BlackRose Fashion​ * Loordes of London * Maitreya​ * SLink​ * Glam Affair​ * Belleza​ * Truth Hair​ * [Buzz] * !bang poses * Cheeky Pea​

thecollectivemusingsofcatherine.wordpress.com/2015/11/05/...

Austin, Texas

This 3'x9' Lean-To has under-floor rodent barrier, (2) sets of 4'x6' double doors and door security packs. Nearly the entire door wall of this building opens up to allow full access to the interior storage space.

Lean on me, when you're not strong and I'll be your friend.

I'll help you carry on,

for it won't be long 'til I'm gonna need

somebody to lean on.

listen: www.youtube.com/watch?v=wJZ3bcPr-Ds

Just two mops. Processed with VSCOcam with 2 preset

Sketchnotes from Dec 7, 2011 UIE Webinar Lean UX: Getting Out of the Deliverables Business by Jeff Gothelf

The Checklist Manifesto, a book by Atul Gawande, offers a great example of the lean startup model in action.

www.pebbleroad.com/perspectives/view/checklist-manifesto-...

Lean Manufacturing. Ji Hong from China created this idea map to introduce Lean Manufacturing to KK - a client of his that produces semiconductors. See ideamapping.ideamappingsuccess.com/ for the full story.

Stroud Rodeo, Hunter Valley NSW

A lean line of deciduous trees remains after surrounding conifers were cut down.

Marc Grinhaff

Out building at a Waukesha farm at sundown.

Railway overpass, nepean hwy, gardenvale

Everybody takes forever to fall asleep,

Everybody's got a life they don't want to keep

Everybody needs a prayer, and needs a friend

Everybody knows the world's about to end

Found at Lonaconing Silk Mill

Official list entry

Heritage Category: Listed Building

Grade: II*

List Entry Number: 1209774

Date first listed: 10-Jan-1951

Statutory Address 1: CHURCH OF ST MARY, BUCKFAST ABBEY, BUCKFAST ROAD

Location

Statutory Address: CHURCH OF ST MARY, BUCKFAST ABBEY, BUCKFAST ROAD

County: Devon

District: Teignbridge (District Authority)

Parish: Buckfastleigh

National Park: DARTMOOR

National Grid Reference: SX 74147 67411

Details

Abbey church. Built 1907-1932, on the foundations of the medieval Cistercian abbey church (except the east end). FA Walters. For the Benedictine monks who established a house here in 1882. Most of the building work was carried out by a small group of monks working under a master mason. Snecked local grey limestone with Ham Hill dressings; copper roof. Style "mixture of English Cistercian and French early Gothic" (Pevsner). 1965 east end Blessed Sacrament chapel to the designs of Paul Pearn. Plan: church with 8-bay lean-to aisles plus galleried western bay; central crossing tower; transepts with chapels; 3-bay choir with choir aisles; east end Blessed Sacrament chapel with undercroft. EXTERIOR: west end of nave with flanking projecting buttresses containing stairs to gallery, rising as pinnacles with broach spire roofs, bases and pinnacles decorated with blind arcading. Round-headed west doorway with shafts, left and right shafts with cushion capitals and carved gable. Doorway has 3 orders of zigzag, billet and chevron moulding on engaged shafts; 2-leaf door with elaborate ironwork. Above the doorway a recessed 3-centred blind moulded arch containing 2 round-headed windows with shafts and a roundel window above. Above the archway blind arcading decorates the gable. West ends of lean-to aisles have smaller versions of the buttresses flanking the nave and paired round-headed openings (one blind) with roundels above. North side of 9-bay nave has pilasters and a corbelled parapet. Round-headed triforium windows linked by string rising as continuous hoodmould. Nave with parapet and round-headed windows, the hoodmould string interrupted by the pilasters. Small gabled porch in second bay from the west with set-back buttresses, parapet and round-headed outer doorway with shafts and chevron-carved arch. Easternmost 2 bays of aisle with taller roof and blind arcading above the windows. North end of north transept with tall paired arches containing 4 tiers of glazed blind and glazed windows, either round-headed or roundels. East side of transept has one-bay chapel. The choir continues in the same style with lean-to choir aisle roofs. 1965 concrete east end chapel on 4 columns with shallow gabled roof. Tower with 3 stages above nave roof. Clasping pilasters; corner pinnacles with 2 tiers of blind arcading and broach spires, crow-stepped parapet. Lower stage has lancet windows in round-headed recesses, middle stage has small lancet windows in moulded arched recesses; 2-light plate-traceried louvred belfry windows. INTERIOR: Stone-vaulted, the aisles with transverse vaults. Arcades with piers with engaged shafts and chamfred and moulded arches. Nave rib vault with red sandstone infill. Triforium has a pair of 2-light pointed arches to each bay with super-ordinate round-headed blind arch. Aisle walls decorated with blind round-headed recesses containing triple round-headed arches on shafts with moulded bases and carved capitals. Stone-vaulted west end gallery on piers with canted bays to parapet. Tower arches on short paired shafts with moulded bases and carved capitals. Crossing has corbelled stone gallery; transepts have simple galleries on moulded corbels with cast-iron railings. Choir has similar detail to nave but carved, not moulded capitals and stone infill to the vaulting of choir and choir aisles. East end of sanctuary has 2 round-headed arches and 2 round-headed windows above the triforium with a central shaft rising to a carving of the Coronation of the Virgin. The furnishings, floors, painted decoration and stained glass are unexpectedly lavish, particularly the outstanding metalwork, which is mostly 1928-1932 by Bernhard Witte of Aachen, inspired by German Romanesque metalwork and described in some detail in Pevsner. The stained glass is a remarkable collection, mostly still in the medievalising Victorian tradition and of the highest quality. In addition the church contains a C16 ivory crucifix donated by the Clifford family of Ugbrooke, the leading Roman Catholic family in Devon. 1965 Blessed Sacrament chapel by Paul Pearn conceived as a setting for ambitious mosaic stained glass designed by Father Charles Norris, one of the Buckfast Abbey monks. Historical note: the rebuilding of the abbey church by the Buckfast monks was well-publicised in the national and local press and one of the monks with an interest in photography recorded much of the work: the archive is held by the abbey. Buckfast Abbey became an important focus for Roman Catholicism in Devon in the late C19 and C20 with the monks serving private chapels in the area, including Ugbrooke in Chudleigh for the Clifford family and Dundridge in Harberton for the wife of Sir John Harvey. (Buildings of England: Pevsner N: Devon: London: 1989-: 222-226).

© Historic England 2022

old leaner southestern ingham county mi.

Abercrombie & Fitch model and me at the store in Paris, France. Gosh, I love taking photos with these guys.

Description

William Smith, 1870. Simple single-storey mission hall situated at centre of Footdee's North Square. Coursed, roughly squared and snecked rubble with raised brick dressings and round-arched openings. W elevation: 4 round-arched windows with raised cills and brick voussoirs; above, central circular window. Brick bellcote incorporating chimney at apex. Single-storey lean-to runs length of E elevation. 2-leaf round-arched doors to far left and right of S elevation.

Fixed-pane glazing. Grey slate with large rooflights to lower pitch. Ashlar skews. Cast-iron rainwater goods.

North Square Mission Hall occupies the central area of the North Square, reflecting its significance as an integral part of village life. The building is plain, with simple detailing throughout, and as such, responds sympathetically to its setting and context. Known locally as 'the schoolie' the hall was built for general as well as religious purposes and continues to operate as a multi-purpose meeting space.

The entire Footdee village was added to the statutory list in 1967 as a single entity. The village was subsequently given Conservation Area status in 1968. At resurvey in 2006, each building within the Conservation Area was re-assessed separately. Key examples, demonstrating both individual architectural interest and representing the history and development of the village as a whole, were selected for listing.

Footdee is a particularly interesting example of a planned housing development purpose-built to re-house Aberdeen's local fishing community. Laid out in 1809 by John Smith, then Superintendent Of The Town's Public Works. Smith went on to establish himself as one of Aberdeen's key architects. Occupying an isolated spit of land to the SE of Aberdeen's city centre, its regimented squares have been described as 'a cross between the neo-classical aspirations of Aberdeen and the close-knit fishing communities of the north-east'.

The two squares of Footdee originally contained 28 single-storey thatched houses although this increased when the later Middle Row (circa 1837) and Pilot Square (circa 1855) were added. The entrances on each of the North and South squares were filled in the 1870's by William Smith (son of John and architect of Balmoral Castle). He also added additional storeys to the East and West sides of South Square creating a tenement feel.

This was an attempt to ease crowding resulting from an influx of fishing families from other less prosperous areas and to help try to enforce the 'one-house-one-family' rule.

The Town Council decided to start selling the dwellings to occupiers in 1880, beginning a period of incremental development and reconstruction. Additional storeys and dormers were added piecemeal by the new owners as funds allowed. The result is one of individuality expressed within the constraints of a strictly formal plan and is a contributing factor to the special architectural and historical interest of Footdee as a whole.

Throughout the 19th century, 'tarry sheds' were added to the communal land within the squares opposite each dwelling and now every dwelling has its own shed. Originally constructed from drift wood and other found materials, the sheds have been built and rebuilt in an idiosyncratic manner over the years in a variety of materials with rendered brick now predominating slightly (2006). Some timber built sheds remain, predominantly on the North side of North Square.

Referred to locally and historically as 'Fittie', the derivation of which remains uncertain although a number of suggestions have been put forward. The Church of St Fittick is situated half a mile away to the south. 'Footdee' is a more recent and literal Anglicisation, derived from its proximity to the mouth of the River Dee.

Category changed from B to C(S), 2007.

5/6/23 A boy leaning on a bench at Steeplechase Pier. Sony a7. 7Artisans 35mm 1:2.0.

www.instagram.com/dtanist/

Wood Siding

Lean on me, when you're not strong

And I'll be your friend

I'll help you carry on

For it won't be long

'Til I'm gonna need

Somebody to lean on

Bill Withers

Bill Withers

Sometimes in our lives we all have pain

We all have sorrow

But if we are wise

We know that there's always tomorrow

Lean on me, when you're not strong

And I'll be your friend

I'll help you carry on

For it won't be long

'Til I'm gonna need

Somebody to lean on

Please swallow your pride

If I have faith you need to borrow

For no one can fill those of your needs

That you won't let show

You just call on me brother, when you need a hand

We all need somebody to lean on

I just might have a problem that you'll understand

We all need somebody to lean on

Lean on me, when you're not strong

And I'll be your friend

I'll help you carry on

For it won't be long

'Til I'm gonna need

Somebody to lean on

You just call on me brother, when you need a hand

We all need somebody to lean on

I just might have a problem that you'll understand

We all need somebody to lean on

If there is a load you have to bear

That you can't carry

I'm right up the road

I'll share your load

If you just call me (call me)

If you need a friend (call me) call me uh huh(call me) if you need a friend (call me)

If you ever need a friend (call me)

Call me (call me) call me (call me) call me

(Call me) call me (call me) if you need a friend

(Call me) call me (call me) call me (call me) call me (call me) call me (call me)

The Basilica di Santa Chiara again.

Naples, Italy.

My WAP set.

Press 'L' to view in Lightbox

Hesperia, CA - As an ongoing hobby I have put some time and money into a baja bug named, “rusty zipper” Although in fully working order several updates have to be completed before any long distant excursions are attempted.

Danielle Pettee / model, makeup artist, hair stylist, & clothing designer.

430EX II shoot-thru key 60 degree left, 430EX II bounce key 105 degree left, 430EX II kicker 160 degree left.

From this morning's outing!!

Out to Cafe19 in the Peak District with Jill and Himmy..

Bit drizzly at first but some sunny intervals began to break through..!

43(s)miles- always good!!

Lean on me, when you're not strong

And I'll be your friend

I'll help you carry on

For it won't be long

'Til I'm gonna need

Somebody to lean on

---Bill Withers

Taken on 25th October 2007 on a walk from my house into Liverpool City Centre.

The best thing about this workout is that I can do it it in my small apartment at any time.

Check out more workouts like that at melodygramer.tumblr.com!

Abercrombie & Fitch model and me at the store in Paris, France. Gosh, I love taking photos with these guys.

Customer Development Lean Startup workshop in Milan photos by @adamberk