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A film biography of Formula 1 champion driver Niki Lauda and the 1976 crash that almost claimed his life. Mere weeks after the accident, he got behind the wheel to challenge his rival, James Hunt.
Directed by Ron Howard, he and the cars from that fateful season descended upon the race track at Snetterton to recreate Fuji 1976, these are a few snapshots from that day - 1/5/2012.
Set against the sexy, glamorous golden age of Formula 1 racing in 1976. Based on the true story of a great sporting rivalry between handsome English playboy James Hunt (Chris Hemsworth), and his methodical, brilliant opponent Niki Lauda, (Daniel Bruhl). The story follows their distinctly different personal styles on and off the track, their loves and the astonishing season in which both drivers were willing to risk everything to become world champion in a sport with no margin for error: if you make a mistake, you die.
Info per l'Exposició al Metro: underground life, Bernat Guàrdia (2009)
Diagonal - Provença stations transfer corridor, Barcelona Underground, Catalunya
__________________________ recomanable veure-la oNbLack + f11 :)) ____
St Ann, Manchester, 1709-12.
Grade l listed.
Detail: Embroiderd fall of lilies - choir stalls.
St Ann's Church in Manchester was consecrated in 1712. Although named after St Anne, it also pays tribute to the patron of the church, Ann, Lady Bland. At the beginning of the 18th century, Manchester was a small rural town little more than a village, with many fields and timber-framed houses. A large cornfield named Acres Field, which is now St Ann's Square, became the site for St Ann's Church.
The church was an impressive building and although it stood between the market and the collegiate church, both towers could be seen from all directions. It is a neo-classical building, originally constructed from locally quarried, red Collyhurst sandstone although, due to its soft nature, much of the original stone has since been replaced with sandstone of various colours from Parbold in Lancashire, Hollington in Staffordshire, Darley Dale in Derbyshire and Runcorn in Cheshire. When the church was first constructed, the interior was extremely simple with plain glass windows. However, in the 19th century many changes were made, including the installation of stained glass windows. Some of these were bespoke and others were adapted from other churches. One such window, on the north side of the church, was designed and made by William Peckitt of York.
The tower of the church marks the centre of the city; surveyors used it as a platform to measure distances to other locations. Their benchmark remains visible at the tower door.
The Mosleys were the Lords of the Manor of Manchester and in 1693 the manor was inherited by Ann, Lady Bland, daughter of Sir Edward Mosley. Lady Bland was a leader of fashion in Manchester, staunch in her religious and political views as a member of the Low Church Party: she herself at first worshipped at the Presbyterian Church in the centre of the town. In 1695, however, Henry Newcome, the incumbent, died and Lady Bland decided to found a church of her own. In 1708, Parliament was petitioned to seek permission to build a new church, as the population of Manchester was increasing rapidly. On 18 May 1709, Lady Bland laid the foundation stone of a new church at one end of Acres Field. On 17 June 1712, the church was consecrated by the Bishop of Chester and was dedicated to Saint Anne, the Virgin Mary's mother, which was a compliment both to the founder and to the reigning monarch, Queen Anne. Lady Bland herself is buried in the Church of St James, Didsbury, where a memorial plaque commemorates her life.
As a result of the proximity of St Ann's to the collegiate church, there was a time when it was fashionable to attend "the old church" in the morning and "the new church" in the afternoon or vice versa. One of those who did so was John Byrom (1692–1763), author of Christians Awake, who played quite a prominent part at St Ann's under the first two rectors, despite his Jacobite sympathies.
Towards the end of the 17th century streets had become more numerous in the St Ann's district; by 1720, St Ann's Square had been laid out and planted with trees in imitation of the fashionable squares of London and Bath. In 1729, Sir Oswald Mosley built an exchange, not far from the site of the present Royal Exchange. By 1735, buildings had begun to rise on the south side of Acres Field and King Street and Ridgefield came into being. There was now no longer the simple distinction between "the old church" and "the new church". The rapid growth of Manchester as a result of the Industrial Revolution led to the building of other churches. Then, as the population moved out to the suburbs in the late 19th and early 20th centuries, many of these churches fell into disuse and were demolished. St Ann's holds the memorials from several of these churches, for example Sir Charles Barry's St Matthew's, Campfield (built 1823–25, demolished 1950).
en.wikipedia.org/wiki/St_Ann%27s_Church,_Manchester
Brook lies about a quarter mile from the start of Wye Down, I can see it in the spring when I am orchid hunting, but never really thought about what the village was like, or even called.
After looking at John Vigar's book, I realised there were a few churches in east Kent I had missed out, and Brook was one. I dd not read up on it, so did not know what to expect. In fact, it seems of similar construction to Brabourne, with a stocky tower, and inside, sadly locked, the tower has a private chapel built into it.
But what is obvious is the hole in the north side facing the road. This clearly needed further inspection.
You reach the church via a bridge over a stream, presumably after which the village is named, and there is a path leading to the church door, which was unlocked.
On closer inspection, the recess in the north wall lead to a door, and inside the church, there was an oval door. This is a hagioscope (or squint), but I have never seen one in the outside wall of a church before.
Once home, I did some research, and found out about anchorites, people who decided to leave the cares of the world, lived like hermits attached to a church, with a window into the church so to witness the services.
If this wasn't remarkable enough, elsewhere inside the church had been re-ordered in the 1980s so it now resembles a 12th century Norman church, and has a remarkable collection of wall paintings on top of all that.
To call it breathtaking would be an understatement.
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An anchorite or anchoret (female: anchoress; adj. anchoritic; from Ancient Greek: ἀναχωρητής, anachōrētḗs, "one who has retired from the world",[2][3] from the verb ἀναχωρέω, anachōréō, signifying "to withdraw", "to retire"[4]) is someone who, for religious reasons, withdraws from secular society so as to be able to lead an intensely prayer-oriented, ascetic, and—circumstances permitting—Eucharist-focused life. Whilst anchorites are frequently considered to be a type of religious hermit,[5] unlike hermits they were required to take a vow of stability of place, opting instead for permanent enclosure in cells often attached to churches. Also unlike hermits, anchorites were subject to a religious rite of consecration that closely resembled the funeral rite, following which—theoretically, at least—they would be considered dead to the world, a type of living saint. Anchorites had a certain autonomy, as they did not answer to any ecclesiastical authority other than the bishop.[6]
The anchoritic life is one of the earliest forms of Christian monastic living. In the Roman Catholic Church today, it is one of the "Other Forms of Consecrated Life" and governed by the same norms as the consecrated eremitic life.[7] From the 12th to the 16th centuries, female anchorites consistently outnumbered their male equivalents, sometimes by as many as four to one (in the 13th century), dropping eventually to two to one (in the 15th century). The gender of a high number of anchorites, however, is not recorded for these periods.
The anchoritic life became widespread during the early and high Middle Ages.[9] Examples of the dwellings of anchorites and anchoresses survive. A large number of these are in England. They tended to be a simple cell (also called anchorhold), built against one of the walls of the local village church.[10] In the Germanic lands, from at least the 10th century, it was customary for the bishop to say the office of the dead as the anchorite entered his cell, to signify the anchorite's death to the world and rebirth to a spiritual life of solitary communion with God and the angels. Sometimes, if the anchorite were walled up inside the cell, the bishop would put his seal upon the wall to stamp it with his authority. Some anchorites, however, freely moved between their cell and the adjoining church.[11]
Most anchoritic strongholds were small, perhaps no more than 12 to 15 ft (3.7 to 4.6 m) square, with three windows. Viewing the altar, hearing Mass, and receiving Holy Communion was possible through one small, shuttered window in the common wall facing the sanctuary, called a "hagioscope" or "squint". Anchorites would also provide spiritual advice and counsel to visitors through this window, as the anchorites gained a reputation for wisdom.[12] Another small window would allow access to those who saw to the anchorite's physical needs, such as food and other necessities. A third window, often facing the street, but covered with translucent cloth, would allow light into the cell.[6]
Anchorites were supposed to remain in their cell in all eventualities. Some were even burned in their cells, which they refused to leave even when pirates or other attackers were looting and burning their towns.[13] They ate frugal meals, spending their days both in contemplative prayer and interceding on behalf of others. Anchorites' bodily waste was managed by means of a chamber pot.[14]
In addition to being the crucial physical location wherein the anchorite could embark on the journey towards union with God and the culmination of spiritual perfection, the anchorhold also provided a spiritual and geographic focus for many of those people from the wider society who came to ask for advice and spiritual guidance. It is clear that, although set apart from the community at large by stone walls and specific spiritual precepts, the anchorite also lay at the very centre of that same community. The anchorhold was clearly also a communal 'womb' from which would emerge an idealized sense of a community's own reborn potential, both as Christians and as human subjects.[8]
An idea of their daily routine can be gleaned from an anchoritic Rule. The most widely known today is the early 13th century text known as Ancrene Wisse.[15] Another, less widely known, example is the rule known as De Institutione Inclusarum written in the 12th century, around 1160–62, by Aelred of Rievaulx for his sister.[16] It is estimated that the daily set devotions detailed in Ancrene Wisse would take some four hours, on top of which anchoresses would listen to services in the church, and engage in their own private prayers and devotional reading.
en.wikipedia.org/wiki/Anchorite
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Since its re-ordering in 1986 Brook church has shown the visitor what a church interior might have looked like in the twelfth century. The chancel is empty except for the medieval stone altar, discovered a few years ago in the churchyard, and now set on two ragstone pillars. The church is large, for throughout the medieval period it belonged to Christ Church, Canterbury. There is much Norman work to be seen, including the three-stage west tower which contains a purpose-built chapel or `westwerk`. The church has a comprehensive series of thirteenth-century wall paintings, overlain by some fourteenth- and seventeenth-century murals, although the early paintings are not as well preserved as in some other churches. In the north wall of the chancel is a small almond-shaped hagioscope to the exterior. It may have connected to an anchorite's cell, but is more likely to have been associated with the exposition of a relic on the high altar. It is certainly not a low side window as the tower bell would have been used for this purpose.
www.kentchurches.info/church.asp?p=Brook
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LIES the next parish southward from Wye. It is written in antient records both Broc and Broke, and takes its name from its low situation on the stream which runs through it, baroca in Saxon signifying a rivulet. It seems once to have been accounted a hundred of itself; but at the time of taking the survey of Domesday, in the year 1080, it was reputed to be in the hundred of Wye, as it is now.
The parish is very small, and is but little known, lying out of the way of all traffic and throughfare. It is not more than a mile across each way, and has in it about twenty houses. It lies very low and wet, in a deep miry soil. There is some coppice wood in the southern part of it, about forty-three acres, of which twenty-eighty belong to the dean and chapter of Canterbury. The village is nearly in the centre of the parish, having the church at the north end of it. There is a small hamlet, called Little Bedleston, consisting of only two houses, in the eastern part of the parish, close under the high ridge of hills called Braborne-downs, to the foot of which this parish extends eastward.
BROOKE was given, long before the conquest, by Karlemann, a priest, to the church of Canterbury; but it was wrested from the church in the troublesome times which soon after followed, by reason of the Danish wars, and it continued in lay hands at the accession of the Conqueror; soon after which it appears to have been in the possession of Hugh de Montfort, from whom archbishop Lanfranc recovered Brooke again to his church in the solemn assembly of the whole county, held on this occassion by the king's command, at Pinenden-heath in 1076; and then on the division which the archbishop made of the lands of his church, this manor was allotted by him, among others, to the share of the priory of Christ-church, Canterbury; accordingly it is thus entered among the possessions of it, in the survey of Domesday, under the general title of Terra Monachorum Archiepi, i. e. lands of the monks of the archbishops;
In the hundred of Wi, the archbishop himself holds one manor, which was taxed at one suling, in the time of king Edward the Confessor, and now, for half a suling. The arable land is two carucates. In demesne there is one, and three villeins, with four borderers having two carucates and an half. There is a church, and one mill of two shillings, and two servants, and seven acres of meadow. Wood for the pannage of ten hogs. In the time of king Edward the Confessor, and afterwards, it was worth fifty shillings, now four pounds.
This manor was soon after this let to farm, by the monks, to Robert de Rumene, at the above rent, and was allotted de cibo eorum, that is, to the use of their refectory; and the possession of it was confirmed to them both by king Henry I. and II. (fn. 1) King Edward II. in his 10th year, granted to the prior and convent free warren in all their demesne lands in Broke, among other places which they were in possession of at the time of the charter of liberties granted to them by his grandfather Henry III. about which time this manor was valued at 22l. 1s. 10d. In which state it afterwards continued till the dissolution of the priory of Christchurch in the 31st year of Henry VIII. when it came into the king's hands, where it did not remain long, for the king settled it by his dotation-charter, in his 33d year, on his new-erected dean and chapter of Canterbury, part of whose possessions it still remains.
The demesne lands have been constantly let by the dean and chapter on a beneficial lease, at the yearly rent of 13l. 6s. 8d. in money, and four quarters of wheat. The present lessee is Mr. John Berry, of Newbery, Berkshire; but the manerial rights they retain in their own hands.
A court baron is regularly held for this manor. There are no parochial charities.
BROOKE is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Bridge. The church, which is dedicated to St. Mary, is but small, consisting of one isle and a chancel, with a low square tower at the west end, in which are two bells. There are no memorials of any account in it.
The church of Brooke has always been accounted an appendage to the manor, and as such passed with it from the priory of Christ-church into the hands of the crown, and from thence to the dean and chapter of Canterbury, who are the present patrons of it. The woods belonging to the dean and chapter here, claim an exemption from paying tithes.
¶This rectory is valued in the king's books at 7l. 7s. 3d. and is of the clear yearly certified value of thirty pounds. In 1588 it was valued at thirty pounds. Communicants ninety-two. In 1640 at sixty pounds. Communicants sixty. There are now only ten communicants. In 1724 it was augmented with the sum of 200l. given by the governors of queen Anne's bounty, on the gift of 100l. from the dean and chapter of Canterbury, and the like sum from Dr. Godolphin, dean of St. Paul's; with which there was purchased a piece of land, containing nine acres, called Great Chequer field, adjoining to the town of Wye.
place: Gafargaon, Mymenshing
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Since arriving at UIS, Dominique Wilson has become a student leader. He was elected as the UIS Student Representative to the University of Illinois Board of Trustees, and currently serves in that role. He’s traveled to The Gambia, Africa, and collected enough money to donate $1,000 to a school and pay for two students to attend classes for 5 years.
There are a number of these themed artworks around Amherst featuring quotes from well-known locals. This one is from biologist Lynn Margulis, who spend the second-half of her career at UMass-Amherst. Here's another one from 2013 with a quote from Emily Dickinson.
Yep, all that glorious noise comes from his 1953 Les Paul, and this 1959 tweed Fender Deluxe... and always has.
I had a few other things in mind to put in this, but I was under time pressure as I was preparing supper at the same time. Unfortunately after supper was too late, as we'd eaten and drunk the subject matter..................
I was aiming for a Dutch Old Master's feel to the photo.
Constructive Comments 311
ODC3: still life
Weekly Theme Photography: lights
Byron Udell, founder and CEO of AccuQuote, a leading provider of term life insurance quotes congratulating all the award recipients of the AccuQuote sales awards.
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Life
is full
of longing sensations
that can lift us to soar or
hold us tied down to
the ocean
floor
~ Vanessa Tiegs
© Vanessa Tiegs. All Rights Reserved. All images are under copyright and should not be used without prior consent or permission from Vanessa Tiegs. Any unauthorized use may violate copyright law.
This is one of my favorite images. I visualize it as a picture of life. The life of some people is like that of waves, full of energy, motion, and change--repeatedly striking the shore with renewed vigor to change it, carve it, and reclaim it for the ocean. The stones on the shore represent the life of thoughtless, feelingless, and motionless people, getting their shapes from the waves and the wind. Some people are like the palm trees on the shore--they are static but full of life and fun, talking to the sun, bathing in the rain, and swaying with the wind. Like the ocean, life is deep and mysterious; there may be waves at the surface, but mostly there is peace beneath. The horizon represents the impossible dreams of life; and the sky, its serenity and vastness. The cloud is the haughty martyr; intoxicated in its illusory freedom, it travels far and wide, searching for a place to give away its life. Happiness, sadness, pain, pleasure, love, hatred--there are so many colors in the rainbow of life, but actually they all split from only one color.
Mr. Hokubuddin..
A very gentle man standing in front of my rubic cube...
My study mate...he always stays beside me when am studying or working at my table...
Always motivates me to smile...
Basically used as paperweight....
love you Mr.Hokubuddin....:)
Sunrise on the jersey shore, cape may beach off of beach ave. early morning on a crisp june day. Myself and my wife had gone out for a morning stroll on the beach. Shot was taken with a nikon d60 and a sigma 50mm 1.4f prime. settings: 1/50, f16 in manual mode, floresent day-light
Human called it 'The Forbidden Tree' when in fact thy Lord named it 'The Tree of Life'
x Have a Blessed Tuesday!
Your life is a gift from the Creator. Your gift back to the Creator is what you do with your life.
~Billy Mills
March on. Do not tarry. To go forward is to move toward perfection. March on, and fear not the thorns, or the sharp stones on life's path.
Kahlil Gibran ~
For Thursday's Retread and Monday's Photo Challenge. No matter what challenge lays ahead, fight on & perservere. Have a great Thursday.