View allAll Photos Tagged LargeFormat
Film: Ilford FP4+, 4x5
Continuing with my series of portraits/faces. My friend here decided to sit for me.
I've been printing these 11x14 on Epson Exhibition paper. Paper is expensive as hell but Incredible detail and tonality.
I captured this beautiful tintype with a very fast lens (120mm f1)
More information in my recent video youtu.be/dXMn61ZcQjo and the plates are available here ebay.mhaustria.com or get a chance to get one free as Patron patreon.mhaustria.com #tintype #petzval #projectionlens #wetplate #largeformat #handmade #bokeh #lensporn #analogphotography #collodionprocess #keepfilmalive #lensporn
An abandoned road (Hampson Street) on the edge of Salford.
Busch Pressman Model D 4x5 Camera - 135mm Raptar lens with a Rapax shutter. 1 second exposure due to an unreliable shutter.
Paper negative on Ilford Ilfospeed semi-matt Paper RC, grade 3. Pre-flashed. Inverted in The Gimp.
Camera: 1946 Speed Graphic
🔍Lens: Nikon Nikkor W 180mm F5.6
Filter: Deep Yellow
⚙Settings: f8 1/60 ISO 125
Film: Fuji Super HR-U X-ray 4x5
Shot taken on normal film and cross processed. The images was shot using the 4x5, 8Banners pinhole camera. Photo courtesy of Barnabas Hong, professional Photographer, Singapore.
For some weird reasons I decided to buy a large format lens. Not even sure if I can shoot and process the 4x5 film, but anyway.
Weirder still, I decided to do a little cleaning on the optics, and surprisingly they do clean up nicely.
Not bad for a Great Depression-era lens.
P.S. Also press L on this one, cheers!
Located east of San Jose, California (just over the hills on the way to James
Lick Observatory).
Taken with a 4x5 Super Graphic Camera with a Schneider 90mm f/5.6 Super Angulon lens.
This was taken on a Light & Land course with Steve Lewis. It was one of those mornings where it seemed nothing would offer itself up - overcast and dull. I searched for ages and then settled on this composition trying to capture the stillnes of the morning and the 'blue' colour of the atmosphere. I thought the sharp edges of the rocks in the foreground contrasted nicely with the partially clouded view of the Snowdon horsehoe in the distance. Taken on a 5.x4 camera with Velvia 50.