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(From my digital archive of personal images, year 2010)
It was a beautiful evening with lightworks to enjoy this special place that has witnessed so many historical events and political changes.
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(De mi archivo digital de imágenes personales, año 2010)
Fue una hermosa velada con juegos de luces para disfrutar de este lugar tan especial que ha sido testigo de tantos acontecimientos históricos y cambios polÃticos.
It was great to meet Dennis and Nicole on Saturday and during a cup of tea in my back garden Dennis presented me with a 3D printed Tardis along with v2 of his awesome torch. I'm quite sure such a combination of kind gifts has never been given before :)
Tonight I used them both in this shot.
Thanks again buddy and I'm sure the torch will help get me through this 365.
Top man
LP straight off the Sony to here.
An updated shot from a couple weeks back. Wanted to try my hand at creating wings with an acrylic blade I made and strobing flashlight. I can tell you, it took some practice and many attempts.
It's been at nearly 2 weeks since my last hand shot so thought it was time to box one off.
1 x Yongnuo 560iv fired at the wall behind my hand on full power. Lens cap on and changed aperture on the lens. Next up a slow waft of the wonderful Ryus Lightworks vii torch gelled orange, fired through the LP Brushes black fiber optic on strobe mode. After a few sweeps with orange trying to confine the light to the top of where my hand was I swapped to a Peacock Blue gel. I repeated the process but sped up the motion, paying attention to the bottom of the frame.
Shot during a single long exposure in complete darkness. Raw file processed in LR with minimal tweaks.
Russian musician Oleg more well known like LO SEEN.
Discover for yourself truly Russian electronical sound:
Theres an old railway cutting not too far from mine used as a trailway its a great dark spot. I shot this using a Soligor 28mm lens swapping the aperture from f11 for the telidoscope to f8 for the bloom using the Ryu's lightworks V2 torch and f5.6 for the area lighting with a yellow gel. All in one exposure, as usual. Telidoscopic 22-02-2019ps-3
altes Reich, 5. - 6. Dynastie 2514 - 2191 v. Chr. Giza Westfriedhof Schacht 466/467
Part of: "res noscenda" / mask / Viennese Museums with my very eyes / postmortem
DMC-G2 - P1570648 - 2013-03-27
I had a delve into the Hugo Baptista inspiration bank and plucked out grid green.mp4 which I rotated to fill the outside of the frame. Next I added the hand a la Jelle Schuurmans (cheers for the inspration) gelled orange and green. Next I added the orange stardust using the Ryus Lightworks modded torch and www.lightpaintingbrushes.com black fiber optic brush. to tie in with the orange light on my hand.
Cheers once again Hugo, I'm thoroughly enjoying these virtual collaborations.
Camera rotation, DIY V24, Ryus Lightworks modded torch and the lp brushes black fibers gelled blue.
Straight out of the camera and all that jazz.
I'm surprised I can see the keyboard to type after the barrage of bright light fired at my eyes tonight.
About 1mm out on the macro element here but that's as close as I got. Annoyingly this was the first time I tried the shot from start to finish but all subsequent attempts were worse.
Meyer-Optik Gorlitz Oreston 50mm on the macro tubes for my eye, mid-exposure tripod and lens swap for the www.lightpaintingbrushes.com circle blade and Ryus Lightworks modded torch camera rotation. Shot using the Pentax 28mm.
Single long exposure light painting,shot in the complete darkness of my kitchen.
Two different camerarotation with rectangle Plexy shape with color filter by Lightpainting Paradise and the V2 torch by Ryu's lightwork. Black fibers and a flash, tripod swap and that's it.
Uberfaff tonight as I was in the mood after a long week. Macro rings for the server innards, lit obliquely from right and left in red and blue then from behind with my torch. Lens cap on and removed the macro rings and put the Pentax back on. Tripod 2 set up about 6 feet in front of the camera with a bracket mounted on it to hold the LP Brushes circle blade. I rotated the blade 360 degrees then the camera 90 with the Ryus Lightworks torch on full power and super strobey mode. Repeated 4 times then tilted the blade and did it again but started from plus 45 degrees. Lens cap on and moved the tripod a couple of feet closer, changed focus then did an 8 way rotation of the green light pen. Lens cap on again and changed aperture to f5.6, removed the cap and swept the 3d animation courtesy of Hugo B from left to right to add a little texture.
Raw conversion in LR with some minor tweaks and a 16:9 crop.
Shot during a single long exposure from the comfort of my kitchen.
Out in the wilds with Chris T tomorrow and I can't wait...it's been too long.
Nachtschicht in der Papierfabrik mit Erik, Dominic Poncé, Dennis Ryu Bär, Stefan Stepke Stepkovic, Liane Krebs und Karsten Krebs.
Danke an Natascha und Christin.
Eine einzelne Belichtung, keine Photoshop Bastelei. Laowa 12/2,8 - Blende 11 - Emisar D4V2 3000K 95+CRI - Light Painter Ryu's Lightworks Taschenlampe - Plexy Shape und Farbfilter von Light Painting Paradise - Camera Rotation Tool
I love using Ryu's Lightworks V2 torch. So many different modes, it's not until you have a play around that all sorts of different effects can be made. I set up the wheel-on-tripod tool with a HM plexiglass tool, gelled pink and a rave -wand (whoop whoop). Set the V2 to a slow flash strobe. Th Sony A7ii was set up on the camera rotator and was uncapped every 90 degrees around 360, spinning the wheel each time.
20200326-_PDS3695