Nikkor-W 180mm, shanghai GP3

Ross Xpres 8 1/2'' F4.5; t 1/30; f 5.6

Shangai 100; 4 X 5''; Rodinal 1: 50; 20 C;

14 min.

Large format home made camera

210mm lens on 4x5 Ektar, converted to Black and White in Photoshop

Anniversary Speed Graphic

FP-100

bad scan...

linkwize lent me his camera! Thanks!

I'm going on a loooong drive, and i had crazy visions of taking this 4 by 5 camera and wide lens with me and photographing Yunta and surrounds. Many sane people, though, pointed out that this was nuts. So I'm going on a loooong drive with my regular gear, and many rolls of 120.

And when I get home, a few days before I go back to work during which I can learn not to be terrified by this beast of many components.

I'm actually looking forward to the end of my holidays, and i haven't even started them yet!

taken with 4x5 view camera for advanced commercial photography.

Caught with a bag over my head.

Photo taken by Boris Bastian.

Photo made with Wista 45, small french town in south of France, Luceram. Lens Scheinder-Kreuznach Symmar-S 150mm f/5.6 Kodak Tri-X.

This photo is taken from the main Church's belltower, got a special permission to get up there, the local turist guide was very helpful to get the key and let me up there.

Ross Xpres 8 1/2'' F4.5; t 1/30; f 5.6

Shangai 100; 4 X 5''; Rodinal 1: 50; 20 C;

14 min.

8x10 Wet Plate Collodion Aluminium Type April 2018

This is the location of the VIP box on Karl-Marx-Allee in East Berlin where on the 7th October 1989, Soviet state and party chief Mikhail Gorbachev, and SED Secretary Erich Honecker stood.

See: einestages.spiegel.de/static/entry/_wir_sind_das_volk/161...

By the 9th November Erich Honecker had resigned and the wall came down.

digital sinar p3. this is jenn spencer. she's an amazing photographer. studio portraiture mainly.

Lit with 2 600-watt quartz photofloods.

Burke & James 5x7 view camera with 4x5 reducing back, 8" f/7.5 Graflex Optar, Polaroid Type 55.

158x126cm or 80x64cm, Lightjet on photographic paper

For a full explanation please see my blog entry at Meanderings, at best...

4x5 Adox 100 at 100 EI. 180 mm Schneider lens. Toyo 45A field camera. Developed in Rodinal,1:100 for 16 minutes at 20 C.

Efke PL 25M @25 in Rodinal 1:100 10min 20C

Shot with the Linhof Technika III 4x5 camera. Red 25 filter. 1952 150mm Schneider-Kreuznach Xenar lens. Rangefinder focused.

Calumet 45n, Rodenstock 150mm 5.6 Sironar-N, Kodak Tri-X in T-Max developer

This dog park is right by my house and it's where I take Parker several times a day. There are nights when this park has an other-worldly feel to it -- the fog passes through and catches on the tungsten lamps and the mist is so damp you can see the droplets hanging in the air. Unfortunately, nights like that tend to be windy and there is too much movement in the trees and plants to get a sharp photograph. I've had problems before with blurry one second photos in daylight when the wind was up. A night photo like this takes eight minutes!

San Francisco is a windy city and it takes an incredible amount of patience to pull off sharp, detailed shots. This night was a warm, still night. I was able to catch the scene in detail but since this was a calm, fogless night, I was not able to capture that other-worldly feel.

210mm lens on 4x5 Ektar, converted to B&W in Photoshop

Bill Bayer in the closet at Gapco, ca 1980

The original is a 7"x17" banquet size b&w negative. This image is cropped to approx. 6"x11.5"

Scan-of-a-contact-print-of this

Going for a Chandler-esque (Polly, not Raymond) view here - plenty of movements - didn't make notes I'm afraid)

MPP (1/50 @ f4.5),

Fomapan 100,

Rodinal 1+50, 6'30"

Contact-printed onto Ilford MG IV RC paper

facing the other way...

urayasu near from tokyo,Japan

Proof print, Manly Beacon, Death Valley. Goerz 480, FP4+ 8x10, SBR 6.2, f/90 @ 1/5s, AG 0.65, in ID-11 for 8:58s.

Mauro

Ikeda Anba w 6x12 adapter / Foma 100 / Rodinal 1:100