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Estupenda sesión con la guapa y simpática Rebeca Casado.
Modelo iluminada con Maglite 4D
Iluminación del puente: LedLenser MT18
Contra: LedLenser P7R
Efectos: Tubo plexy y linterna Ryu´s Lightworks de Light Painting Paradise
11mm - f5.6 - ISO200 - 30sg/1min
Modelo: @rebecasadosanchez
Maquillaje: Changelesmakeup
Fotografía: Mar A Vedí & Yorch Seif
Estupenda sesión con la guapa y simpática Rebeca Casado.
Modelo iluminada con Maglite 4D
Iluminación del puente: LedLenser MT18
Contra: LedLenser P7R
Efectos: Tubo plexy y linterna Ryu´s Lightworks de Light Painting Paradise
11mm - f5.6 - ISO200 - 30sg/1min
Modelo: @rebecasadosanchez
Maquillaje: Changelesmakeup
Fotografía: Mar A Vedí & Yorch Seif
Another from my weekend visit at sunrise to chalky Beach (near Swansea, NSW; Australia).
This taken just after sunrise - hard to avoid the glare due to intense light hitting the salt spray and mist created from the waves crashing onto the rocks and the longer exposure.
Hope you like it anyway!!
Thanks for any comments, view or favorites!!
Have a great day!
To be honest, this is not a very natural image. I did a lot of lightwork with LED and reflektors, and i made serveral shots form different perspectives and with different aperture, then took one for the background and one for the fungus. So this is two shots mixed up, but from the same place in Kellerwald-Edersee Nationalpark, Germany.
Hier steckt eine Menge Arbeit drin. Es ist keine sehr natürliche Aufnahme, ich habe vor Ort mit LED Licht und Reflektoren gearbeitet, Und verschiedene Blenden und Perspektiven genutz, dann zwei Aufnahmen kombiniert, eine für den Vordergrund, eine für den Hintergrund. Aus dem Kellerwald-Edersee Nationalpark.
Tonight had me reaching for the cardboard and a shot inspired by Mafufuma.
I love his bokeh light man as there is so much energy in the shot.
I tried my own version tonight and endeavoured to create the same energy.
Falling or being taken up man, depending on your outlook on life, cut from black card and taped to my plastic frame. Placed in front of my camera so as to fill the frame. I went round the back and illuminated the cut out with the lp brushes black fibers and blue filter attachment. Light provided by my awesome Ryus Lightworks torch on full power. Once I'd done a few steady seeeps I moved to the other side and waved the same fibers all over the right hand side of the frame. I then changed to closest focus and repeated step two from the left.
Minor edits in LR mobile and all shot during a single long exposure
Cheers Mafu for the inspiration.
Happy days.
More goings on in the shed using Ryus Lightworks V2 torch a Klarus Xt11s torch and a home made fabric diffuser with orange gel over a 3rd torch.
20200201-_PDS2921
Model: Dominic - Camera: Erik - Light: me
FENIX FD65 - 2 Light Painter Ryu's Lightworks flashlights - adpater, color filter, optic fiber & plexy shapes from Light Painting Paradise
One single exposure - no edit except crop
Textured white tulips from the Light Works gallery on the Syracuse University campus. I have been looking for a good subject to try out the textures available at Picnik.com. These tulips worked perfectly.
I did some Spring Cleaning over the weekend of my last month of shooting. Now, if only Spring would show up around the northeast US so I can photograph it. Please?
UPDATE: Son of a gun, this made Explore for March 28, 2011. All the way to #6! Thank you all for your views and comments.
Grasp.
More leaving it till the last minute tonight and one which came to me whilst half watching the football on tv.
Two tripod positions and a third tripod to spin the blade.
I exposed and positioned the off centre blade rotation first to fall on the left hand third of the frame. Once happy with the positioning and the light form I extended the tripod, swapped lenses and worked on lighting and positioning me. Focused where the light form would be and dialled in the settings for the flash through the beauty dish. I left a marker on the floor and reverted the set up to the beginning.
I fired the shutter and started the blade rotation. One 360 of the blade for each 7 turns of the camera rotation tool until back at the start. I replaced the lens cap, swapped lenses, moved the blade tripod, took up position, removed the lens cap and popped the beauty dish with my spare hand.
A couple of goes and got it spot on.
All shot in complete darkness with minimal edits and a 16:9 crop in Lightroom for mobile.
Happy days.
6029 swings away from Locksley, climbing the grade towards Wambool as 6S69 from Tarana to Bathurst.
Sunday 30th September 2018
These two photos could pretty much stand on their own but combined it gets kind of dramatic. Near St.John's, NL.
Sent most of the night trying to get a good light on this amazing building. It was either to dark or getting burn-out from to much light. After I was happy with my 1st shot, I walked back the 10 Meters to the van and put on a brew, leaving Phill to do his thing to get his lighting perfect. After a cuppa and a think, the rain finally stopped and I belted this numba out a few times to get the line up right (but it's not!) using Ryu's Lightworks V2 torch on med-fast ribbon strobe for the green circle done using a poly tube, gelled lime green and a LACE Crystal Tip gelled Light purple then used the Klarus XT11s with a purple gel and a toy lightsabre tube for the swirls and was happy with the nights adventure. We will be going back as there is so much more to do and it is a great spot.
_PDS5570
Done with the 5mm optic fiber, double round adapter, round color filters from Light Painting Paradise and two Ryu's Lightworks Edition V2 torches.
One single photographic frame, no edit.
Moving lights, captured in one singe exposure, no edit.
lightpaintingparadise.com plexy shapes.
Ryu's Lightworks Edition V2 torch
Meyer Optik Görlitz 35/2
100% Light Painting - 0% Photoshop
camera rotation - modified Convoy S2 - Ryu's Lightworks Edition V2 (Orb) - new CRT - plexy rod and shape from lightpaintingparadise.com
Facade of a department store on Goya Street in Madrid, Spain
Happy Holidays to everyone who is celebrating this tradition!
The photo was taken with a Nikon Z6III camera and a Brightin Star 50mm F0.95 II lens, fully manual, without connection pins to the rest of the camera, so the EXIF information may not be correct.
¡QUE LLEGAN LAS NAVIDADES! (2) 2025
Fachada de unos grandes almacenes en la calle Goya de Madrid, España
Muchas felicidades a todos los que celebran esta tradición.
La foto está hecha con una cámara Nikon Z6III y una lente Brightin Star 50mm F0.95 II, totalmente manual, sin pines de conexión con el resto de la cámara, con lo que la información EXIF puede no ser la correcta.
Round and round we go.
Lp Brushes, front of a talk talk router and a Ryus Lightworks vii wonder torch.
:)
Real time Light Painting, one single exposure. Post processing: crop, sharpen, flip the image 180°
First lit up the light bulb (not as easy as I thought), change focus for the bokeh, done with black fiber optic from Light Painting Paradise. Lens swap from
Meyer Optik Görlitz 2/35 to Sigma 2,8/14 and tripod swap. Camera Rotation for the light inside the bulb, plexy shapes from Light Painting Paradise & Ryu's Lightworks Edition V1 & V2 torch
Spent a good couple of hours to get to this one. It just evolved over the course of the evening which I like.
Back-lit silhouette shot with the Minolta 50mm, Yongnuo 560iv on full power at 24mm fired at the wall behind. Lens swap to the Pentax 28mm and moved the flash to high camera left and mounted the beauty dish. Panned the camera up a little, lens cap off, pop flash now on 1/8th @70mm through the dish then filled in the dark space from the first silhouette with the Ryus Lightworks v2 awesome torch shone through the lp brushes black fibers.
Straight out the snappy box.