LumaFusion for uploading to whichever account you like. The below video was entirely edited on the iPad Pro with the LumaFusion app.
2 x SD Card Readers
There is a downside to using apple products and that is there is some compatibility issues. It has always been an issue getting files from A to B when working with Apple. I use Sony camera products and as it turns out the iPad or Apple software (I am not totally sure why) does not like to import the sony 4K videos straight from the Lightning to SD card reader. They just don’t show up on the list of files to import. It has no issues reading the RAW photo files that the camera produces. So after some research I found an alternative card reader that has no restrictions called the iReader. This allows me to bring in my 4k video files straight from the camera to edit using Lumafusion. It is a small hastle having to bring two card readers with me on the go but they are small and lightweight so no issues there.
Sony a6500
I have been a fan of the Sony mirrorless system for some time, ditching my DSLR setup for the more compact and lightweight Sony a6000. Now I have sold the earlier model a6000 for the new features of the a6500. The upgrade in video quality, stabilisation, touch screen and overall performance was enough for me to upgrade. Eventually I will go full frame but at this stage all my needs are covered by the Sony a6500. My only wish is that I could bypass the need for card readers altogether and be able to transfer RAW files directly with the play memories app. That would be a handy little feature.
Sony Lenses 16-35mm F4 and 70-200mm F4
My go to kit for absolute necessity. If I am travelling light and I have a hike these two lenses are my ultimate go to for wide and zoom. The quality of the 16-35mm F4 and the 70-200mm F4 are simply amazing and for half the price of the faster 2.8 G master lenses I feel the quality difference is not enough to justify the expense… at this stage. Maybe in the future.
DJI Mavic Pro
I have been using the DJI branded drones for 3 years now and started out on the phantom system, which was amazing and compact but still too bulky to sometimes justify having to bring in another backpack just for the drone by itself. Then along came the Mavic Pro. This drone is simply amazing for it’s size and weight and the quality 4K image so for me it was the perfect balance of quality footage and photos for the size and weight. A no brainer that fits in a small satchel or a camera backpack with my camera gear for travel and remote location photography.
Nisi Filter 100mm System
For a long time my go to filters were Cokin. But I found they were of poor quality and gave a lot of colour tinting to my images. The plastic filter holder and the filters themselves broke or scratched and I never took them out again for a long time. I managed to swing by with post processing. While I love the post processing process I also love to get as much as I can done in camera. So I took the plunge once again after researching and finding the Lee filter to be insanely expensive I settled on the equal quality and far less expensive Nisi 100mm Filter System. My go to filters a the soft grad 3 stop, ND 6 stop, ND 10 stop, reverse grad 3 stop, hard grad 3 stop and natural night for the long exposure night shots.
Sirui N-1205x Tripod and G-10kx Ball head
It is all about the balance between weight and the features. For me a tripod has to have great variations in terms of flexibility in use but also be incredibly lightweight to carry along with your camera gear. I did a lot of research and settled on the Sirui N-1205x carbon fibre tripod, which is incredibly light at under 1 kg and to accompany that I picked up the Sirui G-10kx ball head, which is a good match for a light weight Sony mirrorless camera like the a6500.
Manfrotto Advanced Travel Backpack
And what do I use to pack all this into. The very handy and durable Manfrotto Advanced Travel backpack. It is the right size, perfect weight and handles everything on my list with ease while allowing me to get to those remote locations to get the shot. It even has a compartment for my compact carbon fiber Sirui tripod or occasionally the compartment is used to carry water bottles for those long hikes. The side compartment makes it easy to grab the camera if needed for a quick opportunity photo or to change a lens if needed. It fits my gear including the Mavic Pro drone.
www.brucelevick.com/mobile-workflow/
#Advance, #Affinity, #Apps, #Backpack, #CameraBag, #Edits, #Gear, #IPad, #IpadPro, #Lightroom, #Lumafusion, #Manfrotto, #MavicPro, #Mobile, #Nisi, #OnTheRoad, #Photography, #Pro, #Sirui, #Snapseed, #Travel, #Tripod, #WhatIsInMyBag, #Workflow
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On November 12th 2015 GETTY IMAGES unveiled plans for a new stills upload platform called ESP (Enterprise Submission Platform), to replace the existing 'Moment portal', and on November 13th I was invited to Beta test the new system prior to it being rolled out to the general public in December. (ESP went live on Tuesday December 15th 2015)
***** Selected for sale in the GETTY IMAGES COLLECTION on March 22nd 2016
CREATIVE RF gty.im/511772888 MOMENT OPEN COLLECTION**
This photograph became my 1,825th frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.
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This photograph was taken in the magic of The Golden Hour around Sunrise, (Sunrise was at precisely 07:39am), at an altitude of Five metres, at 07:47am on Thursday January 28th 2016 off Botany Road and Marine Drive, on the sandy shoreline of Botany Bay in Broadstairs, Kent, England.
Photography within the Golden hour around sunrise and sunset has always been a great passion of mine, not least because the ever changing light and the need to get the correct exposure has you at the top of your game, fighting a losing battle as night gives way to day. I am never happier than when alone, Mother Nature and her beauty as my companion, my nemesis, my tutor.
I set off at 05:00am on a clear morning, the moon and the stars out to dazzle in temperatures around five degrees, on a pleanst hour and half long journey to enjoy a lovely sunrise. The seven bays in Broadstairs consist of: (From south to north) Dumpton Gap, Louisa Bay, Viking Bay, Stone Bay, Joss Bay, Kingsgate Bay and Botany Bay.
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Nikon D800 200mm 1/8000s f/5.6 iso1600 RAW (14Bit) Nikon back focus button enabled. AF-C Continuous point focus with 3-D tracking. Manual exposure. Matrix metering. Auto white balance. Nikon AF Fine tune set to (+6).
Nikkor AF-S 200-500mm f/5.6E ED VR. Power UP 95mm HD UV filter. Nikon MB-D12 battery grip. Two Nikon EN-EL batteries. Nikon DK-17M Magnifying Eyepiece. Nikon DK-19 soft rubber eyecup. Manfrotto MT057C3 057 Carbon Fiber Tripod 3 Sections (Payload 18kgs). Manfrotto MH057M0-RC4 057 Magnesium Ball Head with RC4 Quick Release (Payload 15kgs). Manfrotto quick release plate 410PL-14.Jessops Tripod bag. Optech Tripod Strap.Digi-Chip 64GB Class 10 UHS-1 SDXC. Lowepro Transporter camera strap. Lowepro Vertex 200 AW camera bag. Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit.
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LATITUDE: N 51d 23m 19.05s
LONGITUDE: E 1d 26m 19.41s
ALTITUDE: 5.0m
RAW (TIFF) FILE SIZE: 103.00MB
PROCESSED (JPeg) SIZE: 18.02MB
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PROCESSING POWER:
Nikon D800 Firmware versions A 1.10 B 1.10 L 2.009 (Lens distortion control version 2)
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU processor. AMD Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB SATA storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX2 Version 2.10.3 64bit. Adobe photoshop Elements 8 Version 8.0 64bit
Canon 50mm f/3.5 SSC macro on Bellows FL to FD to EF converter to Canon EOS Rebel T1i on Manfrotto tripod and ball-head.
New toy - Manfrotto 190XPROB with the basic 3D head. Sturdy, stable, easy to use - and especially suitable for macro work. (Needless to say it does the ordinary extended-legs and vertical-column stuff very well too...)
My shot :
Location : Grenoble : my room
Time & Date : Monday 20 of April : 20H30
Camera : Nikon D300s
Lens : Sigma 10-20mm f/4-5,6 DC EX HSM
Exif : ƒ/11 | ISO 200 | 1/200s | @ 12mm
Flash/Strobist info : Cactus KF36 at the left at 1/2 power into a white umbrella; cactus KF36 at the right at 1/2 power into a white umbrella; triggered by cactus trigger V4
Tripod : Manfrotto 190XPRO + head 804RC2
Filter(s) : —
Postraitement : Black and white and contrast
Toutes vos critiques, commentaires et fav sont les bienvenus !
All criticisms, comments, and fav are welcome !
Si vous souhaitez utiliser une de mes photos merci de me contacter.
If you plan to use one of my picture, thanks to contact me before.
Merci / Thanks
© Joe McNally - All rights reserved
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All of My Reviews｜心得文：
Olympus MZD 17mm f/1.2 PRO Review
Olympus MZD 25mm f/1.2 PRO Review
Olympus MZD 45mm f/1.2 PRO Review
Panasonic LEICA DG 12mm f/1.4 Review
Panasonic LEICA DG 8-18mm f/2.8-4 Review
A Five-Year Photographic Journey with the M4/3 Series.
Photo shooting in chapel Saint-Vincent in Saint-Laurent d'Agny
Model Yuri Kurohime
Make-up Artist Etienne Florame
instagram.com/flostorio_mpk_art_
Light/Strobist: Godox AD600Pro in TTL mode in a Broncolor beautybox on a Manfrotto lightstand
Audi R8 V10 plus quattro @audi @audiinternational #r8 #r8v10plus #ibiswhite #quattro #v10 #racingcar #manfrotto #photoshop #instacar #instacars #instagood #car #carporn #auto #carsofinstagram #picoftheday #photooftheday #SnabshodPhotography #automotive #danielboeswald #snabshod #automobil #transportation #vehicle #ingolstadt www.snabshod.com - www.fb.com/snabshod
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chrisjohndel82: i need this car!!!!
Žužemberk, Slovenia
done with Nikon D3 and manfrotto 303plus
I've done a video log about ther picture on my blog:
The foldable and portable Lastolite Hilite backgrounds have four zippered sides. You simple insert one or two lights into the zippered opening(s). I use two SB800's to light mine. Works great!
5D mark I
ISO 100
F 11
S 100
AB1600 with Vegabond II
Beauty dish white with sock 22 inch with Manfrotto 024b mounted on 1004bac over head to the left
580ex II x 2 right and left attached to RadioPopper PX receiver, full power 1
RadioPopper PX transceiver on 580ex II
RadioPopper JRX attached to AB1600
Sekonic L758DR metered compensated -0.7 adjusted
Location Thailand Park called train garden
Thank you to her Kik
Setup shot for Pierre stealing Julie's Bike. The notes should explain everything really, and for another angle, look here.
Blog: www.photosmudger.com/
Audi R8 V10 plus quattro @audi @audiinternational #r8 #r8v10plus #ibiswhite #quattro #v10 #racingcar #manfrotto #photoshop #instacar #instacars #instagood #car #carporn #auto #carsofinstagram #picoftheday #photooftheday #SnabshodPhotography #automotive #danielboeswald #snabshod #automobil #transportation #vehicle #ingolstadt www.snabshod.com - www.fb.com/snabshod
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phpicsphotography: Geiles Set Daniel 👍
3x aurora flashlights
beauty dish with barndoors front left
walimex fresnel behind right
barndoor with honey come grid for the background
the bike helmet on the projector screen for measuring purpose
My Gorillapod SLR Zoom with Manfrotto 484RC2 ball head attached. Like it very much.
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Mein Gorillapod SLR Zoom mit Manfrotto 484RC2 Kugelkopf. Optimale Kombination, macht Spaß!
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Explored on Jul 13, 2007 #163
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Photo by Olympus E-PL7 + Panasonic Leica DG 15mm f/1.7
Shot on a Pentax K-1 with the Pentax D-FA 24-70mm f/2.8 DC WR at Manfrotto's UK headquarters during a Manfrotto Brand Champions training day.
Make-up by Sarah at The London Body Painting Co., model Abbie Latham.