View allAll Photos Tagged Lightwork
Ericpareando con Bea en las salinas. Tubo blanco con extremo naranja y bengala, iluminado con la linterna Lightpainter Ryu’s Lightworks de Lightpainting Paradise.
11mm - f5.6 - 17seg - ISO400 - WB4400
Con Bea
I don't spend a lot of time taking photos just for the fun of it, to try new things, and apply the advice of some friends ...
...and I miss it.
Just letting the feelings flow,and with wonderful music by Tanerélle Mama Saturn's Virtual Concert
Nightfall in a quiet beach in Colombo, Sri Lanka.
When crowds clear out after the sunset and when the lightworks of the setting sun had died out, a father and his son stare out into the wide open Indian Ocean.
Found this one hiding on my hard drive - thought you might like it!
Taken a good while back at Newcastle South Beach, NSW; Australia.
Thanks again for looking, commenting or adding to favorites!
#4782 - 2021 Day 33: Anyone else feeling badly in need of colour and light? I mentioned last night during a talk that my January stream had been grey, a depiction of the drabness outside. So the solution: turn on the light.
Nachtschicht in der Papierfabrik mit Erik, Dominic Poncé, Dennis Ryu Bär, Stefan Stepke Stepkovic, Liane Krebs und Karsten Krebs.
Danke an Natascha und Christin.
Kamera: Erik Vobman
Licht: Ich
Eine einzelne Belichtung, keine Photoshop Bastelei. Laowa 12/2,5 - Blende 11 - Emisar D4V2 3000K 95+CRI - 2 Light Painter Ryu's Lightworks Taschenlampen für den Orb - Plexy Shape, Rod und Farbfilter von Light Painting Paradise
single exposure Light Art Photography - no edit except crop - moving lights in front of the camera
Fenix FD65 - Lightpainter Ryu's Lightworks torch - plexi shape, plexi rod,color filter & adapter form Light Painting Paradise
single exposure light painting - no edit,
Light Painting Paradise plexy shapes, color filters and adpaters
Fenix PD36R, Ryus Lightworks magic torch
Last weekend saw us all back to the same spot in the New Forest.
As I'd already got a handful of shots from the bridge I thought I'd follow Phill down the track to help with his shot and then he helped with my composition. I used the trusty V2 torch from Ryu's lightworks , on fast strobe (now available through Light Painting Paradise website) in a T8 tube with lime green gel with a purple end cap for the main circle then used a Klarus XT11s with an acrylic bubble rod with yellow gel for the plant scrolls. Phill was waiting at a lined-up spot with a BLF Q8 torch set-up as a backlight popped it on for 10 seconds. Fair Dinkum! Cracking night again with the spirit burner stoves brewin a few coffees and some Japanese instant noodles to keep us going.
20200626-_PDS5115
I don't spend a lot of time taking photos just for the fun of it, to try new things, and apply the advice of some friends ...
...and I miss it.
Just letting the feelings flow,and with wonderful music by Tanerélle Mama Saturn's Virtual Concert
Perth was alive with color in Kings Park botanical garden. 16 JUNE - 30 JULY 2023.
Begin your journey beneath tree canopies illuminated in color, walk under larger-than-life flowers and into dynamic, glowing tunnels. Enjoy breathtaking lightworks created by the best local and international artists. Winter in Perth will never be the same, Lightscape sells out across the world
With Phill on the blue downlight whilst I used The Lightworks V2 with a while poly tube gelled purple (thanks to Quality Street) turned the three rings. Then up the stairs to light the two arched windows then lit the one staircase. Old Wardour Castle 11-01-2019ps-2
Irresistible light and moss covered rocks - what more could a seascape photographer want!!!
This was the scene a few days ago during a sunrise shoot at South Bar Beach, NSW; Australia with long time friend and fellow flickr photographer Joe Micallef.
The image was only possible thanks to my new Progrey 1.2 Reverse Grad filter and Lee .9 Hard Grads (and a little bit of Photoshop...)
It's great to be able to share these moments through flickr - hope you enjoy it!!!
Have an awesome day and weekend everyone!!!
Thanks too for any comments, viewings or favorites for this or any of my other images - very much appreciated!!
If you're looking for blade rotations and hands you've come to the right place :)
I worked out a method of rotating the blade on a different axis which gives off a bit more of a 3d look.
www.lightpaintingbrushes.com rectangle blade woth Ryus lightworks torch rotated 9 times preceded by the hand element. I decided to do the hand bit from behind the camera for a change but lit it as usual with the DIY beauty dish above and a flash with snoot and gel on the floor.
Single long exposure light art.
Only light in front of the camera. This is not digital art.
LightPaintingParadise black fiber and adpater.
Ryu's Lightworks Edition V2 torch.
Casual fashion at The Broad.
“The Broad is designed by world-renowned architectural firm Diller Scofidio + Renfro in collaboration with Gensler. With its innovative “veil-and-vault” concept, the 120,000-square-foot, $140 million building features two floors of gallery space to showcase the Broad’s comprehensive collection and is the headquarters of The Broad Art Foundation’s worldwide lending library.”
— thebroad.org
#MookyBD
#Sony A1
#California
Estupenda sesión con la guapa y simpática Rebeca Casado.
Modelo iluminada con Maglite 4D
Iluminación del puente: LedLenser MT18
Contra: LedLenser P7R
Efectos: Tubo plexy y linterna Ryu´s Lightworks de Light Painting Paradise
11mm - f5.6 - ISO200 - 30sg/1min
Modelo: @rebecasadosanchez
Maquillaje: Changelesmakeup
Fotografía: Mar A Vedí & Yorch Seif
Estupenda sesión con la guapa y simpática Rebeca Casado.
Modelo iluminada con Maglite 4D
Iluminación del puente: LedLenser MT18
Contra: LedLenser P7R
Efectos: Tubo plexy y linterna Ryu´s Lightworks de Light Painting Paradise
11mm - f5.6 - ISO200 - 30sg/1min
Modelo: @rebecasadosanchez
Maquillaje: Changelesmakeup
Fotografía: Mar A Vedí & Yorch Seif
Grasp.
More leaving it till the last minute tonight and one which came to me whilst half watching the football on tv.
Two tripod positions and a third tripod to spin the blade.
I exposed and positioned the off centre blade rotation first to fall on the left hand third of the frame. Once happy with the positioning and the light form I extended the tripod, swapped lenses and worked on lighting and positioning me. Focused where the light form would be and dialled in the settings for the flash through the beauty dish. I left a marker on the floor and reverted the set up to the beginning.
I fired the shutter and started the blade rotation. One 360 of the blade for each 7 turns of the camera rotation tool until back at the start. I replaced the lens cap, swapped lenses, moved the blade tripod, took up position, removed the lens cap and popped the beauty dish with my spare hand.
A couple of goes and got it spot on.
All shot in complete darkness with minimal edits and a 16:9 crop in Lightroom for mobile.
Happy days.