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Crown Graphic w/ 150mm Rodenstock Sironar APO lens / Arista EDU 100 film / developed in Kodak HC-110.
Gandolfi with 6x7 back.
Loaded with Fomapan 200 @ 100, developed in Fomatol Excel.
Kodak portrait lens 305, f. 5,6.
This lens is without shutter and I’m tested the “Galli-shutter”, I.e using to dark slides flipping them en front of the lens.
Also trying to learn development by inspection.
Edited in CaptureOne.
Camera: elliptical coffee can
Paper: Ilford Ilfospeed 1.1M, 9x21 cm
Exposure: 3-5 min
Developer: D-76 1:1
Scanner: CanoScan 9950f
Studio portrait of Florence. Shot on 4x5 Portra 160 with a Cambo SC with Rodenstock Sironar 300mm f5.6 lens.
Rotary processed in Fuji Hunt Jobo CPE3
IN ENGLISH BELOW THE LINE
Per fi puc fotografiar decentment en format 4x5 amb un objectiu petzval realment antic, gràcies a la Sinar P i el seu obturador central de gran format Sinar-Copal.
Fotografia feta amb una Sinar P, fabricada cap als anys 70; objectiu petzval Derogy de llautó, fabricat cap a 1872-1880; Fomapan 100.
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I can finally shoot decently film in 4x5 format with a really old petzval lens, thanks to the Sinar P and its Sinar-Copal large format central shutter.
Picture taken with a Sinar P 4x5 camera, manufactured around the 70s; brass petzval Derogy lens, made circa 1872-1880; Fomapan 100.
Was took cold outside today. So I stayed in and set up the Crown Graphic 4x5 and took a picture.
Crown Graphic 4x5
Schenider 120mm lens
Ilford FP4+
Clayton F76+, 1:9 at 68 degrees for 5:30
back when I worked at my local photo store in 2021, we'd frequently inherit estate's worth of gear from photographers that had passed away. This particular hoard of large format 4 x 5 negatives, originally destined for the dumpster, contains heaps of divinely-inspired boudoir shots by Brooks Dutt circa 1950.
Was wandering (trespassing) behind some buildings and stumbled upon these trailers. Apparently, they are rented out 'anonymously' but they don't change the monikers on the sides. I spent some time lining up the image tilting and shifting to get as much of the image in focus as possible at the same time keeping lines reasonably straight and not distorted.
Derek Keaton Photo // Instagram
FPP Mummy 400 at 32
Nikkor 120mm f/8 at f64
Developed in Pyrocat HD fro 7min.
This lens is mounted on a Burke & James 5x7 Monorail view camera. A Packard shutter is mounted behind the lens.
In addition to digital photographs, I've also recently taken shots of flowers on 4x5 film. This exposure was taken on a Wista M450 4x5 studio camera using a Schneider-Kreuznach Symmar-S 5.6/150 lens. The film was exposed on Acros 100 @ f32 for 13 seconds in natural light. It was then processed in Rodinal (1:50) for 13:30 @ 20C in a Stearman SP-445 tank. The image was scanned on an Epson GT-X980 (V850) then spotted and dodged & burned in Lightroom.