View allAll Photos Tagged LensCap
Testing my new Sigma 50mm f/2.8 DG Macro. I love the razor-thin depth-of-field. (row of new Tamron lens caps).
Project 52 - Week 18 (I will be 52 when I finish this project.)
Light Light Light... Oh, how I long to control you.
I'm obsessed with learning about photography, and lighting. The study of light is consuming me.
You'd think I'd be better at using it by now. I can read all I want, but I need to get more practice in. Looking forward to the Flash Bus Tour.
Strobist Info. - Vivitar 285 HV at 1/4 power through Softbox nearly overhead, Vivitar 285 HV at 1/4 power, bare, behind subject.
In observance of Worldwide Pinhole Photography Day 2013, which was this past Sunday 4/28/13, here are some pinhole pictures taken with my Nikon D7000 digital camera on that day. The pinhole "lens" is a drilled out lens cap. I also took some pictures with a Nikon N80 film camera, but I am waiting to use up the roll of film before I can develop it.
Saved this Praying Mantis from a spider web. I was looking for something to show how small it was so I thought my lens cap would work perfect. (72mm lens cap)
A 24-105mm L lens..a couple of random lenscaps.. an iphone.. and a plastic watch in every odd colour you could think of perhaps!
Testing out my 50mm f/1.8 lens
18/365
Getting a cat to pose for a picture is a lot harder than it may seem (unless you're a cat owner, and then you know exactly how hard it is). I am not a cat owner. I'm just cat-sitting. My lens cap was the only toy that would get the furry Mr. Tesla here to stay put long enough to get a decent shot.
Strobist:
1 sb600 camera left, 1/1 through speed grid (with diffuser down, because I'm an idiot), full CTO, sitting in a shoe.
1 sb600 behind subject, 1/64 and bare at 85mm.
Triggered with Cactus V4s.
A bit more of composition with a Speedlite, lenscap and POLCIR filter added to spice the image up a bit.
Shutter release and a lens cap on a Rolleiflex.
There are a few Rolleiflexes in the Archive, each with it's own specifications - an f/3.5, an f/2.8 and a tele-Rolleiflex, if I recall well.
I assume that this shutter release was tripped quite a few times by Tošo Dabac, since this was his standard lens workhorse camera.
Tošo Dabac | The Tošo Dabac Archive
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© Vedran Falica, 2012.
This lens gets alot of playtime because it is the bokeh master. It is really fantastic for portraits too. I had the 200mm f4 for about a week but sold it and bought this one back. While the 200mm macro is better for shooting bugs I wasn't comfortable having such a long lens without a tripod mount or VR.
LX3 mit angesetztem Ricoh LC-1 Lenscap und Modifikationam LC-1 um bei 60mm ohne Vignetierung fotografieren zu können
13/365
I usually like to shoot exclusivly Nikon, because Nikon is the shit, but I have to admit that this Tokina 11-16mm f/2.8 is amazing. It is some seriously fast wide glass. This shot was a test of a magnifying filter on my 50mm. It's the wrong filter size, so I had to do a gnarly tape job. I need to get a step-up ring! I heart this lens.
Praktisix ll, Zeiss Jena Biometar 2.8 80mmm. Shanghai GP3. ID 11.
Oostvoorne.
In the cold the second shutter curtain became hesitant and that is if you look at it positively, I had to use the lenscap to end exposures. I have too many camera's that do not function well.
"Get back your lens cap dude! I don't need it anymore!!"
My 1 year old cousin Nam Nam at Ma Wan Park yesterday. With all her lunch over her face lol
life is very stressful right now. i am not a fan of that! being sick and exhausted, being really busy at work, and preparing for coachella are really making me feel....bleh. tonight we had an encounter with murphy's law (we scrambled so we could get our box of produce and drop keys off with the cat sitter at 9pm--only to find out the car battery was dead), so at this point i am just ready to be done with it all.
the remote, however, still rocks my world. and i am dreaming of friday, when we fly to palm springs and into the magical dimension of coachella....one more day of work, and less than 48 hours until we are in the desert!
...and this time, i WILL NOT FORGET MY CAMERA CHARGER.
Got a second light stand today, and so now I can be even more versatile with the placement of my flashes in the studio. Decided to just kinda mess around with it a bit and show what's beyond the edges of the backdrop. The lens cap is in the photo because it was handy ;-)
Photo-a-Day: Year 6, Day 10 - Total Days: 1836
In observance of Worldwide Pinhole Photography Day 2013, which was this past Sunday 4/28/13, here are some pinhole pictures taken with my Nikon D7000 digital camera on that day. The pinhole "lens" is a drilled out lens cap. I also took some pictures with a Nikon N80 film camera, but I am waiting to use up the roll of film before I can develop it.
Lightpainter: Frodo DKL Brand Ambassador at Light Painting Paradise
Photography: Frodo Álvarez Children of Darklight
Date: 21/01/2019
Location: Alrededores Torres Kio Madrid
Sponsors:
Shot made with OLYMPUS DIGITAL CAMERA OM-D E-M1 MrkII
www.olympus.es / @esolympus #esolympus #olympus
Scanography :) taking a picture without a camera. THIS IS FUN!!! i will take shots again with a scanner sometime :)
Sometimes it's not about elaborate setups, or proper lighting or perfect focus or lots of fancy post processing. Sometimes it's about being there. In that moment. Whatever the camera captures is something that will take you back to that split second in life when everything melted away except you and her.
I've been tackling alot of overtime this week and have missed out on several nights of Kaylee and her pre-bedtime routine. But tonight, Heather went to a chocolate tasting and I got home early so I could spend some daddy-daughter time with Kaylee.
What amazes me about this little girl is her absolute fascination with all my camera equipment. She's going to be one years old next week and she has instant recognition of my camera. I have a feeling she's going to be a photographer too; Probably a better one than I ever will be, and she'll do that by age 10.
I actually taught her how to take the lens cap off tonight. She had so much fun trying to put it on and then take it off. And then this shot was pure luck. It's my arm outstretched, trying to aim it at us while she's both feeding and pulling away the lens cap to me. This went on for several minutes. And regardless of how this shot might have turned out, it would have been perfect because it will always take me back to that moment. The moment where it was just me and her and we were just there.
Rolleiflex 2.8F,
80mm Xenotar lens,
Ilford Delta ISO 400,
Developed in Rodinal 1+25 for 9mins at 20C
The "sunglasses" are the beautifully over-engineered lenscap of a Rolleiflex twin lens reflex camera.
I used 3 pieces of software to get this image the way it is now.
On the night I shot the stars moving, I also took a 1-hour long exposure with the lenscap on. This exposure highlighted all the noise, dead pixels and hotspots.
A lovely piece of software called Deep Sky Stacker takes the light exposure (the one with the stars) and the dark exposure (the "noise map") and processes it to remove the hotspots. Now no software can be perfect - there will still be lost data compared to film, however, saying that, I'm pretty impressed with the result.
Next I put it in Photoshop and brought the colours back, as the previous step desaturated the entire image a bit.
Next I used Imagenomic Noisware to take out some of the noise and reduce the filesize.
Gear: Super-Multi-Coated TAKUMARs
Photos taken with: Pentax K-01 & SMC Pentax-FA 43mm F1.9 Limited
Photo: Thomas Ohlsson Photography
www.thomasohlsson.com | 500px | Facebook | Flickr | Instagram
Modern hypersaline lacustrine mudcracks in Utah, USA. (12 September 1999) (lenscap for scale)
Mudcracks are diagnostic sedimentary structures indicating subaerial exposure of sediment surfaces, with alternating wet & dry conditions. They are much more common that raindrop imprints, which indicate the same environmental setting. Mudcracks are most likely to occur in fine-grained siliciclastic sediments, fine-grained carbonate sediments, and in some evaporitic settings.
Mudcracks are distinctive and easy to identify, but they do vary in appearance. The cracks themselves vary in width, depth, and areal density. Mudcrack polygons also vary in size & shape.
The modern examples shown above are near the shore of Great Salt Lake, a landlocked, hypersaline body of water in northern Utah. The whitish-colored material is a halite crust, formed by evaporation of lake water.
Locality: Saltair, northwestern side of Interstate 80, west of Salt Lake City, northwestern Salt Lake County, northern Utah, USA
fr.wikipedia.org/wiki/Saint-Michel-en-Gr%C3%A8ve
Saint-Michel-en-Grève (Lokmikael-an-Traezh en breton) est une commune française du département des Côtes-d'Armor, dans la région Bretagne, en France. À l'origine une commune vivant essentiellement de son agriculture (Moyen âge), elle a connu un important essor avec l'arrivée du tourisme. Le village a compté jusqu'à six hôtels répartis dans la rue principale, il en reste un aujourd'hui, situé au bord de la plage.