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“Places matter. Their rules, their scale, their design include or exclude civil society, pedestrianism, equality, diversity (economic and otherwise), understanding of where water comes from and garbage goes, consumption or conservation. They map our lives.”
― Rebecca Solnit,
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This shot was taken one of streets in Malaga, Spain.
Thanks to all for 14,000.000+ views and kind comments ... !
Please don't use this image on websites, blogs or other media without my explicit permission.
© ALL RIGHTS RESERVED
What appears to be big may be small and vice versa. Small lichens like plants on concrete...
κοντινό πλάνο σε λειχήνες ή παρόμοιο φυτό...
This small feeder is set apart from the other feeders, closer to a large holly bush to offer additional shelter, if needed.
This feeder holds sunflower meats, lucky them, and is of course, for the smaller birds. The Chickadees, Nuthatches and Tufted Titmice love this feeder but they are way too fast for me.
Yes, even the "larger" small birds are enjoying this feeder, like this female House Finch who actually hung there a few seconds to eat several of the seeds, and long enough for me to grab this shot.
Not as clear as I'd like since it's so small and far away, but it was nice to see the small birds using a feeder set aside just for them.
... and the beach too for that matter :-)
Copyright © 2013 Daniel Novak Photo, Buffalo Landscapes & Cityscapes | Blog | Google+
© All rights reserved!
This was a fun morning on the beach of Palm Beach Shores. High tide coming in strong along with winds pushed the waves over the low part of the beach and the natural sand barrier at its top and actually all the way over the upper beach. As you can see the resorts and hotels around were not ready for it so it must not be a common occurrence. Just when the chairs started getting tossed around the staff showed up to rescue them before the Atlantic claimed them
There are times when size most definitely matters...
Another entry from my photo recycling project. (cont.)
20th biennial Finnish-American Festival, Naselle, Washington.
July 2022
Below are entries chock-full of information having to do with each of the plates shown above.
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Left: "Compliments of FORSMAN & COMPANY, Naselle"
This would be a useful plate to have around now, 102 years after it was made, because I've never had a good grip on the year the Great War (WWI) ended. The plate would reinforce the year the war began and ended. Or would it?
The prominence of the date 1920 might confuse matters further. However, with the war having ended in November, 1919, it makes sense that 1920 was when commemorative objects such as plates were produced.
While the passage of years appears to have erased all traces of Deep River's Forsman & Company, history has not forgotten the community of Deep River, not even a little bit!
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Many Finnish immigrants settled in Deep River and the surrounding areas of Washington. There were striking similarities between life in Finland and life in this area, including an economic life that depended largely on timber and salmon, both of which were plentiful in the Deep River area. The Pacific Northwest was an ideal destination for Finnish immigrants. There was free land that was covered with timber for them to claim.
Seasonal work opportunities were available all year. There was salmon fishing in the spring and summer. Work was available at logging camps the rest of the year.
The daughter of a Finnish immigrant described the early settlement of Deep River:
When asked how the area was settled, an elderly, buxom woman replied, "First the Finns came to fish. Then when Olsons opened the logging camp, they went to Sweden and brought back men to work in the woods. The Swedes married the Finn girls. Later a few Irishmen and Poles drifted in." (Appelo, 1986, p. 110)
This woman also related that her protective Finnish father had built the family’s house in the center of their property to prevent his daughters from seeing and associating with the railroad workers. In spite of his precautions, she waved at one of the railroad brakemen, a handsome Swede. She noted that this Swedish railroad worker later became her husband.
Carlton Appelo (1978, p. 12) listed the names of some of the early Finnish settlers in the Deep River area who arrived before Washington became a state in 1889: Erik Hanson; Henrik Denson (Deep River Cemetery land donor); Isak Herajarvi; Johan Pakanen; Antti Jakob Kantola (Kandoll); Henrik Harrison (Pirila); Mikael Homstrom; Lars Loukkanen (father of August and Chas. Larson); Johan Lueeni; Johan S. Nelson (Ahola); Antti Pirila (father of Albert and Gust Pirila); Johan Erik Rull; Johan Vilmi; Erik Johnson; Karl Forsman; Erik Melin; Antti Rippa (Andrew Rinell); Simon Keko (father of Ed Simmons); Johan Parpala; Johan Salmi (Santalahti); Johan Lamppa (Johnson); Matt, Fredricka, Matti, Joseph, Rosa, and Kalle (Charles) Riippa; Matt Hakala; Matti Harpet (Haapakangas); John Haapakangas; Antti Penttila; Gust Gustafson; Peter Maata; John Ehrlund Rantala; Erik Maunula; Andrew and August Eskola; Antti Johnson (Salmi); John Laakso; Matt Puskala; Abraham Wirkkala; Matt Mathison; and John Warra (Autiovarra).
The prevalence of Finnish immigrants in the Deep River area is evidenced by the many Finnish names that are listed in a cemetery transcription that was recorded for the Deep River Cemetery, and listed on a website that is maintained by the Genealogical Society of Finland. Many Scandinavian names are also found at a Wahkiakum County cemetery transcription site maintained by the "RootsWeb" genealogy organization that lists the names of persons buried in several cemeteries in the county.
The Early Deep River Community
The two major early industries of the Washington territory, particularly in Deep River, were the timber and salmon-fishing industries.
The Timber Industry.
An article in a special section of the Ilwaco, Washington Tribune in 1970 celebrated 100 years of logging at Deep River. The author, Larry Maxim, described the life of the men who worked in the timber industry and felled the gigantic trees as men who were "giants with muscles of laced steel cable and the stamina of an Olympic athlete." The men worked hard for extended periods of time and lived at the logging camps, which usually consisted of a bull barn, a cook shack, and a bunkhouse.
The bunkhouse was crude, just enough to keep out the rain. The bunks were just as crude, a few rough boards spread with straw. The logger had to do his own laundry. His laundry machine–each logger had one–was a five-gallon kerosene can in which he boiled his socks and underwear and sometimes took a sponge bath. (Maxim, 1970)
II. THE LASTING LEGACY OF THE DEEP RIVER FINNS
by Sandra Johnson Witt *
References
I. C. Arthur Appelö and Carlton Appelo: The contributions of two Swedish-Finns to Deep River, Washington and America
An important center of activity at the logging camps was the recreation hall, which the logging companies provided for their workers. The loggers and their families often gathered for dances that lasted until the early morning hours. Children came along too, and slept on mattresses that their parents brought.
Jessie Hindman, an Astorian Budget columnist, wrote an article about the history of the Deep River Timber Company in 1956.
This company owned 4,000 acres of land located above Deep River, one of the shortest and deepest rivers in the world. The logging area contained some of the best timber in the country, including top-grade fir, spruce, hemlock, and cedar.
She described how the local people and logging workers, mostly Finns and Swedes who had begun their lives here as fishermen, became the pioneers of the logging industry in this area. These early families lived together in close association with each other.
The early families along Deep River lived together in such a closely knit life that it was almost as if they had been hurled back into some clannish age. Travel was done entirely by boat as there were no roads except private ones. Towns just 50 miles away were spoken of as "The Outside." Yet, when talking to the older inhabitants of the valley, one is immediately impressed with the full realization that theirs was a happy, satisfying life. (Appelo, 1986, p. 103)
Early home life among the settlers in Deep River was simple. Kerosene lamps provided light and wood stoves provided heat. Most of the houses were made from rough unpainted boards. The women made the clothes and quilts for their families, which they washed by hand. They also planted the gardens and flower beds in addition to planning the recreational activities for their families, which included dances, picnics, boat rides, water carnivals, and playing cards. Playing cards was especially popular during the winter months when steady rainfall forced the families to stay inside. At times, the men would animate their poker games with the hard liquor or beer that they had purchased in Astoria.
Salmon Fishing.
The other major early industry in Deep River was fishing. Astoria had become a major salmon-fishing area by 1870. Because of its location on the Columbia River near the Pacific Ocean, riverboats provided access to the transcontinental railroad. Astoria’s facilities had access to the Pacific Ocean on the west.
Their experiences in Finland made many of the Finnish immigrants ideally suited for successful careers in the salmon-fishing industry.
The Columbia River Fishermen’s Protective Union was incorporated in 1884 and is one of the oldest conservation unions on the West Coast.
In 2003, an article in the Columbia River Gillnetter, the union’s official publication, outlined its early history. "The Story of Two Hundred Fishermen" describes how a group of fishermen successfully established the Union Fishermen’s Cooperative Packing Company in 1896 during troubled economic times, when the salmon industry’s future was uncertain because of some unethical practices that had taken place for 30 years.
The founders, many of whom were from Finland, risked their savings and worked hard to establish this company. They were convinced that their efforts to offer the consumers superior canned salmon would succeed. The cooperative was incorporated by Sofus Jensen, Anton Christ, Ole B. Olsen, J. W. Angberg, and Matt Raistakka:
With their savings for capital, our founders entered into the highly competitive and well-financed salmon packing industry of the Columbia…
Building of the net racks, except for pile driving, was done without charge by stockholders. They received $1.50 a day working on the cannery. They were eager and capable craftsmen. Many had been brought up in Scandinavia and Finland where they had learned trades under masters.
All were imbued with the cooperative movement then taking root in Western Europe. They had acquired a practical understanding of what it means to run a cooperative business successfully. (p. 19)
Community Life, Schools, and Churches.
Many of the immigrants’ children did not learn English until they attended school. The early rural schools in the area were small. The elementary schools were usually one-room buildings that served as many as 80 pupils. It was common for one female teacher to be responsible for teaching the children in all eight grades. Teachers were generally brought into the area from the "Outside," but often married the local farmers, loggers, or fisherman and stayed in Deep River to raise their families.
Church activities were an integral part of community life. The Finnish settlers of Deep River, Naselle, and Salmon Creek organized into a congregation in 1894 as the Finnish Holy Trinity Evangelical Lutheran Church. They shared a pastor with the Astoria Finnish Church. The Deep River Holy Trinity Evangelical Lutheran Church was built in 1898 near the Deep River Cemetery. The church was the first organized Evangelical Lutheran Church in the area and has been officially proclaimed a National Historical Site.
Women were deeply involved in community life. In 1906, the female members of Naselle Church formed the Nasellin Ompelu Seura (Naselle Sewing Circle), which functioned for 71 years to support missions and hospitals, with an emphasis on salvation and benevolence.
Athletic Activities and Music.
Finnish immigrants knew how to work hard, but they also knew how to play hard. They actively participated in all aspects of Deep River community life, including athletic activities. Baseball was especially popular. Most of the members of the official Deep River team, the "Coyotes," were Finnish loggers and fishermen. The team had a very successful pitcher, Arvo Davis, and catcher, Arthur Anderson.
Athletic activities, including footraces and baseball, were often held on the boardwalk road from the Deep River landing to Pentti’s Pool Hall. When the weather was good, Fred Pentti was often observed sitting on a bench in front of the pool hall to view the athletic events.
The Swedes used to sit on the railing on one side and the Finns on the other–hurling insults at one another. When things got too rough, Pentti would wind up his phonograph and play some nice accordion music. Even the kids were allowed to come down and listen to the music. (Appelo, 1997, p.1)
The Finns have always enjoyed music. Many of the Finnish settlers were accomplished musicians. Axel Larson, a well-known fiddler from the Olson’s Logging Camp, played for hundreds of dances with his wife Matilda, who played the piano, and his brother Ernest on the accordion. Charles Hertzen, a talented violinist, and Fred George, who played the guitar, later joined their band. Axel liked to relate their experience of leaving the logging camp by pump cars (also known as hand speeders, operated on railroad tracks) with their musical instruments, and pumping their way four miles to Deep River:
They transferred to row boats and rowed two miles to Svenson’s Landing, then walked nearly six miles by road (carrying their dress shoes in the pocket of their coats) wearing boots. Arriving at Meserve’s store they climbed the stairs to the large hall on the second floor to play for a local crowd plus the ten dancers they brought with them. This lasted until 3 a.m. and they retraced their route only to find that the railroad rails had become frosted. The hand speeders had to be pushed rather than pumped over the slippery areas. They arrived back at Olson’s camp in time to hear the breakfast bell at the cook house. Some of the men had to go to work for a full day in falling timber. (Appelo, 1978, p. 41)
Axel Larson, long-time employee of Deep River Logging Company, playing his fiddle as he did for countless local dances in southwest Washington.
World War I.
Twenty five years after the Washington territory became a state, the young Finnish immigrant men were asked to defend their new country in World War I. Carlton Appelo (1978) cites an article from the June 1917 edition of the Deep River newspaper:
A party of well known young men residing in Deep River were en route to Cathlamet to take physical exams for the selective service under which they were recently called to colors.
363 Arthur C. Appelo
368 Henry J. Johnson
373 Henry W. Lassila
379 Jacob W. Matta
383 Charles L. Eskola
388 Charles Koski
390 Arvo Davis
All seven are fine specimens of physical manhood and will no doubt pass the required examinations enabling them to enter the military service with the national army which is to be mobilized in the near future. (p. 78)
Accomplishments of Early Finnish Immigrants.
Many of the children of the Finnish immigrants were able to move into professional careers through hard work and steadfast personal dedication to education. At times they pursued adult education programs at night while they worked during the day to make a living for themselves and their families.
In a brief history of Finnish settlements along the Columbia River that Carlton Appelo prepared for the 1999 FinnFest USA, he listed the accomplishments of several Finnish immigrants to the Deep River area, B. S. Sjoborg, Erikki Maunula, and Oscar Wirkkala. B. S. Sjoborg (1841-1923) immigrated from Kristinestad. He was the cannery foreman at Astoria in 1875. After changing his name to Seaborg, he founded the Aberdeen Packing Company at Ilwaco and Aberdeen. He was Washington’s first senator when it became a state in 1889.
Erikki Maunula–who invented numerous devices that were used in the salmon-canning industry–donated land for the Deep River Holy Trinity Evangelical Lutheran Church. The church has been designated a National Historical Site.
Oscar Wirkkala (1881-1959) was an extremely successful inventor of items used in the logging industry. He held more than 20 patents, including the Wirkkala choker hook, the Wirkkala propeller, and the widely-used skyline logging system.
In addition to the considerable professional accomplishments of many of the Finnish immigrants, certain aspects of the Finnish culture that the immigrants brought with them contributed to the culture of Deep River and the surrounding area. In addition to the immigrants’ willingness to work hard to improve the future lives of their families, there was a pervasive sense of community and mutual respect among the Finnish immigrants. This sense of community could be observed in all types of activities, including those related to the area schools, churches, athletics, and social events.
Many immigrant Finns became prominent entrepreneurs in business in industry as well as professional fields, but it was the rural Finnish immigrant who created a sense of community. Neighbors came to the rescue when misfortune hit, and food was shared at school gatherings or social events.
Attendance at Cottage Church Services was done without worrying about denominational sponsors. It is that same familial spirit uniting entire communities that survives today. We care about each other. (Appelo, 1999, p. 1)
The Finnish immigrants supported each other through difficult times. In 1918, when Fred Pentti–an immigrant from Kannus, Finland–was severely injured while working as a brakeman on the logging train, Deep River residents and businesses readily assisted him. The logging camp workers donated $5 each to him, the Deep River Land and Wharf Company donated a piece of land to him, the Olson brothers gave him lumber from their mill, and the community joined together to build a pool hall for Fred.
His business became the focal point for all types of sport including his favorite, baseball. It was the social club for many young men of the area…It was commonly called "Pentti’s College" (pronounced collitch). No one would say that moonshine didn’t change hands out front during those days of prohibition. When 3.2 beer became legal, it was Pentti’s tavern. (Appelo, 1978, p. 41)
In order to successfully farm the land, much of which was wetland, the settlers had to install dikes and extensive drainage systems. Because of the primitive roads that were generally limited to use in the summer, almost all travel was by water.
The riverboat "General Washington" made daily round trips to nearby Astoria–the source of supplies, mail, and medical services to Deep River–and provided the residents with transportation to and contact with the outside world.
This riverboat was built in 1909 by the North Shore Transportation Company. It served Deep River, Knappton, and Frankfort until the early 1930s, when the newly built area highway became more competitive for passenger and freight travel.
The General Washington steamship approaching Deep River Landing, circa 1915
II. THE LASTING LEGACY OF THE DEEP RIVER FINNS
by Sandra Johnson Witt *
The labor of immigrants was essential in order to build the infrastructure of North America. The immigrants cut timber and cleared land to build their homes and farms. Because there were no roads (only rivers) in the early Deep River area, travel was usually by foot or boat. The immigrants (and their horses) worked hard to build the roads in their new country.
Immigrant road builders
Ironically, the advent of the better roads that the Deep River citizens had worked so hard to construct resulted in a decline in the town. Construction of the bridge one mile downstream from the Deep River landing diverted traffic away from the main part of town. The railroad that had provided economic resources and brought people to the town was doomed by the use of trucks to transport lumber.
Although the improved roads relieved the isolation of the area, they brought an end to the riverboat era. Trucks replaced the boats as the main means of transporting various types of cargo to and from the community. The Deep River Timber Company ceased operating in 1956.
The elementary school was consolidated with other schools.
The movie house and Pentti’s Tavern closed. The Shamrock Hotel had depended on the loggers as boarders, and was forced to close.
Only local residences, the post office, and Appelo’s General Merchandise and Insurance Agency remained in Deep River.
sydaby.eget.net/emig/deep_river.htm
RIGHT: CHARLES A. NIEMI (ca. 1884-1961)
1930 Federal Census
Birth Year: abt 1894
Gender: Male
Race: White
Age in 1930: 36
Birthplace: Washington
Marital Status: Married
Relation to Head of House: Head
Home in 1930: Naselle, Pacific, Washington, USA
Home Owned or Rented: Owned
Home Value: 3000
Radio Set: Yes
Lives on Farm: No
Age at First Marriage: 26
Attended School: No
Able to Read and Write: Yes
Father's Birthplace: Finland
Mother's Birthplace: Finland
Able to Speak English: Yes
Occupation: Retail Merchant
Industry: General Merchandise
Class of Worker: Employer
Veteran: Yes
War: WW
Household Members Age Relationship
Charles A Niemi 36 Head
Esther E Niemi 35 Wife
C Albert Niemi 9 Son
Henry W Niemi 7 Son
Hilda M Nasi 27 Servant
31 August 1917: Charles A. Neimi was accepted by the local draft board, presumably in connection with military service in WWI.
The Spokesman-Review, Spokane, p. 6.
26 April 1928: Niemi sues the state road contractor for $5,031.44 for materials and merchandise furnished in connection with the contractor's work in Wahkiakum and Pacific Counties in Washington.
The Olympian, Olympia, Washington, p. 14.
Nothing else matters
Does anything else truly matter?
Rules, conditions and constraints, Implications and impositions, the weight of price or value...
Did you carve your life from the stone of your will,
Or did you let it be shaped by hands not your own?
by me
Photography and file processing; LC Nevermind(Luis Campillo) Artistic direction, MUAH, props, caption and model; Lis Xia
Gear; Nikon D2h & Voigtlander Color Skopar 20mm F3.5 SLII, 1600 ISO
One of several brilliant Xmas prezzies from K.
"Half a Hundred Years" is a new album celebrating 50 years of Asleep at the Wheel. The anniversary project started just as Covid hit the world. Ray Benson fortunately survived after contracting the disease so early on in the pandemic that the powers-that-be didn't believe he had it and wouldn't even give him an immediate test.
Quote from Texas Public Radio :
"He first felt symptoms after playing a musical event for Willie Nelson on March 17. "On the 18th it hit me like a ton of bricks," he said. A few days later Benson wanted to get tested but he was turned away because he didn't have a fever or respiratory symptoms. He was experiencing nausea, fatigue and loss of appetite. He eventually did get tested, and was really sick for about two-and-a-half weeks. "I went public because I couldn't get a test, otherwise I wouldn't have gone public," Benson said.
Anyways the project started up again in 2021 and the cd is the end result. It involved dozens of musicians across Texas, America and the world using remote digital chicanery to put the album together with everything eventually being mixed in Austin, TX.
Thanks to Kim for the collage. From top left : cd foldout of the musicians across the decades; Ray Benson; the old tour bus; the new cd and our tickets to their 2018 Galveston concert.
bithbox # 181
Mirror's Edge Catalyst • Hattiwatti's Camera Tool
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Description •
not Rich...not Poor...not a Preacher, nor a Teacher...not a poet or a prophet... whomever you may be... just Live Life the Best you can...& at the end of the day, you will SEE the only thing that really matters is the LOve in your Heart, and the Kindness & Compassion you shared and Gave Freely to Others ~
This weekend was set aside for the pursuit of ambition. I decided it perfectly plausible that I can change my entire life by sending out a few beautifully and wittily worded emails to choice and influential recipients in the art and literature worlds. They will see a ‘Flickr of something’ in me and hurriedly write back, begging for a meeting. So, I set about finding said influential recipients….. and I didn’t get much further.
During these, so called ‘weekends of ambition’ the first thing to do is to keep the Writers & Artists Yearbook 2010 firmly closed.
After half an hour leafing through it I had decided that it was probably simpler to have the creative part of my brain lobotomised so that I no longer feel any artistic yearnings. The chapter about the best lobotomy surgeon to consult is conveniently at the back of the book after you have looked through the rest and become thoroughly despondent.
The submission parameters are terrifying:
“Non-fiction German women’s issues only”
“Cricket themed poetry only, submit only via handwritten cricket pads”
“True stories of abused childhoods and violent erotica only, no cookbooks”
“Work must be printed, bound in hardback with dust jacket, already published and with a booker prize imminent.”
I hold the Sunday papers largely responsible for my extreme frustration; they feed me hope over my muesli. There will be, without fail two or three articles in the magazines telling you about an artist/singer/writer’s path to success. I always pore over this kind of article as though I am reading a treasure map, ‘Where is it, where is it?’ No, not the ‘X marks the spot’ but the oh so precious and only important bit where they tell you exactly how they made the transition from sitting in the corner of a greasy spoon ‘being creative and wishing’ to being signed up with some hot shot publisher, agent or gallery.
Guardian Weekend just the other day told of Carmen Herrera, an artist who became a success at the age of 94. We hear how she found her artistic direction, how her work was rejected from countless galleries, how she painted every day for hours, blah, blah, blah, cut to the chase….
‘After those first paintings were bought in 2004, word spread quickly and other pieces were sold. I was in shock for days. Now I have pieces in collections all over the world.’
Oh for god’s sake! Where was this work on display? I thought you said no one would show it. Who bought the pieces? How did word spread? Did you have an agent? How did you get an agent?! What the f**K?!!!!
So after burning The Writers and Artists Yearbook 2010, punching the bed 50 times and failing to send a single email to anybody of any importance I decided instead to go out.
Don’t whatever you do go into a branch of Hollister on one of your down days.
Remember that feeling at school when the popular, attractive kids made you feel like you had intruded on their private members club and tainted it with ugliness when you entered the common room? Want to relive it? Go to Hollister.
The California originated store’s signature interior look is ‘darkness’ and the desired atmosphere; a feeling of unwelcome intrusion on some kind of frat party.
I manage to get in without bashing my shins on the invisible vintage furniture but fail to avoid breaking through the middle of a gaggle of plaid shirted, pouty lipped girls and boys all busily flirting – the main part of their job description.
In fact this ploy works, they simultaneously intimidate whilst creating envy and longing in the oh so plain and uninteresting clientele. We all wish we could be in a world where the next opportunity to flirt by the denim cut offs is all that matters, and because of that feeling we buy 10 pairs of denim cut offs, convinced that they must be infused with this superficial magic.
Their cunning low light ploy is obvious, if you moan about the fact that you can’t see anything then you are too old to be in there. Similar to the blindfolding of racehorses as they go into the stalls it is also less stressful to fork out 50 quid on a t shirt if you can’t actually see it. I’m not sure why they actually have changing rooms as I could get changed in the corner of the shop without anyone seeing me and the only way I was actually able to judge how I looked when I did finally get into the equally dim changing room was by the disdainful sneer of the girl manning it. That must mean these jeans look bloody amazing! I’m having them!
I imagine a sight to behold at the end of the day when the shop shuts. 50 part-time models stagger out of the front doors blinking like pit ponies. They stumble home blue toed in flip flops with white sticks clacking, a long line, each holding onto the pubic mound surfing waistband of the model in front.
This is definately the best 16M I've seen so far. The kind owner asked me to take some pics of his car and therefore even paid our train tickets to Nottingham.
This 16M is based on the design of Valentino Rossis customised 16M:
magazine.ferrari.com/blog/2011/03/fast-designs/
Sadly the owner decided trying to sell his 16M and replace it with a 458 Spider. This is where I'd like to hear your opinion, what do you think should the owner keep his pretty unique 16M or should he swap it for a 458 Spider?
Also take a look at his old car: www.flickr.com/photos/46724328@N07/5003592279/in/photostream
Between those two 16M's he used to have an F50 as well :O
KAILASA temple, Ellora, India. This amazing temple was carved out of a single piece of rock, sometime between 757-783 AD. The construction of this temple still remains a mystery. It is believed that vertical excavation technique has been utilized to scoop away nearly 400,000 tons of rock to form this monolithic structure, which took over 20 years to complete.
No matter who they follow
No matter where they lead
No matter how they judge us
I'll be everyone you need
No matter if the sun don't shine
Or if the skies are blue
No matter what the end is
My life began with you
Boyzone is making me all nostalgic ... their songs take me back to my school days when I'd listen to FM 100's 2-hour long english music based programme every night like crazies. Those were some days!
Beautiful!
Oh and the water splashed look amazing when viewed large :)
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Show: Voltapagina - Circo Patuf
She emerges from the dark. Unseen until the very last moment. She moves with delicacy. She faces her new challenges with the innocent curiosity of a sweet child. She’s dragging an old trunk. Her baggage is heavy, but precious. She can’t read the incomprehensible instructions to inflate a huge balloon, but she is determined to succeed and she does so with a pure attitude. No matter what.
Every time I walked past Arturo Di Modica (1941-2021)’s Charging Bull at Bowling Green, there were dozens of tourists swarming around the animal’s head to have their picture taken. Some people ignored the bull’s head and concentrated on the other end, usually cradling the taurine family jewels...
They say beauty is in the eye of the beholder, and particularly when it comes to art, Well I think this is crap, a big blue cockerel in Trafalgar Square to me, isn't art. It's a very popular piece though and drawers tourists and their cameras (and me...) from near by, maybe I'm not looking at it quite right.
Trafalgar Square, London
Thanks for taking the time to look, your comments are greatly appreciated.
Found this little feller at Buddhism Temple. Sitting quietly at statue of the dragon. Somehow remind me it waiting for the reincarnation moment. Perhaps it's wish will come thought. Is matter of time only; I'm hopes.
No matter how many EVAs you do, it’s NEVER just casual when you venture outside of the space station. After all, it’s the most extreme environment human beings have ever been exposed to. Shane, the team and myself are focused for round 3 today
Peu importe le nombre de fois où on sort de la Station spatiale, ça ne devient JAMAIS une routine. C’est quand même l’environnement le plus extrême auquel l'être humain ait jamais été exposé. Shane, l’équipe et moi : tout le monde est entièrement concentré pour le match 3.
Credits: JAXA/NASA–A. Hoshide
421E5847 Shane
A sight i just had to capture , the milkyway shot at 10mm with a bonus bit of aurora , shot was taken 100m above fog layer which was lying at 300m and the orange glow is the light pollution from the town below contained in the fog.
The writing's on the wall
All empires and tyrants will fall
Too many of us have been killed
We don't need another wake-up call
Out in the streets we gave it our all
Watered by blood and tears, the streets bloomed with rage
The cavalry came, how can we forget
We were the ones they were ordered to attack
All the tear gas made it clear
What we can do when we overcome our fear
Justice and humanity are the truths that inspire
Our desire to set the night on fire
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