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Graflex Graphic View I ; 4x5" Fomapan 100; Rodenstock Eurynar 135/ F4.5 ; t 1/50; f 22; Rodinal 1:50; 20C; 14
JV Fitzgerald Marine Reserve, Moss Beach, California.
Ebony 45SU, 300mm Fujinon-C, f64, 1/4. Ilford Delta 100 film.
Lens cap, not shown, is a cap for 4" PVC plumbing pipe, painted matte black. It's a loose fit, and I might put some felt around the inside, but so far it hasn't been a problem.
Candice
Argentique Grand Format 4x5
Chambre Sinar Norma
Film Foma 200
Selfdev (Fomadon R09)/ Scan
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600W photofloods + 80A filter.
Burke & James 5x7 view camera with 4x5 reducing back, 8" f/7.5 Graflex Optar, Polaroid Type 59.
Seneca 6 5x7, paper negative on arista ultra rc vc pearl.
Bichrome fail: tried a paper bichrome but the red channel (on panchromatic Ilfospeed digital rc) got messed up! 😅
#BelieveInFilm #LargeFormat #PaperNegative #PostYourFails #Philly
Film: ilford FP4+ 4x5 (cropped)
This is a portait of a friend. I think I am going to re-do this portrait. Try to set up another sitting. There is something about it I like, although technically speaking it's not that great. It was a long exposure, about 1 sec so there is a slight blur to the image. I shot this using natural light coming though a window. The light was fading fast so I used a wide aperture and a slow shutter speed.
Don't know what I try to accomplish with these portraits. Not sure if they are a window "into the soul". But I do think they are interesting. I think it's part documentary, part art.
The 4x5 model allows u to shoot pinhole shots with a normal film holder behind. The box that holds the pinhole camera is also a 6x8 pinhole camera.
Graflex Speed Graphic + Graflex Optar 135/4.7
New55 negative film @ iso 160
f/8 x 1/125
There was a positive when I peeled the film apart, so I'm not sure what I'm looking at, but there it is.
It's been a while since I've posted on Flickr. The lack of a functioning darkroom following a house move meant that film photography has taken a back seat for a while.
But back in September 2019, I bought this from a friend's uncle. It was, until the late 1970s, in daily use at the Department of Geology, University of Cambridge (now Earth Sciences), as a studio camera.
It dates from circa 1901 and is an original Louis Gandolfi half-plate model. New bellows had been fitted by the previous owner but no other repair or restoration had been done.
The lens is the original Ross Xpres 6 inch f4.5, minimum aperture f32. There is no shutter.
I undertook basic cleaning and restoration of the brass and woodwork during lockdown, including three original double-sided Gandolfi plate holders with reducing inserts for quarter plate (3¼ x4 ¼ inch) and sixth plate (2½ x 3½ inches).
It inspired me to get a darkroom operational again so that I could produce some new images with this classic camera.
I'll be adding the results here.
kodak portra 160 developed in unicolor c41 kit. digital capture with olympus epl1 and inversion + color correction in photoshop/lightroom.
the orange color bleed may be the result of non flat film capture or exceeding the DR of the film.
Another tree on a vista shot. DIY pinhole 8 X 10. Arista 100 exposed for 21 seconds. Coated with van dyke chemistry and exposed for 2.5 min on cotton paper. Notice the light leaks toward the bottom. I think my camera back wasn't securely fastened. Darn it! Image property of BTSphotos.com. All rights reserved.
Shirley was very patient and let me take a number of sheet film shots. I am glad I caught this one.
Linhof Technika III 4x5 and a 1942 360mm Schneider Tele-Xenar lens.
HP5+ @ 800. In DDX