View allAll Photos Tagged LargeFormat
Graflex Graphic View I ; 4x5" Fomapan 100; Rodenstock Eurynar 135/ F4.5 ; t 1/50; f 22; Rodinal 1:50; 20C; 14
Zach and Steven have a 2 person bike. It is not to be confused with a tandem, as on this bike, you ride side by side, not back to front.
taken for my large format class on 4x5 black and white film, scanned & edited in photoshop
Lens cap, not shown, is a cap for 4" PVC plumbing pipe, painted matte black. It's a loose fit, and I might put some felt around the inside, but so far it hasn't been a problem.
Candice
Argentique Grand Format 4x5
Chambre Sinar Norma
Film Foma 200
Selfdev (Fomadon R09)/ Scan
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600W photofloods + 80A filter.
Burke & James 5x7 view camera with 4x5 reducing back, 8" f/7.5 Graflex Optar, Polaroid Type 59.
Seneca 6 5x7, paper negative on arista ultra rc vc pearl.
Bichrome fail: tried a paper bichrome but the red channel (on panchromatic Ilfospeed digital rc) got messed up! 😅
#BelieveInFilm #LargeFormat #PaperNegative #PostYourFails #Philly
Film: ilford FP4+ 4x5 (cropped)
This is a portait of a friend. I think I am going to re-do this portrait. Try to set up another sitting. There is something about it I like, although technically speaking it's not that great. It was a long exposure, about 1 sec so there is a slight blur to the image. I shot this using natural light coming though a window. The light was fading fast so I used a wide aperture and a slow shutter speed.
Don't know what I try to accomplish with these portraits. Not sure if they are a window "into the soul". But I do think they are interesting. I think it's part documentary, part art.
The 4x5 model allows u to shoot pinhole shots with a normal film holder behind. The box that holds the pinhole camera is also a 6x8 pinhole camera.
Graflex Speed Graphic + Graflex Optar 135/4.7
New55 negative film @ iso 160
f/8 x 1/125
There was a positive when I peeled the film apart, so I'm not sure what I'm looking at, but there it is.
It's been a while since I've posted on Flickr. The lack of a functioning darkroom following a house move meant that film photography has taken a back seat for a while.
But back in September 2019, I bought this from a friend's uncle. It was, until the late 1970s, in daily use at the Department of Geology, University of Cambridge (now Earth Sciences), as a studio camera.
It dates from circa 1901 and is an original Louis Gandolfi half-plate model. New bellows had been fitted by the previous owner but no other repair or restoration had been done.
The lens is the original Ross Xpres 6 inch f4.5, minimum aperture f32. There is no shutter.
I undertook basic cleaning and restoration of the brass and woodwork during lockdown, including three original double-sided Gandolfi plate holders with reducing inserts for quarter plate (3¼ x4 ¼ inch) and sixth plate (2½ x 3½ inches).
It inspired me to get a darkroom operational again so that I could produce some new images with this classic camera.
I'll be adding the results here.
kodak portra 160 developed in unicolor c41 kit. digital capture with olympus epl1 and inversion + color correction in photoshop/lightroom.
the orange color bleed may be the result of non flat film capture or exceeding the DR of the film.
Another tree on a vista shot. DIY pinhole 8 X 10. Arista 100 exposed for 21 seconds. Coated with van dyke chemistry and exposed for 2.5 min on cotton paper. Notice the light leaks toward the bottom. I think my camera back wasn't securely fastened. Darn it! Image property of BTSphotos.com. All rights reserved.
Arista EDU Ultra 400 (Fomapan 400) in Busch Pressman D, with Carl Zeiss Jena 105mm f/4.5. Stand developed in Rodinal 1:100 55 minutes.
I really need to get a 4x5 reel for developing and a scanner that can handle 4x5. I can deal with the taco method a little longer I guess, but scanning two halves and trying to combine them in PS is getting a little tiring.