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Sinar P 4x5 with old brass petzval lens printed on Forte Polywarmtone 30x40 on my Durst 138 Filter 3 and warmtone developer. No toning. Photo taken at Federsee swamp.
Camera: Toyo Field 45A
Lens: Rodenstock Sironar-N 150mm f:5.6 (orange filter)
Exposure: 1/8 @ F/32
Film: Foma Retropan 320 4x5" hand developed in Xtol Replenished
4x5 film
1949 Pacemaker Speed Graphic, Kodak Ektar 127mm f/4.7, Ilford HP5, developed in Rodinal 1+50 for 12 mins, scanned negative
Taken last winter here in Austin. Alice is one of my oldest friends, we've known each other since first grade. I think she's beautiful.
Camera: Toyo Field 45A
Lens: Fujinon-W 180mm f:5.6 (yellow filter)
Exposure: 1/8 @ F/32
Film: Foma Fomapan 100 Classic 4x5" hand developed in Xtol Replenished
salvaged black and white large format negatives from the B Dutt archive
scanned 4 x 5 kodak safety film circa 1955
Near the exit to the famed "wall street" section of the Virgin River Narrows, lies the Imlay Boulder. This boulder is frequently photographed, as you must pass it to enter or exit this section of the Narrows, and in the afternoon for a short time, the sun filters down into the 1800 foot deep slot canyon creating this gorgeous reflected light.
In July of 2013, after visiting the Narrows for the first time, I returned a second time to explore and photograph the entire 16-mile length of this canyon, and made my first version of this image. At the time, I'd never seen any photograph of this scene, and was simply captivated by the scene and this seemed the best composition. Only over a year later did I see images from other photographers of the scene.
In January of 2016, I decided to switch back to film for my fine art work, and purchased a 6x4.5cm sized medium format film camera to begin getting used to exposing film instead of digital sensors again. Later in the year, I switched to a 6x7cm format camera, to get used to bellows focusing and a larger image capture plane. Finally, in early fall of 2016, I switched to 4x5in format, and a wooden view camera - technology that has existed since the 1800s, but which has not yet been surpassed in the digital age.
In November, I made this trip to Zion National Park for the fall colors, and decided to take the opportunity to recreate this image on the vastly improved quality of large format color transparency film. Arriving on-site, I captured 4 exposures of the scene, 3 on Kodak Ektar 100, and 1 on Fujifilm Velvia 100. Other large format photographers told me the Velvia wouldn't be able to contain the wide range of light in this scene, from the brilliant highlights to the deep shadows. However, I decided to give it a try anyway, and the result is what you see here. I love the way the Velvia renders this beautiful canyon scene.
Own a signed limited edition print of this image at: lowerylandscapes.com/zion
I remember being in a hurry setting up the camera but then I suddenly fell asleep.
Lith, ansco 70, Forte paper
graflex speed graphic with Tessar 13,5cm
Agfa Aviphot pan 200 in Monobath
US Life project
Scan from Vintage Negative
Kodak Safety Film 4x5
Large Format
Scan: Epson V800
© All Rights Reserved
From Sunday's Live Draw event. Was doing instant oilgraph portraits and these were the negs that came from them. I mounted and painted the polaroids and either sold them outright or put them out for auction.
Most of these were portraits of the patrons at the event.
Haven't shot 4x5 in years. It's like shooting with a cow, but I began to get my stride soon. I wasn't going to add any of these actually since it's not my usual thing and a bit more static that I am used to, but I figured why not.
vistansproject.com/participants/004
Exposed on Ilford HP5+ 4x5 film and developed myself in Xtol. Captured with my Intrepid 4x5 camera with a 150mm lens. Printed 12x16 on Ilford MG glossy fiber, and toned in selenium. Done in my home studio in Vista, CA.
I don't think flying over San Francisco will ever get old.
Been fortunate enough to be playing around with a 50mp Medium Format camera for a couple weeks. The Pentax 645z. This thing is incredible, can't wait to share some more shots soon.
#sanfrancisco #alwayssf #pentax #pentax645z
Exciting day today, received a bundle of my negatives from the lab. Here's an image from my local woods taken last summer. Taken on Delta 100 black & white medium format film with a green filter, loaded in to a Horseman 6x7cm back on an Ebony 45S camera.
Cropped from the 4x5 negative, just liked it better this way. I spent most of today wandering about, looking for compositions just like this one. It was overcast and gloomy all the time but that didn't stop me ;)
1/5s @ f22
Intrepid 4x5 Mk5 + Schneider-Kreuznach Super Angulon 90mm f8 + Fomapan 100
Adox Rodinal (1+25; 4:00) at 20 °C
Expiry date: 2023-06
Exposure index: 100
Cropped in Affinity Photo 2.
Scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
Apparently, I have a 5x7 camera. It's like I forgot. Now, rusty and ill fitting to it, I start again. Blessings to you, wherever you walk. This one is a Karl-size scan...
Note: I am happy to say, this image was selected to be included in the 2015 National All Media Juried Exhibition, at the Chico Art Center.