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Julie Manet ou l'Enfant au chat
Julie Manet (1878-1966) est la fille unique de Berthe Morisot (1841-1895) et d'Eugène Manet (1833-1892), le frère cadet d'Édouard Manet (1832-1883).
fr.wikipedia.org/wiki/Julie_Manet
Oeuvre de Pierre Auguste Renoir (1841-1919)
1887
Huile sur toile
Dation, 1999
Paris, Musée d'Orsay
www.musee-orsay.fr/fr/oeuvres/julie-manet-100382
Oeuvre présentée dans l'Exposition "Julie Manet. La Mémoire Impressionniste", au Musée Marmottan Monet
www.marmottan.fr/expositions/julie-manet-une-education-im...
Le musée Marmottan Monet organise la première exposition jamais consacrée à Julie Manet, fille unique de Berthe Morisot et nièce d’Edouard Manet. Légataire de Julie Manet par l’intermédiaire de ses enfants, dépositaire du premier fonds mondial de l’œuvre de Berthe Morisot mais aussi des collections de la famille, le musée Marmottan Monet souhaite apporter un éclairage sur le rôle de Julie Manet dans la vie des arts.... Extrait du site de l'exposition
Commissaire de l’exposition : Marianne Mathieu, Historienne de l’art, Directeur scientifique du musée Marmottan Monet
By the late 1870s, when this exhibition begins, Édouard Manet had become recognized as a painter of modern life. He had long looked to historical subjects and style for inspiration but in the 1870s grew more and more immersed in the now—eventually proposing a radical new alignment of modern art with fashionable femininity. While he continued to pursue highly finished, heroically scaled paintings intended for the Salon throughout these later years (a time also marked by health problems and limited mobility), he simultaneously approached smaller works more fluidly and spontaneously, taking up pastel and watercolor while unapologetically embracing beauty and visual pleasure.
view light box and full screen.
This is, I suppose, a study, for dejeuner sur l'herbe.
we are off to the Cotswolds again tomorrow, to visit Peter's father and also my brother. Back soon.
Édouard Manet (Paris, January 23, 1832 - Paris, April 30, 1883) - Luncheon in the Studio (1868) - Size 118 × 153 cm - Neue Pinakothek (Temporarily at Alte Pinakothek) Monaco
By the late 1870s, when this exhibition begins, Édouard Manet had become recognized as a painter of modern life. He had long looked to historical subjects and style for inspiration but in the 1870s grew more and more immersed in the now—eventually proposing a radical new alignment of modern art with fashionable femininity. While he continued to pursue highly finished, heroically scaled paintings intended for the Salon throughout these later years (a time also marked by health problems and limited mobility), he simultaneously approached smaller works more fluidly and spontaneously, taking up pastel and watercolor while unapologetically embracing beauty and visual pleasure.
1866. Oli sobre tela. 44 x 84,2 cm. Art Institute of Chicago, Chicago. 1922.424. Obra exposada: Galeria 225.
By the late 1870s, when this exhibition begins, Édouard Manet had become recognized as a painter of modern life. He had long looked to historical subjects and style for inspiration but in the 1870s grew more and more immersed in the now—eventually proposing a radical new alignment of modern art with fashionable femininity. While he continued to pursue highly finished, heroically scaled paintings intended for the Salon throughout these later years (a time also marked by health problems and limited mobility), he simultaneously approached smaller works more fluidly and spontaneously, taking up pastel and watercolor while unapologetically embracing beauty and visual pleasure.
Original: Jeanne de Marsy, Primavera, Oleo sobre lienzo 73 x 51 cm.-Valuado en u$s 60.000.000.- Mi pintura: Tecnicas Mixtas sobre papel 25 x 18 cm.
The Luncheon on the Grass is a large oil on canvas painting by Édouard Manet created in 1862 and 1863.
It depicts a female nude and a scantily dressed female bather on a picnic with two fully dressed men in a rural setting. Rejected by the Salon jury of 1863, Manet seized the opportunity to exhibit this and two other paintings in the 1863 Salon des Refusés, where the painting sparked public notoriety and controversy. The work increased Manet's fame; in spite of this it nonetheless failed to sell at its debut.
The work is now in the Musée d'Orsay in Paris. A smaller, earlier version can be seen at the Courtauld Gallery, London.
The painting features a nude woman casually lunching with two fully dressed men. Her body is starkly lit and she stares directly at the viewer. The two men, dressed as young dandies, sit with her. In front of them, the woman's clothes, a basket of fruit, and a round loaf of bread are displayed, as in a still life. In the background, yet too large in comparison with the figures in the foreground, a lightly clad woman bathes in a stream. The man on the right wears a flat hat with a tassel, a kind normally worn indoors.
Despite the mundane subject, Manet deliberately chose a large canvas size, measuring 81.9 × 104.1 in, normally reserved for historical, religious and mythological subjects. The style of the painting breaks with the academic traditions of the time. He did not try to hide the brush strokes; the painting even looks unfinished in some parts of the scene. The nude is also starkly different from the smooth, flawless figures of Cabanel or Ingres.
A nude woman casually lunching with fully dressed men was an affront to audiences' sense of propriety, though Émile Zola, a contemporary of Manet's, argued that this was not uncommon in paintings found in the Louvre. Zola also felt that such a reaction came from viewing art differently from the perspective of "analytic" painters like Manet, who use a painting's subject as a pretext to paint.
There is much not known about the painting, such as when Manet actually began painting it, how he got the idea and how and what sort of preparatory works he did. Though Manet had claimed this piece was once valued at 25,000 francs in 1871, it remained in his possession until 1878 when Jean-Baptiste Faure, opera-singer and collector, bought it for just 2,600 Francs.
Édouard Manet (Paris, 23 January 1832 - Paris, 30 April 1883) - La Négresse (1862-1863) - Oil on canvas 61 x 50 cm - Giovanni and Marella Agnelli Art Gallery - Turin Lingotto
Édouard Manet (Paris, January 23, 1832 - Paris, April 30, 1883) - Luncheon in the Studio (1868) - Size 118 × 153 cm - Neue Pinakothek (Temporarily at Alte Pinakothek) Monaco
Schirn Kunsthalle Frankfurt Final Works: from Manet to Kippenberger / Letzte Bilder: Von Manet bis Kippenberger
Schirn Kunsthalle Frankfurt Final Works: from Manet to Kippenberger / Letzte Bilder: Von Manet bis Kippenberger
Naturaleza muerta con melón y melocotones -1866 óleo sobre lienzo 252 x 305 cm el original.
Mi pintura sobre papel 18 x 25 cm.
Édouard Manet (Paris, 23 January 1832 - Paris, 30 April 1883) - Monet painting in his studio boat (1874) - Dimensions 81 × 100 cm. - Neue Pinakothek (Temporarily at Alte Pinakothek) Munich
While known as one of the greatest painters in 19th-century France, Édouard Manet was also one of the most innovative pastel artists of his era. Here he depicted the animal painter Julien de la Rochenoire, an old friend who had likely dropped by Manet's studio. Dashing strokes of salmon and black animate the sitter's bewhiskered face, while the swirling background wallpaper evokes his psychological energy. The majority of Manet's surviving pastels are portraits of friends, which accounts for their intimacy of mood and their spontaneous handling of the powdery medium.