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Painting called The Bench, painted in 1881 by Edouard Manet. This painting is set in Versailles. Sent by Postcrosser in Turkey.
Manet has painted a very crowded scene in the woods of the Jardin des Tuileries. He included several of his friends and family members among the crowd: his brother Eugène Manet, composer Jacques Offenbach and his wife, painter Fantin-Latour, poet Charles Baudelaire, among others . . . including himself.
Edouard Manet - Monet Painting on His Studio Boat , 1874
Listed in the book - 50 Impressionism Paintings You Should Know
Candid portrait, 'Boy Looking At 'Boy Blowing Bubbles' By Édouard Manet' (by me). At the wonderful Calouste Gulbenkian Museum, Lisbon.
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters. We have digitally enhanced some of his paintings and they are free to download under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1327738/edouard-manet-paintings-i-premium-artworks-public-domain?sort=curated&mode=shop&page=1
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters. We have digitally enhanced some of his paintings and they are free to download under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1327738/edouard-manet-paintings-i-premium-artworks-public-domain?sort=curated&mode=shop&page=1
Édouard Manet (1832 – 1883) was a French painter. One of the first nineteenth century artists to approach modern-life subjects, he was a pivotal figure in the transition from Realism to Impressionism.
His early masterworks The Luncheon on the Grass and Olympia engendered great controversy, and served as rallying points for the young painters who would create Impressionism—today these are considered watershed paintings that mark the genesis of modern art.
Eduard Manet: Berthe Morisot Etendue / Portrait of Berthe Morisot, 1873,
Berthe Morisot was the first female Impressionist artist.
On display in the Musée Marmottan Monet in Paris -- the museum with the world's largest collection of paintings by Claude Monet.
Édouard Manet, Le déjeuner sur l'herbe (Luncheon on the Grass), oil on canvas, 1863 (Musée d'Orsay, Paris)
Édouard Manet, A Bar at the Folies-Bergère, 1882, oil on canvas, 96 x 130 cm (The Courtauld Gallery, London)
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters. We have digitally enhanced some of his paintings and they are free to download under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1327738/edouard-manet-paintings-i-premium-artworks-public-domain?sort=curated&mode=shop&page=1
Édouard Manet, A Bar at the Folies-Bergère, 1882, oil on canvas, 96 x 130 cm (The Courtauld Gallery, London)
Édouard Manet, A Bar at the Folies-Bergère, 1882, oil on canvas, 96 x 130 cm (The Courtauld Gallery, London)
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters. We have digitally enhanced some of his paintings and they are free to download under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1327738/edouard-manet-paintings-i-premium-artworks-public-domain?sort=curated&mode=shop&page=1
Édouard Manet, A Bar at the Folies-Bergère, 1882, oil on canvas, 96 x 130 cm (The Courtauld Gallery, London)
Berthe Morisot (1841-95)
Julie Manet (1878-1966) and her Greyhound Laerte [1893]
Julie Manet et sa levrette Laerte [1893]
(oil on canvas, 73x80 cm) MMT157005
Musee Marmottan Monet, Paris, France
(add.info.: French, out of copyright)
It is a shame that some museums have directors who operate against their duties. In lieu of spreading free of charge good photos in high resolution of all the artworks (out of copyright), which have been entrusted to them by the community to make them available to the public, they contrarily hide them like dragons in their cave. They prevent with all means the free circulation of reasonable digital photos in good quality, thereby provoking that the entrusted artworks fade away from the public awareness.
Happily and in contrast to those bad examples there are a lot of famous and world-renowned Institutions like the Metmuseum, The National Gallery of Art Washington, the National Gallery London, the Prado Madrid and many others, who offer high resolution, high quality photos of their artworks (out of copyright) free of charge via Internet to the interested public.
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters. We have digitally enhanced some of his paintings and they are free to download under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1327738/edouard-manet-paintings-i-premium-artworks-public-domain?sort=curated&mode=shop&page=1
Huile sur toile, 149 x 115 cm, 1874, musée des Beaux-Arts, Tournai (Belgique).
Merci Peter pour la photo :
www.flickr.com/photos/28433765@N07/4716663244/in/gallery-...
Edouard Manet, artist
French, 1832 - 1883
At The Milliner's (Chez La Modiste), 1881
oil on canvas
33 1/2 x 29 (85.1 x 73.7 cm)
Mildred Anna Williams Collection 1957.3
See below a painting by Manet, the inspiration for this outfit!
Cream tulle layered skirt: Isaac Mizrahi, Target
Shoes (see close-up below): the brand name has worn away, but I remember that they're Italian. they're new (or, rather they were when i bought them), but they look very antique-y...but they're also in desperate need of some repair! the upper is cream colored fabric with reddish/pink flowers, with a blue leather toe and trim, and a low wooden heel.
Blue sweater vest: H&M
Cream ruffle puff sleeve blouse: H&M
Light blue tights: We Love Colors
Cream flower headband: J. Crew
Painted in the summer of 1873, this is a brilliant example of Manet's rapid brushwork and his gift for immortalizing the instant. During the three weeks he spent with his family in the little French coastal town of Berck-sur-Mer, Manet had his wife and brother pose for him on the beach. Suzanne Leenhoff Manet (1829-1906), well protected against the sun and the wind by a muslin veil and a voluminous summer dress, is absorbed in her book while Eugène (1833-1892), Manet's brother and soon to be husband of the Impressionist painter, Berthe Morisot (1841-1895), is gazing out to sea. The two triangles formed by the figures stabilize the composition. They are turning their backs on a spectator and seem to be absorbed in their own worlds. This isolation gives the painting an indefinable melancholic feel.
This image of the original 'On The Beach' painting by Manet was photographed at the d'Orsay Museum (Musee d'Orsay) in Paris, France.
Julie Manet - Paule and Jeanne Gobillard on the beach of Dinard, 1884 (Musee Marmottan Monet - Paris France) at Museo Thyssen-Bornemisza Madrid Spain
Painting oil on canvas by Aldo Mondino exhibit at the Parkview Museum during Challenging Beauty - Insights into Italian contemporary art.
Maker: Julien Vallou de Villeneuve (1795-1866)
Born: France
Active: France
Medium: waxed paper negative
Size: 5 3/8" x 8"
Location: France
Object No. 2017.654
Shelf: A-45
Publication:
Other Collections:
Provenance: Photographies, Ader Nordmann, June 8, 2017, Lot 17 - Galerie Texbraun - Ancienne collection Humbert de Molard
Notes: Julien Vallou de Villeneuve (12 December 1795 in Boissy-Saint-Léger – 4 May 1866 in Paris) was a French painter, lithographer and photographer. Vallou de Villeneuve studied with Jean-François Millet, and started his career at the Salon of 1814, exhibiting images depicting daily life, fashion, regional costumes and nude studies. In 1826 he showed at the Salon ‘Costumes des Provinces Septentrionales des Pays-Bas’. He published in 1829 lithographs of Types des Femmes. In 1830 with Achille Devera and Numas, Maurin and Tessaert, he contributed to the compendium of erotica Imagerie Galante (Paris 1830). He developed an international following for his 1839 folio-sized lithographic erotic series Les Jeunes Femmes, Groupes de Tetes, depicting racy episodes in the life of young women and their lovers.
From 1842 de Villeneuve took up photography, not long after its invention, as an adjunct and aid to his graphic work, producing some daguerreotypes but predominantly softly toned salted paper prints from paper negatives that enabled the retouching he employed for artistic effect. Following the method of Humbert de Molard, he fixed his prints with ammonia which avoided the bleaching of highlights caused in salt prints by hypo, and thus incidentally ensured the archival permanence of his prints, which survive today. He had many of his prints made by photolithographer Rose-Joseph Lemercier (1803–1887). In 1850 de Villeneuve opened a photographic studio at 18 Rue Bleue, Paris, where his subjects were 'academic studies', small prints of nudes as models for artists. He printed a series of these studies as ‘Etudes d’apres nature’, and many were published in La Lumiere, journal of the Society Francaise de la Photographie. There was also a ready market for his photographs of well-known actors in full costume posing against theatrical scenery.
In 1851 he joined the Société héliographique. From 1853–1854 he was a founding member of the Société française de photographie (S.F.P.). Realist painter Gustave Courbet was introduced to Vallou de Villeneuve's photographs by fellow artist Alfred Bruyas during the 1850s and used them as source material for his paintings, in particular l'Atelier (1855) and Les Baigneuses (1853). In 1954, the 27th Venice Biennale presented a large-scale retrospective devoted to Gustave Courbet; one of the first major exhibitions devoted to the painter. Germain Bazin and Helene Adhémar (conservator, Department of Paintings at the Louvre) were the commissioners of ”A new century of vision" which gave an essential place for artistic creations of the Second Empire. Jean Adhémar, curator, stressed that "first photographers are almost all painters, especially under Napoleon III". The section on “The times of Courbet, Manet, Nadar" was one of the richest in both the number of works presented - forty - and the scope of the subjects: it articulated the parallel between the realistic vision of the painter and the photographer. This was thus the first to attempt to identify the model in the nude photography requested by Courbet of Bruyas and mentioned for the first time by Pierre Borel in 1922. A nude by Jacques Moulin (also exhibited) had previously been connected with the model in The Artist's Studio (L'Atelier du peintre): A Real Allegory of a Seven Year Phase in my Artistic and Moral Life (1855), by evoking the similarity of the models. But two photographs by Vallou Villeneuve, exhibited in the same section, where the model, Henriette Bonnion poses in an attitude similar to that in Courbet’s 'Bathers' (1853) and 'Artist's Studio' showed it likely (as subsequent studies have confirmed), that the Vallou model and not Moulin’s was used by Courbet. In 1855 Vallou de Villeneuve donated his prints to the Society Francasie de Photographie (S.F.P.). No photographs by him after this date are recorded and he died in Paris eleven years later. (source: Wikipedia)
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