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Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters. We have digitally enhanced some of his paintings and they are free to download under the CC0 license.
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c. 1875. Oli sobre tela. 26 x 34 cm. Museu Isabella Stewar Gardner, Boston. P3s5. Obra exposada: Sala Blava
Édouard Manet, A Bar at the Folies-Bergère, 1882, oil on canvas, 96 x 130 cm (The Courtauld Gallery, London)
This work was originally the right half of a painting of the Brasserie de Reichshoffen, begun in about 1878 and cut in two by Manet before he completed it. This half was then enlarged on the right and a new background was added. The left half of the composition is in the Oskar Reinhart Collection, Winterthur. The Brasserie de Reichshoffen was in the Boulevard Rochechouart, Paris. At the time, brasseries with waitresses were fairly new in the city.
[Oil on canvas, 97.1 x 77.5 cm]
gandalfsgallery.blogspot.com/2011/11/edouard-manet-corner...
Édouard Manet
Au bord de la Seine chez Argenteuil [1874]
An den Ufern der Seine bei Argenteuil [1874]
London Courtauld Institute & Gallery
1875. Oli sobre ela. 195,5 x 131,5 x 3,5 cm. Museu de Arte de São Paulo Assis Chateaubriand, São Paulo. MASP.00077.
Edouard Manet - the execution of emperor Maximilian (last version, Mannheim) [1868-69]
Edouard Manet - Die Erschiessung Kaiser Maximililians von Mexico [1869]
Städtische Kunsthalle Mannheim
Emperor Maximalian stands between his generals Mejia and Miramon, on June 19th of 1867.
Who wants to know more about the historical background, why archduke Maximilian of Habsburg (Hapsburg, Habspurg) entered in the Mexican adventure may read the following article:
www.holocaustianity.com/hysteria/maximilian.html
More about the history of Manet's paintings:
1) en.wikipedia.org/wiki/The_Execution_of_Emperor_Maximilian
2) www.moma.org/interactives/exhibitions/2006/Manet/
or
www.moma.org/interactives/exhibitions/2006/Manet/detail_f...
Édouard Manet, A Bar at the Folies-Bergère, 1882, oil on canvas, 96 x 130 cm (The Courtauld Gallery, London)
Manet's Argenteuil, where he spent the summer of 1874, is the subject of this Seward sculpture and setting. The life-size statues are set into nature on a real bridge across a real pond. The interplay between nature and the sculptures is amazing. Much thought was given to designing the Grounds for Sculpture so that a backdrop was created similar to that of the paintings that were being honored.
A follow-up to the earlier posting of a painting by the often overlooked French Impressionist, Eva Gonzales (1849-1883). She was a pupil of Edouard Manet, who portrayed her in this view that is dated around 1869/70. One is tempted to ask whether that white dress was the most practical garb while painting. Indeed, contemporary critics asked the same question, prompting them to believe that Eva Gonzales was just a model striking a pose. There is no evidence of a romantic relationship between Manet and Gonzales, and Gonzales in due course evolved her own painting style, but their lives remained intertwined, as Gonzales later married Manet's engraver, Henri Guérard. Sadly, Eva Gonzales died in childbirth, just five days after her mentor’s death.
Edouard Manet（1832 - 1883）
Oil on canvas
96 x 130 cm
The Folies-Bergère was Paris’s first music hall. A magazine described its atmosphere of ‘unmixed joy’. It was notorious as a place for men to pick up prostitutes; the poet Maupassant said the barmaids were 'vendors of drink and of love'. Here a barmaid is shown before a mirror, which reflects the audience watching a performance.
Manet knew the Folies-Bergère well. He made preparatory sketches there, but he painted the final version in his studio, planning his composition in the sketch shown below. One of the barmaids, Suzon, acted as a model, posing behind a bar Manet had set up.
This picture was Manet’s last major work, exhibited at the Paris Salon in 1882. It is unsetting. An acrobat’s feet, clad in green boots, dangle in the air. The quickly sketched crowds convey the bustle of the Folies-Bergères. In contrast, the barmaid is detached and marooned behind her bar.
Manet has displaced her reflection to the right. She faces us, but the mirror shows her leaning towards a customer. Are we standing in his shoes？
Samuel Courtauld Trust : Courtauld Gift, 1934
The Courtauld Gallery, London
Edouard Manet - Die Erschessung Kaiser Maximililians von Mexico, 1869 at Städtische Kunsthalle Mannheim Germany
The Execution of the Emperor Maximilian of Mexico
Boating by Édouard Manet (French, 1832–1883)
Listed in the book - 50 Impressionism Paintings You Should Know
Oil on canvas; 76 by 56 cm.
Sir William Orpen, in full Sir William Newenham Montague Orpen (born Stillorgan, County Dublin, Ireland—died London, England), British painter, best known for his vigorously characterized portraits; he also worked as an official war artist during World War I.
Orpen studied drawing at the Metropolitan School of Art in Dublin (1894–97) and at the Slade School of Fine Art in London (1897–99). He first exhibited at the New English Art Club; he became a member there in 1900. His portraits, which established his reputation, showed the influence of Édouard Manet. He also became known as a painter of group portraits such as Homage to Manet (1909), in which he portrayed members of the contemporary English art world sitting in conversation beneath a famous portrait by that artist. Orpen was the official painter of the Paris Peace Conference after World War I, for which he painted The Signing of the Peace Treaty at Versailles (1919–20).
Orpen was appointed knight commander of the Order of the British Empire in 1918 and was elected a Royal Academician in 1919. He is posthumously regarded as a facile and prolific, but somewhat superficial, artist who nevertheless achieved great popularity in his day.
Lille (Nord) - Palais des Beaux-Arts - "Berthe Morisot à l'éventail" (Edouard Manet, 1832-1883).
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Huile sur toile, 1874
www.pba-lille.fr/Collections/Chefs-d-OEuvre/Peintures-XVI...
Oil on canvas.
Peder Severin Krøyer, known as P.S. Krøyer, was a Norwegian-Danish painter. He is one of the best known and beloved, and undeniably the most colorful of the Skagen Painters, a community of Danish and Nordic artists who lived, gathered or worked in Skagen, Denmark, especially during the final decades of the 19th century. Krøyer was the unofficial leader of the group.
Krøyer was born in Stavanger, Norway. Krøyer moved to Copenhagen to live with his foster parents soon afterward. Having begun his art education at the age of nine under private tutelage, he was enrolled in Copenhagen's Technical Institute the following year. In 1870 at the age of 19 Krøyer completed his studies at the Royal Danish Academy of Art, where he had studied with Frederik Vermehren. In 1873 he was awarded the gold medal, as well as a scholarship.
His official debut as a painter was in 1871 at Charlottenborg with a portrait of a friend, painter Frans Schwartz. He exhibited regularly at Charlottenborg throughout his life. In 1874 Heinrich Hirschsprung bought his first painting from Krøyer, establishing a long-standing patronage. Hirschsprung's collection of art forms the basis of the Hirschsprung Museum in Copenhagen. Between 1877-1881, Krøyer traveled extensively in Europe, meeting artists, studying art, and developing his skills and outlook. He stayed in Paris and studied under Léon Bonnat, and undoubtedly came under the influence of contemporary impressionists -- Claude Monet, Alfred Sisley, Edgar Degas, Pierre-Auguste Renoir and Edouard Manet. He continued to travel throughout his life, constantly drawing inspiration from foreign artists and cultures. Hirschsprung provided financial support during the early travels, and Krøyer continued exhibiting in Denmark throughout this period.
In 1882 he returned to Denmark. He spent June–October at Skagen, then a remote fishing village on the northern tip of Denmark, painting themes from local life, as well as depictions of the artistic community there. He would continue to be associated with the developing art and literary scene at Skagen. Other artists at Skagen included writers Holger Drachmann, Georg Brandes, and Henrik Pontoppidan, and artists Michael Ancher and Anna Ancher.
On a trip to Paris in 1888 he ran into Marie Martha Mathilde Triepcke, whom he had known in Copenhagen. They fell in love and, after a whirlwind romance, married. Marie Krøyer, who was also a painter, became associated with the Skagen community, and after their marriage was often featured in Krøyer's paintings. The couple had one child. They were divorced in 1905 following a prolonged separation. Krøyer died in 1909 at 58 years of age after years of declining health caused by advanced syphilis. He had also been in and out of hospitals, suffering from bouts of mental illness. His eyesight failed him gradually over the last ten years of his life until he was totally blind. Ever the optimist, Krøyer painted almost to the end, in spite of health obstacles. In fact, he painted some of his last masterpieces while half-blind, joking that the eyesight in his one working eye had become better with the loss of the other eye.
'At the Milliner's' (1881)
Eduard Manet (1832-1883)
California Palace of the Legion of Honor, San Francisco
December 2018
20181202_133501
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Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters. We have digitally enhanced some of his paintings and they are free to download under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1327738/edouard-manet-paintings-i-premium-artworks-public-domain?sort=curated&mode=shop&page=1
Edouard Manet, Paris 1832 - 1883
Musik im Tuileriengarten - Music in the Tuileries Garden - La Musique aux Tuileries (1862)
The work is an early example of Manet's painterly style, inspired by Frans Hals and Diego Velázquez, and it is a harbinger of his lifelong interest in the subject of leisure. The painting influenced Manet's contemporaries – such as Monet, Renoir and Bazille – to paint similar large groups of people.
The painting depicts the gatherings of Parisians at weekly concerts in the Tuileries gardens near the Louvre, although no musicians are depicted. While the picture was regarded as unfinished by some, the suggested atmosphere imparts a sense of what the Tuileries gardens were like at the time; one may imagine the music and conversation.
The iron chairs in the foreground had just replaced the wooden chairs in the garden in 1862. Manet has included several of his friends, artists, authors, and musicians who take part, and a self-portrait. Manet is depicted on the far left; next to him is another painter Albert de Balleroy. To their right, seated, is sculptor and critic Zacharie Astruc. Manet's brother Eugène Manet is in foreground, right of centre, with white trousers; the composer Jacques Offenbach with glasses and moustache sits against a tree to the right; critic Théophile Gautier stands against a tree in brown suit and full beard, while author Charles Baudelaire is to the left of Gautier. Henri Fantin-Latour is further left, with beard, looking at the viewer. The fair-haired child in the centre is Léon Leenhoff.
Source: Wikipedia
1871. Oli sobre tela. 39,2 x 54 cm. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts. 1955.552. Obra exposada.
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Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters. We have digitally enhanced some of his paintings and they are free to download under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1327738/edouard-manet-paintings-i-premium-artworks-public-domain?sort=curated&mode=shop&page=1
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters. We have digitally enhanced some of his paintings and they are free to download under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1327738/edouard-manet-paintings-i-premium-artworks-public-domain?sort=curated&mode=shop&page=1
Edouard Manet, The Railway, 1873, oil on canvas, 93.3 x 111.5 cm (National Gallery of Art, Washington, D.C.)
Quote from wikipedia:
... The painting was controversial partly because the nude is wearing some small items of clothing such as an orchid in her hair, a bracelet, a ribbon around her neck, and mule slippers, all of which accentuated her nakedness. This modern Venus' body is thin, counter to prevailing standards; thin women were not considered attractive at the time, and the painting's lack of idealism rankled. A fully dressed servant is featured, exploiting the same juxtaposition as in Luncheon on the Grass.
Julie Manet was the daughter of Berthe Morisot and Eugene Manet, the brother of Edouard Manet, the painter. Central to my painting is a rendition "Studying the Violin", 1892-3, by Morisot of Julie. At the upper right is "Repose", a portrait of Morisot by Manet. At the upper left is Renoir's "Child with a Cat", showing Julie. In the upper middle is a painting by Manet "Julie Manet Sitting on a Watering Can". Finally, in the lower left is a painting by Julie herself.
Édouard Manet, Le déjeuner sur l'herbe (Luncheon on the Grass), oil on canvas, 1863 (Musée d'Orsay, Paris)
Manet
10,00zł
Poczytna biografia malarska, pióra francuskiego pisarza, będąca nie tylko barwną i wyczerpującą historią życia wielkiego malarza, ale i starannie udokumentowanym obrazem Paryża i najważniejszych wydarzeń artystycznych tamtych lat.
PIW, 1978 rok.
Stan egzemplarza bardzo dobry.
Caméra Canon EOS 7D
Exposition 0,008 sec (1/125)
Ouverture f/7.1
Longueur focale 10 mm
Vitesse ISO 100
X-Resolution 300 dpi
HDR Tonemapped + Original
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters. We have digitally enhanced some of his paintings and they are free to download under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1327738/edouard-manet-paintings-i-premium-artworks-public-domain?sort=curated&mode=shop&page=1
Edouard Manet - Head of a Womam, 1870 (Kunstmuseum Basel Switzerland) at Gauguin-to-Picasso Exhibit - Philllips Collection Washington DC (Exhibit Catalog Book)